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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3975B it is the complementary color #1C68A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3975B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3975B shade: #E89756, #F9A969, #FFBB7C, #FFCD8F and #FFDFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3975B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3975B shade: #E3975B, #D28548, #C17335, #B06122 and #9F4F0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3975B shade: #E39659, #E37159 and #E35959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3975B shade: #E39659, #E3BB59, #E3E059, #C0E359 and #9BE359

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3975B shade matches the following richer shades: #E39659 and #F3944A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3975B shade: #E39659, #D39869, #C49A79, #B49C88 and #A49D98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3975B shade: #E35967, #E37059, #E39559, #E3BA59 and #E3DE59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3975B shade: #C86B22, #DD8036, #E39659, #E9AC7D and #EFC3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3975B shade: #E3975B, #8CE359 and #5E59E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3975B shade: #E3975B, #59E395 and #9559E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3975B shade: #E3975B, #8CE359, #59A7E3 and #B059E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3975B shade: #E3975B, #62E359, #59A7E3 and #DA59E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 60 / 11

HEX #E3975B

RGB 227 151 91

HSL 26.47, 0.71%, 0.62%

LAB 68.91, 22.65, 42.84

 

Complementary color

CMYK 83 / 37 / 0 / 36

HEX #1C68A4

RGB 28 104 164

HSL 206.47, 0.71%, 0.38%

LAB 42.5, -0.43, -38.65

 

CMYK 0 / 35 / 63 / 9

HEX #E89756

RGB 232 151 86

HSL 26.71, 0.76%, 0.62%

LAB 69.44, 24.35, 46.15

 

CMYK 0 / 32 / 58 / 2

HEX #F9A969

RGB 249 169 105

HSL 26.67, 0.92%, 0.69%

LAB 75.78, 23.06, 44.59

 

CMYK 0 / 27 / 51 / 0

HEX #FFBB7C

RGB 255 187 124

HSL 28.85, 1%, 0.74%

LAB 80.88, 17.55, 41.37

 

CMYK 0 / 20 / 44 / 0

HEX #FFCD8F

RGB 255 205 143

HSL 33.21, 1%, 0.78%

LAB 85.46, 9.94, 37.51

 

CMYK 0 / 13 / 36 / 0

HEX #FFDFA2

RGB 255 223 162

HSL 39.35, 1%, 0.82%

LAB 90.16, 2.71, 33.98

 

CMYK 0 / 33 / 60 / 11

HEX #E3975B

RGB 227 151 91

HSL 26.47, 0.71%, 0.62%

LAB 68.91, 22.65, 42.84

 

CMYK 0 / 37 / 66 / 18

HEX #D28548

RGB 210 133 72

HSL 26.52, 0.61%, 0.55%

LAB 62.46, 24.02, 44.45

 

CMYK 0 / 40 / 73 / 24

HEX #C17335

RGB 193 115 53

HSL 26.57, 0.57%, 0.48%

LAB 55.94, 25.6, 46.05

 

CMYK 0 / 45 / 81 / 31

HEX #B06122

RGB 176 97 34

HSL 26.62, 0.68%, 0.41%

LAB 49.37, 27.4, 47.44

 

CMYK 0 / 50 / 91 / 38

HEX #9F4F0F

RGB 159 79 15

HSL 26.67, 0.83%, 0.34%

LAB 42.76, 29.43, 48.06

 

CMYK 0 / 34 / 61 / 11

HEX #E39659

RGB 227 150 89

HSL 26.52, 0.71%, 0.62%

LAB 68.65, 23.04, 43.56

 

CMYK 0 / 50 / 61 / 11

HEX #E37159

RGB 227 113 89

HSL 10.43, 0.71%, 0.62%

LAB 60.66, 42.34, 33.83

 

CMYK 0 / 61 / 61 / 11

HEX #E35959

RGB 227 89 89

HSL 0, 0.71%, 0.62%

LAB 56.28, 53.69, 28.29

 

CMYK 0 / 34 / 61 / 11

HEX #E39659

RGB 227 150 89

HSL 26.52, 0.71%, 0.62%

LAB 68.65, 23.04, 43.56

 

CMYK 0 / 18 / 61 / 11

HEX #E3BB59

RGB 227 187 89

HSL 42.61, 0.71%, 0.62%

LAB 77.63, 3.37, 53.95

 

CMYK 0 / 1 / 61 / 11

HEX #E3E059

RGB 227 224 89

HSL 58.7, 0.71%, 0.62%

LAB 87.17, -15.47, 64.46

 

CMYK 15 / 0 / 61 / 11

HEX #C0E359

RGB 192 227 89

HSL 75.22, 0.71%, 0.62%

LAB 85.44, -30.9, 61.83

 

CMYK 32 / 0 / 61 / 11

HEX #9BE359

RGB 155 227 89

HSL 91.3, 0.71%, 0.62%

LAB 83.25, -44.58, 58.8

 

CMYK 0 / 34 / 61 / 11

HEX #E39659

RGB 227 150 89

HSL 26.52, 0.71%, 0.62%

LAB 68.65, 23.04, 43.56

 

CMYK 0 / 39 / 70 / 5

HEX #F3944A

RGB 243 148 74

HSL 26.27, 0.88%, 0.62%

LAB 69.99, 29.71, 52.98

 

CMYK 0 / 34 / 61 / 11

HEX #E39659

RGB 227 150 89

HSL 26.52, 0.71%, 0.62%

LAB 68.65, 23.04, 43.56

 

