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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3ABCA it is the complementary color #1C5435. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3ABCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3ABCA shade: #E8ABC5, #F9BDD8, #FFCFEB, #FFE1FE and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3ABCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3ABCA shade: #E3ABCA, #D299B7, #C187A4, #B07591 and #9F637E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3ABCA shade: #E3ABCA, #E3ABBB, #E3ABAC and #E3ABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3ABCA shade: #E3ABCA, #E3ABD9, #DEABE3, #CFABE3 and #BFABE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3ABCA shade matches the following richer shades: #E3ABCA, #ECA2CB, #F599CC and #FE90CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3ABCA shade: #E3ABCA, #DAB4C9, #D1BDC8, #C8C6C7 and #BFCFC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3ABCA shade: #DDABE3, #E3ABDA, #E3ABCB, #E3ABBC and #E3ABAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3ABCA shade: #CE6DA3, #D98CB6, #E3ABCA, #EDCADD and #F8E9F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3ABCA shade: #E3ABCA, #E3CEAB and #ABE1E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3ABCA shade: #E3ABCA, #CBE3AB and #ABCBE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3ABCA shade: #E3ABCA, #E3CEAB, #ABE3C3 and #ABBFE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3ABCA shade: #E3ABCA, #E3DFAB, #ABE3C3 and #ABAFE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 11 / 11

HEX #E3ABCA

RGB 227 171 202

HSL 326.79, 0.5%, 0.78%

LAB 75.9, 25.29, -7.75

 

Complementary color

CMYK 67 / 0 / 37 / 67

HEX #1C5435

RGB 28 84 53

HSL 146.79, 0.5%, 0.22%

LAB 31.45, -26.48, 12.85

 

CMYK 0 / 26 / 15 / 9

HEX #E8ABC5

RGB 232 171 197

HSL 334.43, 0.57%, 0.79%

LAB 76.26, 26.23, -4.42

 

CMYK 0 / 24 / 13 / 2

HEX #F9BDD8

RGB 249 189 216

HSL 333, 0.83%, 0.86%

LAB 82.64, 25.61, -5.1

 

CMYK 0 / 19 / 8 / 0

HEX #FFCFEB

RGB 255 207 235

HSL 325, 1%, 0.91%

LAB 87.91, 21.31, -7.37

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FE

RGB 255 225 254

HSL 302, 1%, 0.94%

LAB 92.69, 15.21, -10.26

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 25 / 11 / 11

HEX #E3ABCA

RGB 227 171 202

HSL 326.79, 0.5%, 0.78%

LAB 75.9, 25.29, -7.75

 

CMYK 0 / 27 / 13 / 18

HEX #D299B7

RGB 210 153 183

HSL 328.42, 0.39%, 0.71%

LAB 69.4, 25.92, -7.11

 

CMYK 0 / 30 / 15 / 24

HEX #C187A4

RGB 193 135 164

HSL 330, 0.32%, 0.64%

LAB 62.8, 26.61, -6.42

 

CMYK 0 / 34 / 18 / 31

HEX #B07591

RGB 176 117 145

HSL 331.53, 0.27%, 0.57%

LAB 56.08, 27.35, -5.67

 

CMYK 0 / 38 / 21 / 38

HEX #9F637E

RGB 159 99 126

HSL 333, 0.24%, 0.51%

LAB 49.25, 28.16, -4.83

 

CMYK 0 / 25 / 11 / 11

HEX #E3ABCA

RGB 227 171 202

HSL 326.79, 0.5%, 0.78%

LAB 75.9, 25.29, -7.75

 

CMYK 0 / 25 / 18 / 11

HEX #E3ABBB

RGB 227 171 187

HSL 342.86, 0.5%, 0.78%

LAB 75.48, 22.88, -0.17

 

CMYK 0 / 25 / 24 / 11

HEX #E3ABAC

RGB 227 171 172

HSL 358.93, 0.5%, 0.78%

LAB 75.1, 20.65, 7.49

 

