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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E38BA2 it is the complementary color #1C745D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E38BA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E38BA2 shade: #E88B9D, #F99DB0, #FFAFC3, #FFC1D6 and #FFD3E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E38BA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E38BA2 shade: #E38BA2, #D2798F, #C1677C, #B05569 and #9F4356

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E38BA2 shade: #E38CA3 and #E38C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E38BA2 shade: #E38CA3, #E38CBA, #E38CD2, #DD8CE3 and #C68CE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E38BA2 shade matches the following richer shades: #E38CA3, #EF809D and #FA7598

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E38BA2 shade: #E38CA3, #D898A8, #CCA3AE, #C0AFB3 and #B5BAB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E38BA2 shade: #E38CD2, #E38CBB, #E38CA3, #E38C8C and #E3A38C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E38BA2 shade: #D34A6E, #DB6B88, #E38CA3, #EBADBD and #F3CED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E38BA2 shade: #E38BA2, #E3DD8C and #8CC6E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E38BA2 shade: #E38BA2, #A3E38C and #8CA3E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E38BA2 shade: #E38BA2, #E3DD8C, #8CE3CC and #8C92E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E38BA2 shade: #E38BA2, #CFE38C, #8CE3CC and #A08CE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 29 / 11

HEX #E38BA2

RGB 227 139 162

HSL 344.32, 0.61%, 0.72%

LAB 67.58, 36.34, 2.19

 

Complementary color

CMYK 76 / 0 / 20 / 55

HEX #1C745D

RGB 28 116 93

HSL 164.32, 0.61%, 0.28%

LAB 43.55, -31.34, 5.44

 

CMYK 0 / 40 / 32 / 9

HEX #E88B9D

RGB 232 139 157

HSL 348.39, 0.67%, 0.73%

LAB 68.06, 37.48, 5.77

 

CMYK 0 / 37 / 29 / 2

HEX #F99DB0

RGB 249 157 176

HSL 347.61, 0.88%, 0.8%

LAB 74.44, 36.61, 4.65

 

CMYK 0 / 31 / 24 / 0

HEX #FFAFC3

RGB 255 175 195

HSL 345, 1%, 0.84%

LAB 79.53, 31.92, 1.74

 

CMYK 0 / 24 / 16 / 0

HEX #FFC1D6

RGB 255 193 214

HSL 339.68, 1%, 0.88%

LAB 84.1, 25.28, -1.82

 

CMYK 0 / 17 / 9 / 0

HEX #FFD3E9

RGB 255 211 233

HSL 330, 1%, 0.91%

LAB 88.8, 18.89, -5.01

 

CMYK 0 / 39 / 29 / 11

HEX #E38BA2

RGB 227 139 162

HSL 344.32, 0.61%, 0.72%

LAB 67.58, 36.34, 2.19

 

CMYK 0 / 42 / 32 / 18

HEX #D2798F

RGB 210 121 143

HSL 345.17, 0.5%, 0.65%

LAB 61.1, 37.23, 3.32

 

CMYK 0 / 47 / 36 / 24

HEX #C1677C

RGB 193 103 124

HSL 346, 0.42%, 0.58%

LAB 54.55, 38.16, 4.62

 

CMYK 0 / 52 / 40 / 31

HEX #B05569

RGB 176 85 105

HSL 346.81, 0.37%, 0.51%

LAB 47.94, 39.12, 6.15

 

CMYK 0 / 58 / 46 / 38

HEX #9F4356

RGB 159 67 86

HSL 347.61, 0.41%, 0.44%

LAB 41.31, 40.04, 8.02

 

CMYK 0 / 38 / 28 / 11

HEX #E38CA3

RGB 227 140 163

HSL 344.14, 0.61%, 0.72%

LAB 67.82, 35.95, 1.98

 

CMYK 0 / 38 / 38 / 11

HEX #E38C8C

RGB 227 140 140

HSL 0, 0.61%, 0.72%

LAB 67.26, 33.08, 14.09

 

CMYK 0 / 38 / 28 / 11

HEX #E38CA3

RGB 227 140 163

HSL 344.14, 0.61%, 0.72%

LAB 67.82, 35.95, 1.98

 

CMYK 0 / 38 / 18 / 11

HEX #E38CBA

RGB 227 140 186

HSL 328.28, 0.61%, 0.72%

LAB 68.48, 39.26, -9.94

 

CMYK 0 / 38 / 7 / 11

HEX #E38CD2

RGB 227 140 210

HSL 311.72, 0.61%, 0.72%

LAB 69.28, 43.13, -22.11

 

CMYK 3 / 38 / 0 / 11

HEX #DD8CE3

RGB 221 140 227

HSL 295.86, 0.61%, 0.72%

LAB 69.24, 44.3, -31.64

 

CMYK 13 / 38 / 0 / 11

HEX #C68CE3

RGB 198 140 227

HSL 280, 0.61%, 0.72%

LAB 66.75, 37.37, -35.68

 

CMYK 0 / 38 / 28 / 11

HEX #E38CA3

RGB 227 140 163

HSL 344.14, 0.61%, 0.72%

LAB 67.82, 35.95, 1.98

 

CMYK 0 / 46 / 34 / 6

HEX #EF809D

RGB 239 128 157

HSL 344.32, 0.78%, 0.72%

LAB 66.69, 45.59, 3.91

 

CMYK 0 / 53 / 39 / 2

HEX #FA7598

RGB 250 117 152

HSL 344.21, 0.93%, 0.72%

LAB 65.99, 54.09, 5.93

 

CMYK 0 / 38 / 28 / 11

HEX #E38CA3

RGB 227 140 163

HSL 344.14, 0.61%, 0.72%

LAB 67.82, 35.95, 1.98

 

