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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3C60B it is the complementary color #1C39F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3C60B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3C60B shade: #E8C606, #F9D819, #FFEA2C, #FFFC3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3C60B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3C60B shade: #E3C60B, #D2B400, #C1A200, #B09000 and #9F7E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3C60B shade: #E4C70A, #E48C0A, #E4510A, #E4170A and #E40A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3C60B shade: #E4C70A, #C7E40A, #8CE40A, #51E40A and #16E40A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3C60B shade matches the following richer shades: #E4C70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3C60B shade: #E4C70A, #D1B91E, #BEAB31, #AA9D44 and #978E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3C60B shade: #E44F0A, #E48A0A, #E4C40A, #CBE40A and #91E40A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3C60B shade: #968207, #BDA508, #E4C70A, #F4D824 and #F6DF4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3C60B shade: #E3C60B, #0AE415 and #6C0AE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3C60B shade: #E3C60B, #0AE4C4 and #C40AE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3C60B shade: #E3C60B, #0AE415, #0A2BE4 and #E40ADA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3C60B shade: #E3C60B, #0AE457, #0A2BE4 and #E40A98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 95 / 11

HEX #E3C60B

RGB 227 198 11

HSL 51.94, 0.91%, 0.47%

LAB 80.03, -5.18, 79.99

 

Complementary color

CMYK 89 / 77 / 0 / 4

HEX #1C39F4

RGB 28 57 244

HSL 231.94, 0.91%, 0.53%

LAB 37.31, 58.79, -93.32

 

CMYK 0 / 15 / 97 / 9

HEX #E8C606

RGB 232 198 6

HSL 50.97, 0.95%, 0.47%

LAB 80.49, -3.07, 81.02

 

CMYK 0 / 13 / 90 / 2

HEX #F9D819

RGB 249 216 25

HSL 51.16, 0.95%, 0.54%

LAB 86.66, -4.73, 84.03

 

CMYK 0 / 8 / 83 / 0

HEX #FFEA2C

RGB 255 234 44

HSL 54.03, 1%, 0.59%

LAB 91.81, -10.79, 84.63

 

CMYK 0 / 1 / 75 / 0

HEX #FFFC3F

RGB 255 252 63

HSL 59.06, 1%, 0.62%

LAB 96.51, -18.95, 83.69

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 13 / 95 / 11

HEX #E3C60B

RGB 227 198 11

HSL 51.94, 0.91%, 0.47%

LAB 80.03, -5.18, 79.99

 

CMYK 0 / 14 / 100 / 18

HEX #D2B400

RGB 210 180 0

HSL 51.43, 1%, 0.41%

LAB 73.77, -3.39, 75.88

 

CMYK 0 / 16 / 100 / 24

HEX #C1A200

RGB 193 162 0

HSL 50.36, 1%, 0.38%

LAB 67.41, -1.44, 70.62

 

CMYK 0 / 18 / 100 / 31

HEX #B09000

RGB 176 144 0

HSL 49.09, 1%, 0.35%

LAB 60.94, 0.58, 65.28

 

CMYK 0 / 21 / 100 / 38

HEX #9F7E00

RGB 159 126 0

HSL 47.55, 1%, 0.31%

LAB 54.34, 2.7, 59.83

 

CMYK 0 / 13 / 96 / 11

HEX #E4C70A

RGB 228 199 10

HSL 52.02, 0.92%, 0.47%

LAB 80.38, -5.27, 80.39

 

CMYK 0 / 39 / 96 / 11

HEX #E48C0A

RGB 228 140 10

HSL 35.78, 0.92%, 0.47%

LAB 65.96, 25.82, 70.11

 

CMYK 0 / 64 / 96 / 11

HEX #E4510A

RGB 228 81 10

HSL 19.54, 0.92%, 0.47%

LAB 54.45, 54.69, 62.67

 

CMYK 0 / 90 / 96 / 11

HEX #E4170A

RGB 228 23 10

HSL 3.58, 0.92%, 0.47%

LAB 48.42, 71.44, 59.31

 

CMYK 0 / 96 / 96 / 11

HEX #E40A0A

RGB 228 10 10

HSL 0, 0.92%, 0.47%

LAB 47.92, 72.88, 59.05

 

CMYK 0 / 13 / 96 / 11

HEX #E4C70A

RGB 228 199 10

HSL 52.02, 0.92%, 0.47%

LAB 80.38, -5.27, 80.39

 

CMYK 13 / 0 / 96 / 11

HEX #C7E40A

RGB 199 228 10

HSL 67.98, 0.92%, 0.47%

LAB 85.83, -31.7, 83.46

 

CMYK 39 / 0 / 96 / 11

HEX #8CE40A

RGB 140 228 10

HSL 84.22, 0.92%, 0.47%

LAB 82.42, -53.93, 79.33

 

CMYK 64 / 0 / 96 / 11

HEX #51E40A

RGB 81 228 10

HSL 100.46, 0.92%, 0.47%

LAB 80.32, -70.31, 76.77

 

CMYK 90 / 0 / 96 / 11

HEX #16E40A

RGB 22 228 10

HSL 116.7, 0.92%, 0.47%

LAB 79.43, -78.14, 75.67

 

CMYK 0 / 13 / 96 / 11

HEX #E4C70A

RGB 228 199 10

HSL 52.02, 0.92%, 0.47%

LAB 80.38, -5.27, 80.39

 

CMYK 0 / 13 / 96 / 11

HEX #E4C70A

RGB 228 199 10

HSL 52.02, 0.92%, 0.47%

LAB 80.38, -5.27, 80.39

 

