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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3CF63 it is the complementary color #1C309C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3CF63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3CF63 shade: #E8CF5E, #F9E171, #FFF384, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3CF63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3CF63 shade: #E3CF63, #D2BD50, #C1AB3D, #B0992A and #9F8717

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3CF63 shade: #E3CF63, #E3AD63, #E38A63, #E36763 and #E36363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3CF63 shade: #E3CF63, #D5E363, #B2E363, #90E363 and #6DE363

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3CF63 shade matches the following richer shades: #E3CF63 and #F2DA54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3CF63 shade: #E3CF63, #D5C572, #C6BB81, #B7B18F and #A8A79E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3CF63 shade: #E38963, #E3AC63, #E3CE63, #D7E363 and #B4E363

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3CF63 shade: #CFB525, #DDC540, #E3CF63, #EADA86 and #F0E5A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3CF63 shade: #E3CF63, #63E367 and #9B63E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3CF63 shade: #E3CF63, #63E3CE and #CE63E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3CF63 shade: #E3CF63, #63E367, #6378E3 and #E363DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3CF63 shade: #E3CF63, #63E38E, #6378E3 and #E363B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 56 / 11

HEX #E3CF63

RGB 227 207 99

HSL 50.63, 0.7%, 0.64%

LAB 82.84, -6.25, 55.26

 

Complementary color

CMYK 82 / 69 / 0 / 39

HEX #1C309C

RGB 28 48 156

HSL 230.63, 0.7%, 0.36%

LAB 26.04, 33.59, -60.45

 

CMYK 0 / 11 / 59 / 9

HEX #E8CF5E

RGB 232 207 94

HSL 49.13, 0.75%, 0.64%

LAB 83.23, -4.55, 58.09

 

CMYK 0 / 10 / 55 / 2

HEX #F9E171

RGB 249 225 113

HSL 49.41, 0.92%, 0.71%

LAB 89.48, -5.33, 56.99

 

CMYK 0 / 5 / 48 / 0

HEX #FFF384

RGB 255 243 132

HSL 54.15, 1%, 0.76%

LAB 94.75, -10.34, 54.54

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 9 / 56 / 11

HEX #E3CF63

RGB 227 207 99

HSL 50.63, 0.7%, 0.64%

LAB 82.84, -6.25, 55.26

 

CMYK 0 / 10 / 62 / 18

HEX #D2BD50

RGB 210 189 80

HSL 50.31, 0.59%, 0.57%

LAB 76.48, -5.43, 56.31

 

CMYK 0 / 11 / 68 / 24

HEX #C1AB3D

RGB 193 171 61

HSL 50, 0.52%, 0.5%

LAB 70.04, -4.46, 57.15

 

CMYK 0 / 13 / 76 / 31

HEX #B0992A

RGB 176 153 42

HSL 49.7, 0.61%, 0.43%

LAB 63.49, -3.29, 57.57

 

CMYK 0 / 15 / 86 / 38

HEX #9F8717

RGB 159 135 23

HSL 49.41, 0.75%, 0.36%

LAB 56.84, -1.87, 57.11

 

CMYK 0 / 9 / 56 / 11

HEX #E3CF63

RGB 227 207 99

HSL 50.63, 0.7%, 0.64%

LAB 82.84, -6.25, 55.26

 

CMYK 0 / 24 / 56 / 11

HEX #E3AD63

RGB 227 173 99

HSL 34.69, 0.7%, 0.64%

LAB 74.27, 11.5, 45.21

 

CMYK 0 / 39 / 56 / 11

HEX #E38A63

RGB 227 138 99

HSL 18.28, 0.7%, 0.64%

LAB 66.07, 30.16, 35.14

 

CMYK 0 / 55 / 56 / 11

HEX #E36763

RGB 227 103 99

HSL 1.88, 0.7%, 0.64%

LAB 58.91, 47.95, 25.96

 

CMYK 0 / 56 / 56 / 11

HEX #E36363

RGB 227 99 99

HSL 0, 0.7%, 0.64%

LAB 58.18, 49.85, 25

 

CMYK 0 / 9 / 56 / 11

HEX #E3CF63

RGB 227 207 99

HSL 50.63, 0.7%, 0.64%

LAB 82.84, -6.25, 55.26

 

CMYK 6 / 0 / 56 / 11

HEX #D5E363

RGB 213 227 99

HSL 66.56, 0.7%, 0.64%

LAB 86.99, -21.88, 59.68

 

CMYK 22 / 0 / 56 / 11

HEX #B2E363

RGB 178 227 99

HSL 82.97, 0.7%, 0.64%

LAB 84.64, -35.4, 56.38

 

CMYK 37 / 0 / 56 / 11

HEX #90E363

RGB 144 227 99

HSL 98.91, 0.7%, 0.64%

LAB 82.79, -47.34, 53.77

 

CMYK 52 / 0 / 56 / 11

HEX #6DE363

RGB 109 227 99

HSL 115.31, 0.7%, 0.64%

LAB 81.34, -57.72, 51.71

 

CMYK 0 / 9 / 56 / 11

HEX #E3CF63

RGB 227 207 99

HSL 50.63, 0.7%, 0.64%

LAB 82.84, -6.25, 55.26

 

CMYK 0 / 10 / 65 / 5

HEX #F2DA54

RGB 242 218 84

HSL 50.89, 0.86%, 0.64%

LAB 86.83, -6.61, 66.52

 

CMYK 0 / 9 / 56 / 11

HEX #E3CF63

RGB 227 207 99

HSL 50.63, 0.7%, 0.64%

LAB 82.84, -6.25, 55.26

 

