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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3C96E it is the complementary color #1C3691. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3C96E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3C96E shade: #E8C969, #F9DB7C, #FFED8F, #FFFFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3C96E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3C96E shade: #E3C96E, #D2B75B, #C1A548, #B09335 and #9F8122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3C96E shade: #E3C96D, #E3A96D, #E3896D and #E36D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3C96E shade: #E3C96D, #DEE36D, #BEE36D, #9EE36D and #7EE36D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3C96E shade matches the following richer shades: #E3C96D and #F1D15F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3C96E shade: #E3C96D, #D5C17B, #C7B989, #B9B297 and #ABAAA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3C96E shade: #E3896D, #E3A86D, #E3C86D, #DFE36D and #C0E36D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3C96E shade: #D5AF29, #DDBC4B, #E3C96D, #EAD690 and #F0E3B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3C96E shade: #E3C96E, #71E36D and #996DE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3C96E shade: #E3C96E, #6DE3C8 and #C86DE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3C96E shade: #E3C96E, #71E36D, #6D89E3 and #DF6DE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3C96E shade: #E3C96E, #6DE38D, #6D89E3 and #E36DC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 52 / 11

HEX #E3C96E

RGB 227 201 110

HSL 46.67, 0.68%, 0.66%

LAB 81.42, -2.29, 48.39

 

Complementary color

CMYK 81 / 63 / 0 / 43

HEX #1C3691

RGB 28 54 145

HSL 226.67, 0.68%, 0.34%

LAB 26.53, 25.34, -52.9

 

CMYK 0 / 13 / 55 / 9

HEX #E8C969

RGB 232 201 105

HSL 45.35, 0.73%, 0.66%

LAB 81.81, -0.65, 51.37

 

CMYK 0 / 12 / 50 / 2

HEX #F9DB7C

RGB 249 219 124

HSL 45.6, 0.91%, 0.73%

LAB 88.09, -1.4, 50.16

 

CMYK 0 / 7 / 44 / 0

HEX #FFED8F

RGB 255 237 143

HSL 50.36, 1%, 0.78%

LAB 93.37, -6.35, 47.59

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 11 / 52 / 11

HEX #E3C96E

RGB 227 201 110

HSL 46.67, 0.68%, 0.66%

LAB 81.42, -2.29, 48.39

 

CMYK 0 / 13 / 57 / 18

HEX #D2B75B

RGB 210 183 91

HSL 46.39, 0.57%, 0.59%

LAB 75.03, -1.52, 49.61

 

CMYK 0 / 15 / 63 / 24

HEX #C1A548

RGB 193 165 72

HSL 46.12, 0.49%, 0.52%

LAB 68.54, -0.6, 50.75

 

CMYK 0 / 16 / 70 / 31

HEX #B09335

RGB 176 147 53

HSL 45.85, 0.54%, 0.45%

LAB 61.96, 0.5, 51.71

 

CMYK 0 / 19 / 79 / 38

HEX #9F8122

RGB 159 129 34

HSL 45.6, 0.65%, 0.38%

LAB 55.26, 1.84, 52.19

 

CMYK 0 / 11 / 52 / 11

HEX #E3C96D

RGB 227 201 109

HSL 46.78, 0.68%, 0.66%

LAB 81.41, -2.38, 48.86

 

CMYK 0 / 26 / 52 / 11

HEX #E3A96D

RGB 227 169 109

HSL 30.51, 0.68%, 0.66%

LAB 73.42, 14.46, 39.09

 

CMYK 0 / 40 / 52 / 11

HEX #E3896D

RGB 227 137 109

HSL 14.24, 0.68%, 0.66%

LAB 66, 31.52, 29.62

 

CMYK 0 / 52 / 52 / 11

HEX #E36D6D

RGB 227 109 109

HSL 0, 0.68%, 0.66%

LAB 60.22, 45.86, 21.98

 

CMYK 0 / 11 / 52 / 11

HEX #E3C96D

RGB 227 201 109

HSL 46.78, 0.68%, 0.66%

LAB 81.41, -2.38, 48.86

 

CMYK 2 / 0 / 52 / 11

HEX #DEE36D

RGB 222 227 109

HSL 62.54, 0.68%, 0.66%

LAB 87.76, -17.49, 56.27

 

CMYK 16 / 0 / 52 / 11

HEX #BEE36D

RGB 190 227 109

HSL 78.81, 0.68%, 0.66%

LAB 85.5, -29.96, 53.04

 

CMYK 30 / 0 / 52 / 11

HEX #9EE36D

RGB 158 227 109

HSL 95.08, 0.68%, 0.66%

LAB 83.61, -41.58, 50.33

 

CMYK 44 / 0 / 52 / 11

HEX #7EE36D

RGB 126 227 109

HSL 111.36, 0.68%, 0.66%

LAB 82.1, -51.82, 48.16

 

CMYK 0 / 11 / 52 / 11

HEX #E3C96D

RGB 227 201 109

HSL 46.78, 0.68%, 0.66%

LAB 81.41, -2.38, 48.86

 

CMYK 0 / 13 / 61 / 5

HEX #F1D15F

RGB 241 209 95

HSL 46.85, 0.84%, 0.66%

LAB 84.55, -1.78, 59.34

 

CMYK 0 / 11 / 52 / 11

HEX #E3C96D

RGB 227 201 109

HSL 46.78, 0.68%, 0.66%

LAB 81.41, -2.38, 48.86

 

CMYK 0 / 9 / 42 / 16

HEX #D5C17B

RGB 213 193 123

HSL 46.67, 0.52%, 0.66%

LAB 78.3, -2.59, 37.76

 