CMYK 0 / 30 / 22 / 15

HEX #D898A8

RGB 216 152 168

HSL 345, 0.45%, 0.72%

LAB 69.39, 26.26, 1.3

 

CMYK 0 / 20 / 15 / 20

HEX #CCA3AE

RGB 204 163 174

HSL 343.9, 0.29%, 0.72%

LAB 70.93, 16.83, 0.07

 

CMYK 0 / 9 / 7 / 25

HEX #C0AFB3

RGB 192 175 179

HSL 345.88, 0.12%, 0.72%

LAB 72.97, 6.79, 0.16

 

CMYK 3 / 0 / 1 / 27

HEX #B5BAB9

RGB 181 186 185

HSL 168, 0.03%, 0.72%

LAB 75.1, -1.92, -0.11

 

CMYK 0 / 38 / 7 / 11

HEX #E38CD2

RGB 227 140 210

HSL 311.72, 0.61%, 0.72%

LAB 69.28, 43.13, -22.11

 

CMYK 0 / 38 / 18 / 11

HEX #E38CBB

RGB 227 140 187

HSL 327.59, 0.61%, 0.72%

LAB 68.52, 39.41, -10.46

 

CMYK 0 / 38 / 28 / 11

HEX #E38CA3

RGB 227 140 163

HSL 344.14, 0.61%, 0.72%

LAB 67.82, 35.95, 1.98

 

CMYK 0 / 38 / 38 / 11

HEX #E38C8C

RGB 227 140 140

HSL 0, 0.61%, 0.72%

LAB 67.26, 33.08, 14.09

 

CMYK 0 / 28 / 38 / 11

HEX #E3A38C

RGB 227 163 140

HSL 15.86, 0.61%, 0.72%

LAB 72.51, 20.8, 21.35

 

CMYK 0 / 65 / 48 / 17

HEX #D34A6E

RGB 211 74 110

HSL 344.23, 0.61%, 0.56%

LAB 51.69, 56.52, 9.24

 

CMYK 0 / 51 / 38 / 14

HEX #DB6B88

RGB 219 107 136

HSL 344.46, 0.61%, 0.64%

LAB 59.3, 46.71, 4.92

 

CMYK 0 / 38 / 28 / 11

HEX #E38CA3

RGB 227 140 163

HSL 344.14, 0.61%, 0.72%

LAB 67.82, 35.95, 1.98

 

CMYK 0 / 26 / 20 / 8

HEX #EBADBD

RGB 235 173 189

HSL 344.52, 0.61%, 0.8%

LAB 76.81, 24.99, 0.79

 

CMYK 0 / 15 / 11 / 5

HEX #F3CED8

RGB 243 206 216

HSL 343.78, 0.61%, 0.88%

LAB 86.08, 14.57, -0.12

 

CMYK 0 / 39 / 29 / 11

HEX #E38BA2

RGB 227 139 162

HSL 344.32, 0.61%, 0.72%

LAB 67.58, 36.34, 2.19

 

CMYK 0 / 3 / 38 / 11

HEX #E3DD8C

RGB 227 221 140

HSL 55.86, 0.61%, 0.72%

LAB 86.97, -9.56, 40.49

 

CMYK 38 / 13 / 0 / 11

HEX #8CC6E3

RGB 140 198 227

HSL 200, 0.61%, 0.72%

LAB 76.99, -11.47, -20.34

 

CMYK 0 / 39 / 29 / 11

HEX #E38BA2

RGB 227 139 162

HSL 344.32, 0.61%, 0.72%

LAB 67.58, 36.34, 2.19

 

CMYK 28 / 0 / 38 / 11

HEX #A3E38C

RGB 163 227 140

HSL 104.14, 0.61%, 0.72%

LAB 84.29, -36.02, 36.18

 

CMYK 38 / 28 / 0 / 11

HEX #8CA3E3

RGB 140 163 227

HSL 224.14, 0.61%, 0.72%

LAB 67.51, 7.65, -34.88

 

CMYK 0 / 39 / 29 / 11

HEX #E38BA2

RGB 227 139 162

HSL 344.32, 0.61%, 0.72%

LAB 67.58, 36.34, 2.19

 

CMYK 0 / 3 / 38 / 11

HEX #E3DD8C

RGB 227 221 140

HSL 55.86, 0.61%, 0.72%

LAB 86.97, -9.56, 40.49

 

CMYK 38 / 0 / 10 / 11

HEX #8CE3CC

RGB 140 227 204

HSL 164.14, 0.61%, 0.72%

LAB 84.42, -31.42, 2.98

 

CMYK 38 / 36 / 0 / 11

HEX #8C92E3

RGB 140 146 227

HSL 235.86, 0.61%, 0.72%

LAB 63.08, 17.39, -41.8

 

CMYK 0 / 39 / 29 / 11

HEX #E38BA2

RGB 227 139 162

HSL 344.32, 0.61%, 0.72%

LAB 67.58, 36.34, 2.19

 

CMYK 9 / 0 / 38 / 11

HEX #CFE38C

RGB 207 227 140

HSL 73.79, 0.61%, 0.72%

LAB 87.04, -20.22, 40.28

 

CMYK 38 / 0 / 10 / 11

HEX #8CE3CC

RGB 140 227 204

HSL 164.14, 0.61%, 0.72%

LAB 84.42, -31.42, 2.98

 

CMYK 30 / 38 / 0 / 11

HEX #A08CE3

RGB 160 140 227

HSL 253.79, 0.61%, 0.72%

LAB 63.16, 26.31, -41.57

 

Description

Color code: HEX #E38BA2 | qconv.com Color code: HEX #E38BA2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 139 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 139 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 29 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 29% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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