CMYK 0 / 28 / 50 / 17

HEX #D39869

RGB 211 152 105

HSL 26.6, 0.55%, 0.62%

LAB 67.52, 16.69, 33.37

 

CMYK 0 / 21 / 38 / 23

HEX #C49A79

RGB 196 154 121

HSL 26.4, 0.39%, 0.62%

LAB 66.69, 11.17, 23.31

 

CMYK 0 / 13 / 24 / 29

HEX #B49C88

RGB 180 156 136

HSL 27.27, 0.23%, 0.62%

LAB 65.95, 5.68, 13.74

 

CMYK 0 / 4 / 7 / 36

HEX #A49D98

RGB 164 157 152

HSL 25, 0.06%, 0.62%

LAB 65.18, 1.63, 3.51

 

CMYK 0 / 61 / 55 / 11

HEX #E35967

RGB 227 89 103

HSL 353.91, 0.71%, 0.62%

LAB 56.54, 54.69, 20.49

 

CMYK 0 / 51 / 61 / 11

HEX #E37059

RGB 227 112 89

HSL 10, 0.71%, 0.62%

LAB 60.46, 42.84, 33.58

 

CMYK 0 / 34 / 61 / 11

HEX #E39559

RGB 227 149 89

HSL 26.09, 0.71%, 0.62%

LAB 68.42, 23.57, 43.28

 

CMYK 0 / 18 / 61 / 11

HEX #E3BA59

RGB 227 186 89

HSL 42.17, 0.71%, 0.62%

LAB 77.38, 3.9, 53.67

 

CMYK 0 / 2 / 61 / 11

HEX #E3DE59

RGB 227 222 89

HSL 57.83, 0.71%, 0.62%

LAB 86.65, -14.49, 63.89

 

CMYK 0 / 47 / 83 / 22

HEX #C86B22

RGB 200 107 34

HSL 26.39, 0.71%, 0.46%

LAB 54.98, 32.07, 53.81

 

CMYK 0 / 42 / 76 / 13

HEX #DD8036

RGB 221 128 54

HSL 26.59, 0.71%, 0.54%

LAB 62.57, 30.33, 53.58

 

CMYK 0 / 34 / 61 / 11

HEX #E39659

RGB 227 150 89

HSL 26.52, 0.71%, 0.62%

LAB 68.65, 23.04, 43.56

 

CMYK 0 / 26 / 46 / 9

HEX #E9AC7D

RGB 233 172 125

HSL 26.11, 0.71%, 0.7%

LAB 75.02, 16.77, 32.88

 

CMYK 0 / 18 / 33 / 6

HEX #EFC3A0

RGB 239 195 160

HSL 26.58, 0.71%, 0.78%

LAB 81.79, 10.84, 23.5

 

CMYK 0 / 33 / 60 / 11

HEX #E3975B

RGB 227 151 91

HSL 26.47, 0.71%, 0.62%

LAB 68.91, 22.65, 42.84

 

CMYK 38 / 0 / 61 / 11

HEX #8CE359

RGB 140 227 89

HSL 97.83, 0.71%, 0.62%

LAB 82.5, -49.62, 57.77

 

CMYK 59 / 61 / 0 / 11

HEX #5E59E3

RGB 94 89 227

HSL 242.17, 0.71%, 0.62%

LAB 45.73, 41.16, -69.74

 

CMYK 0 / 33 / 60 / 11

HEX #E3975B

RGB 227 151 91

HSL 26.47, 0.71%, 0.62%

LAB 68.91, 22.65, 42.84

 

CMYK 61 / 0 / 34 / 11

HEX #59E395

RGB 89 227 149

HSL 146.09, 0.71%, 0.62%

LAB 81.42, -54.78, 27.26

 

CMYK 34 / 61 / 0 / 11

HEX #9559E3

RGB 149 89 227

HSL 266.09, 0.71%, 0.62%

LAB 50.78, 51.95, -61.32

 

CMYK 0 / 33 / 60 / 11

HEX #E3975B

RGB 227 151 91

HSL 26.47, 0.71%, 0.62%

LAB 68.91, 22.65, 42.84

 

CMYK 38 / 0 / 61 / 11

HEX #8CE359

RGB 140 227 89

HSL 97.83, 0.71%, 0.62%

LAB 82.5, -49.62, 57.77

 

CMYK 61 / 26 / 0 / 11

HEX #59A7E3

RGB 89 167 227

HSL 206.09, 0.71%, 0.62%

LAB 65.99, -6.27, -37.45

 

CMYK 22 / 61 / 0 / 11

HEX #B059E3

RGB 176 89 227

HSL 277.83, 0.71%, 0.62%

LAB 53.94, 58.07, -56.07

 

CMYK 0 / 33 / 60 / 11

HEX #E3975B

RGB 227 151 91

HSL 26.47, 0.71%, 0.62%

LAB 68.91, 22.65, 42.84

 

CMYK 57 / 0 / 61 / 11

HEX #62E359

RGB 98 227 89

HSL 116.09, 0.71%, 0.62%

LAB 80.88, -61.58, 55.5

 

CMYK 61 / 26 / 0 / 11

HEX #59A7E3

RGB 89 167 227

HSL 206.09, 0.71%, 0.62%

LAB 65.99, -6.27, -37.45

 

CMYK 4 / 61 / 0 / 11

HEX #DA59E3

RGB 218 89 227

HSL 296.09, 0.71%, 0.62%

LAB 59.52, 68.03, -46.85

 

Description

Color code: HEX #E3975B | qconv.com Color code: HEX #E3975B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 151 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 151 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 60% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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