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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3D272 it is the complementary color #1C2D8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3D272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3D272 shade: #E8D26D, #F9E480, #FFF693, #FFFFA6 and #FFFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3D272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3D272 shade: #E3D272, #D2C05F, #C1AE4C, #B09C39 and #9F8A26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3D272 shade: #E3D272, #E3B472, #E39572, #E37772 and #E37272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3D272 shade: #E3D272, #D6E372, #B7E372, #99E372 and #7BE372

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3D272 shade matches the following richer shades: #E3D272, #F1DC65 and #FEE557

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3D272 shade: #E3D272, #D6C980, #C8BF8E, #BAB69B and #ADACA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3D272 shade: #E39472, #E3B272, #E3D072, #D8E372 and #BAE372

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3D272 shade: #D6BC2E, #DCC750, #E3D272, #EADD95 and #F1E8B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3D272 shade: #E3D272, #72E376 and #A372E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3D272 shade: #E3D272, #72E3D0 and #D072E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3D272 shade: #E3D272, #72E376, #7285E3 and #E372DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3D272 shade: #E3D272, #72E398, #7285E3 and #E372BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 50 / 11

HEX #E3D272

RGB 227 210 114

HSL 50.97, 0.67%, 0.67%

LAB 83.78, -6.56, 49.3

 

Complementary color

CMYK 80 / 68 / 0 / 45

HEX #1C2D8D

RGB 28 45 141

HSL 230.97, 0.67%, 0.33%

LAB 23.83, 29.88, -54.86

 

CMYK 0 / 9 / 53 / 9

HEX #E8D26D

RGB 232 210 109

HSL 49.27, 0.73%, 0.67%

LAB 84.15, -4.95, 52.24

 

CMYK 0 / 8 / 49 / 2

HEX #F9E480

RGB 249 228 128

HSL 49.59, 0.91%, 0.74%

LAB 90.41, -5.6, 51.05

 

CMYK 0 / 4 / 42 / 0

HEX #FFF693

RGB 255 246 147

HSL 55, 1%, 0.79%

LAB 95.7, -10.43, 48.57

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 7 / 50 / 11

HEX #E3D272

RGB 227 210 114

HSL 50.97, 0.67%, 0.67%

LAB 83.78, -6.56, 49.3

 

CMYK 0 / 9 / 55 / 18

HEX #D2C05F

RGB 210 192 95

HSL 50.61, 0.56%, 0.6%

LAB 77.42, -5.89, 50.48

 

CMYK 0 / 10 / 61 / 24

HEX #C1AE4C

RGB 193 174 76

HSL 50.26, 0.49%, 0.53%

LAB 70.96, -5.1, 51.59

 

CMYK 0 / 11 / 68 / 31

HEX #B09C39

RGB 176 156 57

HSL 49.92, 0.51%, 0.46%

LAB 64.41, -4.14, 52.52

 

CMYK 0 / 13 / 76 / 38

HEX #9F8A26

RGB 159 138 38

HSL 49.59, 0.61%, 0.39%

LAB 57.74, -2.97, 53.02

 

CMYK 0 / 7 / 50 / 11

HEX #E3D272

RGB 227 210 114

HSL 50.97, 0.67%, 0.67%

LAB 83.78, -6.56, 49.3

 

CMYK 0 / 21 / 50 / 11

HEX #E3B472

RGB 227 180 114

HSL 35.04, 0.67%, 0.67%

LAB 76.18, 9.05, 39.97

 

CMYK 0 / 34 / 50 / 11

HEX #E39572

RGB 227 149 114

HSL 18.58, 0.67%, 0.67%

LAB 68.78, 25.6, 30.51

 

CMYK 0 / 48 / 50 / 11

HEX #E37772

RGB 227 119 114

HSL 2.65, 0.67%, 0.67%

LAB 62.29, 41.3, 21.91

 

CMYK 0 / 50 / 50 / 11

HEX #E37272

RGB 227 114 114

HSL 0, 0.67%, 0.67%

LAB 61.29, 43.82, 20.56

 

CMYK 0 / 7 / 50 / 11

HEX #E3D272

RGB 227 210 114

HSL 50.97, 0.67%, 0.67%

LAB 83.78, -6.56, 49.3

 

CMYK 6 / 0 / 50 / 11

HEX #D6E372

RGB 214 227 114

HSL 66.9, 0.67%, 0.67%

LAB 87.22, -20.22, 53.17

 

CMYK 19 / 0 / 50 / 11

HEX #B7E372

RGB 183 227 114

HSL 83.36, 0.67%, 0.67%

LAB 85.11, -32.09, 50.14

 

CMYK 33 / 0 / 50 / 11

HEX #99E372

RGB 153 227 114

HSL 99.29, 0.67%, 0.67%

LAB 83.4, -42.72, 47.68

 

CMYK 46 / 0 / 50 / 11

HEX #7BE372

RGB 123 227 114

HSL 115.22, 0.67%, 0.67%

LAB 82.04, -52.06, 45.7

 

CMYK 0 / 7 / 50 / 11

HEX #E3D272

RGB 227 210 114

HSL 50.97, 0.67%, 0.67%

LAB 83.78, -6.56, 49.3

 

CMYK 0 / 9 / 58 / 5

HEX #F1DC65

RGB 241 220 101

HSL 51, 0.83%, 0.67%

LAB 87.4, -6.95, 59.86

 

CMYK 0 / 10 / 66 / 0

HEX #FEE557

RGB 254 229 87

HSL 51.02, 0.99%, 0.67%

LAB 90.69, -7.01, 69.67

 

CMYK 0 / 7 / 50 / 11

HEX #E3D272

RGB 227 210 114

HSL 50.97, 0.67%, 0.67%

LAB 83.78, -6.56, 49.3

 

