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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3CB52 it is the complementary color #1C34AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3CB52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3CB52 shade: #E8CB4D, #F9DD60, #FFEF73, #FFFF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3CB52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3CB52 shade: #E3CB52, #D2B93F, #C1A72C, #B09519 and #9F8306

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3CB52 shade: #E3CB54, #E3A554, #E37E54, #E35854 and #E35454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3CB52 shade: #E3CB54, #D4E354, #AEE354, #87E354 and #60E354

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3CB52 shade matches the following richer shades: #E3CB54 and #F3D644

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3CB52 shade: #E3CB54, #D3C164, #C3B674, #B3AB84 and #A3A094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3CB52 shade: #E37F54, #E3A554, #E3CB54, #D5E354 and #AFE354

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3CB52 shade: #C5A920, #DDC130, #E3CB54, #E9D677 and #EFE19B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3CB52 shade: #E3CB52, #54E359 and #9254E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3CB52 shade: #E3CB52, #54E3CB and #CB54E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3CB52 shade: #E3CB52, #54E359, #546CE3 and #E354DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3CB52 shade: #E3CB52, #54E384, #546CE3 and #E354B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 64 / 11

HEX #E3CB52

RGB 227 203 82

HSL 50.07, 0.72%, 0.61%

LAB 81.65, -5.36, 61.47

 

Complementary color

CMYK 84 / 70 / 0 / 32

HEX #1C34AD

RGB 28 52 173

HSL 230.07, 0.72%, 0.39%

LAB 28.69, 37.34, -66.36

 

CMYK 0 / 13 / 67 / 9

HEX #E8CB4D

RGB 232 203 77

HSL 48.77, 0.77%, 0.61%

LAB 82.06, -3.56, 64.12

 

CMYK 0 / 11 / 61 / 2

HEX #F9DD60

RGB 249 221 96

HSL 49.02, 0.93%, 0.68%

LAB 88.3, -4.52, 63.25

 

CMYK 0 / 6 / 55 / 0

HEX #FFEF73

RGB 255 239 115

HSL 53.14, 1%, 0.73%

LAB 93.55, -9.75, 60.92

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 11 / 64 / 11

HEX #E3CB52

RGB 227 203 82

HSL 50.07, 0.72%, 0.61%

LAB 81.65, -5.36, 61.47

 

CMYK 0 / 12 / 70 / 18

HEX #D2B93F

RGB 210 185 63

HSL 49.8, 0.62%, 0.54%

LAB 75.3, -4.35, 62.19

 

CMYK 0 / 13 / 77 / 24

HEX #C1A72C

RGB 193 167 44

HSL 49.53, 0.63%, 0.46%

LAB 68.86, -3.14, 62.45

 

CMYK 0 / 15 / 86 / 31

HEX #B09519

RGB 176 149 25

HSL 49.27, 0.75%, 0.39%

LAB 62.33, -1.71, 61.83

 

CMYK 0 / 18 / 96 / 38

HEX #9F8306

RGB 159 131 6

HSL 49.02, 0.93%, 0.32%

LAB 55.7, 0, 59.75

 

CMYK 0 / 11 / 63 / 11

HEX #E3CB54

RGB 227 203 84

HSL 49.93, 0.72%, 0.61%

LAB 81.67, -5.24, 60.64

 

CMYK 0 / 27 / 63 / 11

HEX #E3A554

RGB 227 165 84

HSL 33.99, 0.72%, 0.61%

LAB 72.15, 14.69, 50.1

 

CMYK 0 / 44 / 63 / 11

HEX #E37E54

RGB 227 126 84

HSL 17.62, 0.72%, 0.61%

LAB 63.25, 35.38, 39.71

 

CMYK 0 / 61 / 63 / 11

HEX #E35854

RGB 227 88 84

HSL 1.68, 0.72%, 0.61%

LAB 56.04, 53.81, 30.85

 

CMYK 0 / 63 / 63 / 11

HEX #E35454

RGB 227 84 84

HSL 0, 0.72%, 0.61%

LAB 55.39, 55.54, 30.04

 

CMYK 0 / 11 / 63 / 11

HEX #E3CB54

RGB 227 203 84

HSL 49.93, 0.72%, 0.61%

LAB 81.67, -5.24, 60.64

 

CMYK 7 / 0 / 63 / 11

HEX #D4E354

RGB 212 227 84

HSL 66.29, 0.72%, 0.61%

LAB 86.79, -23.34, 65.75

 

CMYK 23 / 0 / 63 / 11

HEX #AEE354

RGB 174 227 84

HSL 82.24, 0.72%, 0.61%

LAB 84.27, -38.13, 62.3

 

CMYK 41 / 0 / 63 / 11

HEX #87E354

RGB 135 227 84

HSL 98.6, 0.72%, 0.61%

LAB 82.23, -51.68, 59.5

 

CMYK 58 / 0 / 63 / 11

HEX #60E354

RGB 96 227 84

HSL 114.97, 0.72%, 0.61%

LAB 80.77, -62.57, 57.48

 

CMYK 0 / 11 / 63 / 11

HEX #E3CB54

RGB 227 203 84

HSL 49.93, 0.72%, 0.61%

LAB 81.67, -5.24, 60.64

 

CMYK 0 / 12 / 72 / 5

HEX #F3D644

RGB 243 214 68

HSL 50.06, 0.88%, 0.61%

LAB 85.79, -4.99, 71.66

 

CMYK 0 / 11 / 63 / 11

HEX #E3CB54

RGB 227 203 84

HSL 49.93, 0.72%, 0.61%

LAB 81.67, -5.24, 60.64

 

