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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3E5BC it is the complementary color #1C1A43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3E5BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3E5BC shade: #E8E5B7, #F9F7CA, #FFFFDD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3E5BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3E5BC shade: #E3E5BC, #D2D3A9, #C1C196, #B0AF83 and #9F9D70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3E5BC shade: #E3E5BC, #E5DCBC, #E5D1BC, #E5C6BC and #E5BCBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3E5BC shade: #E3E5BC, #D8E5BC, #CDE5BC, #C2E5BC and #BCE5C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3E5BC shade matches the following richer shades: #E3E5BC, #EAECB5, #F0F4AE and #F7FBA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3E5BC shade: #E3E5BC, #DCDDC4, #D5D6CB, #CFCFD3 and #C8C7DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3E5BC shade: #E5D1BC, #E5DBBC, #E3E5BC, #D9E5BC and #CEE5BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3E5BC shade: #CACE81, #D6D99F, #E3E5BC, #EFF0DA and #FCFCF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3E5BC shade: #E3E5BC, #BCE5C6 and #D6BCE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3E5BC shade: #E3E5BC, #BCE3E5 and #E5BCE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3E5BC shade: #E3E5BC, #BCE5C6, #BEBCE5 and #E5BCDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3E5BC shade: #E3E5BC, #BCE5D2, #BEBCE5 and #E5BCCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 18 / 10

HEX #E3E5BC

RGB 227 229 188

HSL 62.93, 0.44%, 0.82%

LAB 89.86, -7.41, 19.81

 

Complementary color

CMYK 58 / 61 / 0 / 74

HEX #1C1A43

RGB 28 26 67

HSL 242.93, 0.44%, 0.18%

LAB 11.9, 14.53, -25.75

 

CMYK 0 / 1 / 21 / 9

HEX #E8E5B7

RGB 232 229 183

HSL 56.33, 0.52%, 0.81%

LAB 90.14, -6.31, 22.85

 

CMYK 0 / 1 / 19 / 2

HEX #F9F7CA

RGB 249 247 202

HSL 57.45, 0.8%, 0.88%

LAB 96.38, -6.5, 21.93

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 1 / 0 / 18 / 10

HEX #E3E5BC

RGB 227 229 188

HSL 62.93, 0.44%, 0.82%

LAB 89.86, -7.41, 19.81

 

CMYK 0 / 0 / 20 / 17

HEX #D2D3A9

RGB 210 211 169

HSL 61.43, 0.32%, 0.75%

LAB 83.52, -7.25, 20.74

 

CMYK 0 / 0 / 22 / 24

HEX #C1C196

RGB 193 193 150

HSL 60, 0.26%, 0.67%

LAB 77.09, -7.07, 21.72

 

CMYK 0 / 1 / 26 / 31

HEX #B0AF83

RGB 176 175 131

HSL 58.67, 0.22%, 0.6%

LAB 70.54, -6.87, 22.76

 

CMYK 0 / 1 / 30 / 38

HEX #9F9D70

RGB 159 157 112

HSL 57.45, 0.2%, 0.53%

LAB 63.88, -6.63, 23.87

 

CMYK 1 / 0 / 18 / 10

HEX #E3E5BC

RGB 227 229 188

HSL 62.93, 0.44%, 0.82%

LAB 89.86, -7.41, 19.81

 

CMYK 0 / 4 / 18 / 10

HEX #E5DCBC

RGB 229 220 188

HSL 46.83, 0.44%, 0.82%

LAB 87.72, -2.1, 16.84

 

CMYK 0 / 9 / 18 / 10

HEX #E5D1BC

RGB 229 209 188

HSL 30.73, 0.44%, 0.82%

LAB 84.94, 3.59, 12.93

 

CMYK 0 / 14 / 18 / 10

HEX #E5C6BC

RGB 229 198 188

HSL 14.63, 0.44%, 0.82%

LAB 82.2, 9.36, 9.04

 

