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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3C745 it is the complementary color #1C38BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3C745. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3C745 shade: #E8C740, #F9D953, #FFEB66, #FFFD79 and #FFFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3C745. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3C745 shade: #E3C745, #D2B532, #C1A31F, #B0910C and #9F7F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3C745 shade: #E3C745, #E39C45, #E37245, #E34745 and #E34545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3C745 shade: #E3C745, #D4E345, #AAE345, #7FE345 and #54E345

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3C745 shade matches the following richer shades: #E3C745 and #F4D233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3C745 shade: #E3C745, #D2BC56, #C0B167, #AFA679 and #9E9A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3C745 shade: #E37245, #E39C45, #E3C645, #D6E345 and #ACE345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3C745 shade: #BA9E1C, #DDBC21, #E3C745, #E9D269 and #EEDD8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3C745 shade: #E3C745, #45E347 and #8745E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3C745 shade: #E3C745, #45E3C6 and #C645E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3C745 shade: #E3C745, #45E347, #4562E3 and #E345E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3C745 shade: #E3C745, #45E377, #4562E3 and #E345B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 70 / 11

HEX #E3C745

RGB 227 199 69

HSL 49.37, 0.74%, 0.58%

LAB 80.52, -4.04, 65.6

 

Complementary color

CMYK 85 / 70 / 0 / 27

HEX #1C38BA

RGB 28 56 186

HSL 229.37, 0.74%, 0.42%

LAB 30.93, 39.58, -70.42

 

CMYK 0 / 14 / 72 / 9

HEX #E8C740

RGB 232 199 64

HSL 48.21, 0.79%, 0.58%

LAB 80.95, -2.16, 68.07

 

CMYK 0 / 13 / 67 / 2

HEX #F9D953

RGB 249 217 83

HSL 48.43, 0.93%, 0.65%

LAB 87.19, -3.26, 67.5

 

CMYK 0 / 8 / 60 / 0

HEX #FFEB66

RGB 255 235 102

HSL 52.16, 1%, 0.7%

LAB 92.41, -8.68, 65.34

 

CMYK 0 / 1 / 53 / 0

HEX #FFFD79

RGB 255 253 121

HSL 59.1, 1%, 0.74%

LAB 97.18, -16.14, 62.43

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 12 / 70 / 11

HEX #E3C745

RGB 227 199 69

HSL 49.37, 0.74%, 0.58%

LAB 80.52, -4.04, 65.6

 

CMYK 0 / 14 / 76 / 18

HEX #D2B532

RGB 210 181 50

HSL 49.13, 0.64%, 0.51%

LAB 74.18, -2.85, 65.9

 

CMYK 0 / 16 / 84 / 24

HEX #C1A31F

RGB 193 163 31

HSL 48.89, 0.72%, 0.44%

LAB 67.75, -1.45, 65.44

 

CMYK 0 / 18 / 93 / 31

HEX #B0910C

RGB 176 145 12

HSL 48.66, 0.87%, 0.37%

LAB 61.23, 0.2, 63.68

 

CMYK 0 / 20 / 100 / 38

HEX #9F7F00

RGB 159 127 0

HSL 47.92, 1%, 0.31%

LAB 54.61, 2.14, 60.02

 

CMYK 0 / 12 / 70 / 11

HEX #E3C745

RGB 227 199 69

HSL 49.37, 0.74%, 0.58%

LAB 80.52, -4.04, 65.6

 

CMYK 0 / 31 / 70 / 11

HEX #E39C45

RGB 227 156 69

HSL 33.04, 0.74%, 0.58%

LAB 69.85, 18.61, 54.58

 

CMYK 0 / 50 / 70 / 11

HEX #E37245

RGB 227 114 69

HSL 17.09, 0.74%, 0.58%

LAB 60.6, 40.64, 44.48

 

CMYK 0 / 69 / 70 / 11

HEX #E34745

RGB 227 71 69

HSL 0.76, 0.74%, 0.58%

LAB 53.24, 59.95, 36

 

CMYK 0 / 70 / 70 / 11

HEX #E34545

RGB 227 69 69

HSL 0, 0.74%, 0.58%

LAB 52.97, 60.7, 35.68

 

CMYK 0 / 12 / 70 / 11

HEX #E3C745

RGB 227 199 69

HSL 49.37, 0.74%, 0.58%

LAB 80.52, -4.04, 65.6

 

CMYK 7 / 0 / 70 / 11

HEX #D4E345

RGB 212 227 69

HSL 65.7, 0.74%, 0.58%

LAB 86.68, -24.2, 71.32

 

CMYK 25 / 0 / 70 / 11

HEX #AAE345

RGB 170 227 69

HSL 81.65, 0.74%, 0.58%

LAB 83.92, -40.65, 67.65

 

CMYK 44 / 0 / 70 / 11

HEX #7FE345

RGB 127 227 69

HSL 97.97, 0.74%, 0.58%

LAB 81.77, -55.38, 64.77

 

CMYK 63 / 0 / 70 / 11

HEX #54E345

RGB 84 227 69

HSL 114.3, 0.74%, 0.58%

LAB 80.32, -66.62, 62.81

 

CMYK 0 / 12 / 70 / 11

HEX #E3C745

RGB 227 199 69

HSL 49.37, 0.74%, 0.58%

LAB 80.52, -4.04, 65.6

 

CMYK 0 / 14 / 79 / 4

HEX #F4D233

RGB 244 210 51

HSL 49.43, 0.9%, 0.58%

LAB 84.77, -3.2, 76.35

 

CMYK 0 / 12 / 70 / 11

HEX #E3C745

RGB 227 199 69

HSL 49.37, 0.74%, 0.58%

LAB 80.52, -4.04, 65.6

 

