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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3D582 it is the complementary color #1C2A7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3D582. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3D582 shade: #E8D57D, #F9E790, #FFF9A3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3D582. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3D582 shade: #E3D582, #D2C36F, #C1B15C, #B09F49 and #9F8D36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3D582 shade: #E3D582, #E3BB82, #E3A182, #E38782 and #E38282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3D582 shade: #E3D582, #D7E382, #BDE382, #A3E382 and #89E382

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3D582 shade matches the following richer shades: #E3D582, #EFDE76 and #FBE66A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3D582 shade: #E3D582, #D6CC8F, #CAC39B, #BEBAA7 and #B1B2B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3D582 shade: #E3A182, #E3BB82, #E3D482, #D7E382 and #BEE382

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3D582 shade: #D3BE3F, #DBC961, #E3D582, #EAE0A4 and #F2ECC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3D582 shade: #E3D582, #82E387 and #AE82E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3D582 shade: #E3D582, #82E3D4 and #D482E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3D582 shade: #E3D582, #82E387, #8291E3 and #E382DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3D582 shade: #E3D582, #82E3A4, #8291E3 and #E382C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 43 / 11

HEX #E3D582

RGB 227 213 130

HSL 51.34, 0.63%, 0.7%

LAB 84.76, -6.57, 42.67

 

Complementary color

CMYK 78 / 66 / 0 / 51

HEX #1C2A7D

RGB 28 42 125

HSL 231.34, 0.63%, 0.3%

LAB 21.52, 25.74, -48.61

 

CMYK 0 / 8 / 46 / 9

HEX #E8D57D

RGB 232 213 125

HSL 49.35, 0.7%, 0.7%

LAB 85.11, -5.07, 45.68

 

CMYK 0 / 7 / 42 / 2

HEX #F9E790

RGB 249 231 144

HSL 49.71, 0.9%, 0.77%

LAB 91.37, -5.59, 44.48

 

CMYK 0 / 2 / 36 / 0

HEX #FFF9A3

RGB 255 249 163

HSL 56.09, 1%, 0.82%

LAB 96.68, -10.23, 42.02

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 6 / 43 / 11

HEX #E3D582

RGB 227 213 130

HSL 51.34, 0.63%, 0.7%

LAB 84.76, -6.57, 42.67

 

CMYK 0 / 7 / 47 / 18

HEX #D2C36F

RGB 210 195 111

HSL 50.91, 0.52%, 0.63%

LAB 78.39, -6.04, 43.88

 

CMYK 0 / 8 / 52 / 24

HEX #C1B15C

RGB 193 177 92

HSL 50.5, 0.45%, 0.56%

LAB 71.93, -5.42, 45.1

 

CMYK 0 / 10 / 59 / 31

HEX #B09F49

RGB 176 159 73

HSL 50.1, 0.41%, 0.49%

LAB 65.36, -4.67, 46.28

 

CMYK 0 / 11 / 66 / 38

HEX #9F8D36

RGB 159 141 54

HSL 49.71, 0.49%, 0.42%

LAB 58.68, -3.75, 47.33

 

CMYK 0 / 6 / 43 / 11

HEX #E3D582

RGB 227 213 130

HSL 51.34, 0.63%, 0.7%

LAB 84.76, -6.57, 42.67

 

CMYK 0 / 18 / 43 / 11

HEX #E3BB82

RGB 227 187 130

HSL 35.26, 0.63%, 0.7%

LAB 78.16, 6.92, 34.22

 

CMYK 0 / 29 / 43 / 11

HEX #E3A182

RGB 227 161 130

HSL 19.18, 0.63%, 0.7%

LAB 71.85, 20.77, 25.89

 

CMYK 0 / 41 / 43 / 11

HEX #E38782

RGB 227 135 130

HSL 3.09, 0.63%, 0.7%

LAB 65.96, 34.61, 17.89

 

CMYK 0 / 43 / 43 / 11

HEX #E38282

RGB 227 130 130

HSL 0, 0.63%, 0.7%

LAB 64.89, 37.22, 16.41

 

CMYK 0 / 6 / 43 / 11

HEX #E3D582

RGB 227 213 130

HSL 51.34, 0.63%, 0.7%

LAB 84.76, -6.57, 42.67

 

CMYK 5 / 0 / 43 / 11

HEX #D7E382

RGB 215 227 130

HSL 67.42, 0.63%, 0.7%

LAB 87.48, -18.27, 45.88

 

CMYK 17 / 0 / 43 / 11

HEX #BDE382

RGB 189 227 130

HSL 83.51, 0.63%, 0.7%

LAB 85.69, -28.11, 43.25

 

CMYK 28 / 0 / 43 / 11

HEX #A3E382

RGB 163 227 130

HSL 99.59, 0.63%, 0.7%

LAB 84.14, -37.37, 40.97

 

CMYK 40 / 0 / 43 / 11

HEX #89E382

RGB 137 227 130

HSL 115.67, 0.63%, 0.7%

LAB 82.84, -45.77, 39.05

 

CMYK 0 / 6 / 43 / 11

HEX #E3D582

RGB 227 213 130

HSL 51.34, 0.63%, 0.7%

LAB 84.76, -6.57, 42.67

 

CMYK 0 / 7 / 51 / 6

HEX #EFDE76

RGB 239 222 118

HSL 51.57, 0.79%, 0.7%

LAB 87.92, -7.45, 52.61

 

CMYK 0 / 8 / 58 / 2

HEX #FBE66A

RGB 251 230 106

HSL 51.31, 0.95%, 0.7%

LAB 90.85, -7.55, 61.76

 

CMYK 0 / 6 / 43 / 11

HEX #E3D582

RGB 227 213 130

HSL 51.34, 0.63%, 0.7%

LAB 84.76, -6.57, 42.67

 

