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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3C75E it is the complementary color #1C38A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3C75E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3C75E shade: #E8C759, #F9D96C, #FFEB7F, #FFFD92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3C75E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3C75E shade: #E3C75E, #D2B54B, #C1A338, #B09125 and #9F7F12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3C75E shade: #E2C65E, #E2A35E, #E27F5E and #E25E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3C75E shade: #E2C65E, #DAE25E, #B7E25E, #93E25E and #70E25E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3C75E shade matches the following richer shades: #E2C65E and #F1CF4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3C75E shade: #E2C65E, #D3BE6D, #C4B57D, #B4AC8C and #A5A39B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3C75E shade: #E27F5E, #E2A25E, #E2C65E, #DCE25E and #B8E25E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3C75E shade: #CAA723, #DCBA3B, #E2C65E, #E8D381 and #EFDFA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3C75E shade: #E3C75E, #60E25E and #915EE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3C75E shade: #E3C75E, #5EE2C6 and #C65EE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3C75E shade: #E3C75E, #60E25E, #5E7BE2 and #E05EE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3C75E shade: #E3C75E, #5EE284, #5E7BE2 and #E25EBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 59 / 11

HEX #E3C75E

RGB 227 199 94

HSL 47.37, 0.7%, 0.63%

LAB 80.73, -2.52, 55.15

 

Complementary color

CMYK 83 / 65 / 0 / 37

HEX #1C38A1

RGB 28 56 161

HSL 227.37, 0.7%, 0.37%

LAB 28.51, 30.22, -59.44

 

CMYK 0 / 14 / 62 / 9

HEX #E8C759

RGB 232 199 89

HSL 46.15, 0.76%, 0.63%

LAB 81.14, -0.78, 58

 

CMYK 0 / 13 / 57 / 2

HEX #F9D96C

RGB 249 217 108

HSL 46.38, 0.92%, 0.7%

LAB 87.41, -1.67, 56.89

 

CMYK 0 / 8 / 50 / 0

HEX #FFEB7F

RGB 255 235 127

HSL 50.63, 1%, 0.75%

LAB 92.67, -6.81, 54.38

 

CMYK 0 / 1 / 43 / 0

HEX #FFFD92

RGB 255 253 146

HSL 58.9, 1%, 0.79%

LAB 97.46, -13.95, 51.25

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 12 / 59 / 11

HEX #E3C75E

RGB 227 199 94

HSL 47.37, 0.7%, 0.63%

LAB 80.73, -2.52, 55.15

 

CMYK 0 / 14 / 64 / 18

HEX #D2B54B

RGB 210 181 75

HSL 47.11, 0.6%, 0.56%

LAB 74.35, -1.58, 56.2

 

CMYK 0 / 16 / 71 / 24

HEX #C1A338

RGB 193 163 56

HSL 46.86, 0.55%, 0.49%

LAB 67.89, -0.47, 57.02

 

CMYK 0 / 18 / 79 / 31

HEX #B09125

RGB 176 145 37

HSL 46.62, 0.65%, 0.42%

LAB 61.32, 0.85, 57.32

 

CMYK 0 / 20 / 89 / 38

HEX #9F7F12

RGB 159 127 18

HSL 46.38, 0.8%, 0.35%

LAB 54.65, 2.45, 56.6

 

CMYK 0 / 12 / 58 / 11

HEX #E2C65E

RGB 226 198 94

HSL 47.27, 0.69%, 0.63%

LAB 80.38, -2.41, 54.74

 

CMYK 0 / 28 / 58 / 11

HEX #E2A35E

RGB 226 163 94

HSL 31.36, 0.69%, 0.63%

LAB 71.67, 16.04, 44.59

 

CMYK 0 / 44 / 58 / 11

HEX #E27F5E

RGB 226 127 94

HSL 15, 0.69%, 0.63%

LAB 63.47, 35.16, 34.57

 

CMYK 0 / 58 / 58 / 11

HEX #E25E5E

RGB 226 94 94

HSL 0, 0.69%, 0.63%

LAB 57.06, 51.45, 26.38

 

CMYK 0 / 12 / 58 / 11

HEX #E2C65E

RGB 226 198 94

HSL 47.27, 0.69%, 0.63%

LAB 80.38, -2.41, 54.74

 

CMYK 4 / 0 / 58 / 11

HEX #DAE25E

RGB 218 226 94

HSL 63.64, 0.69%, 0.63%

LAB 87.05, -19.76, 62.01

 

CMYK 19 / 0 / 58 / 11

HEX #B7E25E

RGB 183 226 94

HSL 79.55, 0.69%, 0.63%

LAB 84.62, -33.49, 58.64

 

CMYK 35 / 0 / 58 / 11

HEX #93E25E

RGB 147 226 94

HSL 95.91, 0.69%, 0.63%

LAB 82.6, -46.42, 55.8

 

CMYK 50 / 0 / 58 / 11

HEX #70E25E

RGB 112 226 94

HSL 111.82, 0.69%, 0.63%

LAB 81.1, -57.09, 53.69

 

CMYK 0 / 12 / 58 / 11

HEX #E2C65E

RGB 226 198 94

HSL 47.27, 0.69%, 0.63%

LAB 80.38, -2.41, 54.74

 

CMYK 0 / 14 / 67 / 5

HEX #F1CF4F

RGB 241 207 79

HSL 47.41, 0.85%, 0.63%

LAB 83.91, -1.72, 65.48

 

CMYK 0 / 12 / 58 / 11

HEX #E2C65E

RGB 226 198 94

HSL 47.27, 0.69%, 0.63%

LAB 80.38, -2.41, 54.74

 

