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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3C9EB4C it is the complementary color #1C36144C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3C9EB4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3C9EB4C shade: #E8C9E64C, #F9DBF94C, #FFEDFF4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3C9EB4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3C9EB4C shade: #E3C9EB4C, #D2B7D84C, #C1A5C54C, #B093B24C and #9F819F4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3C9EB4C shade: #E2C7EA, #EAC7E9, #EAC7E0, #EAC7D6 and #EAC7CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3C9EB4C shade: #E2C7EA, #D9C7EA, #CFC7EA and #C7C7EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3C9EB4C shade matches the following richer shades: #E2C7EA, #E5C1F1, #E9BBF7 and #ECB5FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3C9EB4C shade: #E2C7EA, #DFCDE4, #DCD4DE, #D8DAD8 and #D5E0D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3C9EB4C shade: #CFC7EA, #D8C7EA, #E2C7EA, #EAC7EA and #EAC7E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3C9EB4C shade: #C38BD4, #D2A9DF, #E2C7EA, #F2E5F5 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3C9EB4C shade: #E3C9EB, #EAC7C9 and #C7EAD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3C9EB4C shade: #E3C9EB, #EAE2C7 and #C7EAE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3C9EB4C shade: #E3C9EB, #EAC7C9, #D0EAC7 and #C7EAE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3C9EB4C shade: #E3C9EB, #EAD0C7, #D0EAC7 and #C7E2EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 4 / 0 / 2

HEX #E3C9EB4C

RGBA 227 201 235 0.3

HSLA 285.88, 0.46%, 0.85%, 0.3

LABA 84.02, 15.11, -13.43, 0.3

 

Complementary color

CMYK 14 / 0 / 19 / 24

HEX #1C36144C

RGBA 28 54 20 0.3

HSLA 105.88, 0.46%, 0.15%, 0.3

LABA 19.78, -17.97, 18.11, 0.3

 

CMYK 0 / 4 / 0 / 3

HEX #E8C9E64C

RGBA 232 201 230 0.3

HSLA 303.87, 0.4%, 0.85%, 0.3

LABA 84.3, 15.85, -10.31, 0.3

 

CMYK 0 / 4 / 0 / 1

HEX #F9DBF94C

RGBA 249 219 249 0.3

HSLA 300, 0.71%, 0.92%, 0.3

LABA 90.62, 15.46, -10.79, 0.3

 

CMYK 0 / 2 / 0 / 0

HEX #FFEDFF4C

RGBA 255 237 255 0.3

HSLA 300, 1%, 0.96%, 0.3

LABA 95.6, 9.18, -6.47, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 1 / 4 / 0 / 2

HEX #E3C9EB4C

RGBA 227 201 235 0.3

HSLA 285.88, 0.46%, 0.85%, 0.3

LABA 84.02, 15.11, -13.43, 0.3

 

CMYK 1 / 5 / 0 / 5

HEX #D2B7D84C

RGBA 210 183 216 0.3

HSLA 289.09, 0.3%, 0.78%, 0.3

LABA 77.59, 15.51, -13, 0.3

 

CMYK 1 / 5 / 0 / 7

HEX #C1A5C54C

RGBA 193 165 197 0.3

HSLA 292.5, 0.22%, 0.71%, 0.3

LABA 71.06, 15.94, -12.56, 0.3

 

CMYK 0 / 5 / 0 / 9

HEX #B093B24C

RGBA 176 147 178 0.3

HSLA 296.13, 0.17%, 0.64%, 0.3

LABA 64.41, 16.41, -12.11, 0.3

 

CMYK 0 / 6 / 0 / 11

HEX #9F819F4C

RGBA 159 129 159 0.3

HSLA 300, 0.14%, 0.56%, 0.3

LABA 57.63, 16.92, -11.65, 0.3

 

CMYK 3 / 15 / 0 / 8

HEX #E2C7EA

RGB 226 199 234

HSL 286.29, 0.45%, 0.85%

LAB 83.42, 15.66, -13.81

 