CMYK 0 / 25 / 25 / 11

HEX #E3ABAB

RGB 227 171 171

HSL 0, 0.5%, 0.78%

LAB 75.07, 20.51, 8

 

CMYK 0 / 25 / 11 / 11

HEX #E3ABCA

RGB 227 171 202

HSL 326.79, 0.5%, 0.78%

LAB 75.9, 25.29, -7.75

 

CMYK 0 / 25 / 4 / 11

HEX #E3ABD9

RGB 227 171 217

HSL 310.71, 0.5%, 0.78%

LAB 76.35, 27.88, -15.24

 

CMYK 2 / 25 / 0 / 11

HEX #DEABE3

RGB 222 171 227

HSL 294.64, 0.5%, 0.78%

LAB 76.19, 28.06, -20.97

 

CMYK 9 / 25 / 0 / 11

HEX #CFABE3

RGB 207 171 227

HSL 278.57, 0.5%, 0.78%

LAB 74.79, 23.21, -23.24

 

CMYK 16 / 25 / 0 / 11

HEX #BFABE3

RGB 191 171 227

HSL 261.43, 0.5%, 0.78%

LAB 73.38, 18.13, -25.51

 

CMYK 0 / 25 / 11 / 11

HEX #E3ABCA

RGB 227 171 202

HSL 326.79, 0.5%, 0.78%

LAB 75.9, 25.29, -7.75

 

CMYK 0 / 31 / 14 / 7

HEX #ECA2CB

RGB 236 162 203

HSL 326.76, 0.66%, 0.78%

LAB 74.82, 33.36, -9.8

 

CMYK 0 / 38 / 17 / 4

HEX #F599CC

RGB 245 153 204

HSL 326.74, 0.82%, 0.78%

LAB 73.9, 41.27, -11.61

 

CMYK 0 / 43 / 19 / 0

HEX #FE90CD

RGB 254 144 205

HSL 326.73, 0.98%, 0.78%

LAB 73.17, 48.96, -13.15

 

CMYK 0 / 25 / 11 / 11

HEX #E3ABCA

RGB 227 171 202

HSL 326.79, 0.5%, 0.78%

LAB 75.9, 25.29, -7.75

 

CMYK 0 / 17 / 8 / 15

HEX #DAB4C9

RGB 218 180 201

HSL 326.84, 0.34%, 0.78%

LAB 77.14, 17.14, -5.46

 

CMYK 0 / 10 / 4 / 18

HEX #D1BDC8

RGB 209 189 200

HSL 327, 0.18%, 0.78%

LAB 78.53, 8.98, -2.96

 

CMYK 0 / 1 / 0 / 22

HEX #C8C6C7

RGB 200 198 199

HSL 330, 0.02%, 0.78%

LAB 80.06, 0.88, -0.26

 

CMYK 8 / 0 / 4 / 19

HEX #BFCFC6

RGB 191 207 198

HSL 146.25, 0.14%, 0.78%

LAB 81.72, -7.1, 2.6

 

CMYK 3 / 25 / 0 / 11

HEX #DDABE3

RGB 221 171 227

HSL 293.57, 0.5%, 0.78%

LAB 76.1, 27.73, -21.13

 

CMYK 0 / 25 / 4 / 11

HEX #E3ABDA

RGB 227 171 218

HSL 309.64, 0.5%, 0.78%

LAB 76.39, 28.05, -15.74

 

CMYK 0 / 25 / 11 / 11

HEX #E3ABCB

RGB 227 171 203

HSL 325.71, 0.5%, 0.78%

LAB 75.93, 25.46, -8.25

 

CMYK 0 / 25 / 17 / 11

HEX #E3ABBC

RGB 227 171 188

HSL 341.79, 0.5%, 0.78%

LAB 75.51, 23.04, -0.67

 

CMYK 0 / 25 / 24 / 11

HEX #E3ABAD

RGB 227 171 173

HSL 357.86, 0.5%, 0.78%

LAB 75.12, 20.79, 6.98

 

