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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3D166 it is the complementary color #1C2E99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3D166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3D166 shade: #E8D161, #F9E374, #FFF587, #FFFF9A and #FFFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3D166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3D166 shade: #E3D166, #D2BF53, #C1AD40, #B09B2D and #9F891A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3D166 shade: #E3D268, #E3B068, #E38F68, #E36E68 and #E36868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3D166 shade: #E3D268, #D4E368, #B3E368, #91E368 and #70E368

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3D166 shade matches the following richer shades: #E3D268 and #F2DC5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3D166 shade: #E3D268, #D5C777, #C6BD85, #B8B393 and #AAA8A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3D166 shade: #E38F68, #E3B068, #E3D168, #D5E368 and #B4E368

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3D166 shade: #D2BA27, #DDC745, #E3D268, #EADC8B and #F0E7AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3D166 shade: #E3D166, #68E36E and #A068E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3D166 shade: #E3D166, #68E3D1 and #D168E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3D166 shade: #E3D166, #68E36E, #687BE3 and #E368DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3D166 shade: #E3D166, #68E393, #687BE3 and #E368B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 55 / 11

HEX #E3D166

RGB 227 209 102

HSL 51.36, 0.69%, 0.65%

LAB 83.39, -7.04, 54.51

 

Complementary color

CMYK 82 / 70 / 0 / 40

HEX #1C2E99

RGB 28 46 153

HSL 231.36, 0.69%, 0.35%

LAB 25.26, 33.76, -59.9

 

CMYK 0 / 10 / 58 / 9

HEX #E8D161

RGB 232 209 97

HSL 49.78, 0.75%, 0.65%

LAB 83.77, -5.36, 57.35

 

CMYK 0 / 9 / 53 / 2

HEX #F9E374

RGB 249 227 116

HSL 50.08, 0.92%, 0.72%

LAB 90.02, -6.11, 56.24

 

CMYK 0 / 4 / 47 / 0

HEX #FFF587

RGB 255 245 135

HSL 55, 1%, 0.76%

LAB 95.29, -11.06, 53.79

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 8 / 55 / 11

HEX #E3D166

RGB 227 209 102

HSL 51.36, 0.69%, 0.65%

LAB 83.39, -7.04, 54.51

 

CMYK 0 / 9 / 60 / 18

HEX #D2BF53

RGB 210 191 83

HSL 51.02, 0.59%, 0.57%

LAB 77.03, -6.26, 55.58

 

CMYK 0 / 10 / 67 / 24

HEX #C1AD40

RGB 193 173 64

HSL 50.7, 0.51%, 0.5%

LAB 70.59, -5.34, 56.48

 

CMYK 0 / 12 / 74 / 31

HEX #B09B2D

RGB 176 155 45

HSL 50.38, 0.59%, 0.43%

LAB 64.05, -4.23, 56.99

 

CMYK 0 / 14 / 84 / 38

HEX #9F891A

RGB 159 137 26

HSL 50.08, 0.72%, 0.36%

LAB 57.4, -2.88, 56.73

 

CMYK 0 / 7 / 54 / 11

HEX #E3D268

RGB 227 210 104

HSL 51.71, 0.69%, 0.65%

LAB 83.66, -7.39, 53.91

 

CMYK 0 / 22 / 54 / 11

HEX #E3B068

RGB 227 176 104

HSL 35.12, 0.69%, 0.65%

LAB 75.06, 10.31, 43.67

 

CMYK 0 / 37 / 54 / 11

HEX #E38F68

RGB 227 143 104

HSL 19.02, 0.69%, 0.65%

LAB 67.26, 27.92, 33.96

 

CMYK 0 / 52 / 54 / 11

HEX #E36E68

RGB 227 110 104

HSL 2.93, 0.69%, 0.65%

LAB 60.32, 44.95, 24.96

 

CMYK 0 / 54 / 54 / 11

HEX #E36868

RGB 227 104 104

HSL 0, 0.69%, 0.65%

LAB 59.19, 47.87, 23.46

 

CMYK 0 / 7 / 54 / 11

HEX #E3D268

RGB 227 210 104

HSL 51.71, 0.69%, 0.65%

LAB 83.66, -7.39, 53.91

 

CMYK 7 / 0 / 54 / 11

HEX #D4E368

RGB 212 227 104

HSL 67.32, 0.69%, 0.65%

LAB 86.96, -21.87, 57.41

 

CMYK 21 / 0 / 54 / 11

HEX #B3E368

RGB 179 227 104

HSL 83.41, 0.69%, 0.65%

LAB 84.75, -34.56, 54.28

 

CMYK 36 / 0 / 54 / 11

HEX #91E368

RGB 145 227 104

HSL 100, 0.69%, 0.65%

LAB 82.89, -46.49, 51.63

 

CMYK 51 / 0 / 54 / 11

HEX #70E368

RGB 112 227 104

HSL 116.1, 0.69%, 0.65%

LAB 81.5, -56.34, 49.64

 

CMYK 0 / 7 / 54 / 11

HEX #E3D268

RGB 227 210 104

HSL 51.71, 0.69%, 0.65%

LAB 83.66, -7.39, 53.91

 

CMYK 0 / 9 / 63 / 5

HEX #F2DC5A

RGB 242 220 90

HSL 51.32, 0.85%, 0.65%

LAB 87.39, -7.27, 64.64

 

CMYK 0 / 7 / 54 / 11

HEX #E3D268

RGB 227 210 104

HSL 51.71, 0.69%, 0.65%

LAB 83.66, -7.39, 53.91

 