CMYK 0 / 11 / 86 / 18

HEX #D1B91E

RGB 209 185 30

HSL 51.96, 0.75%, 0.47%

LAB 75.04, -6, 72.35

 

CMYK 0 / 10 / 74 / 25

HEX #BEAB31

RGB 190 171 49

HSL 51.91, 0.59%, 0.47%

LAB 69.68, -6.37, 61.36

 

CMYK 0 / 8 / 60 / 33

HEX #AA9D44

RGB 170 157 68

HSL 52.35, 0.43%, 0.47%

LAB 64.22, -6.58, 47.22

 

CMYK 0 / 6 / 42 / 41

HEX #978E58

RGB 151 142 88

HSL 51.43, 0.26%, 0.47%

LAB 58.63, -4.79, 29.95

 

CMYK 0 / 65 / 96 / 11

HEX #E44F0A

RGB 228 79 10

HSL 18.99, 0.92%, 0.47%

LAB 54.14, 55.52, 62.48

 

CMYK 0 / 39 / 96 / 11

HEX #E48A0A

RGB 228 138 10

HSL 35.23, 0.92%, 0.47%

LAB 65.51, 26.88, 69.81

 

CMYK 0 / 14 / 96 / 11

HEX #E4C40A

RGB 228 196 10

HSL 51.19, 0.92%, 0.47%

LAB 79.61, -3.73, 79.82

 

CMYK 11 / 0 / 96 / 11

HEX #CBE40A

RGB 203 228 10

HSL 66.88, 0.92%, 0.47%

LAB 86.11, -30.07, 83.79

 

CMYK 36 / 0 / 96 / 11

HEX #91E40A

RGB 145 228 10

HSL 82.84, 0.92%, 0.47%

LAB 82.66, -52.22, 79.62

 

CMYK 0 / 13 / 95 / 41

HEX #968207

RGB 150 130 7

HSL 51.61, 0.91%, 0.31%

LAB 54.52, -3.62, 58.28

 

CMYK 0 / 13 / 96 / 26

HEX #BDA508

RGB 189 165 8

HSL 52.04, 0.92%, 0.39%

LAB 67.83, -4.73, 69.73

 

CMYK 0 / 13 / 96 / 11

HEX #E4C70A

RGB 228 199 10

HSL 52.02, 0.92%, 0.47%

LAB 80.38, -5.27, 80.39

 

CMYK 0 / 11 / 85 / 4

HEX #F4D824

RGB 244 216 36

HSL 51.92, 0.9%, 0.55%

LAB 86.24, -6.64, 81.45

 

CMYK 0 / 9 / 70 / 4

HEX #F6DF4B

RGB 246 223 75

HSL 51.93, 0.9%, 0.63%

LAB 88.39, -7.94, 71.74

 

CMYK 0 / 13 / 95 / 11

HEX #E3C60B

RGB 227 198 11

HSL 51.94, 0.91%, 0.47%

LAB 80.03, -5.18, 79.99

 

CMYK 96 / 0 / 91 / 11

HEX #0AE415

RGB 10 228 21

HSL 123.03, 0.92%, 0.47%

LAB 79.39, -78.45, 74.33

 

CMYK 53 / 96 / 0 / 11

HEX #6C0AE4

RGB 108 10 228

HSL 266.97, 0.92%, 0.47%

LAB 36, 74.73, -86.24

 

CMYK 0 / 13 / 95 / 11

HEX #E3C60B

RGB 227 198 11

HSL 51.94, 0.91%, 0.47%

LAB 80.03, -5.18, 79.99

 

CMYK 96 / 0 / 14 / 11

HEX #0AE4C4

RGB 10 228 196

HSL 171.19, 0.92%, 0.47%

LAB 81.59, -52.83, 2.73

 

CMYK 14 / 96 / 0 / 11

HEX #C40AE4

RGB 196 10 228

HSL 291.19, 0.92%, 0.47%

LAB 48.95, 84.72, -64.52

 

CMYK 0 / 13 / 95 / 11

HEX #E3C60B

RGB 227 198 11

HSL 51.94, 0.91%, 0.47%

LAB 80.03, -5.18, 79.99

 

CMYK 96 / 0 / 91 / 11

HEX #0AE415

RGB 10 228 21

HSL 123.03, 0.92%, 0.47%

LAB 79.39, -78.45, 74.33

 

CMYK 96 / 81 / 0 / 11

HEX #0A2BE4

RGB 10 43 228

HSL 230.92, 0.92%, 0.47%

LAB 32.69, 60.3, -91.93

 

CMYK 0 / 96 / 4 / 11

HEX #E40ADA

RGB 228 10 218

HSL 302.75, 0.92%, 0.47%

LAB 53.79, 88.2, -50.78

 

CMYK 0 / 13 / 95 / 11

HEX #E3C60B

RGB 227 198 11

HSL 51.94, 0.91%, 0.47%

LAB 80.03, -5.18, 79.99

 

CMYK 96 / 0 / 62 / 11

HEX #0AE457

RGB 10 228 87

HSL 141.19, 0.92%, 0.47%

LAB 79.75, -73.84, 54.69

 

CMYK 96 / 81 / 0 / 11

HEX #0A2BE4

RGB 10 43 228

HSL 230.92, 0.92%, 0.47%

LAB 32.69, 60.3, -91.93

 

CMYK 0 / 96 / 33 / 11

HEX #E40A98

RGB 228 10 152

HSL 320.92, 0.92%, 0.47%

LAB 50.66, 80.27, -17.17

 

Description

Color code: HEX #E3C60B | qconv.com Color code: HEX #E3C60B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 198 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 198 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 95 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 95% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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