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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3E9A0 it is the complementary color #1C165F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3E9A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3E9A0 shade: #E8E99B, #F9FBAE, #FFFFC1, #FFFFD4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3E9A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3E9A0 shade: #E3E9A0, #D2D78D, #C1C57A, #B0B367 and #9FA154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3E9A0 shade: #E2E89F, #E8DB9F, #E8C79F, #E8B39F and #E8A09F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3E9A0 shade: #E2E89F, #CFE89F, #BBE89F, #A7E89F and #9FE8AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3E9A0 shade matches the following richer shades: #E2E89F, #EAF296 and #F2FB8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3E9A0 shade: #E2E89F, #DADFA9, #D2D5B2, #CACCBC and #C3C2C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3E9A0 shade: #E8C69F, #E8DA9F, #E3E89F, #D0E89F and #BDE89F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3E9A0 shade: #CED95D, #D8E07E, #E2E89F, #ECF0C1 and #F6F8E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3E9A0 shade: #E3E9A0, #9FE8B3 and #D09FE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3E9A0 shade: #E3E9A0, #9FE3E8 and #E89FE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3E9A0 shade: #E3E9A0, #9FE8B3, #A49FE8 and #E89FD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3E9A0 shade: #E3E9A0, #9FE8C9, #A49FE8 and #E89FBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 31 / 9

HEX #E3E9A0

RGB 227 233 160

HSL 64.93, 0.62%, 0.77%

LAB 90.39, -13.23, 34.89

 

Complementary color

CMYK 71 / 77 / 0 / 63

HEX #1C165F

RGB 28 22 95

HSL 244.93, 0.62%, 0.23%

LAB 13.51, 27.78, -42.25

 

CMYK 0 / 0 / 33 / 9

HEX #E8E99B

RGB 232 233 155

HSL 60.77, 0.64%, 0.76%

LAB 90.69, -11.94, 37.87

 

CMYK 1 / 0 / 31 / 2

HEX #F9FBAE

RGB 249 251 174

HSL 61.56, 0.91%, 0.83%

LAB 96.9, -12.19, 36.77

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 3 / 0 / 31 / 9

HEX #E3E9A0

RGB 227 233 160

HSL 64.93, 0.62%, 0.77%

LAB 90.39, -13.23, 34.89

 

CMYK 2 / 0 / 34 / 16

HEX #D2D78D

RGB 210 215 141

HSL 64.05, 0.48%, 0.7%

LAB 84.08, -13.01, 36

 

CMYK 2 / 0 / 38 / 23

HEX #C1C57A

RGB 193 197 122

HSL 63.2, 0.39%, 0.63%

LAB 77.68, -12.75, 37.15

 

CMYK 2 / 0 / 42 / 30

HEX #B0B367

RGB 176 179 103

HSL 62.37, 0.33%, 0.55%

LAB 71.18, -12.43, 38.35

 

CMYK 1 / 0 / 48 / 37

HEX #9FA154

RGB 159 161 84

HSL 61.56, 0.31%, 0.48%

LAB 64.56, -12.04, 39.56

 

CMYK 3 / 0 / 31 / 9

HEX #E2E89F

RGB 226 232 159

HSL 64.93, 0.61%, 0.77%

LAB 90.04, -13.23, 34.91

 

CMYK 0 / 6 / 31 / 9

HEX #E8DB9F

RGB 232 219 159

HSL 49.32, 0.61%, 0.77%

LAB 87.15, -4.41, 31.17

 

CMYK 0 / 14 / 31 / 9

HEX #E8C79F

RGB 232 199 159

HSL 32.88, 0.61%, 0.77%

LAB 82.11, 5.92, 24.36

 

CMYK 0 / 23 / 31 / 9

HEX #E8B39F

RGB 232 179 159

HSL 16.44, 0.61%, 0.77%

LAB 77.22, 16.5, 17.62

 

