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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3EABB it is the complementary color #1C1544. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3EABB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3EABB shade: #E8EAB6, #F9FCC9, #FFFFDC, #FFFFEF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3EABB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3EABB shade: #E3EABB, #D2D8A8, #C1C695, #B0B482 and #9FA26F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3EABB shade: #E4EBBD, #EBE5BD, #EBD9BD, #EBCCBD and #EBC0BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3EABB shade: #E4EBBD, #D7EBBD, #CBEBBD, #BFEBBD and #BDEBC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3EABB shade matches the following richer shades: #E4EBBD, #E9F2B6 and #EEF9AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3EABB shade: #E4EBBD, #DFE4C4, #DADDCB, #D5D6D2 and #D0CFD9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3EABB shade: #EBD8BD, #EBE4BD, #E4EBBD, #D8EBBD and #CCEBBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3EABB shade: #CAD77E, #D7E19D, #E4EBBD, #F1F4DC and #FEFEFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3EABB shade: #E3EABB, #BDEBCC and #DEBDEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3EABB shade: #E3EABB, #BDE4EB and #EBBDE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3EABB shade: #E3EABB, #BDEBCC, #C3BDEB and #EBBDDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3EABB shade: #E3EABB, #BDEBDA, #C3BDEB and #EBBDCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 20 / 8

HEX #E3EABB

RGB 227 234 187

HSL 68.94, 0.53%, 0.83%

LAB 91.13, -10.07, 22.09

 

Complementary color

CMYK 59 / 69 / 0 / 73

HEX #1C1544

RGB 28 21 68

HSL 248.94, 0.53%, 0.17%

LAB 10.56, 18.55, -28.61

 

CMYK 1 / 0 / 22 / 8

HEX #E8EAB6

RGB 232 234 182

HSL 62.31, 0.55%, 0.82%

LAB 91.41, -8.97, 25.11

 

CMYK 1 / 0 / 20 / 1

HEX #F9FCC9

RGB 249 252 201

HSL 63.53, 0.89%, 0.89%

LAB 97.62, -9.13, 24.16

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 3 / 0 / 20 / 8

HEX #E3EABB

RGB 227 234 187

HSL 68.94, 0.53%, 0.83%

LAB 91.13, -10.07, 22.09

 

CMYK 3 / 0 / 22 / 15

HEX #D2D8A8

RGB 210 216 168

HSL 67.5, 0.38%, 0.75%

LAB 84.81, -9.95, 23.04

 

CMYK 3 / 0 / 25 / 22

HEX #C1C695

RGB 193 198 149

HSL 66.12, 0.3%, 0.68%

LAB 78.4, -9.81, 24.05

 

CMYK 2 / 0 / 28 / 29

HEX #B0B482

RGB 176 180 130

HSL 64.8, 0.25%, 0.61%

LAB 71.88, -9.64, 25.11

 

CMYK 2 / 0 / 31 / 36

HEX #9FA26F

RGB 159 162 111

HSL 63.53, 0.22%, 0.54%

LAB 65.25, -9.44, 26.23

 

CMYK 3 / 0 / 20 / 8

HEX #E4EBBD

RGB 228 235 189

HSL 69.13, 0.53%, 0.83%

LAB 91.5, -9.92, 21.58

 

CMYK 0 / 3 / 20 / 8

HEX #EBE5BD

RGB 235 229 189

HSL 52.17, 0.53%, 0.83%

LAB 90.49, -4.36, 20.27

 

CMYK 0 / 8 / 20 / 8

HEX #EBD9BD

RGB 235 217 189

HSL 36.52, 0.53%, 0.83%

LAB 87.47, 1.78, 16.04

 

CMYK 0 / 13 / 20 / 8

HEX #EBCCBD

RGB 235 204 189

HSL 19.57, 0.53%, 0.83%

LAB 84.24, 8.55, 11.47

 

CMYK 0 / 18 / 20 / 8

HEX #EBC0BD

RGB 235 192 189

HSL 3.91, 0.53%, 0.83%

LAB 81.31, 14.88, 7.29

 

CMYK 3 / 0 / 20 / 8

HEX #E4EBBD

RGB 228 235 189

HSL 69.13, 0.53%, 0.83%

LAB 91.5, -9.92, 21.58

 

CMYK 9 / 0 / 20 / 8

HEX #D7EBBD

RGB 215 235 189

HSL 86.09, 0.53%, 0.83%

LAB 90.57, -14.54, 20.15

 

CMYK 14 / 0 / 20 / 8

HEX #CBEBBD

RGB 203 235 189

HSL 101.74, 0.53%, 0.83%

LAB 89.76, -18.71, 18.9

 

CMYK 19 / 0 / 20 / 8

HEX #BFEBBD

RGB 191 235 189

HSL 117.39, 0.53%, 0.83%

LAB 89, -22.77, 17.73

 

CMYK 20 / 0 / 15 / 8

HEX #BDEBC7

RGB 189 235 199

HSL 133.04, 0.53%, 0.83%

LAB 89.09, -21.69, 12.64

 

CMYK 3 / 0 / 20 / 8

HEX #E4EBBD

RGB 228 235 189

HSL 69.13, 0.53%, 0.83%

LAB 91.5, -9.92, 21.58

 

CMYK 4 / 0 / 25 / 5

HEX #E9F2B6

RGB 233 242 182

HSL 69, 0.7%, 0.83%

LAB 93.54, -12.59, 28.03

 

CMYK 4 / 0 / 30 / 2

HEX #EEF9AF

RGB 238 249 175

HSL 68.92, 0.86%, 0.83%

LAB 95.59, -15.14, 34.39

 

CMYK 3 / 0 / 20 / 8

HEX #E4EBBD

RGB 228 235 189

HSL 69.13, 0.53%, 0.83%

LAB 91.5, -9.92, 21.58

 