CMYK 0 / 8 / 46 / 16

HEX #D5C572

RGB 213 197 114

HSL 50.3, 0.54%, 0.64%

LAB 79.21, -5.57, 43.45

 

CMYK 0 / 6 / 35 / 22

HEX #C6BB81

RGB 198 187 129

HSL 50.43, 0.38%, 0.64%

LAB 75.53, -4.78, 30.82

 

CMYK 0 / 3 / 22 / 28

HEX #B7B18F

RGB 183 177 143

HSL 51, 0.22%, 0.64%

LAB 71.89, -3.49, 18.2

 

CMYK 0 / 1 / 6 / 34

HEX #A8A79E

RGB 168 167 158

HSL 54, 0.05%, 0.64%

LAB 68.34, -1.29, 4.77

 

CMYK 0 / 40 / 56 / 11

HEX #E38963

RGB 227 137 99

HSL 17.81, 0.7%, 0.64%

LAB 65.84, 30.69, 34.86

 

CMYK 0 / 24 / 56 / 11

HEX #E3AC63

RGB 227 172 99

HSL 34.22, 0.7%, 0.64%

LAB 74.02, 12.03, 44.92

 

CMYK 0 / 9 / 56 / 11

HEX #E3CE63

RGB 227 206 99

HSL 50.16, 0.7%, 0.64%

LAB 82.58, -5.74, 54.97

 

CMYK 5 / 0 / 56 / 11

HEX #D7E363

RGB 215 227 99

HSL 65.63, 0.7%, 0.64%

LAB 87.14, -21.08, 59.88

 

CMYK 21 / 0 / 56 / 11

HEX #B4E363

RGB 180 227 99

HSL 82.03, 0.7%, 0.64%

LAB 84.76, -34.65, 56.55

 

CMYK 0 / 13 / 82 / 19

HEX #CFB525

RGB 207 181 37

HSL 50.82, 0.7%, 0.48%

LAB 73.83, -4.6, 69.51

 

CMYK 0 / 11 / 71 / 13

HEX #DDC540

RGB 221 197 64

HSL 50.83, 0.7%, 0.56%

LAB 79.43, -5.8, 66.24

 

CMYK 0 / 9 / 56 / 11

HEX #E3CF63

RGB 227 207 99

HSL 50.63, 0.7%, 0.64%

LAB 82.84, -6.25, 55.26

 

CMYK 0 / 7 / 43 / 8

HEX #EADA86

RGB 234 218 134

HSL 50.4, 0.7%, 0.72%

LAB 86.68, -5.93, 43.23

 

CMYK 0 / 5 / 30 / 6

HEX #F0E5A9

RGB 240 229 169

HSL 50.7, 0.7%, 0.8%

LAB 90.52, -5.21, 30.67

 

CMYK 0 / 9 / 56 / 11

HEX #E3CF63

RGB 227 207 99

HSL 50.63, 0.7%, 0.64%

LAB 82.84, -6.25, 55.26

 

CMYK 56 / 0 / 55 / 11

HEX #63E367

RGB 99 227 103

HSL 121.88, 0.7%, 0.64%

LAB 81.05, -59.74, 49.46

 

CMYK 32 / 56 / 0 / 11

HEX #9B63E3

RGB 155 99 227

HSL 266.25, 0.7%, 0.64%

LAB 53.43, 48.02, -57.03

 

CMYK 0 / 9 / 56 / 11

HEX #E3CF63

RGB 227 207 99

HSL 50.63, 0.7%, 0.64%

LAB 82.84, -6.25, 55.26

 

CMYK 56 / 0 / 9 / 11

HEX #63E3CE

RGB 99 227 206

HSL 170.16, 0.7%, 0.64%

LAB 82.94, -40.39, -0.42

 

CMYK 9 / 56 / 0 / 11

HEX #CE63E3

RGB 206 99 227

HSL 290.16, 0.7%, 0.64%

LAB 59.52, 60.64, -46.97

 

CMYK 0 / 9 / 56 / 11

HEX #E3CF63

RGB 227 207 99

HSL 50.63, 0.7%, 0.64%

LAB 82.84, -6.25, 55.26

 

CMYK 56 / 0 / 55 / 11

HEX #63E367

RGB 99 227 103

HSL 121.88, 0.7%, 0.64%

LAB 81.05, -59.74, 49.46

 

CMYK 56 / 47 / 0 / 11

HEX #6378E3

RGB 99 120 227

HSL 230.16, 0.7%, 0.64%

LAB 53.63, 23.29, -56.96

 

CMYK 0 / 56 / 2 / 11

HEX #E363DF

RGB 227 99 223

HSL 301.88, 0.7%, 0.64%

LAB 62.15, 65.3, -40.38

 

CMYK 0 / 9 / 56 / 11

HEX #E3CF63

RGB 227 207 99

HSL 50.63, 0.7%, 0.64%

LAB 82.84, -6.25, 55.26

 

CMYK 56 / 0 / 37 / 11

HEX #63E38E

RGB 99 227 142

HSL 140.16, 0.7%, 0.64%

LAB 81.59, -53.93, 31.11

 

CMYK 56 / 47 / 0 / 11

HEX #6378E3

RGB 99 120 227

HSL 230.16, 0.7%, 0.64%

LAB 53.63, 23.29, -56.96

 

CMYK 0 / 56 / 19 / 11

HEX #E363B9

RGB 227 99 185

HSL 319.69, 0.7%, 0.64%

LAB 60.57, 59.37, -21.34

 

Description

Color code: HEX #E3CF63 | qconv.com Color code: HEX #E3CF63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 207 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 207 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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