CMYK 0 / 18 / 18 / 10

HEX #E5BCBC

RGB 229 188 188

HSL 0, 0.44%, 0.82%

LAB 79.76, 14.67, 5.53

 

CMYK 1 / 0 / 18 / 10

HEX #E3E5BC

RGB 227 229 188

HSL 62.93, 0.44%, 0.82%

LAB 89.86, -7.41, 19.81

 

CMYK 6 / 0 / 18 / 10

HEX #D8E5BC

RGB 216 229 188

HSL 79.02, 0.44%, 0.82%

LAB 89.05, -11.35, 18.56

 

CMYK 10 / 0 / 18 / 10

HEX #CDE5BC

RGB 205 229 188

HSL 95.12, 0.44%, 0.82%

LAB 88.28, -15.21, 17.37

 

CMYK 15 / 0 / 18 / 10

HEX #C2E5BC

RGB 194 229 188

HSL 111.22, 0.44%, 0.82%

LAB 87.55, -19, 16.24

 

CMYK 18 / 0 / 15 / 10

HEX #BCE5C2

RGB 188 229 194

HSL 128.78, 0.44%, 0.82%

LAB 87.3, -19.97, 12.71

 

CMYK 1 / 0 / 18 / 10

HEX #E3E5BC

RGB 227 229 188

HSL 62.93, 0.44%, 0.82%

LAB 89.86, -7.41, 19.81

 

CMYK 1 / 0 / 23 / 7

HEX #EAECB5

RGB 234 236 181

HSL 62.18, 0.59%, 0.82%

LAB 92.05, -9.38, 26.53

 

CMYK 2 / 0 / 29 / 4

HEX #F0F4AE

RGB 240 244 174

HSL 63.43, 0.76%, 0.82%

LAB 94.43, -12.07, 33.38

 

CMYK 2 / 0 / 34 / 2

HEX #F7FBA6

RGB 247 251 166

HSL 62.82, 0.91%, 0.82%

LAB 96.62, -13.88, 40.36

 

CMYK 1 / 0 / 18 / 10

HEX #E3E5BC

RGB 227 229 188

HSL 62.93, 0.44%, 0.82%

LAB 89.86, -7.41, 19.81

 

CMYK 0 / 0 / 11 / 13

HEX #DCDDC4

RGB 220 221 196

HSL 62.4, 0.27%, 0.82%

LAB 87.44, -4.6, 12.16

 

CMYK 0 / 0 / 5 / 16

HEX #D5D6CB

RGB 213 214 203

HSL 65.45, 0.12%, 0.82%

LAB 85.28, -2.29, 5.3

 

CMYK 2 / 2 / 0 / 17

HEX #CFCFD3

RGB 207 207 211

HSL 240, 0.04%, 0.82%

LAB 83.23, 0.74, -1.99

 

CMYK 8 / 9 / 0 / 15

HEX #C8C7DA

RGB 200 199 218

HSL 243.16, 0.2%, 0.82%

LAB 80.84, 3.97, -9.31

 

CMYK 0 / 9 / 18 / 10

HEX #E5D1BC

RGB 229 209 188

HSL 30.73, 0.44%, 0.82%

LAB 84.94, 3.59, 12.93

 

CMYK 0 / 4 / 18 / 10

HEX #E5DBBC

RGB 229 219 188

HSL 45.37, 0.44%, 0.82%

LAB 87.46, -1.58, 16.48

 

CMYK 1 / 0 / 18 / 10

HEX #E3E5BC

RGB 227 229 188

HSL 62.93, 0.44%, 0.82%

LAB 89.86, -7.41, 19.81

 

CMYK 5 / 0 / 18 / 10

HEX #D9E5BC

RGB 217 229 188

HSL 77.56, 0.44%, 0.82%

LAB 89.12, -10.99, 18.67

 

CMYK 10 / 0 / 18 / 10

HEX #CEE5BC

RGB 206 229 188

HSL 93.66, 0.44%, 0.82%

LAB 88.35, -14.87, 17.48

 

