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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3C134 it is the complementary color #1C3ECB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3C134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3C134 shade: #E8C12F, #F9D342, #FFE555, #FFF768 and #FFFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3C134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3C134 shade: #E3C134, #D2AF21, #C19D0E, #B08B00 and #9F7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3C134 shade: #E3C135, #E39235, #E36335 and #E33535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3C134 shade: #E3C135, #D6E335, #A7E335, #78E335 and #49E335

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3C134 shade matches the following richer shades: #E3C135 and #F6CC22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3C134 shade: #E3C135, #D0B647, #BEAA5A, #AB9F6C and #99947F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3C134 shade: #E36335, #E39235, #E3C035, #D7E335 and #A9E335

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3C134 shade: #AE9017, #D2AF1C, #E3C135, #E8CC59 and #EDD77D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3C134 shade: #E3C134, #35E335 and #7A35E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3C134 shade: #E3C134, #35E3C0 and #C035E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3C134 shade: #E3C134, #35E335, #3557E3 and #E335E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3C134 shade: #E3C134, #35E369, #3557E3 and #E335AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 77 / 11

HEX #E3C134

RGB 227 193 52

HSL 48.34, 0.76%, 0.55%

LAB 78.88, -1.68, 70.15

 

Complementary color

CMYK 86 / 69 / 0 / 20

HEX #1C3ECB

RGB 28 62 203

HSL 228.34, 0.76%, 0.45%

LAB 33.99, 42.01, -75.34

 

CMYK 0 / 17 / 80 / 9

HEX #E8C12F

RGB 232 193 47

HSL 47.35, 0.8%, 0.55%

LAB 79.33, 0.28, 72.31

 

CMYK 0 / 15 / 73 / 2

HEX #F9D342

RGB 249 211 66

HSL 47.54, 0.94%, 0.62%

LAB 85.57, -1.04, 72.35

 

CMYK 0 / 10 / 67 / 0

HEX #FFE555

RGB 255 229 85

HSL 50.82, 1%, 0.67%

LAB 90.76, -6.71, 70.56

 

CMYK 0 / 3 / 59 / 0

HEX #FFF768

RGB 255 247 104

HSL 56.82, 1%, 0.7%

LAB 95.49, -14.45, 67.86

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 15 / 77 / 11

HEX #E3C134

RGB 227 193 52

HSL 48.34, 0.76%, 0.55%

LAB 78.88, -1.68, 70.15

 

CMYK 0 / 17 / 84 / 18

HEX #D2AF21

RGB 210 175 33

HSL 48.14, 0.73%, 0.48%

LAB 72.54, -0.26, 69.6

 

CMYK 0 / 19 / 93 / 24

HEX #C19D0E

RGB 193 157 14

HSL 47.93, 0.86%, 0.41%

LAB 66.12, 1.4, 67.81

 

CMYK 0 / 21 / 100 / 31

HEX #B08B00

RGB 176 139 0

HSL 47.39, 1%, 0.35%

LAB 59.61, 3.32, 64.35

 

CMYK 0 / 24 / 100 / 38

HEX #9F7900

RGB 159 121 0

HSL 45.66, 1%, 0.31%

LAB 53, 5.51, 58.91

 

CMYK 0 / 15 / 77 / 11

HEX #E3C135

RGB 227 193 53

HSL 48.28, 0.76%, 0.55%

LAB 78.88, -1.65, 69.82

 

CMYK 0 / 36 / 77 / 11

HEX #E39235

RGB 227 146 53

HSL 32.07, 0.76%, 0.55%

LAB 67.39, 23.22, 58.99

 

CMYK 0 / 56 / 77 / 11

HEX #E36335

RGB 227 99 53

HSL 15.86, 0.76%, 0.55%

LAB 57.57, 47.25, 49.27

 

CMYK 0 / 77 / 77 / 11

HEX #E33535

RGB 227 53 53

HSL 0, 0.76%, 0.55%

LAB 50.84, 65.4, 42.27

 

CMYK 0 / 15 / 77 / 11

HEX #E3C135

RGB 227 193 53

HSL 48.28, 0.76%, 0.55%

LAB 78.88, -1.65, 69.82

 

CMYK 6 / 0 / 77 / 11

HEX #D6E335

RGB 214 227 53

HSL 64.48, 0.76%, 0.55%

LAB 86.75, -24.1, 76.6

 

CMYK 26 / 0 / 77 / 11

HEX #A7E335

RGB 167 227 53

HSL 80.69, 0.76%, 0.55%

LAB 83.66, -42.63, 72.62

 

CMYK 47 / 0 / 77 / 11

HEX #78E335

RGB 120 227 53

HSL 96.9, 0.76%, 0.55%

LAB 81.39, -58.52, 69.69

 

CMYK 68 / 0 / 77 / 11

HEX #49E335

RGB 73 227 53

HSL 113.1, 0.76%, 0.55%

LAB 79.96, -69.97, 67.81

 

CMYK 0 / 15 / 77 / 11

HEX #E3C135

RGB 227 193 53

HSL 48.28, 0.76%, 0.55%

LAB 78.88, -1.65, 69.82

 

CMYK 0 / 17 / 86 / 4

HEX #F6CC22

RGB 246 204 34

HSL 48.11, 0.92%, 0.55%

LAB 83.39, 0.26, 79.65

 

CMYK 0 / 15 / 77 / 11

HEX #E3C135

RGB 227 193 53

HSL 48.28, 0.76%, 0.55%

LAB 78.88, -1.65, 69.82

 