CMYK 0 / 15 / 0 / 8

HEX #EAC7E9

RGB 234 199 233

HSL 301.71, 0.45%, 0.85%

LAB 84.08, 18.12, -12.21

 

CMYK 0 / 15 / 4 / 8

HEX #EAC7E0

RGB 234 199 224

HSL 317.14, 0.45%, 0.85%

LAB 83.82, 16.51, -7.8

 

CMYK 0 / 15 / 9 / 8

HEX #EAC7D6

RGB 234 199 214

HSL 334.29, 0.45%, 0.85%

LAB 83.54, 14.79, -2.86

 

CMYK 0 / 15 / 12 / 8

HEX #EAC7CD

RGB 234 199 205

HSL 349.71, 0.45%, 0.85%

LAB 83.31, 13.3, 1.6

 

CMYK 3 / 15 / 0 / 8

HEX #E2C7EA

RGB 226 199 234

HSL 286.29, 0.45%, 0.85%

LAB 83.42, 15.66, -13.81

 

CMYK 7 / 15 / 0 / 8

HEX #D9C7EA

RGB 217 199 234

HSL 270.86, 0.45%, 0.85%

LAB 82.67, 12.7, -15.01

 

CMYK 12 / 15 / 0 / 8

HEX #CFC7EA

RGB 207 199 234

HSL 253.71, 0.45%, 0.85%

LAB 81.87, 9.46, -16.29

 

CMYK 15 / 15 / 0 / 8

HEX #C7C7EA

RGB 199 199 234

HSL 240, 0.45%, 0.85%

LAB 81.25, 6.91, -17.28

 

CMYK 3 / 15 / 0 / 8

HEX #E2C7EA

RGB 226 199 234

HSL 286.29, 0.45%, 0.85%

LAB 83.42, 15.66, -13.81

 

CMYK 5 / 20 / 0 / 5

HEX #E5C1F1

RGB 229 193 241

HSL 285, 0.63%, 0.85%

LAB 82.46, 21.17, -18.96

 

CMYK 6 / 24 / 0 / 3

HEX #E9BBF7

RGB 233 187 247

HSL 286, 0.79%, 0.85%

LAB 81.61, 26.82, -23.42

 

CMYK 7 / 28 / 0 / 1

HEX #ECB5FD

RGB 236 181 253

HSL 285.83, 0.95%, 0.85%

LAB 80.72, 32.13, -27.96

 

CMYK 3 / 15 / 0 / 8

HEX #E2C7EA

RGB 226 199 234

HSL 286.29, 0.45%, 0.85%

LAB 83.42, 15.66, -13.81

 

CMYK 2 / 10 / 0 / 11

HEX #DFCDE4

RGB 223 205 228

HSL 286.96, 0.3%, 0.85%

LAB 84.46, 10.35, -9.08

 

CMYK 1 / 5 / 0 / 13

HEX #DCD4DE

RGB 220 212 222

HSL 288, 0.13%, 0.85%

LAB 85.79, 4.54, -3.95

 

CMYK 1 / 0 / 1 / 15

HEX #D8DAD8

RGB 216 218 216

HSL 120, 0.03%, 0.85%

LAB 86.85, -1.03, 0.73

 

CMYK 5 / 0 / 6 / 12

HEX #D5E0D2

RGB 213 224 210

HSL 107.14, 0.18%, 0.85%

LAB 88.02, -6.21, 5.57

 

CMYK 12 / 15 / 0 / 8

HEX #CFC7EA

RGB 207 199 234

HSL 253.71, 0.45%, 0.85%

LAB 81.87, 9.46, -16.29

 

CMYK 8 / 15 / 0 / 8

HEX #D8C7EA

RGB 216 199 234

HSL 269.14, 0.45%, 0.85%

LAB 82.59, 12.38, -15.14

 

CMYK 3 / 15 / 0 / 8

HEX #E2C7EA

RGB 226 199 234

HSL 286.29, 0.45%, 0.85%

LAB 83.42, 15.66, -13.81

 

CMYK 0 / 15 / 0 / 8

HEX #EAC7EA

RGB 234 199 234

HSL 300, 0.45%, 0.85%

LAB 84.11, 18.31, -12.7

 