CMYK 2 / 0 / 14 / 11

HEX #DFE4C4

RGB 223 228 196

HSL 69.38, 0.37%, 0.83%

LAB 89.47, -7.11, 15.06

 

CMYK 1 / 0 / 8 / 13

HEX #DADDCB

RGB 218 221 203

HSL 70, 0.21%, 0.83%

LAB 87.45, -4.16, 8.48

 

CMYK 0 / 0 / 2 / 16

HEX #D5D6D2

RGB 213 214 210

HSL 75, 0.05%, 0.83%

LAB 85.45, -1.06, 1.84

 

CMYK 4 / 5 / 0 / 15

HEX #D0CFD9

RGB 208 207 217

HSL 246, 0.12%, 0.83%

LAB 83.47, 2.2, -4.83

 

CMYK 0 / 8 / 20 / 8

HEX #EBD8BD

RGB 235 216 189

HSL 35.22, 0.53%, 0.83%

LAB 87.22, 2.3, 15.69

 

CMYK 0 / 3 / 20 / 8

HEX #EBE4BD

RGB 235 228 189

HSL 50.87, 0.53%, 0.83%

LAB 90.24, -3.85, 19.92

 

CMYK 3 / 0 / 20 / 8

HEX #E4EBBD

RGB 228 235 189

HSL 69.13, 0.53%, 0.83%

LAB 91.5, -9.92, 21.58

 

CMYK 8 / 0 / 20 / 8

HEX #D8EBBD

RGB 216 235 189

HSL 84.78, 0.53%, 0.83%

LAB 90.64, -14.19, 20.26

 

CMYK 13 / 0 / 20 / 8

HEX #CCEBBD

RGB 204 235 189

HSL 100.43, 0.53%, 0.83%

LAB 89.83, -18.37, 19

 

CMYK 6 / 0 / 41 / 16

HEX #CAD77E

RGB 202 215 126

HSL 68.76, 0.53%, 0.67%

LAB 83.27, -17.82, 42.36

 

CMYK 4 / 0 / 30 / 12

HEX #D7E19D

RGB 215 225 157

HSL 68.82, 0.53%, 0.75%

LAB 87.35, -14.12, 32.22

 

CMYK 3 / 0 / 20 / 8

HEX #E4EBBD

RGB 228 235 189

HSL 69.13, 0.53%, 0.83%

LAB 91.5, -9.92, 21.58

 

CMYK 1 / 0 / 10 / 4

HEX #F1F4DC

RGB 241 244 220

HSL 67.5, 0.52%, 0.91%

LAB 95.4, -5.07, 11.22

 

CMYK 0 / 0 / 1 / 0

HEX #FEFEFC

RGB 254 254 252

HSL 60, 0.5%, 0.99%

LAB 99.61, -0.34, 0.94

 

CMYK 3 / 0 / 20 / 8

HEX #E3EABB

RGB 227 234 187

HSL 68.94, 0.53%, 0.83%

LAB 91.13, -10.07, 22.09

 

CMYK 20 / 0 / 13 / 8

HEX #BDEBCC

RGB 189 235 204

HSL 139.57, 0.53%, 0.83%

LAB 89.2, -20.78, 10.2

 

CMYK 6 / 20 / 0 / 8

HEX #DEBDEB

RGB 222 189 235

HSL 283.04, 0.53%, 0.83%

LAB 80.7, 19.89, -18.47

 

CMYK 3 / 0 / 20 / 8

HEX #E3EABB

RGB 227 234 187

HSL 68.94, 0.53%, 0.83%

LAB 91.13, -10.07, 22.09

 

CMYK 20 / 3 / 0 / 8

HEX #BDE4EB

RGB 189 228 235

HSL 189.13, 0.53%, 0.83%

LAB 88.11, -11.15, -7.63

 

CMYK 0 / 20 / 3 / 8

HEX #EBBDE4

RGB 235 189 228

HSL 309.13, 0.53%, 0.83%

LAB 81.65, 22.88, -13.16

 

CMYK 3 / 0 / 20 / 8

HEX #E3EABB

RGB 227 234 187

HSL 68.94, 0.53%, 0.83%

LAB 91.13, -10.07, 22.09

 

CMYK 20 / 0 / 13 / 8

HEX #BDEBCC

RGB 189 235 204

HSL 139.57, 0.53%, 0.83%

LAB 89.2, -20.78, 10.2

 

CMYK 17 / 20 / 0 / 8

HEX #C3BDEB

RGB 195 189 235

HSL 247.83, 0.53%, 0.83%

LAB 78.46, 11.26, -22.07

 

CMYK 0 / 20 / 7 / 8

HEX #EBBDDB

RGB 235 189 219

HSL 320.87, 0.53%, 0.83%

LAB 81.39, 21.3, -8.72

 

CMYK 3 / 0 / 20 / 8

HEX #E3EABB

RGB 227 234 187

HSL 68.94, 0.53%, 0.83%

LAB 91.13, -10.07, 22.09

 

CMYK 20 / 0 / 7 / 8

HEX #BDEBDA

RGB 189 235 218

HSL 157.83, 0.53%, 0.83%

LAB 89.53, -18.12, 3.36

 

CMYK 17 / 20 / 0 / 8

HEX #C3BDEB

RGB 195 189 235

HSL 247.83, 0.53%, 0.83%

LAB 78.46, 11.26, -22.07

 

CMYK 0 / 20 / 12 / 8

HEX #EBBDCE

RGB 235 189 206

HSL 337.83, 0.53%, 0.83%

LAB 81.02, 19.12, -2.27

 

Description

Color code: HEX #E3EABB | qconv.com Color code: HEX #E3EABB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 234 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 234 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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