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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E39F5B it is the complementary color #1C60A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E39F5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E39F5B shade: #E89F56, #F9B169, #FFC37C, #FFD58F and #FFE7A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E39F5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E39F5B shade: #E39F5B, #D28D48, #C17B35, #B06922 and #9F570F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E39F5B shade: #E39E59, #E37959 and #E35959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E39F5B shade: #E39E59, #E3C359, #DDE359, #B8E359 and #93E359

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E39F5B shade matches the following richer shades: #E39E59 and #F39E4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E39F5B shade: #E39E59, #D39E69, #C49E79, #B49E88 and #A49E98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E39F5B shade: #E3595E, #E37959, #E39E59, #E3C359 and #DEE359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E39F5B shade: #C87522, #DD8936, #E39E59, #E9B37D and #EFC7A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E39F5B shade: #E39F5B, #83E359 and #6759E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E39F5B shade: #E39F5B, #59E39E and #9E59E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E39F5B shade: #E39F5B, #83E359, #599EE3 and #BA59E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E39F5B shade: #E39F5B, #59E359, #599EE3 and #E359E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 60 / 11

HEX #E39F5B

RGB 227 159 91

HSL 30, 0.71%, 0.62%

LAB 70.79, 18.37, 45.08

 

Complementary color

CMYK 83 / 41 / 0 / 36

HEX #1C60A4

RGB 28 96 164

HSL 210, 0.71%, 0.38%

LAB 40.07, 4.63, -42.52

 

CMYK 0 / 31 / 63 / 9

HEX #E89F56

RGB 232 159 86

HSL 30, 0.76%, 0.62%

LAB 71.3, 20.1, 48.3

 

CMYK 0 / 29 / 58 / 2

HEX #F9B169

RGB 249 177 105

HSL 30, 0.92%, 0.69%

LAB 77.64, 18.86, 46.83

 

CMYK 0 / 24 / 51 / 0

HEX #FFC37C

RGB 255 195 124

HSL 32.52, 1%, 0.74%

LAB 82.78, 13.37, 43.74

 

CMYK 0 / 16 / 44 / 0

HEX #FFD58F

RGB 255 213 143

HSL 37.5, 1%, 0.78%

LAB 87.4, 5.81, 40.02

 

CMYK 0 / 9 / 36 / 0

HEX #FFE7A2

RGB 255 231 162

HSL 44.52, 1%, 0.82%

LAB 92.14, -1.36, 36.6

 

CMYK 0 / 30 / 60 / 11

HEX #E39F5B

RGB 227 159 91

HSL 30, 0.71%, 0.62%

LAB 70.79, 18.37, 45.08

 

CMYK 0 / 33 / 66 / 18

HEX #D28D48

RGB 210 141 72

HSL 30, 0.61%, 0.55%

LAB 64.34, 19.69, 46.57

 

CMYK 0 / 36 / 73 / 24

HEX #C17B35

RGB 193 123 53

HSL 30, 0.57%, 0.48%

LAB 57.81, 21.22, 48.01

 

CMYK 0 / 40 / 81 / 31

HEX #B06922

RGB 176 105 34

HSL 30, 0.68%, 0.41%

LAB 51.21, 22.99, 49.16

 

CMYK 0 / 45 / 91 / 38

HEX #9F570F

RGB 159 87 15

HSL 30, 0.83%, 0.34%

LAB 44.55, 25.04, 49.44

 

CMYK 0 / 30 / 61 / 11

HEX #E39E59

RGB 227 158 89

HSL 30, 0.71%, 0.62%

LAB 70.53, 18.76, 45.77

 

CMYK 0 / 47 / 61 / 11

HEX #E37959

RGB 227 121 89

HSL 13.91, 0.71%, 0.62%

LAB 62.28, 38.29, 35.83

 

CMYK 0 / 61 / 61 / 11

HEX #E35959

RGB 227 89 89

HSL 0, 0.71%, 0.62%

LAB 56.28, 53.69, 28.29

 

CMYK 0 / 30 / 61 / 11

HEX #E39E59

RGB 227 158 89

HSL 30, 0.71%, 0.62%

LAB 70.53, 18.76, 45.77

 

CMYK 0 / 14 / 61 / 11

HEX #E3C359

RGB 227 195 89

HSL 46.09, 0.71%, 0.62%

LAB 79.66, -0.8, 56.23

 

CMYK 3 / 0 / 61 / 11

HEX #DDE359

RGB 221 227 89

HSL 62.61, 0.71%, 0.62%

LAB 87.5, -19.38, 64.67

 

CMYK 19 / 0 / 61 / 11

HEX #B8E359

RGB 184 227 89

HSL 78.7, 0.71%, 0.62%

LAB 84.92, -33.97, 61.12

 

CMYK 35 / 0 / 61 / 11

HEX #93E359

RGB 147 227 89

HSL 94.78, 0.71%, 0.62%

LAB 82.84, -47.31, 58.23

 

CMYK 0 / 30 / 61 / 11

HEX #E39E59

RGB 227 158 89

HSL 30, 0.71%, 0.62%

LAB 70.53, 18.76, 45.77

 

CMYK 0 / 35 / 70 / 5

HEX #F39E4A

RGB 243 158 74

HSL 29.82, 0.88%, 0.62%

LAB 72.23, 24.46, 55.4

 

CMYK 0 / 30 / 61 / 11

HEX #E39E59

RGB 227 158 89

HSL 30, 0.71%, 0.62%

LAB 70.53, 18.76, 45.77

 