CMYK 0 / 15 / 4 / 8

HEX #EAC7E0

RGB 234 199 224

HSL 317.14, 0.45%, 0.85%

LAB 83.82, 16.51, -7.8

 

CMYK 8 / 34 / 0 / 17

HEX #C38BD4

RGB 195 139 212

HSL 286.03, 0.46%, 0.69%

LAB 65.61, 33.92, -29.16

 

CMYK 6 / 24 / 0 / 13

HEX #D2A9DF

RGB 210 169 223

HSL 285.56, 0.46%, 0.77%

LAB 74.45, 24.47, -21.55

 

CMYK 3 / 15 / 0 / 8

HEX #E2C7EA

RGB 226 199 234

HSL 286.29, 0.45%, 0.85%

LAB 83.42, 15.66, -13.81

 

CMYK 1 / 7 / 0 / 4

HEX #F2E5F5

RGB 242 229 245

HSL 288.75, 0.44%, 0.93%

LAB 92.36, 7.22, -6.18

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 3 / 14 / 0 / 8

HEX #E3C9EB

RGB 227 201 235

HSL 285.88, 0.46%, 0.85%

LAB 84.02, 15.11, -13.43

 

CMYK 0 / 15 / 14 / 8

HEX #EAC7C9

RGB 234 199 201

HSL 356.57, 0.45%, 0.85%

LAB 83.21, 12.66, 3.59

 

CMYK 15 / 0 / 10 / 8

HEX #C7EAD3

RGB 199 234 211

HSL 140.57, 0.45%, 0.85%

LAB 89.72, -15.76, 7.36

 

CMYK 3 / 14 / 0 / 8

HEX #E3C9EB

RGB 227 201 235

HSL 285.88, 0.46%, 0.85%

LAB 84.02, 15.11, -13.43

 

CMYK 0 / 3 / 15 / 8

HEX #EAE2C7

RGB 234 226 199

HSL 46.29, 0.45%, 0.85%

LAB 89.86, -1.71, 14.17

 

CMYK 15 / 0 / 3 / 8

HEX #C7EAE2

RGB 199 234 226

HSL 166.29, 0.45%, 0.85%

LAB 90.08, -12.92, 0.05

 

CMYK 3 / 14 / 0 / 8

HEX #E3C9EB

RGB 227 201 235

HSL 285.88, 0.46%, 0.85%

LAB 84.02, 15.11, -13.43

 

CMYK 0 / 15 / 14 / 8

HEX #EAC7C9

RGB 234 199 201

HSL 356.57, 0.45%, 0.85%

LAB 83.21, 12.66, 3.59

 

CMYK 11 / 0 / 15 / 8

HEX #D0EAC7

RGB 208 234 199

HSL 104.57, 0.45%, 0.85%

LAB 90.04, -14.86, 14.15

 

CMYK 15 / 0 / 0 / 8

HEX #C7EAE9

RGB 199 234 233

HSL 178.29, 0.45%, 0.85%

LAB 90.26, -11.53, -3.34

 

CMYK 3 / 14 / 0 / 8

HEX #E3C9EB

RGB 227 201 235

HSL 285.88, 0.46%, 0.85%

LAB 84.02, 15.11, -13.43

 

CMYK 0 / 11 / 15 / 8

HEX #EAD0C7

RGB 234 208 199

HSL 15.43, 0.45%, 0.85%

LAB 85.37, 7.61, 7.77

 

CMYK 11 / 0 / 15 / 8

HEX #D0EAC7

RGB 208 234 199

HSL 104.57, 0.45%, 0.85%

LAB 90.04, -14.86, 14.15

 

CMYK 15 / 3 / 0 / 8

HEX #C7E2EA

RGB 199 226 234

HSL 193.71, 0.45%, 0.85%

LAB 88.2, -7.26, -6.91

 

Description

Color code: HEX #E3C9EB4C | qconv.com Color code: HEX #E3C9EB4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 201 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 201 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 4 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 4% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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