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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3C43C it is the complementary color #1C3BC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3C43C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3C43C shade: #E8C437, #F9D64A, #FFE85D, #FFFA70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3C43C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3C43C shade: #E3C43C, #D2B229, #C1A016, #B08E03 and #9F7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3C43C shade: #E3C43B, #E3963B, #E3693B, #E33C3B and #E33B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3C43C shade: #E3C43B, #D5E33B, #A7E33B, #7AE33B and #4DE33B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3C43C shade matches the following richer shades: #E3C43B and #F5CF28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3C43C shade: #E3C43B, #D1B84D, #BFAD5F, #ACA171 and #9A9683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3C43C shade: #E3683B, #E3943B, #E3C13B, #D8E33B and #ABE33B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3C43C shade: #B29519, #D6B41F, #E3C43B, #E8CF5F and #EDDA83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3C43C shade: #E3C43C, #3BE33B and #7E3BE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3C43C shade: #E3C43C, #3BE3C1 and #C13BE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3C43C shade: #E3C43C, #3BE33B, #3B5CE3 and #E33BE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3C43C shade: #E3C43C, #3BE36D, #3B5CE3 and #E33BB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 74 / 11

HEX #E3C43C

RGB 227 196 60

HSL 48.86, 0.75%, 0.56%

LAB 79.69, -2.91, 68.15

 

Complementary color

CMYK 86 / 70 / 0 / 24

HEX #1C3BC3

RGB 28 59 195

HSL 228.86, 0.75%, 0.44%

LAB 32.51, 40.98, -73.1

 

CMYK 0 / 16 / 76 / 9

HEX #E8C437

RGB 232 196 55

HSL 47.8, 0.79%, 0.56%

LAB 80.13, -0.98, 70.47

 

CMYK 0 / 14 / 70 / 2

HEX #F9D64A

RGB 249 214 74

HSL 48, 0.94%, 0.63%

LAB 86.37, -2.2, 70.19

 

CMYK 0 / 9 / 64 / 0

HEX #FFE85D

RGB 255 232 93

HSL 51.48, 1%, 0.68%

LAB 91.58, -7.76, 68.2

 

CMYK 0 / 2 / 56 / 0

HEX #FFFA70

RGB 255 250 112

HSL 57.9, 1%, 0.72%

LAB 96.33, -15.36, 65.4

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 14 / 74 / 11

HEX #E3C43C

RGB 227 196 60

HSL 48.86, 0.75%, 0.56%

LAB 79.69, -2.91, 68.15

 

CMYK 0 / 15 / 80 / 18

HEX #D2B229

RGB 210 178 41

HSL 48.64, 0.67%, 0.49%

LAB 73.35, -1.6, 68.05

 

CMYK 0 / 17 / 89 / 24

HEX #C1A016

RGB 193 160 22

HSL 48.42, 0.8%, 0.42%

LAB 66.93, -0.07, 66.95

 

CMYK 0 / 19 / 98 / 31

HEX #B08E03

RGB 176 142 3

HSL 48.21, 0.97%, 0.35%

LAB 60.41, 1.72, 64.44

 

CMYK 0 / 22 / 100 / 38

HEX #9F7C00

RGB 159 124 0

HSL 46.79, 1%, 0.31%

LAB 53.8, 3.82, 59.46

 

CMYK 0 / 14 / 74 / 11

HEX #E3C43B

RGB 227 196 59

HSL 48.93, 0.75%, 0.56%

LAB 79.69, -2.96, 68.5

 

CMYK 0 / 34 / 74 / 11

HEX #E3963B

RGB 227 150 59

HSL 32.5, 0.75%, 0.56%

LAB 68.36, 21.34, 57.44

 

CMYK 0 / 54 / 74 / 11

HEX #E3693B

RGB 227 105 59

HSL 16.43, 0.75%, 0.56%

LAB 58.74, 44.62, 47.53

 

CMYK 0 / 74 / 74 / 11

HEX #E33C3B

RGB 227 60 59

HSL 0.36, 0.75%, 0.56%

LAB 51.7, 63.42, 39.87

 

CMYK 0 / 74 / 74 / 11

HEX #E33B3B

RGB 227 59 59

HSL 0, 0.75%, 0.56%

LAB 51.58, 63.75, 39.74

 

CMYK 0 / 14 / 74 / 11

HEX #E3C43B

RGB 227 196 59

HSL 48.93, 0.75%, 0.56%

LAB 79.69, -2.96, 68.5

 

CMYK 6 / 0 / 74 / 11

HEX #D5E33B

RGB 213 227 59

HSL 65, 0.75%, 0.56%

LAB 86.7, -24.27, 74.71

 

CMYK 26 / 0 / 74 / 11

HEX #A7E33B

RGB 167 227 59

HSL 81.43, 0.75%, 0.56%

LAB 83.69, -42.33, 70.79

 

CMYK 46 / 0 / 74 / 11

HEX #7AE33B

RGB 122 227 59

HSL 97.5, 0.75%, 0.56%

LAB 81.51, -57.57, 67.92

 

CMYK 66 / 0 / 74 / 11

HEX #4DE33B

RGB 77 227 59

HSL 113.57, 0.75%, 0.56%

LAB 80.08, -68.81, 66.04

 

CMYK 0 / 14 / 74 / 11

HEX #E3C43B

RGB 227 196 59

HSL 48.93, 0.75%, 0.56%

LAB 79.69, -2.96, 68.5

 

CMYK 0 / 16 / 84 / 4

HEX #F5CF28

RGB 245 207 40

HSL 48.88, 0.91%, 0.56%

LAB 84.07, -1.56, 78.77

 

CMYK 0 / 14 / 74 / 11

HEX #E3C43B

RGB 227 196 59

HSL 48.93, 0.75%, 0.56%

LAB 79.69, -2.96, 68.5

 