CMYK 0 / 5 / 33 / 16

HEX #D6CC8F

RGB 214 204 143

HSL 51.55, 0.46%, 0.7%

LAB 81.55, -5.62, 31.7

 

CMYK 0 / 3 / 23 / 21

HEX #CAC39B

RGB 202 195 155

HSL 51.06, 0.31%, 0.7%

LAB 78.43, -3.99, 21.03

 

CMYK 0 / 2 / 12 / 25

HEX #BEBAA7

RGB 190 186 167

HSL 49.57, 0.15%, 0.7%

LAB 75.36, -1.89, 10.13

 

CMYK 2 / 1 / 0 / 29

HEX #B1B2B4

RGB 177 178 180

HSL 220, 0.02%, 0.7%

LAB 72.55, 0.03, -1.15

 

CMYK 0 / 29 / 43 / 11

HEX #E3A182

RGB 227 161 130

HSL 19.18, 0.63%, 0.7%

LAB 71.85, 20.77, 25.89

 

CMYK 0 / 18 / 43 / 11

HEX #E3BB82

RGB 227 187 130

HSL 35.26, 0.63%, 0.7%

LAB 78.16, 6.92, 34.22

 

CMYK 0 / 7 / 43 / 11

HEX #E3D482

RGB 227 212 130

HSL 50.72, 0.63%, 0.7%

LAB 84.5, -6.06, 42.34

 

CMYK 5 / 0 / 43 / 11

HEX #D7E382

RGB 215 227 130

HSL 67.42, 0.63%, 0.7%

LAB 87.48, -18.27, 45.88

 

CMYK 16 / 0 / 43 / 11

HEX #BEE382

RGB 190 227 130

HSL 82.89, 0.63%, 0.7%

LAB 85.75, -27.74, 43.35

 

CMYK 0 / 10 / 70 / 17

HEX #D3BE3F

RGB 211 190 63

HSL 51.49, 0.63%, 0.54%

LAB 76.7, -6.51, 63.62

 

CMYK 0 / 8 / 56 / 14

HEX #DBC961

RGB 219 201 97

HSL 51.15, 0.63%, 0.62%

LAB 80.57, -6.64, 53.4

 

CMYK 0 / 6 / 43 / 11

HEX #E3D582

RGB 227 213 130

HSL 51.34, 0.63%, 0.7%

LAB 84.76, -6.57, 42.67

 

CMYK 0 / 4 / 30 / 8

HEX #EAE0A4

RGB 234 224 164

HSL 51.43, 0.63%, 0.78%

LAB 88.68, -5.57, 30.67

 

CMYK 0 / 2 / 18 / 5

HEX #F2ECC6

RGB 242 236 198

HSL 51.82, 0.63%, 0.86%

LAB 92.99, -4.07, 19.18

 

CMYK 0 / 6 / 43 / 11

HEX #E3D582

RGB 227 213 130

HSL 51.34, 0.63%, 0.7%

LAB 84.76, -6.57, 42.67

 

CMYK 43 / 0 / 41 / 11

HEX #82E387

RGB 130 227 135

HSL 123.09, 0.63%, 0.7%

LAB 82.61, -47.11, 36.2

 

CMYK 23 / 43 / 0 / 11

HEX #AE82E3

RGB 174 130 227

HSL 267.22, 0.63%, 0.7%

LAB 62.09, 35.9, -43.15

 

CMYK 0 / 6 / 43 / 11

HEX #E3D582

RGB 227 213 130

HSL 51.34, 0.63%, 0.7%

LAB 84.76, -6.57, 42.67

 

CMYK 43 / 0 / 7 / 11

HEX #82E3D4

RGB 130 227 212

HSL 170.72, 0.63%, 0.7%

LAB 84.19, -32.16, -1.63

 

CMYK 7 / 43 / 0 / 11

HEX #D482E3

RGB 212 130 227

HSL 290.72, 0.63%, 0.7%

LAB 66.14, 46.85, -36.52

 

CMYK 0 / 6 / 43 / 11

HEX #E3D582

RGB 227 213 130

HSL 51.34, 0.63%, 0.7%

LAB 84.76, -6.57, 42.67

 

CMYK 43 / 0 / 41 / 11

HEX #82E387

RGB 130 227 135

HSL 123.09, 0.63%, 0.7%

LAB 82.61, -47.11, 36.2

 

CMYK 43 / 36 / 0 / 11

HEX #8291E3

RGB 130 145 227

HSL 230.72, 0.63%, 0.7%

LAB 62.12, 15.39, -43.36

 

CMYK 0 / 43 / 2 / 11

HEX #E382DE

RGB 227 130 222

HSL 303.09, 0.63%, 0.7%

LAB 67.7, 50.36, -31.19

 

CMYK 0 / 6 / 43 / 11

HEX #E3D582

RGB 227 213 130

HSL 51.34, 0.63%, 0.7%

LAB 84.76, -6.57, 42.67

 

CMYK 43 / 0 / 28 / 11

HEX #82E3A4

RGB 130 227 164

HSL 141.03, 0.63%, 0.7%

LAB 83.11, -42.23, 22.04

 

CMYK 43 / 36 / 0 / 11

HEX #8291E3

RGB 130 145 227

HSL 230.72, 0.63%, 0.7%

LAB 62.12, 15.39, -43.36

 

CMYK 0 / 43 / 15 / 11

HEX #E382C1

RGB 227 130 193

HSL 321.03, 0.63%, 0.7%

LAB 66.63, 45.53, -16.65

 

Description

Color code: HEX #E3D582 | qconv.com Color code: HEX #E3D582 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 213 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 213 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 43 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 43% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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