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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E379E2 it is the complementary color #1C861D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E379E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E379E2 shade: #E879DD, #F98BF0, #FF9DFF, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E379E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E379E2 shade: #E379E2, #D267CF, #C155BC, #B043A9 and #9F3196

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E379E2 shade: #E278E1, #E278C5, #E278A8, #E2788C and #E27878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E379E2 shade: #E278E1, #C778E2, #AA78E2, #8E78E2 and #7878E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E379E2 shade matches the following richer shades: #E278E1, #F06BEE and #FD5EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E379E2 shade: #E278E1, #D586D4, #C893C8, #BBA0BB and #AEADAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E379E2 shade: #AA78E2, #C678E2, #E278E2, #E278C6 and #E278AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E379E2 shade: #D434D2, #DB56DA, #E278E1, #EA9AE9 and #F1BCF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E379E2 shade: #E379E2, #E28E78 and #78E2B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E379E2 shade: #E379E2, #E2E278 and #78E2E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E379E2 shade: #E379E2, #E28E78, #78E278 and #78CDE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E379E2 shade: #E379E2, #E2AD78, #78E278 and #78ADE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 0 / 11

HEX #E379E2

RGB 227 121 226

HSL 300.57, 0.65%, 0.68%

LAB 66.13, 55.55, -35.84

 

Complementary color

CMYK 79 / 0 / 78 / 47

HEX #1C861D

RGB 28 134 29

HSL 120.57, 0.65%, 0.32%

LAB 48.74, -49.28, 44.96

 

CMYK 0 / 48 / 5 / 9

HEX #E879DD

RGB 232 121 221

HSL 305.95, 0.71%, 0.69%

LAB 66.56, 56.12, -32.35

 

CMYK 0 / 44 / 4 / 2

HEX #F98BF0

RGB 249 139 240

HSL 304.91, 0.9%, 0.76%

LAB 72.82, 55.45, -32.96

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 47 / 0 / 11

HEX #E379E2

RGB 227 121 226

HSL 300.57, 0.65%, 0.68%

LAB 66.13, 55.55, -35.84

 

CMYK 0 / 51 / 1 / 18

HEX #D267CF

RGB 210 103 207

HSL 301.68, 0.54%, 0.61%

LAB 59.8, 56.17, -35.22

 

CMYK 0 / 56 / 3 / 24

HEX #C155BC

RGB 193 85 188

HSL 302.78, 0.47%, 0.55%

LAB 53.46, 56.66, -34.46

 

CMYK 0 / 62 / 4 / 31

HEX #B043A9

RGB 176 67 169

HSL 303.85, 0.45%, 0.48%

LAB 47.12, 56.92, -33.48

 

CMYK 0 / 69 / 6 / 38

HEX #9F3196

RGB 159 49 150

HSL 304.91, 0.53%, 0.41%

LAB 40.85, 56.77, -32.16

 

CMYK 0 / 47 / 0 / 11

HEX #E278E1

RGB 226 120 225

HSL 300.57, 0.65%, 0.68%

LAB 65.78, 55.58, -35.85

 

CMYK 0 / 47 / 13 / 11

HEX #E278C5

RGB 226 120 197

HSL 316.42, 0.65%, 0.68%

LAB 64.67, 50.89, -21.89

 

CMYK 0 / 47 / 26 / 11

HEX #E278A8

RGB 226 120 168

HSL 332.83, 0.65%, 0.68%

LAB 63.7, 46.61, -6.93

 

CMYK 0 / 47 / 38 / 11

HEX #E2788C

RGB 226 120 140

HSL 348.68, 0.65%, 0.68%

LAB 62.92, 43.1, 7.94

 

CMYK 0 / 47 / 47 / 11

HEX #E27878

RGB 226 120 120

HSL 0, 0.65%, 0.68%

LAB 62.47, 40.99, 18.73

 

CMYK 0 / 47 / 0 / 11

HEX #E278E1

RGB 226 120 225

HSL 300.57, 0.65%, 0.68%

LAB 65.78, 55.58, -35.85

 

CMYK 12 / 47 / 0 / 11

HEX #C778E2

RGB 199 120 226

HSL 284.72, 0.65%, 0.68%

LAB 62.56, 48.15, -41.67

 

CMYK 25 / 47 / 0 / 11

HEX #AA78E2

RGB 170 120 226

HSL 268.3, 0.65%, 0.68%

LAB 59.41, 40.12, -46.86

 

CMYK 37 / 47 / 0 / 11

HEX #8E78E2

RGB 142 120 226

HSL 252.45, 0.65%, 0.68%

LAB 56.76, 32.77, -51.22

 

CMYK 47 / 47 / 0 / 11

HEX #7878E2

RGB 120 120 226

HSL 240, 0.65%, 0.68%

LAB 54.99, 27.46, -54.15

 

CMYK 0 / 47 / 0 / 11

HEX #E278E1

RGB 226 120 225

HSL 300.57, 0.65%, 0.68%

LAB 65.78, 55.58, -35.85

 

CMYK 0 / 55 / 1 / 6

HEX #F06BEE

RGB 240 107 238

HSL 300.9, 0.82%, 0.68%

LAB 65.91, 67.64, -42.71

 

CMYK 0 / 63 / 1 / 1

HEX #FD5EFB

RGB 253 94 251

HSL 300.75, 0.98%, 0.68%

LAB 66.41, 78.25, -48.98

 

CMYK 0 / 47 / 0 / 11

HEX #E278E1

RGB 226 120 225

HSL 300.57, 0.65%, 0.68%

LAB 65.78, 55.58, -35.85

 