CMYK 0 / 6 / 40 / 16

HEX #D6C980

RGB 214 201 128

HSL 50.93, 0.51%, 0.67%

LAB 80.53, -5.8, 38.08

 

CMYK 0 / 5 / 29 / 22

HEX #C8BF8E

RGB 200 191 142

HSL 50.69, 0.35%, 0.67%

LAB 76.98, -4.45, 25.91

 

CMYK 0 / 2 / 17 / 27

HEX #BAB69B

RGB 186 182 155

HSL 52.26, 0.18%, 0.67%

LAB 73.71, -3.18, 14.27

 

CMYK 0 / 1 / 2 / 32

HEX #ADACA9

RGB 173 172 169

HSL 45, 0.02%, 0.67%

LAB 70.35, -0.2, 1.66

 

CMYK 0 / 35 / 50 / 11

HEX #E39472

RGB 227 148 114

HSL 18.05, 0.67%, 0.67%

LAB 68.55, 26.13, 30.21

 

CMYK 0 / 22 / 50 / 11

HEX #E3B272

RGB 227 178 114

HSL 33.98, 0.67%, 0.67%

LAB 75.69, 10.11, 39.35

 

CMYK 0 / 8 / 50 / 11

HEX #E3D072

RGB 227 208 114

HSL 49.91, 0.67%, 0.67%

LAB 83.26, -5.54, 48.68

 

CMYK 5 / 0 / 50 / 11

HEX #D8E372

RGB 216 227 114

HSL 65.84, 0.67%, 0.67%

LAB 87.36, -19.44, 53.38

 

CMYK 18 / 0 / 50 / 11

HEX #BAE372

RGB 186 227 114

HSL 81.77, 0.67%, 0.67%

LAB 85.3, -30.98, 50.42

 

CMYK 0 / 12 / 79 / 16

HEX #D6BC2E

RGB 214 188 46

HSL 50.71, 0.67%, 0.51%

LAB 76.35, -4.91, 69.32

 

CMYK 0 / 10 / 64 / 14

HEX #DCC750

RGB 220 199 80

HSL 51, 0.67%, 0.59%

LAB 79.98, -6.37, 60.35

 

CMYK 0 / 7 / 50 / 11

HEX #E3D272

RGB 227 210 114

HSL 50.97, 0.67%, 0.67%

LAB 83.78, -6.56, 49.3

 

CMYK 0 / 6 / 36 / 8

HEX #EADD95

RGB 234 221 149

HSL 50.82, 0.67%, 0.75%

LAB 87.67, -5.84, 36.98

 

CMYK 0 / 4 / 24 / 5

HEX #F1E8B7

RGB 241 232 183

HSL 50.69, 0.67%, 0.83%

LAB 91.61, -4.53, 24.98

 

CMYK 0 / 7 / 50 / 11

HEX #E3D272

RGB 227 210 114

HSL 50.97, 0.67%, 0.67%

LAB 83.78, -6.56, 49.3

 

CMYK 50 / 0 / 48 / 11

HEX #72E376

RGB 114 227 118

HSL 122.12, 0.67%, 0.67%

LAB 81.74, -54, 43.34

 

CMYK 28 / 50 / 0 / 11

HEX #A372E3

RGB 163 114 227

HSL 266.02, 0.67%, 0.67%

LAB 57.43, 41.82, -50.59

 

CMYK 0 / 7 / 50 / 11

HEX #E3D272

RGB 227 210 114

HSL 50.97, 0.67%, 0.67%

LAB 83.78, -6.56, 49.3

 

CMYK 50 / 0 / 8 / 11

HEX #72E3D0

RGB 114 227 208

HSL 169.91, 0.67%, 0.67%

LAB 83.48, -36.81, -0.63

 

CMYK 8 / 50 / 0 / 11

HEX #D072E3

RGB 208 114 227

HSL 289.91, 0.67%, 0.67%

LAB 62.5, 53.9, -42.25

 

CMYK 0 / 7 / 50 / 11

HEX #E3D272

RGB 227 210 114

HSL 50.97, 0.67%, 0.67%

LAB 83.78, -6.56, 49.3

 

CMYK 50 / 0 / 48 / 11

HEX #72E376

RGB 114 227 118

HSL 122.12, 0.67%, 0.67%

LAB 81.74, -54, 43.34

 

CMYK 50 / 41 / 0 / 11

HEX #7285E3

RGB 114 133 227

HSL 229.91, 0.67%, 0.67%

LAB 57.94, 18.64, -50.03

 

CMYK 0 / 50 / 2 / 11

HEX #E372DF

RGB 227 114 223

HSL 302.12, 0.67%, 0.67%

LAB 64.72, 58.42, -36.38

 

CMYK 0 / 7 / 50 / 11

HEX #E3D272

RGB 227 210 114

HSL 50.97, 0.67%, 0.67%

LAB 83.78, -6.56, 49.3

 

CMYK 50 / 0 / 33 / 11

HEX #72E398

RGB 114 227 152

HSL 140.18, 0.67%, 0.67%

LAB 82.26, -48.61, 26.99

 

CMYK 50 / 41 / 0 / 11

HEX #7285E3

RGB 114 133 227

HSL 229.91, 0.67%, 0.67%

LAB 57.94, 18.64, -50.03

 

CMYK 0 / 50 / 16 / 11

HEX #E372BE

RGB 227 114 190

HSL 319.65, 0.67%, 0.67%

LAB 63.41, 53.07, -19.85

 

Description

Color code: HEX #E3D272 | qconv.com Color code: HEX #E3D272 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 210 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 210 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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