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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3937D it is the complementary color #1C6C82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3937D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3937D shade: #E89378, #F9A58B, #FFB79E, #FFC9B1 and #FFDBC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3937D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3937D shade: #E3937D, #D2816A, #C16F57, #B05D44 and #9F4B31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3937D shade: #E3937D and #E37D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3937D shade: #E3937D, #E3AE7D, #E3CA7D, #E1E37D and #C5E37D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3937D shade matches the following richer shades: #E3937D, #F08B70 and #FD8463

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3937D shade: #E3937D, #D79A89, #CAA196, #BDA9A3 and #B0B0B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3937D shade: #E37D9F, #E37D83, #E3917D, #E3AD7D and #E3C87D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3937D shade: #D55A38, #DC765B, #E3937D, #EBAF9F and #F2CBC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3937D shade: #E3937D, #BAE37D and #7D91E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3937D shade: #E3937D, #7DE391 and #917DE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3937D shade: #E3937D, #BAE37D, #7DCFE3 and #A67DE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3937D shade: #E3937D, #9BE37D, #7DCFE3 and #C57DE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 45 / 11

HEX #E3937D

RGB 227 147 125

HSL 12.94, 0.65%, 0.69%

LAB 68.52, 27.73, 24.15

 

Complementary color

CMYK 78 / 17 / 0 / 49

HEX #1C6C82

RGB 28 108 130

HSL 192.94, 0.65%, 0.31%

LAB 42.13, -15.54, -18.94

 

CMYK 0 / 37 / 48 / 9

HEX #E89378

RGB 232 147 120

HSL 14.46, 0.71%, 0.69%

LAB 69.03, 29.19, 27.68

 

CMYK 0 / 34 / 44 / 2

HEX #F9A58B

RGB 249 165 139

HSL 14.18, 0.9%, 0.76%

LAB 75.4, 28.14, 26.22

 

CMYK 0 / 28 / 38 / 0

HEX #FFB79E

RGB 255 183 158

HSL 15.46, 1%, 0.81%

LAB 80.51, 23.03, 23.08

 

CMYK 0 / 21 / 31 / 0

HEX #FFC9B1

RGB 255 201 177

HSL 18.46, 1%, 0.85%

LAB 85.1, 15.88, 19.32

 

CMYK 0 / 14 / 23 / 0

HEX #FFDBC4

RGB 255 219 196

HSL 23.39, 1%, 0.88%

LAB 89.82, 9.06, 15.92

 

CMYK 0 / 35 / 45 / 11

HEX #E3937D

RGB 227 147 125

HSL 12.94, 0.65%, 0.69%

LAB 68.52, 27.73, 24.15

 

CMYK 0 / 39 / 50 / 18

HEX #D2816A

RGB 210 129 106

HSL 13.27, 0.54%, 0.62%

LAB 62.03, 28.83, 25.68

 

CMYK 0 / 42 / 55 / 24

HEX #C16F57

RGB 193 111 87

HSL 13.58, 0.46%, 0.55%

LAB 55.48, 30.05, 27.39

 

CMYK 0 / 47 / 61 / 31

HEX #B05D44

RGB 176 93 68

HSL 13.89, 0.44%, 0.48%

LAB 48.85, 31.41, 29.34

 

CMYK 0 / 53 / 69 / 38

HEX #9F4B31

RGB 159 75 49

HSL 14.18, 0.53%, 0.41%

LAB 42.19, 32.9, 31.56

 

CMYK 0 / 35 / 45 / 11

HEX #E3937D

RGB 227 147 125

HSL 12.94, 0.65%, 0.69%

LAB 68.52, 27.73, 24.15

 

CMYK 0 / 45 / 45 / 11

HEX #E37D7D

RGB 227 125 125

HSL 0, 0.65%, 0.69%

LAB 63.74, 39.29, 17.65

 

CMYK 0 / 35 / 45 / 11

HEX #E3937D

RGB 227 147 125

HSL 12.94, 0.65%, 0.69%

LAB 68.52, 27.73, 24.15

 

CMYK 0 / 23 / 45 / 11

HEX #E3AE7D

RGB 227 174 125

HSL 28.82, 0.65%, 0.69%

LAB 74.88, 13.3, 32.57

 

CMYK 0 / 11 / 45 / 11

HEX #E3CA7D

RGB 227 202 125

HSL 45.29, 0.65%, 0.69%

LAB 81.87, -1.43, 41.53

 

CMYK 1 / 0 / 45 / 11

HEX #E1E37D

RGB 225 227 125

HSL 61.18, 0.65%, 0.69%

LAB 88.17, -14.87, 49.32

 

CMYK 13 / 0 / 45 / 11

HEX #C5E37D

RGB 197 227 125

HSL 77.65, 0.65%, 0.69%

LAB 86.15, -25.69, 46.38

 

CMYK 0 / 35 / 45 / 11

HEX #E3937D

RGB 227 147 125

HSL 12.94, 0.65%, 0.69%

LAB 68.52, 27.73, 24.15

 

CMYK 0 / 42 / 53 / 6

HEX #F08B70

RGB 240 139 112

HSL 12.66, 0.81%, 0.69%

LAB 68.14, 35.76, 31.07

 

CMYK 0 / 48 / 61 / 1

HEX #FD8463

RGB 253 132 99

HSL 12.86, 0.97%, 0.69%

LAB 68.23, 43.27, 38.59

 

CMYK 0 / 35 / 45 / 11

HEX #E3937D

RGB 227 147 125

HSL 12.94, 0.65%, 0.69%

LAB 68.52, 27.73, 24.15

 

