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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3E03B it is the complementary color #1C1FC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3E03B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3E03B shade: #E8E036, #F9F249, #FFFF5C, #FFFF6F and #FFFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3E03B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3E03B shade: #E3E03B, #D2CE28, #C1BC15, #B0AA02 and #9F9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3E03B shade: #E3E03B, #E3B33B, #E3853B, #E3583B and #E33B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3E03B shade: #E3E03B, #B9E33B, #8BE33B, #5EE33B and #3BE345

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3E03B shade matches the following richer shades: #E3E03B and #F5F128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3E03B shade: #E3E03B, #D1CE4D, #BFBD5F, #ACAB71 and #9A9A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3E03B shade: #E3843B, #E3B03B, #E3DD3B, #BCE33B and #8FE33B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3E03B shade: #B2AF19, #D6D31F, #E3E03B, #E8E65F and #EDEB83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3E03B shade: #E3E03B, #3BE357 and #9A3BE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3E03B shade: #E3E03B, #3BE3DD and #DD3BE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3E03B shade: #E3E03B, #3BE357, #3B40E3 and #E33BC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3E03B shade: #E3E03B, #3BE389, #3B40E3 and #E33B94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 74 / 11

HEX #E3E03B

RGB 227 224 59

HSL 58.93, 0.75%, 0.56%

LAB 86.98, -17.04, 75.35

 

Complementary color

CMYK 86 / 84 / 0 / 23

HEX #1C1FC4

RGB 28 31 196

HSL 238.93, 0.75%, 0.44%

LAB 27.33, 56.39, -82.27

 

CMYK 0 / 3 / 77 / 9

HEX #E8E036

RGB 232 224 54

HSL 57.3, 0.79%, 0.56%

LAB 87.36, -15.15, 77.38

 

CMYK 0 / 3 / 71 / 2

HEX #F9F249

RGB 249 242 73

HSL 57.61, 0.94%, 0.63%

LAB 93.5, -16.16, 77.54

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 1 / 74 / 11

HEX #E3E03B

RGB 227 224 59

HSL 58.93, 0.75%, 0.56%

LAB 86.98, -17.04, 75.35

 

CMYK 0 / 2 / 81 / 18

HEX #D2CE28

RGB 210 206 40

HSL 58.59, 0.68%, 0.49%

LAB 80.74, -15.96, 74.73

 

CMYK 0 / 3 / 89 / 24

HEX #C1BC15

RGB 193 188 21

HSL 58.26, 0.8%, 0.42%

LAB 74.42, -14.69, 73.06

 

CMYK 0 / 3 / 99 / 31

HEX #B0AA02

RGB 176 170 2

HSL 57.93, 0.98%, 0.35%

LAB 68.01, -13.22, 70.08

 

CMYK 0 / 4 / 100 / 38

HEX #9F9800

RGB 159 152 0

HSL 57.36, 1%, 0.31%

LAB 61.51, -11.48, 64.94

 

CMYK 0 / 1 / 74 / 11

HEX #E3E03B

RGB 227 224 59

HSL 58.93, 0.75%, 0.56%

LAB 86.98, -17.04, 75.35

 

CMYK 0 / 21 / 74 / 11

HEX #E3B33B

RGB 227 179 59

HSL 42.86, 0.75%, 0.56%

LAB 75.38, 5.91, 64.37

 

CMYK 0 / 41 / 74 / 11

HEX #E3853B

RGB 227 133 59

HSL 26.43, 0.75%, 0.56%

LAB 64.5, 30.36, 53.53

 

CMYK 0 / 61 / 74 / 11

HEX #E3583B

RGB 227 88 59

HSL 10.36, 0.75%, 0.56%

LAB 55.71, 52.52, 44.28

 

CMYK 0 / 74 / 74 / 11

HEX #E33B3B

RGB 227 59 59

HSL 0, 0.75%, 0.56%

LAB 51.58, 63.75, 39.74

 

CMYK 0 / 1 / 74 / 11

HEX #E3E03B

RGB 227 224 59

HSL 58.93, 0.75%, 0.56%

LAB 86.98, -17.04, 75.35

 

CMYK 19 / 0 / 74 / 11

HEX #B9E33B

RGB 185 227 59

HSL 75, 0.75%, 0.56%

LAB 84.78, -35.47, 72.21

 

CMYK 39 / 0 / 74 / 11

HEX #8BE33B

RGB 139 227 59

HSL 91.43, 0.75%, 0.56%

LAB 82.24, -52.2, 68.89

 

CMYK 59 / 0 / 74 / 11

HEX #5EE33B

RGB 94 227 59

HSL 107.5, 0.75%, 0.56%

LAB 80.53, -65.12, 66.64

 

CMYK 74 / 0 / 70 / 11

HEX #3BE345

RGB 59 227 69

HSL 123.57, 0.75%, 0.56%

LAB 79.78, -71.12, 62.09

 

CMYK 0 / 1 / 74 / 11

HEX #E3E03B

RGB 227 224 59

HSL 58.93, 0.75%, 0.56%

LAB 86.98, -17.04, 75.35

 

CMYK 0 / 2 / 84 / 4

HEX #F5F128

RGB 245 241 40

HSL 58.83, 0.91%, 0.56%

LAB 92.78, -18.46, 85.98

 

CMYK 0 / 1 / 74 / 11

HEX #E3E03B

RGB 227 224 59

HSL 58.93, 0.75%, 0.56%

LAB 86.98, -17.04, 75.35

 