CMYK 0 / 31 / 31 / 9

HEX #E8A09F

RGB 232 160 159

HSL 0.82, 0.61%, 0.77%

LAB 72.76, 26.63, 11.36

 

CMYK 3 / 0 / 31 / 9

HEX #E2E89F

RGB 226 232 159

HSL 64.93, 0.61%, 0.77%

LAB 90.04, -13.23, 34.91

 

CMYK 11 / 0 / 31 / 9

HEX #CFE89F

RGB 207 232 159

HSL 80.55, 0.61%, 0.77%

LAB 88.68, -20.27, 32.86

 

CMYK 19 / 0 / 31 / 9

HEX #BBE89F

RGB 187 232 159

HSL 96.99, 0.61%, 0.77%

LAB 87.38, -27.41, 30.9

 

CMYK 28 / 0 / 31 / 9

HEX #A7E89F

RGB 167 232 159

HSL 113.42, 0.61%, 0.77%

LAB 86.22, -34.18, 29.15

 

CMYK 31 / 0 / 26 / 9

HEX #9FE8AB

RGB 159 232 171

HSL 129.86, 0.61%, 0.77%

LAB 86.02, -34.75, 22.63

 

CMYK 3 / 0 / 31 / 9

HEX #E2E89F

RGB 226 232 159

HSL 64.93, 0.61%, 0.77%

LAB 90.04, -13.23, 34.91

 

CMYK 3 / 0 / 38 / 5

HEX #EAF296

RGB 234 242 150

HSL 65.22, 0.78%, 0.77%

LAB 93.1, -16.19, 43.49

 

CMYK 4 / 0 / 44 / 2

HEX #F2FB8D

RGB 242 251 141

HSL 64.91, 0.93%, 0.77%

LAB 95.91, -18.45, 51.49

 

CMYK 3 / 0 / 31 / 9

HEX #E2E89F

RGB 226 232 159

HSL 64.93, 0.61%, 0.77%

LAB 90.04, -13.23, 34.91

 

CMYK 2 / 0 / 24 / 13

HEX #DADFA9

RGB 218 223 169

HSL 65.56, 0.46%, 0.77%

LAB 87.26, -10.39, 25.97

 

CMYK 1 / 0 / 16 / 16

HEX #D2D5B2

RGB 210 213 178

HSL 65.14, 0.29%, 0.77%

LAB 84.23, -6.92, 16.99

 

CMYK 1 / 0 / 8 / 20

HEX #CACCBC

RGB 202 204 188

HSL 67.5, 0.14%, 0.77%

LAB 81.5, -3.52, 7.73

HEX #CACCBC

CMYK 1 / 2 / 0 / 23

HEX #C3C2C5

RGB 195 194 197

HSL 260, 0.03%, 0.77%

LAB 78.59, 0.91, -1.39

HEX #C3C2C5

CMYK 0 / 15 / 31 / 9

HEX #E8C69F

RGB 232 198 159

HSL 32.05, 0.61%, 0.77%

LAB 81.86, 6.45, 24.02

 

CMYK 0 / 6 / 31 / 9

HEX #E8DA9F

RGB 232 218 159

HSL 48.49, 0.61%, 0.77%

LAB 86.9, -3.9, 30.83

 

CMYK 2 / 0 / 31 / 9

HEX #E3E89F

RGB 227 232 159

HSL 64.11, 0.61%, 0.77%

LAB 90.11, -12.85, 35.03

 

CMYK 10 / 0 / 31 / 9

HEX #D0E89F

RGB 208 232 159

HSL 79.73, 0.61%, 0.77%

LAB 88.75, -19.9, 32.97

 

CMYK 19 / 0 / 31 / 9

HEX #BDE89F

RGB 189 232 159

HSL 95.34, 0.61%, 0.77%

LAB 87.5, -26.71, 31.09

 