CMYK 0 / 25 / 50 / 17

HEX #D39E69

RGB 211 158 105

HSL 30, 0.55%, 0.62%

LAB 68.98, 13.44, 35.24

 

CMYK 0 / 19 / 38 / 23

HEX #C49E79

RGB 196 158 121

HSL 29.6, 0.39%, 0.62%

LAB 67.7, 8.98, 24.66

 

CMYK 0 / 12 / 24 / 29

HEX #B49E88

RGB 180 158 136

HSL 30, 0.23%, 0.62%

LAB 66.47, 4.58, 14.47

 

CMYK 0 / 4 / 7 / 36

HEX #A49E98

RGB 164 158 152

HSL 30, 0.06%, 0.62%

LAB 65.45, 1.08, 3.9

 

CMYK 0 / 61 / 59 / 11

HEX #E3595E

RGB 227 89 94

HSL 357.83, 0.71%, 0.62%

LAB 56.37, 54.03, 25.51

 

CMYK 0 / 47 / 61 / 11

HEX #E37959

RGB 227 121 89

HSL 13.91, 0.71%, 0.62%

LAB 62.28, 38.29, 35.83

 

CMYK 0 / 30 / 61 / 11

HEX #E39E59

RGB 227 158 89

HSL 30, 0.71%, 0.62%

LAB 70.53, 18.76, 45.77

 

CMYK 0 / 14 / 61 / 11

HEX #E3C359

RGB 227 195 89

HSL 46.09, 0.71%, 0.62%

LAB 79.66, -0.8, 56.23

 

CMYK 2 / 0 / 61 / 11

HEX #DEE359

RGB 222 227 89

HSL 62.17, 0.71%, 0.62%

LAB 87.58, -18.98, 64.77

 

CMYK 0 / 42 / 83 / 22

HEX #C87522

RGB 200 117 34

HSL 30, 0.71%, 0.46%

LAB 57.19, 26.73, 55.76

 

CMYK 0 / 38 / 76 / 13

HEX #DD8936

RGB 221 137 54

HSL 29.82, 0.71%, 0.54%

LAB 64.59, 25.55, 55.58

 

CMYK 0 / 30 / 61 / 11

HEX #E39E59

RGB 227 158 89

HSL 30, 0.71%, 0.62%

LAB 70.53, 18.76, 45.77

 

CMYK 0 / 23 / 46 / 9

HEX #E9B37D

RGB 233 179 125

HSL 30, 0.71%, 0.7%

LAB 76.71, 13.05, 35.06

 

CMYK 0 / 17 / 33 / 6

HEX #EFC7A0

RGB 239 199 160

HSL 29.62, 0.71%, 0.78%

LAB 82.77, 8.74, 24.84

 

CMYK 0 / 30 / 60 / 11

HEX #E39F5B

RGB 227 159 91

HSL 30, 0.71%, 0.62%

LAB 70.79, 18.37, 45.08

 

CMYK 42 / 0 / 61 / 11

HEX #83E359

RGB 131 227 89

HSL 101.74, 0.71%, 0.62%

LAB 82.1, -52.47, 57.2

 

CMYK 55 / 61 / 0 / 11

HEX #6759E3

RGB 103 89 227

HSL 246.09, 0.71%, 0.62%

LAB 46.41, 42.7, -68.6

 

CMYK 0 / 30 / 60 / 11

HEX #E39F5B

RGB 227 159 91

HSL 30, 0.71%, 0.62%

LAB 70.79, 18.37, 45.08

 

CMYK 61 / 0 / 30 / 11

HEX #59E39E

RGB 89 227 158

HSL 150, 0.71%, 0.62%

LAB 81.58, -53.05, 22.83

 

CMYK 30 / 61 / 0 / 11

HEX #9E59E3

RGB 158 89 227

HSL 270, 0.71%, 0.62%

LAB 51.79, 53.95, -59.64

 

CMYK 0 / 30 / 60 / 11

HEX #E39F5B

RGB 227 159 91

HSL 30, 0.71%, 0.62%

LAB 70.79, 18.37, 45.08

 

CMYK 42 / 0 / 61 / 11

HEX #83E359

RGB 131 227 89

HSL 101.74, 0.71%, 0.62%

LAB 82.1, -52.47, 57.2

 

CMYK 61 / 30 / 0 / 11

HEX #599EE3

RGB 89 158 227

HSL 210, 0.71%, 0.62%

LAB 63.44, -1.2, -41.43

 

CMYK 18 / 61 / 0 / 11

HEX #BA59E3

RGB 186 89 227

HSL 282.17, 0.71%, 0.62%

LAB 55.21, 60.41, -53.98

 

CMYK 0 / 30 / 60 / 11

HEX #E39F5B

RGB 227 159 91

HSL 30, 0.71%, 0.62%

LAB 70.79, 18.37, 45.08

 

CMYK 61 / 0 / 61 / 11

HEX #59E359

RGB 89 227 89

HSL 120, 0.71%, 0.62%

LAB 80.62, -63.65, 55.13

 

CMYK 61 / 30 / 0 / 11

HEX #599EE3

RGB 89 158 227

HSL 210, 0.71%, 0.62%

LAB 63.44, -1.2, -41.43

 

CMYK 0 / 61 / 0 / 11

HEX #E359E3

RGB 227 89 227

HSL 300, 0.71%, 0.62%

LAB 60.8, 70.2, -44.75

 

Description

Color code: HEX #E39F5B | qconv.com Color code: HEX #E39F5B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 159 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 159 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 60% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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