CMYK 0 / 7 / 31 / 22

HEX #C7B989

RGB 199 185 137

HSL 46.45, 0.36%, 0.66%

LAB 75.23, -2.34, 26.2

 

CMYK 0 / 4 / 18 / 27

HEX #B9B297

RGB 185 178 151

HSL 47.65, 0.2%, 0.66%

LAB 72.49, -2.05, 14.71

 

CMYK 0 / 1 / 4 / 33

HEX #ABAAA5

RGB 171 170 165

HSL 50, 0.03%, 0.66%

LAB 69.56, -0.57, 2.69

 

CMYK 0 / 40 / 52 / 11

HEX #E3896D

RGB 227 137 109

HSL 14.24, 0.68%, 0.66%

LAB 66, 31.52, 29.62

 

CMYK 0 / 26 / 52 / 11

HEX #E3A86D

RGB 227 168 109

HSL 30, 0.68%, 0.66%

LAB 73.18, 14.99, 38.79

 

CMYK 0 / 12 / 52 / 11

HEX #E3C86D

RGB 227 200 109

HSL 46.27, 0.68%, 0.66%

LAB 81.15, -1.86, 48.56

 

CMYK 2 / 0 / 52 / 11

HEX #DFE36D

RGB 223 227 109

HSL 62.03, 0.68%, 0.66%

LAB 87.84, -17.09, 56.37

 

CMYK 15 / 0 / 52 / 11

HEX #C0E36D

RGB 192 227 109

HSL 77.8, 0.68%, 0.66%

LAB 85.63, -29.2, 53.23

 

CMYK 0 / 18 / 81 / 16

HEX #D5AF29

RGB 213 175 41

HSL 46.74, 0.68%, 0.5%

LAB 72.87, 1.29, 67.74

 

CMYK 0 / 15 / 66 / 13

HEX #DDBC4B

RGB 221 188 75

HSL 46.44, 0.68%, 0.58%

LAB 77.19, -0.56, 59.54

 

CMYK 0 / 11 / 52 / 11

HEX #E3C96D

RGB 227 201 109

HSL 46.78, 0.68%, 0.66%

LAB 81.41, -2.38, 48.86

 

CMYK 0 / 9 / 38 / 8

HEX #EAD690

RGB 234 214 144

HSL 46.67, 0.68%, 0.74%

LAB 85.81, -2.84, 37.09

 

CMYK 0 / 5 / 25 / 6

HEX #F0E3B3

RGB 240 227 179

HSL 47.21, 0.67%, 0.82%

LAB 90.19, -2.9, 25.09

 

CMYK 0 / 11 / 52 / 11

HEX #E3C96E

RGB 227 201 110

HSL 46.67, 0.68%, 0.66%

LAB 81.42, -2.29, 48.39

 

CMYK 50 / 0 / 52 / 11

HEX #71E36D

RGB 113 227 109

HSL 117.97, 0.68%, 0.66%

LAB 81.59, -55.45, 47.44

 

CMYK 33 / 52 / 0 / 11

HEX #996DE3

RGB 153 109 227

HSL 262.37, 0.68%, 0.66%

LAB 55.33, 42.06, -53.99

 

CMYK 0 / 11 / 52 / 11

HEX #E3C96E

RGB 227 201 110

HSL 46.67, 0.68%, 0.66%

LAB 81.42, -2.29, 48.39

 

CMYK 52 / 0 / 12 / 11

HEX #6DE3C8

RGB 109 227 200

HSL 166.27, 0.68%, 0.66%

LAB 83.1, -39.8, 3.03

 

CMYK 12 / 52 / 0 / 11

HEX #C86DE3

RGB 200 109 227

HSL 286.27, 0.68%, 0.66%

LAB 60.57, 54.24, -45.35

 

CMYK 0 / 11 / 52 / 11

HEX #E3C96E

RGB 227 201 110

HSL 46.67, 0.68%, 0.66%

LAB 81.42, -2.29, 48.39

 

CMYK 50 / 0 / 52 / 11

HEX #71E36D

RGB 113 227 109

HSL 117.97, 0.68%, 0.66%

LAB 81.59, -55.45, 47.44

 

CMYK 52 / 40 / 0 / 11

HEX #6D89E3

RGB 109 137 227

HSL 225.76, 0.68%, 0.66%

LAB 58.68, 15.14, -48.87

 

CMYK 2 / 52 / 0 / 11

HEX #DF6DE3

RGB 223 109 227

HSL 297.97, 0.68%, 0.66%

LAB 63.48, 60.39, -40.57

 

CMYK 0 / 11 / 52 / 11

HEX #E3C96E

RGB 227 201 110

HSL 46.67, 0.68%, 0.66%

LAB 81.42, -2.29, 48.39

 

CMYK 52 / 0 / 38 / 11

HEX #6DE38D

RGB 109 227 141

HSL 136.27, 0.68%, 0.66%

LAB 81.9, -51.76, 32.09

 

CMYK 52 / 40 / 0 / 11

HEX #6D89E3

RGB 109 137 227

HSL 225.76, 0.68%, 0.66%

LAB 58.68, 15.14, -48.87

 

CMYK 0 / 52 / 14 / 11

HEX #E36DC4

RGB 227 109 196

HSL 315.76, 0.68%, 0.66%

LAB 62.72, 56.38, -24.3

 

Description

Color code: HEX #E3C96E | qconv.com Color code: HEX #E3C96E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 201 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 201 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 52 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 52% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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