CMYK 0 / 47 / 21 / 19

HEX #CE6DA3

RGB 206 109 163

HSL 326.6, 0.5%, 0.62%

LAB 58.7, 44.85, -11.81

 

CMYK 0 / 35 / 16 / 15

HEX #D98CB6

RGB 217 140 182

HSL 327.27, 0.5%, 0.7%

LAB 67.19, 35.22, -9.76

 

CMYK 0 / 25 / 11 / 11

HEX #E3ABCA

RGB 227 171 202

HSL 326.79, 0.5%, 0.78%

LAB 75.9, 25.29, -7.75

 

CMYK 0 / 15 / 7 / 7

HEX #EDCADD

RGB 237 202 221

HSL 327.43, 0.49%, 0.86%

LAB 84.72, 15.43, -4.83

 

CMYK 0 / 6 / 3 / 3

HEX #F8E9F1

RGB 248 233 241

HSL 328, 0.52%, 0.94%

LAB 93.7, 6.44, -2.05

 

CMYK 0 / 25 / 11 / 11

HEX #E3ABCA

RGB 227 171 202

HSL 326.79, 0.5%, 0.78%

LAB 75.9, 25.29, -7.75

 

CMYK 0 / 9 / 25 / 11

HEX #E3CEAB

RGB 227 206 171

HSL 37.5, 0.5%, 0.78%

LAB 83.66, 1.96, 20.09

 

CMYK 25 / 1 / 0 / 11

HEX #ABE1E3

RGB 171 225 227

HSL 182.14, 0.5%, 0.78%

LAB 86.03, -16.72, -6.61

 

CMYK 0 / 25 / 11 / 11

HEX #E3ABCA

RGB 227 171 202

HSL 326.79, 0.5%, 0.78%

LAB 75.9, 25.29, -7.75

 

CMYK 11 / 0 / 25 / 11

HEX #CBE3AB

RGB 203 227 171

HSL 85.71, 0.5%, 0.78%

LAB 87.28, -17.56, 24.78

 

CMYK 25 / 11 / 0 / 11

HEX #ABCBE3

RGB 171 203 227

HSL 205.71, 0.5%, 0.78%

LAB 80.13, -5.38, -15.41

 

CMYK 0 / 25 / 11 / 11

HEX #E3ABCA

RGB 227 171 202

HSL 326.79, 0.5%, 0.78%

LAB 75.9, 25.29, -7.75

 

CMYK 0 / 9 / 25 / 11

HEX #E3CEAB

RGB 227 206 171

HSL 37.5, 0.5%, 0.78%

LAB 83.66, 1.96, 20.09

 

CMYK 25 / 0 / 14 / 11

HEX #ABE3C3

RGB 171 227 195

HSL 145.71, 0.5%, 0.78%

LAB 85.77, -24.27, 9.87

 

CMYK 25 / 16 / 0 / 11

HEX #ABBFE3

RGB 171 191 227

HSL 218.57, 0.5%, 0.78%

LAB 76.96, 1.02, -20.2

 

CMYK 0 / 25 / 11 / 11

HEX #E3ABCA

RGB 227 171 202

HSL 326.79, 0.5%, 0.78%

LAB 75.9, 25.29, -7.75

 

CMYK 0 / 2 / 25 / 11

HEX #E3DFAB

RGB 227 223 171

HSL 55.71, 0.5%, 0.78%

LAB 87.99, -6.78, 26.04

 

CMYK 25 / 0 / 14 / 11

HEX #ABE3C3

RGB 171 227 195

HSL 145.71, 0.5%, 0.78%

LAB 85.77, -24.27, 9.87

 

CMYK 25 / 23 / 0 / 11

HEX #ABAFE3

RGB 171 175 227

HSL 235.71, 0.5%, 0.78%

LAB 72.8, 9.77, -26.54

 

Description

Color code: HEX #E3ABCA | qconv.com Color code: HEX #E3ABCA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 171 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 171 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 11 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 11% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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