CMYK 0 / 10 / 59 / 18

HEX #D2BC56

RGB 210 188 86

HSL 49.35, 0.58%, 0.58%

LAB 76.28, -4.5, 53.38

 

CMYK 0 / 8 / 46 / 25

HEX #C0B167

RGB 192 177 103

HSL 49.89, 0.41%, 0.58%

LAB 71.98, -4.82, 39.64

 

CMYK 0 / 5 / 31 / 31

HEX #AFA679

RGB 175 166 121

HSL 50, 0.25%, 0.58%

LAB 67.85, -3.83, 24.52

 

CMYK 0 / 3 / 13 / 38

HEX #9E9A8A

RGB 158 154 138

HSL 48, 0.09%, 0.58%

LAB 63.52, -1.41, 8.92

 

CMYK 0 / 50 / 70 / 11

HEX #E37245

RGB 227 114 69

HSL 17.09, 0.74%, 0.58%

LAB 60.6, 40.64, 44.48

 

CMYK 0 / 31 / 70 / 11

HEX #E39C45

RGB 227 156 69

HSL 33.04, 0.74%, 0.58%

LAB 69.85, 18.61, 54.58

 

CMYK 0 / 13 / 70 / 11

HEX #E3C645

RGB 227 198 69

HSL 48.99, 0.74%, 0.58%

LAB 80.26, -3.52, 65.34

 

CMYK 6 / 0 / 70 / 11

HEX #D6E345

RGB 214 227 69

HSL 64.94, 0.74%, 0.58%

LAB 86.83, -23.39, 71.51

 

CMYK 24 / 0 / 70 / 11

HEX #ACE345

RGB 172 227 69

HSL 80.89, 0.74%, 0.58%

LAB 84.04, -39.9, 67.81

 

CMYK 0 / 15 / 85 / 27

HEX #BA9E1C

RGB 186 158 28

HSL 49.37, 0.74%, 0.42%

LAB 65.73, -1.98, 64.27

 

CMYK 0 / 15 / 85 / 13

HEX #DDBC21

RGB 221 188 33

HSL 49.47, 0.74%, 0.5%

LAB 76.95, -2.26, 73.67

 

CMYK 0 / 12 / 70 / 11

HEX #E3C745

RGB 227 199 69

HSL 49.37, 0.74%, 0.58%

LAB 80.52, -4.04, 65.6

 

CMYK 0 / 10 / 55 / 9

HEX #E9D269

RGB 233 210 105

HSL 49.22, 0.74%, 0.66%

LAB 84.19, -4.86, 54.19

 

CMYK 0 / 7 / 41 / 7

HEX #EEDD8C

RGB 238 221 140

HSL 49.59, 0.74%, 0.74%

LAB 87.86, -5.26, 41.82

 

CMYK 0 / 12 / 70 / 11

HEX #E3C745

RGB 227 199 69

HSL 49.37, 0.74%, 0.58%

LAB 80.52, -4.04, 65.6

 

CMYK 70 / 0 / 69 / 11

HEX #45E347

RGB 69 227 71

HSL 120.76, 0.74%, 0.58%

LAB 79.99, -69.34, 61.61

 

CMYK 41 / 70 / 0 / 11

HEX #8745E3

RGB 135 69 227

HSL 265.06, 0.74%, 0.58%

LAB 45.57, 59.12, -69.84

 

CMYK 0 / 12 / 70 / 11

HEX #E3C745

RGB 227 199 69

HSL 49.37, 0.74%, 0.58%

LAB 80.52, -4.04, 65.6

 

CMYK 70 / 0 / 13 / 11

HEX #45E3C6

RGB 69 227 198

HSL 168.99, 0.74%, 0.58%

LAB 81.99, -47.32, 2.34

 

CMYK 13 / 70 / 0 / 11

HEX #C645E3

RGB 198 69 227

HSL 288.99, 0.74%, 0.58%

LAB 53.82, 71.48, -56.1

 

CMYK 0 / 12 / 70 / 11

HEX #E3C745

RGB 227 199 69

HSL 49.37, 0.74%, 0.58%

LAB 80.52, -4.04, 65.6

 

CMYK 70 / 0 / 69 / 11

HEX #45E347

RGB 69 227 71

HSL 120.76, 0.74%, 0.58%

LAB 79.99, -69.34, 61.61

 

CMYK 70 / 57 / 0 / 11

HEX #4562E3

RGB 69 98 227

HSL 228.99, 0.74%, 0.58%

LAB 46.37, 31.91, -68.76

 

CMYK 0 / 70 / 1 / 11

HEX #E345E1

RGB 227 69 225

HSL 300.76, 0.74%, 0.58%

LAB 58.06, 77.28, -47.96

 

CMYK 0 / 12 / 70 / 11

HEX #E3C745

RGB 227 199 69

HSL 49.37, 0.74%, 0.58%

LAB 80.52, -4.04, 65.6

 

CMYK 70 / 0 / 48 / 11

HEX #45E377

RGB 69 227 119

HSL 138.99, 0.74%, 0.58%

LAB 80.48, -63.54, 41

 

CMYK 70 / 57 / 0 / 11

HEX #4562E3

RGB 69 98 227

HSL 228.99, 0.74%, 0.58%

LAB 46.37, 31.91, -68.76

 

CMYK 0 / 70 / 22 / 11

HEX #E345B1

RGB 227 69 177

HSL 318.99, 0.74%, 0.58%

LAB 55.85, 70.37, -23.97

 

Description

Color code: HEX #E3C745 | qconv.com Color code: HEX #E3C745 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 199 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 199 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 70 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 70% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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