CMYK 0 / 28 / 36 / 16

HEX #D79A89

RGB 215 154 137

HSL 13.08, 0.49%, 0.69%

LAB 69.01, 20.63, 17.98

 

CMYK 0 / 20 / 26 / 21

HEX #CAA196

RGB 202 161 150

HSL 12.69, 0.33%, 0.69%

LAB 69.65, 13.5, 11.48

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A3

RGB 189 169 163

HSL 13.85, 0.16%, 0.69%

LAB 70.76, 6.22, 5.72

 

CMYK 0 / 0 / 0 / 31

HEX #B0B0B0

RGB 176 176 176

HSL 0, 0%, 0.69%

LAB 71.84, 0, -0.01

 

CMYK 0 / 45 / 30 / 11

HEX #E37D9F

RGB 227 125 159

HSL 340, 0.65%, 0.69%

LAB 64.56, 43.21, -0.51

 

CMYK 0 / 45 / 42 / 11

HEX #E37D83

RGB 227 125 131

HSL 356.47, 0.65%, 0.69%

LAB 63.87, 39.91, 14.42

 

CMYK 0 / 36 / 45 / 11

HEX #E3917D

RGB 227 145 125

HSL 11.76, 0.65%, 0.69%

LAB 68.07, 28.8, 23.54

 

CMYK 0 / 24 / 45 / 11

HEX #E3AD7D

RGB 227 173 125

HSL 28.24, 0.65%, 0.69%

LAB 74.63, 13.83, 32.26

 

CMYK 0 / 12 / 45 / 11

HEX #E3C87D

RGB 227 200 125

HSL 44.12, 0.65%, 0.69%

LAB 81.36, -0.39, 40.89

 

CMYK 0 / 58 / 74 / 16

HEX #D55A38

RGB 213 90 56

HSL 12.99, 0.65%, 0.53%

LAB 53.75, 46.48, 43.07

 

CMYK 0 / 46 / 59 / 14

HEX #DC765B

RGB 220 118 91

HSL 12.56, 0.65%, 0.61%

LAB 60.72, 37.28, 32.58

 

CMYK 0 / 35 / 45 / 11

HEX #E3937D

RGB 227 147 125

HSL 12.94, 0.65%, 0.69%

LAB 68.52, 27.73, 24.15

 

CMYK 0 / 26 / 32 / 8

HEX #EBAF9F

RGB 235 175 159

HSL 12.63, 0.66%, 0.77%

LAB 76.57, 19.77, 16.77

 

CMYK 0 / 16 / 20 / 5

HEX #F2CBC1

RGB 242 203 193

HSL 12.24, 0.65%, 0.85%

LAB 84.71, 12.22, 10.11

 

CMYK 0 / 35 / 45 / 11

HEX #E3937D

RGB 227 147 125

HSL 12.94, 0.65%, 0.69%

LAB 68.52, 27.73, 24.15

 

CMYK 18 / 0 / 45 / 11

HEX #BAE37D

RGB 186 227 125

HSL 84.12, 0.65%, 0.69%

LAB 85.43, -29.79, 45.33

 

CMYK 45 / 36 / 0 / 11

HEX #7D91E3

RGB 125 145 227

HSL 228.24, 0.65%, 0.69%

LAB 61.79, 14.15, -43.9

 

CMYK 0 / 35 / 45 / 11

HEX #E3937D

RGB 227 147 125

HSL 12.94, 0.65%, 0.69%

LAB 68.52, 27.73, 24.15

 

CMYK 45 / 0 / 36 / 11

HEX #7DE391

RGB 125 227 145

HSL 131.76, 0.65%, 0.69%

LAB 82.56, -46.93, 31.05

 

CMYK 36 / 45 / 0 / 11

HEX #917DE3

RGB 145 125 227

HSL 251.76, 0.65%, 0.69%

LAB 58.26, 30.9, -49.38

 

CMYK 0 / 35 / 45 / 11

HEX #E3937D

RGB 227 147 125

HSL 12.94, 0.65%, 0.69%

LAB 68.52, 27.73, 24.15

 

CMYK 18 / 0 / 45 / 11

HEX #BAE37D

RGB 186 227 125

HSL 84.12, 0.65%, 0.69%

LAB 85.43, -29.79, 45.33

 

CMYK 45 / 9 / 0 / 11

HEX #7DCFE3

RGB 125 207 227

HSL 191.76, 0.65%, 0.69%

LAB 78.77, -19.85, -17.71

 

CMYK 27 / 45 / 0 / 11

HEX #A67DE3

RGB 166 125 227

HSL 264.12, 0.65%, 0.69%

LAB 60.18, 36.49, -46.22

 

CMYK 0 / 35 / 45 / 11

HEX #E3937D

RGB 227 147 125

HSL 12.94, 0.65%, 0.69%

LAB 68.52, 27.73, 24.15

 

CMYK 32 / 0 / 45 / 11

HEX #9BE37D

RGB 155 227 125

HSL 102.35, 0.65%, 0.69%

LAB 83.65, -40.71, 42.71

 

CMYK 45 / 9 / 0 / 11

HEX #7DCFE3

RGB 125 207 227

HSL 191.76, 0.65%, 0.69%

LAB 78.77, -19.85, -17.71

 

CMYK 13 / 45 / 0 / 11

HEX #C57DE3

RGB 197 125 227

HSL 282.35, 0.65%, 0.69%

LAB 63.41, 45.15, -40.91

 

Description

Color code: HEX #E3937D | qconv.com Color code: HEX #E3937D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 147 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 147 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 45 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 45% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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