CMYK 2 / 0 / 37 / 19

HEX #CACE81

RGB 202 206 129

HSL 63.12, 0.44%, 0.66%

LAB 80.9, -12.98, 37.85

 

CMYK 1 / 0 / 27 / 15

HEX #D6D99F

RGB 214 217 159

HSL 63.1, 0.43%, 0.74%

LAB 85.21, -10.22, 28.31

 

CMYK 1 / 0 / 18 / 10

HEX #E3E5BC

RGB 227 229 188

HSL 62.93, 0.44%, 0.82%

LAB 89.86, -7.41, 19.81

 

CMYK 0 / 0 / 9 / 6

HEX #EFF0DA

RGB 239 240 218

HSL 62.73, 0.42%, 0.9%

LAB 94.2, -4.07, 10.51

 

CMYK 0 / 0 / 2 / 1

HEX #FCFCF8

RGB 252 252 248

HSL 60, 0.4%, 0.98%

LAB 98.87, -0.69, 1.9

 

CMYK 1 / 0 / 18 / 10

HEX #E3E5BC

RGB 227 229 188

HSL 62.93, 0.44%, 0.82%

LAB 89.86, -7.41, 19.81

 

CMYK 18 / 0 / 14 / 10

HEX #BCE5C6

RGB 188 229 198

HSL 134.63, 0.44%, 0.82%

LAB 87.39, -19.25, 10.74

 

CMYK 7 / 18 / 0 / 10

HEX #D6BCE5

RGB 214 188 229

HSL 278.05, 0.44%, 0.82%

LAB 79.57, 16.65, -17.02

 

CMYK 1 / 0 / 18 / 10

HEX #E3E5BC

RGB 227 229 188

HSL 62.93, 0.44%, 0.82%

LAB 89.86, -7.41, 19.81

 

CMYK 18 / 1 / 0 / 10

HEX #BCE3E5

RGB 188 227 229

HSL 182.93, 0.44%, 0.82%

LAB 87.62, -12.21, -5.2

 

CMYK 0 / 18 / 1 / 10

HEX #E5BCE3

RGB 229 188 227

HSL 302.93, 0.44%, 0.82%

LAB 80.83, 21.23, -13.91

 

CMYK 1 / 0 / 18 / 10

HEX #E3E5BC

RGB 227 229 188

HSL 62.93, 0.44%, 0.82%

LAB 89.86, -7.41, 19.81

 

CMYK 18 / 0 / 14 / 10

HEX #BCE5C6

RGB 188 229 198

HSL 134.63, 0.44%, 0.82%

LAB 87.39, -19.25, 10.74

 

CMYK 17 / 18 / 0 / 10

HEX #BEBCE5

RGB 190 188 229

HSL 242.93, 0.44%, 0.82%

LAB 77.62, 8.94, -20.15

 

CMYK 0 / 18 / 4 / 10

HEX #E5BCDB

RGB 229 188 219

HSL 314.63, 0.44%, 0.82%

LAB 80.59, 19.79, -9.96

 

CMYK 1 / 0 / 18 / 10

HEX #E3E5BC

RGB 227 229 188

HSL 62.93, 0.44%, 0.82%

LAB 89.86, -7.41, 19.81

 

CMYK 18 / 0 / 8 / 10

HEX #BCE5D2

RGB 188 229 210

HSL 152.2, 0.44%, 0.82%

LAB 87.67, -17.01, 4.85

 

CMYK 17 / 18 / 0 / 10

HEX #BEBCE5

RGB 190 188 229

HSL 242.93, 0.44%, 0.82%

LAB 77.62, 8.94, -20.15

 

CMYK 0 / 18 / 10 / 10

HEX #E5BCCF

RGB 229 188 207

HSL 332.2, 0.44%, 0.82%

LAB 80.25, 17.72, -4

 

Description

Color code: HEX #E3E5BC | qconv.com Color code: HEX #E3E5BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 229 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 229 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 18 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 18% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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