CMYK 0 / 12 / 63 / 18

HEX #D1B84D

RGB 209 184 77

HSL 48.64, 0.59%, 0.56%

LAB 75.06, -3.45, 56.06

 

CMYK 0 / 9 / 50 / 25

HEX #BFAD5F

RGB 191 173 95

HSL 48.75, 0.43%, 0.56%

LAB 70.73, -3.88, 42.12

 

CMYK 0 / 6 / 34 / 33

HEX #ACA171

RGB 172 161 113

HSL 48.81, 0.26%, 0.56%

LAB 66.1, -3.39, 26.48

 

CMYK 0 / 3 / 15 / 40

HEX #9A9683

RGB 154 150 131

HSL 49.57, 0.1%, 0.56%

LAB 61.93, -1.91, 10.55

 

CMYK 0 / 54 / 74 / 11

HEX #E3683B

RGB 227 104 59

HSL 16.07, 0.75%, 0.56%

LAB 58.55, 45.1, 47.33

 

CMYK 0 / 35 / 74 / 11

HEX #E3943B

RGB 227 148 59

HSL 31.79, 0.75%, 0.56%

LAB 67.89, 22.4, 56.98

 

CMYK 0 / 15 / 74 / 11

HEX #E3C13B

RGB 227 193 59

HSL 47.86, 0.75%, 0.56%

LAB 78.92, -1.41, 67.77

 

CMYK 5 / 0 / 74 / 11

HEX #D8E33B

RGB 216 227 59

HSL 63.93, 0.75%, 0.56%

LAB 86.92, -23.04, 75

 

CMYK 25 / 0 / 74 / 11

HEX #ABE33B

RGB 171 227 59

HSL 80, 0.75%, 0.56%

LAB 83.92, -40.84, 71.09

 

CMYK 0 / 16 / 86 / 30

HEX #B29519

RGB 178 149 25

HSL 48.63, 0.75%, 0.4%

LAB 62.53, -0.81, 62.08

 

CMYK 0 / 16 / 86 / 16

HEX #D6B41F

RGB 214 180 31

HSL 48.85, 0.75%, 0.48%

LAB 74.21, -1.19, 71.63

 

CMYK 0 / 14 / 74 / 11

HEX #E3C43B

RGB 227 196 59

HSL 48.93, 0.75%, 0.56%

LAB 79.69, -2.96, 68.5

 

CMYK 0 / 11 / 59 / 9

HEX #E8CF5F

RGB 232 207 95

HSL 49.05, 0.75%, 0.64%

LAB 83.24, -4.48, 57.65

 

CMYK 0 / 8 / 45 / 7

HEX #EDDA83

RGB 237 218 131

HSL 49.25, 0.75%, 0.72%

LAB 86.89, -5.04, 45.03

 

CMYK 0 / 14 / 74 / 11

HEX #E3C43C

RGB 227 196 60

HSL 48.86, 0.75%, 0.56%

LAB 79.69, -2.91, 68.15

 

CMYK 74 / 0 / 74 / 11

HEX #3BE33B

RGB 59 227 59

HSL 120, 0.75%, 0.56%

LAB 79.72, -71.91, 65.55

 

CMYK 44 / 74 / 0 / 11

HEX #7E3BE3

RGB 126 59 227

HSL 263.93, 0.75%, 0.56%

LAB 42.93, 62.18, -74.19

 

CMYK 0 / 14 / 74 / 11

HEX #E3C43C

RGB 227 196 60

HSL 48.86, 0.75%, 0.56%

LAB 79.69, -2.91, 68.15

 

CMYK 74 / 0 / 15 / 11

HEX #3BE3C1

RGB 59 227 193

HSL 167.86, 0.75%, 0.56%

LAB 81.68, -49.83, 4.52

 

CMYK 15 / 74 / 0 / 11

HEX #C13BE3

RGB 193 59 227

HSL 287.86, 0.75%, 0.56%

LAB 51.85, 74.01, -59.3

 

CMYK 0 / 14 / 74 / 11

HEX #E3C43C

RGB 227 196 60

HSL 48.86, 0.75%, 0.56%

LAB 79.69, -2.91, 68.15

 

CMYK 74 / 0 / 74 / 11

HEX #3BE33B

RGB 59 227 59

HSL 120, 0.75%, 0.56%

LAB 79.72, -71.91, 65.55

 

CMYK 74 / 59 / 0 / 11

HEX #3B5CE3

RGB 59 92 227

HSL 228.21, 0.75%, 0.56%

LAB 44.42, 34.45, -71.97

 

CMYK 0 / 74 / 0 / 11

HEX #E33BE3

RGB 227 59 227

HSL 300, 0.75%, 0.56%

LAB 57.08, 80.69, -50.64

 

CMYK 0 / 14 / 74 / 11

HEX #E3C43C

RGB 227 196 60

HSL 48.86, 0.75%, 0.56%

LAB 79.69, -2.91, 68.15

 

CMYK 74 / 0 / 52 / 11

HEX #3BE36D

RGB 59 227 109

HSL 137.86, 0.75%, 0.56%

LAB 80.16, -66.54, 45.36

 

CMYK 74 / 59 / 0 / 11

HEX #3B5CE3

RGB 59 92 227

HSL 228.21, 0.75%, 0.56%

LAB 44.42, 34.45, -71.97

 

CMYK 0 / 74 / 22 / 11

HEX #E33BB0

RGB 227 59 176

HSL 318.21, 0.75%, 0.56%

LAB 54.65, 73.5, -25.23

 

Description

Color code: HEX #E3C43C | qconv.com Color code: HEX #E3C43C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 196 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 196 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 74 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 74% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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