CMYK 0 / 10 / 48 / 17

HEX #D3BE6D

RGB 211 190 109

HSL 47.65, 0.54%, 0.63%

LAB 77.15, -3.23, 43.37

 

CMYK 0 / 8 / 36 / 23

HEX #C4B57D

RGB 196 181 125

HSL 47.32, 0.38%, 0.63%

LAB 73.72, -2.9, 30.5

 

CMYK 0 / 4 / 22 / 29

HEX #B4AC8C

RGB 180 172 140

HSL 48, 0.21%, 0.63%

LAB 70.25, -2.42, 17.52

 

CMYK 0 / 1 / 6 / 35

HEX #A5A39B

RGB 165 163 155

HSL 48, 0.05%, 0.63%

LAB 66.95, -0.75, 4.4

 

CMYK 0 / 44 / 58 / 11

HEX #E27F5E

RGB 226 127 94

HSL 15, 0.69%, 0.63%

LAB 63.47, 35.16, 34.57

 

CMYK 0 / 28 / 58 / 11

HEX #E2A25E

RGB 226 162 94

HSL 30.91, 0.69%, 0.63%

LAB 71.43, 16.57, 44.3

 

CMYK 0 / 12 / 58 / 11

HEX #E2C65E

RGB 226 198 94

HSL 47.27, 0.69%, 0.63%

LAB 80.38, -2.41, 54.74

 

CMYK 3 / 0 / 58 / 11

HEX #DCE25E

RGB 220 226 94

HSL 62.73, 0.69%, 0.63%

LAB 87.2, -18.96, 62.22

 

CMYK 19 / 0 / 58 / 11

HEX #B8E25E

RGB 184 226 94

HSL 79.09, 0.69%, 0.63%

LAB 84.68, -33.11, 58.72

 

CMYK 0 / 17 / 83 / 21

HEX #CAA723

RGB 202 167 35

HSL 47.43, 0.7%, 0.46%

LAB 69.69, 0.52, 66.34

 

CMYK 0 / 15 / 73 / 14

HEX #DCBA3B

RGB 220 186 59

HSL 47.33, 0.7%, 0.55%

LAB 76.47, -0.77, 65.18

 

CMYK 0 / 12 / 58 / 11

HEX #E2C65E

RGB 226 198 94

HSL 47.27, 0.69%, 0.63%

LAB 80.38, -2.41, 54.74

 

CMYK 0 / 9 / 44 / 9

HEX #E8D381

RGB 232 211 129

HSL 47.77, 0.69%, 0.71%

LAB 84.65, -3.66, 43.13

 

CMYK 0 / 7 / 31 / 6

HEX #EFDFA4

RGB 239 223 164

HSL 47.2, 0.7%, 0.79%

LAB 88.83, -3.17, 30.95

 

CMYK 0 / 12 / 59 / 11

HEX #E3C75E

RGB 227 199 94

HSL 47.37, 0.7%, 0.63%

LAB 80.73, -2.52, 55.15

 

CMYK 58 / 0 / 58 / 11

HEX #60E25E

RGB 96 226 94

HSL 119.09, 0.69%, 0.63%

LAB 80.56, -61.15, 52.93

 

CMYK 36 / 58 / 0 / 11

HEX #915EE2

RGB 145 94 226

HSL 263.18, 0.69%, 0.63%

LAB 51.29, 48.15, -59.96

 

CMYK 0 / 12 / 59 / 11

HEX #E3C75E

RGB 227 199 94

HSL 47.37, 0.7%, 0.63%

LAB 80.73, -2.52, 55.15

 

CMYK 58 / 0 / 12 / 11

HEX #5EE2C6

RGB 94 226 198

HSL 167.27, 0.69%, 0.63%

LAB 82.3, -42.84, 2.86

 

CMYK 12 / 58 / 0 / 11

HEX #C65EE2

RGB 198 94 226

HSL 287.27, 0.69%, 0.63%

LAB 57.56, 60.77, -49.57

 

CMYK 0 / 12 / 59 / 11

HEX #E3C75E

RGB 227 199 94

HSL 47.37, 0.7%, 0.63%

LAB 80.73, -2.52, 55.15

 

CMYK 58 / 0 / 58 / 11

HEX #60E25E

RGB 96 226 94

HSL 119.09, 0.69%, 0.63%

LAB 80.56, -61.15, 52.93

 

CMYK 58 / 46 / 0 / 11

HEX #5E7BE2

RGB 94 123 226

HSL 226.82, 0.69%, 0.63%

LAB 54.07, 20.16, -55.72

 

CMYK 1 / 58 / 0 / 11

HEX #E05EE2

RGB 224 94 226

HSL 299.09, 0.69%, 0.63%

LAB 61.08, 67.21, -43.77

 

CMYK 0 / 12 / 59 / 11

HEX #E3C75E

RGB 227 199 94

HSL 47.37, 0.7%, 0.63%

LAB 80.73, -2.52, 55.15

 

CMYK 58 / 0 / 42 / 11

HEX #5EE284

RGB 94 226 132

HSL 137.27, 0.69%, 0.63%

LAB 80.98, -56.34, 35.34

 

CMYK 58 / 46 / 0 / 11

HEX #5E7BE2

RGB 94 123 226

HSL 226.82, 0.69%, 0.63%

LAB 54.07, 20.16, -55.72

 

CMYK 0 / 58 / 16 / 11

HEX #E25EBD

RGB 226 94 189

HSL 316.82, 0.69%, 0.63%

LAB 59.75, 61.89, -24.89

 

Description

Color code: HEX #E3C75E | qconv.com Color code: HEX #E3C75E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 199 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 199 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 59 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 59% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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