CMYK 0 / 1 / 63 / 18

HEX #D1CE4D

RGB 209 206 77

HSL 58.64, 0.59%, 0.56%

LAB 80.87, -14.7, 62.27

 

CMYK 0 / 1 / 50 / 25

HEX #BFBD5F

RGB 191 189 95

HSL 58.75, 0.43%, 0.56%

LAB 75.01, -12.22, 47.26

 

CMYK 0 / 1 / 34 / 33

HEX #ACAB71

RGB 172 171 113

HSL 58.98, 0.26%, 0.56%

LAB 68.82, -8.72, 30.05

 

CMYK 0 / 0 / 15 / 40

HEX #9A9A83

RGB 154 154 131

HSL 60, 0.1%, 0.56%

LAB 63.03, -4.11, 12.1

 

CMYK 0 / 42 / 74 / 11

HEX #E3843B

RGB 227 132 59

HSL 26.07, 0.75%, 0.56%

LAB 64.28, 30.89, 53.31

 

CMYK 0 / 22 / 74 / 11

HEX #E3B03B

RGB 227 176 59

HSL 41.79, 0.75%, 0.56%

LAB 74.63, 7.49, 63.64

 

CMYK 0 / 3 / 74 / 11

HEX #E3DD3B

RGB 227 221 59

HSL 57.86, 0.75%, 0.56%

LAB 86.19, -15.57, 74.62

 

CMYK 17 / 0 / 74 / 11

HEX #BCE33B

RGB 188 227 59

HSL 73.93, 0.75%, 0.56%

LAB 84.97, -34.3, 72.46

 

CMYK 37 / 0 / 74 / 11

HEX #8FE33B

RGB 143 227 59

HSL 90, 0.75%, 0.56%

LAB 82.43, -50.87, 69.14

 

CMYK 0 / 2 / 86 / 30

HEX #B2AF19

RGB 178 175 25

HSL 58.82, 0.75%, 0.4%

LAB 69.61, -14.53, 67.89

 

CMYK 0 / 1 / 86 / 16

HEX #D6D31F

RGB 214 211 31

HSL 59.02, 0.75%, 0.48%

LAB 82.37, -16.98, 78.28

 

CMYK 0 / 1 / 74 / 11

HEX #E3E03B

RGB 227 224 59

HSL 58.93, 0.75%, 0.56%

LAB 86.98, -17.04, 75.35

 

CMYK 0 / 1 / 59 / 9

HEX #E8E65F

RGB 232 230 95

HSL 59.12, 0.75%, 0.64%

LAB 89.19, -16, 64.25

 

CMYK 0 / 1 / 45 / 7

HEX #EDEB83

RGB 237 235 131

HSL 58.87, 0.75%, 0.72%

LAB 91.26, -13.55, 50.44

 

CMYK 0 / 1 / 74 / 11

HEX #E3E03B

RGB 227 224 59

HSL 58.93, 0.75%, 0.56%

LAB 86.98, -17.04, 75.35

 

CMYK 74 / 0 / 62 / 11

HEX #3BE357

RGB 59 227 87

HSL 130, 0.75%, 0.56%

LAB 79.93, -69.34, 55.02

 

CMYK 32 / 74 / 0 / 11

HEX #9A3BE3

RGB 154 59 227

HSL 273.93, 0.75%, 0.56%

LAB 46.37, 66.82, -68.43

 

CMYK 0 / 1 / 74 / 11

HEX #E3E03B

RGB 227 224 59

HSL 58.93, 0.75%, 0.56%

LAB 86.98, -17.04, 75.35

 

CMYK 74 / 0 / 3 / 11

HEX #3BE3DD

RGB 59 227 221

HSL 177.86, 0.75%, 0.56%

LAB 82.43, -42.44, -9.23

 

CMYK 3 / 74 / 0 / 11

HEX #DD3BE3

RGB 221 59 227

HSL 297.86, 0.75%, 0.56%

LAB 56.13, 79.49, -52.21

 

CMYK 0 / 1 / 74 / 11

HEX #E3E03B

RGB 227 224 59

HSL 58.93, 0.75%, 0.56%

LAB 86.98, -17.04, 75.35

 

CMYK 74 / 0 / 62 / 11

HEX #3BE357

RGB 59 227 87

HSL 130, 0.75%, 0.56%

LAB 79.93, -69.34, 55.02

 

CMYK 74 / 72 / 0 / 11

HEX #3B40E3

RGB 59 64 227

HSL 238.21, 0.75%, 0.56%

LAB 38.1, 51.28, -82.34

 

CMYK 0 / 74 / 12 / 11

HEX #E33BC7

RGB 227 59 199

HSL 310, 0.75%, 0.56%

LAB 55.67, 76.56, -36.95

 

CMYK 0 / 1 / 74 / 11

HEX #E3E03B

RGB 227 224 59

HSL 58.93, 0.75%, 0.56%

LAB 86.98, -17.04, 75.35

 

CMYK 74 / 0 / 40 / 11

HEX #3BE389

RGB 59 227 137

HSL 147.86, 0.75%, 0.56%

LAB 80.56, -62, 32.11

 

CMYK 74 / 72 / 0 / 11

HEX #3B40E3

RGB 59 64 227

HSL 238.21, 0.75%, 0.56%

LAB 38.1, 51.28, -82.34

 

CMYK 0 / 74 / 35 / 11

HEX #E33B94

RGB 227 59 148

HSL 328.21, 0.75%, 0.56%

LAB 53.6, 70.25, -10.37

 

Description

Color code: HEX #E3E03B | qconv.com Color code: HEX #E3E03B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 224 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 224 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 74 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 74% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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