CMYK 0 / 7 / 44 / 16

HEX #D5C777

RGB 213 199 119

HSL 51.06, 0.53%, 0.65%

LAB 79.8, -6.11, 41.69

 

CMYK 0 / 5 / 33 / 22

HEX #C6BD85

RGB 198 189 133

HSL 51.69, 0.36%, 0.65%

LAB 76.13, -5.33, 29.5

 

CMYK 0 / 3 / 20 / 28

HEX #B8B393

RGB 184 179 147

HSL 51.89, 0.21%, 0.65%

LAB 72.59, -3.57, 17.01

 

CMYK 0 / 1 / 5 / 33

HEX #AAA8A2

RGB 170 168 162

HSL 45, 0.04%, 0.65%

LAB 68.87, -0.39, 3.34

 

CMYK 0 / 37 / 54 / 11

HEX #E38F68

RGB 227 143 104

HSL 19.02, 0.69%, 0.65%

LAB 67.26, 27.92, 33.96

 

CMYK 0 / 22 / 54 / 11

HEX #E3B068

RGB 227 176 104

HSL 35.12, 0.69%, 0.65%

LAB 75.06, 10.31, 43.67

 

CMYK 0 / 8 / 54 / 11

HEX #E3D168

RGB 227 209 104

HSL 51.22, 0.69%, 0.65%

LAB 83.41, -6.88, 53.6

 

CMYK 6 / 0 / 54 / 11

HEX #D5E368

RGB 213 227 104

HSL 66.83, 0.69%, 0.65%

LAB 87.04, -21.48, 57.52

 

CMYK 21 / 0 / 54 / 11

HEX #B4E368

RGB 180 227 104

HSL 82.93, 0.69%, 0.65%

LAB 84.81, -34.19, 54.37

 

CMYK 0 / 11 / 81 / 18

HEX #D2BA27

RGB 210 186 39

HSL 51.58, 0.69%, 0.49%

LAB 75.43, -5.84, 70.44

 

CMYK 0 / 10 / 69 / 13

HEX #DDC745

RGB 221 199 69

HSL 51.32, 0.69%, 0.57%

LAB 79.98, -6.57, 64.88

 

CMYK 0 / 7 / 54 / 11

HEX #E3D268

RGB 227 210 104

HSL 51.71, 0.69%, 0.65%

LAB 83.66, -7.39, 53.91

 

CMYK 0 / 6 / 41 / 8

HEX #EADC8B

RGB 234 220 139

HSL 51.16, 0.69%, 0.73%

LAB 87.26, -6.43, 41.48

 

CMYK 0 / 4 / 28 / 6

HEX #F0E7AE

RGB 240 231 174

HSL 51.82, 0.69%, 0.81%

LAB 91.11, -5.58, 28.91

 

CMYK 0 / 8 / 55 / 11

HEX #E3D166

RGB 227 209 102

HSL 51.36, 0.69%, 0.65%

LAB 83.39, -7.04, 54.51

 

CMYK 54 / 0 / 52 / 11

HEX #68E36E

RGB 104 227 110

HSL 122.93, 0.69%, 0.65%

LAB 81.3, -57.64, 46.53

 

CMYK 30 / 54 / 0 / 11

HEX #A068E3

RGB 160 104 227

HSL 267.32, 0.69%, 0.65%

LAB 54.99, 46.54, -54.5

 

CMYK 0 / 8 / 55 / 11

HEX #E3D166

RGB 227 209 102

HSL 51.36, 0.69%, 0.65%

LAB 83.39, -7.04, 54.51

 

CMYK 54 / 0 / 8 / 11

HEX #68E3D1

RGB 104 227 209

HSL 171.22, 0.69%, 0.65%

LAB 83.17, -38.67, -1.65

 

CMYK 8 / 54 / 0 / 11

HEX #D168E3

RGB 209 104 227

HSL 291.22, 0.69%, 0.65%

LAB 60.78, 59.05, -44.94

 

CMYK 0 / 8 / 55 / 11

HEX #E3D166

RGB 227 209 102

HSL 51.36, 0.69%, 0.65%

LAB 83.39, -7.04, 54.51

 

CMYK 54 / 0 / 52 / 11

HEX #68E36E

RGB 104 227 110

HSL 122.93, 0.69%, 0.65%

LAB 81.3, -57.64, 46.53

 

CMYK 54 / 46 / 0 / 11

HEX #687BE3

RGB 104 123 227

HSL 230.73, 0.69%, 0.65%

LAB 54.72, 22.48, -55.21

 

CMYK 0 / 54 / 3 / 11

HEX #E368DD

RGB 227 104 221

HSL 302.93, 0.69%, 0.65%

LAB 62.89, 62.73, -38.12

 

CMYK 0 / 8 / 55 / 11

HEX #E3D166

RGB 227 209 102

HSL 51.36, 0.69%, 0.65%

LAB 83.39, -7.04, 54.51

 

CMYK 54 / 0 / 35 / 11

HEX #68E393

RGB 104 227 147

HSL 140.98, 0.69%, 0.65%

LAB 81.83, -51.91, 28.91

 

CMYK 54 / 46 / 0 / 11

HEX #687BE3

RGB 104 123 227

HSL 230.73, 0.69%, 0.65%

LAB 54.72, 22.48, -55.21

 

CMYK 0 / 54 / 19 / 11

HEX #E368B8

RGB 227 104 184

HSL 320.98, 0.69%, 0.65%

LAB 61.39, 56.94, -19.52

 

Description

Color code: HEX #E3D166 | qconv.com Color code: HEX #E3D166 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 209 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 209 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 55 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 55% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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