CMYK 0 / 13 / 66 / 18

HEX #D0B647

RGB 208 182 71

HSL 48.61, 0.59%, 0.55%

LAB 74.39, -3.2, 57.92

 

CMYK 0 / 11 / 53 / 25

HEX #BEAA5A

RGB 190 170 90

HSL 48, 0.43%, 0.55%

LAB 69.78, -3.16, 43.46

 

CMYK 0 / 7 / 37 / 33

HEX #AB9F6C

RGB 171 159 108

HSL 48.57, 0.27%, 0.55%

LAB 65.39, -3.33, 28.22

 

CMYK 0 / 3 / 17 / 40

HEX #99947F

RGB 153 148 127

HSL 48.46, 0.11%, 0.55%

LAB 61.21, -1.86, 11.77

 

CMYK 0 / 56 / 77 / 11

HEX #E36335

RGB 227 99 53

HSL 15.86, 0.76%, 0.55%

LAB 57.57, 47.25, 49.27

 

CMYK 0 / 36 / 77 / 11

HEX #E39235

RGB 227 146 53

HSL 32.07, 0.76%, 0.55%

LAB 67.39, 23.22, 58.99

 

CMYK 0 / 15 / 77 / 11

HEX #E3C035

RGB 227 192 53

HSL 47.93, 0.76%, 0.55%

LAB 78.63, -1.13, 69.58

 

CMYK 5 / 0 / 77 / 11

HEX #D7E335

RGB 215 227 53

HSL 64.14, 0.76%, 0.55%

LAB 86.82, -23.69, 76.69

 

CMYK 26 / 0 / 77 / 11

HEX #A9E335

RGB 169 227 53

HSL 80, 0.76%, 0.55%

LAB 83.77, -41.88, 72.77

 

CMYK 0 / 17 / 87 / 32

HEX #AE9017

RGB 174 144 23

HSL 48.08, 0.77%, 0.39%

LAB 60.79, 0.05, 60.99

 

CMYK 0 / 17 / 87 / 18

HEX #D2AF1C

RGB 210 175 28

HSL 48.46, 0.76%, 0.47%

LAB 72.53, -0.38, 70.8

 

CMYK 0 / 15 / 77 / 11

HEX #E3C135

RGB 227 193 53

HSL 48.28, 0.76%, 0.55%

LAB 78.88, -1.65, 69.82

 

CMYK 0 / 12 / 62 / 9

HEX #E8CC59

RGB 232 204 89

HSL 48.25, 0.76%, 0.63%

LAB 82.41, -3.35, 59.4

 

CMYK 0 / 9 / 47 / 7

HEX #EDD77D

RGB 237 215 125

HSL 48.21, 0.76%, 0.71%

LAB 86.05, -4.09, 46.93

 

CMYK 0 / 15 / 77 / 11

HEX #E3C134

RGB 227 193 52

HSL 48.34, 0.76%, 0.55%

LAB 78.88, -1.68, 70.15

 

CMYK 77 / 0 / 77 / 11

HEX #35E335

RGB 53 227 53

HSL 120, 0.76%, 0.55%

LAB 79.59, -73.18, 67.32

 

CMYK 46 / 77 / 0 / 11

HEX #7A35E3

RGB 122 53 227

HSL 263.79, 0.76%, 0.55%

LAB 41.58, 64.13, -76.42

 

CMYK 0 / 15 / 77 / 11

HEX #E3C134

RGB 227 193 52

HSL 48.34, 0.76%, 0.55%

LAB 78.88, -1.68, 70.15

 

CMYK 77 / 0 / 15 / 11

HEX #35E3C0

RGB 53 227 192

HSL 167.93, 0.76%, 0.55%

LAB 81.57, -50.75, 4.86

 

CMYK 15 / 77 / 0 / 11

HEX #C035E3

RGB 192 53 227

HSL 287.93, 0.76%, 0.55%

LAB 51.03, 75.73, -60.62

 

CMYK 0 / 15 / 77 / 11

HEX #E3C134

RGB 227 193 52

HSL 48.34, 0.76%, 0.55%

LAB 78.88, -1.68, 70.15

 

CMYK 77 / 0 / 77 / 11

HEX #35E335

RGB 53 227 53

HSL 120, 0.76%, 0.55%

LAB 79.59, -73.18, 67.32

 

CMYK 77 / 62 / 0 / 11

HEX #3557E3

RGB 53 87 227

HSL 228.28, 0.76%, 0.55%

LAB 42.94, 36.96, -74.39

 

CMYK 0 / 77 / 0 / 11

HEX #E335E3

RGB 227 53 227

HSL 300, 0.76%, 0.55%

LAB 56.51, 82.33, -51.55

 

CMYK 0 / 15 / 77 / 11

HEX #E3C134

RGB 227 193 52

HSL 48.34, 0.76%, 0.55%

LAB 78.88, -1.68, 70.15

 

CMYK 77 / 0 / 54 / 11

HEX #35E369

RGB 53 227 105

HSL 137.93, 0.76%, 0.55%

LAB 80.02, -67.91, 47.04

 

CMYK 77 / 62 / 0 / 11

HEX #3557E3

RGB 53 87 227

HSL 228.28, 0.76%, 0.55%

LAB 42.94, 36.96, -74.39

 

CMYK 0 / 77 / 23 / 11

HEX #E335AF

RGB 227 53 175

HSL 317.93, 0.76%, 0.55%

LAB 54, 75.12, -25.65

 

Description

Color code: HEX #E3C134 | qconv.com Color code: HEX #E3C134 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 193 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 193 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 77 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 77% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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