CMYK 0 / 37 / 0 / 16

HEX #D586D4

RGB 213 134 212

HSL 300.76, 0.48%, 0.68%

LAB 66.48, 42.23, -27.65

 

CMYK 0 / 27 / 0 / 22

HEX #C893C8

RGB 200 147 200

HSL 300, 0.33%, 0.68%

LAB 67.51, 28.79, -19.51

 

CMYK 0 / 14 / 0 / 27

HEX #BBA0BB

RGB 187 160 187

HSL 300, 0.17%, 0.68%

LAB 68.96, 14.72, -10.22

 

CMYK 0 / 1 / 0 / 32

HEX #AEADAE

RGB 174 173 174

HSL 300, 0.01%, 0.68%

LAB 70.83, 0.55, -0.39

 

CMYK 25 / 47 / 0 / 11

HEX #AA78E2

RGB 170 120 226

HSL 268.3, 0.65%, 0.68%

LAB 59.41, 40.12, -46.86

 

CMYK 12 / 47 / 0 / 11

HEX #C678E2

RGB 198 120 226

HSL 284.15, 0.65%, 0.68%

LAB 62.45, 47.87, -41.86

 

CMYK 0 / 47 / 0 / 11

HEX #E278E2

RGB 226 120 226

HSL 300, 0.65%, 0.68%

LAB 65.82, 55.76, -36.34

 

CMYK 0 / 47 / 12 / 11

HEX #E278C6

RGB 226 120 198

HSL 315.85, 0.65%, 0.68%

LAB 64.71, 51.05, -22.4

 

CMYK 0 / 47 / 25 / 11

HEX #E278AA

RGB 226 120 170

HSL 331.7, 0.65%, 0.68%

LAB 63.76, 46.88, -7.98

 

CMYK 0 / 75 / 1 / 17

HEX #D434D2

RGB 212 52 210

HSL 300.75, 0.65%, 0.52%

LAB 53.07, 77.04, -47.52

 

CMYK 0 / 61 / 0 / 14

HEX #DB56DA

RGB 219 86 218

HSL 300.45, 0.65%, 0.6%

LAB 58.77, 67.99, -42.97

 

CMYK 0 / 47 / 0 / 11

HEX #E278E1

RGB 226 120 225

HSL 300.57, 0.65%, 0.68%

LAB 65.78, 55.58, -35.85

 

CMYK 0 / 34 / 0 / 8

HEX #EA9AE9

RGB 234 154 233

HSL 300.75, 0.66%, 0.76%

LAB 73.86, 42.05, -27.69

 

CMYK 0 / 22 / 0 / 5

HEX #F1BCF0

RGB 241 188 240

HSL 301.13, 0.65%, 0.84%

LAB 82.36, 27.56, -18.47

 

CMYK 0 / 47 / 0 / 11

HEX #E379E2

RGB 227 121 226

HSL 300.57, 0.65%, 0.68%

LAB 66.13, 55.55, -35.84

 

CMYK 0 / 37 / 47 / 11

HEX #E28E78

RGB 226 142 120

HSL 12.45, 0.65%, 0.68%

LAB 67.18, 29.5, 25.09

 

CMYK 47 / 0 / 19 / 11

HEX #78E2B8

RGB 120 226 184

HSL 156.23, 0.65%, 0.68%

LAB 82.83, -40.4, 11.13

 

CMYK 0 / 47 / 0 / 11

HEX #E379E2

RGB 227 121 226

HSL 300.57, 0.65%, 0.68%

LAB 66.13, 55.55, -35.84

 

CMYK 0 / 0 / 47 / 11

HEX #E2E278

RGB 226 226 120

HSL 60, 0.65%, 0.68%

LAB 87.93, -14.45, 51.42

 

CMYK 47 / 0 / 0 / 11

HEX #78E2E2

RGB 120 226 226

HSL 180, 0.65%, 0.68%

LAB 83.9, -30.6, -9.51

 

CMYK 0 / 47 / 0 / 11

HEX #E379E2

RGB 227 121 226

HSL 300.57, 0.65%, 0.68%

LAB 66.13, 55.55, -35.84

 

CMYK 0 / 37 / 47 / 11

HEX #E28E78

RGB 226 142 120

HSL 12.45, 0.65%, 0.68%

LAB 67.18, 29.5, 25.09

 

CMYK 47 / 0 / 47 / 11

HEX #78E278

RGB 120 226 120

HSL 120, 0.65%, 0.68%

LAB 81.7, -51.7, 42.36

 

CMYK 47 / 9 / 0 / 11

HEX #78CDE2

RGB 120 205 226

HSL 191.89, 0.65%, 0.68%

LAB 77.96, -20.27, -18.41

 

CMYK 0 / 47 / 0 / 11

HEX #E379E2

RGB 227 121 226

HSL 300.57, 0.65%, 0.68%

LAB 66.13, 55.55, -35.84

 

CMYK 0 / 23 / 47 / 11

HEX #E2AD78

RGB 226 173 120

HSL 30, 0.65%, 0.68%

LAB 74.45, 12.93, 34.64

 

CMYK 47 / 0 / 47 / 11

HEX #78E278

RGB 120 226 120

HSL 120, 0.65%, 0.68%

LAB 81.7, -51.7, 42.36

 

CMYK 47 / 23 / 0 / 11

HEX #78ADE2

RGB 120 173 226

HSL 210, 0.65%, 0.68%

LAB 69.02, -3.31, -32.09

 

Description

Color code: HEX #E379E2 | qconv.com Color code: HEX #E379E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 121 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 121 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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