CMYK 5 / 0 / 57 / 15

HEX #CED95D

RGB 206 217 93

HSL 65.32, 0.62%, 0.61%

LAB 83.72, -20.27, 58.5

 

CMYK 4 / 0 / 44 / 12

HEX #D8E07E

RGB 216 224 126

HSL 64.9, 0.61%, 0.69%

LAB 86.71, -16.82, 46.88

 

CMYK 3 / 0 / 31 / 9

HEX #E2E89F

RGB 226 232 159

HSL 64.93, 0.61%, 0.77%

LAB 90.04, -13.23, 34.91

 

CMYK 2 / 0 / 20 / 6

HEX #ECF0C1

RGB 236 240 193

HSL 65.11, 0.61%, 0.85%

LAB 93.45, -8.96, 22.32

 

CMYK 1 / 0 / 9 / 3

HEX #F6F8E2

RGB 246 248 226

HSL 65.45, 0.61%, 0.93%

LAB 96.91, -4.39, 10.33

 

CMYK 3 / 0 / 31 / 9

HEX #E3E9A0

RGB 227 233 160

HSL 64.93, 0.62%, 0.77%

LAB 90.39, -13.23, 34.89

 

CMYK 31 / 0 / 23 / 9

HEX #9FE8B3

RGB 159 232 179

HSL 136.44, 0.61%, 0.77%

LAB 86.18, -33.34, 18.7

 

CMYK 10 / 31 / 0 / 9

HEX #D09FE8

RGB 208 159 232

HSL 280.27, 0.61%, 0.77%

LAB 72.25, 31.09, -29.84

 

CMYK 3 / 0 / 31 / 9

HEX #E3E9A0

RGB 227 233 160

HSL 64.93, 0.62%, 0.77%

LAB 90.39, -13.23, 34.89

 

CMYK 31 / 2 / 0 / 9

HEX #9FE3E8

RGB 159 227 232

HSL 184.11, 0.61%, 0.77%

LAB 86.07, -19.98, -9.26

 

CMYK 0 / 31 / 2 / 9

HEX #E89FE3

RGB 232 159 227

HSL 304.11, 0.61%, 0.77%

LAB 74.51, 37.71, -23.44

 

CMYK 3 / 0 / 31 / 9

HEX #E3E9A0

RGB 227 233 160

HSL 64.93, 0.62%, 0.77%

LAB 90.39, -13.23, 34.89

 

CMYK 31 / 0 / 23 / 9

HEX #9FE8B3

RGB 159 232 179

HSL 136.44, 0.61%, 0.77%

LAB 86.18, -33.34, 18.7

 

CMYK 29 / 31 / 0 / 9

HEX #A49FE8

RGB 164 159 232

HSL 244.11, 0.61%, 0.77%

LAB 68.4, 17.88, -36.11

 

CMYK 0 / 31 / 8 / 9

HEX #E89FD5

RGB 232 159 213

HSL 315.62, 0.61%, 0.77%

LAB 74.03, 35.26, -16.5

 

CMYK 3 / 0 / 31 / 9

HEX #E3E9A0

RGB 227 233 160

HSL 64.93, 0.62%, 0.77%

LAB 90.39, -13.23, 34.89

 

CMYK 31 / 0 / 13 / 9

HEX #9FE8C9

RGB 159 232 201

HSL 154.52, 0.61%, 0.77%

LAB 86.65, -29.13, 7.89

 

CMYK 29 / 31 / 0 / 9

HEX #A49FE8

RGB 164 159 232

HSL 244.11, 0.61%, 0.77%

LAB 68.4, 17.88, -36.11

 

CMYK 0 / 31 / 18 / 9

HEX #E89FBF

RGB 232 159 191

HSL 333.7, 0.61%, 0.77%

LAB 73.36, 31.69, -5.42

 

Description

Color code: HEX #E3E9A0 | qconv.com Color code: HEX #E3E9A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 233 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 233 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 31 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 31% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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