CMYK 0 / 9 / 53 / 17

HEX #D3C164

RGB 211 193 100

HSL 50.27, 0.56%, 0.61%

LAB 77.82, -5.58, 48.59

 

CMYK 0 / 7 / 41 / 24

HEX #C3B674

RGB 195 182 116

HSL 50.13, 0.4%, 0.61%

LAB 73.75, -4.86, 35.24

 

CMYK 0 / 4 / 26 / 30

HEX #B3AB84

RGB 179 171 132

HSL 49.79, 0.24%, 0.61%

LAB 69.74, -3.43, 21.16

 

CMYK 0 / 2 / 9 / 36

HEX #A3A094

RGB 163 160 148

HSL 48, 0.08%, 0.61%

LAB 65.8, -1.09, 6.63

 

CMYK 0 / 44 / 63 / 11

HEX #E37F54

RGB 227 127 84

HSL 18.04, 0.72%, 0.61%

LAB 63.47, 34.86, 39.97

 

CMYK 0 / 27 / 63 / 11

HEX #E3A554

RGB 227 165 84

HSL 33.99, 0.72%, 0.61%

LAB 72.15, 14.69, 50.1

 

CMYK 0 / 11 / 63 / 11

HEX #E3CB54

RGB 227 203 84

HSL 49.93, 0.72%, 0.61%

LAB 81.67, -5.24, 60.64

 

CMYK 6 / 0 / 63 / 11

HEX #D5E354

RGB 213 227 84

HSL 65.87, 0.72%, 0.61%

LAB 86.86, -22.93, 65.85

 

CMYK 23 / 0 / 63 / 11

HEX #AFE354

RGB 175 227 84

HSL 81.82, 0.72%, 0.61%

LAB 84.32, -37.75, 62.38

 

CMYK 0 / 14 / 84 / 23

HEX #C5A920

RGB 197 169 32

HSL 49.82, 0.72%, 0.45%

LAB 69.72, -2.84, 66.99

 

CMYK 0 / 13 / 78 / 13

HEX #DDC130

RGB 221 193 48

HSL 50.29, 0.72%, 0.53%

LAB 78.3, -4.4, 70.69

 

CMYK 0 / 11 / 63 / 11

HEX #E3CB54

RGB 227 203 84

HSL 49.93, 0.72%, 0.61%

LAB 81.67, -5.24, 60.64

 

CMYK 0 / 8 / 49 / 9

HEX #E9D677

RGB 233 214 119

HSL 50, 0.72%, 0.69%

LAB 85.38, -5.73, 48.95

 

CMYK 0 / 6 / 35 / 6

HEX #EFE19B

RGB 239 225 155

HSL 50, 0.72%, 0.77%

LAB 89.19, -5.26, 36.01

 

CMYK 0 / 11 / 64 / 11

HEX #E3CB52

RGB 227 203 82

HSL 50.07, 0.72%, 0.61%

LAB 81.65, -5.36, 61.47

 

CMYK 63 / 0 / 61 / 11

HEX #54E359

RGB 84 227 89

HSL 122.1, 0.72%, 0.61%

LAB 80.48, -64.72, 54.94

 

CMYK 36 / 63 / 0 / 11

HEX #9254E3

RGB 146 84 227

HSL 266.01, 0.72%, 0.61%

LAB 49.49, 53.88, -63.41

 

CMYK 0 / 11 / 64 / 11

HEX #E3CB52

RGB 227 203 82

HSL 50.07, 0.72%, 0.61%

LAB 81.65, -5.36, 61.47

 

CMYK 63 / 0 / 11 / 11

HEX #54E3CB

RGB 84 227 203

HSL 169.93, 0.72%, 0.61%

LAB 82.45, -43.81, 0.4

 

CMYK 11 / 63 / 0 / 11

HEX #CB54E3

RGB 203 84 227

HSL 289.93, 0.72%, 0.61%

LAB 56.67, 66.6, -51.52

 

CMYK 0 / 11 / 64 / 11

HEX #E3CB52

RGB 227 203 82

HSL 50.07, 0.72%, 0.61%

LAB 81.65, -5.36, 61.47

 

CMYK 63 / 0 / 61 / 11

HEX #54E359

RGB 84 227 89

HSL 122.1, 0.72%, 0.61%

LAB 80.48, -64.72, 54.94

 

CMYK 63 / 52 / 0 / 11

HEX #546CE3

RGB 84 108 227

HSL 229.93, 0.72%, 0.61%

LAB 49.68, 27.93, -63.36

 

CMYK 0 / 63 / 2 / 11

HEX #E354DE

RGB 227 84 222

HSL 302.1, 0.72%, 0.61%

LAB 59.84, 71.37, -43.46

 

CMYK 0 / 11 / 64 / 11

HEX #E3CB52

RGB 227 203 82

HSL 50.07, 0.72%, 0.61%

LAB 81.65, -5.36, 61.47

 

CMYK 63 / 0 / 42 / 11

HEX #54E384

RGB 84 227 132

HSL 140.14, 0.72%, 0.61%

LAB 81.01, -58.78, 35.32

 

CMYK 63 / 52 / 0 / 11

HEX #546CE3

RGB 84 108 227

HSL 229.93, 0.72%, 0.61%

LAB 49.68, 27.93, -63.36

 

CMYK 0 / 63 / 21 / 11

HEX #E354B3

RGB 227 84 179

HSL 320.14, 0.72%, 0.61%

LAB 57.97, 64.97, -21.87

 

Description

Color code: HEX #E3CB52 | qconv.com Color code: HEX #E3CB52 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 203 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 203 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 64 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 64% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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