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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E37968 it is the complementary color #1C8697. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E37968. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E37968 shade: #E87963, #F98B76, #FF9D89, #FFAF9C and #FFC1AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E37968. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E37968 shade: #E37968, #D26755, #C15542, #B0432F and #9F311C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E37968 shade: #E37968 and #E36868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E37968 shade: #E37968, #E39A68, #E3BC68, #E3DD68 and #C9E368

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E37968 shade matches the following richer shades: #E37968 and #F26F5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E37968 shade: #E37968, #D58477, #C68E85, #B89993 and #AAA3A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E37968 shade: #E36899, #E36879, #E37968, #E39968 and #E3BA68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E37968 shade: #D23E27, #DD5A45, #E37968, #EA988B and #F0B7AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E37968 shade: #E37968, #BAE368 and #6889E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E37968 shade: #E37968, #68E379 and #7968E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E37968 shade: #E37968, #BAE368, #68D3E3 and #9168E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E37968 shade: #E37968, #95E368, #68D3E3 and #B668E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 54 / 11

HEX #E37968

RGB 227 121 104

HSL 8.29, 0.69%, 0.65%

LAB 62.51, 39.42, 27.84

 

Complementary color

CMYK 81 / 11 / 0 / 41

HEX #1C8697

RGB 28 134 151

HSL 188.29, 0.69%, 0.35%

LAB 51.3, -22.38, -17.32

 

CMYK 0 / 48 / 57 / 9

HEX #E87963

RGB 232 121 99

HSL 9.92, 0.74%, 0.65%

LAB 63.12, 40.91, 31.55

 

CMYK 0 / 44 / 53 / 2

HEX #F98B76

RGB 249 139 118

HSL 9.62, 0.92%, 0.72%

LAB 69.41, 39.67, 29.67

 

CMYK 0 / 38 / 46 / 0

HEX #FF9D89

RGB 255 157 137

HSL 10.17, 1%, 0.77%

LAB 74.3, 34.4, 25.95

 

CMYK 0 / 31 / 39 / 0

HEX #FFAF9C

RGB 255 175 156

HSL 11.52, 1%, 0.81%

LAB 78.65, 26.99, 21.59

 

CMYK 0 / 24 / 31 / 0

HEX #FFC1AF

RGB 255 193 175

HSL 13.5, 1%, 0.84%

LAB 83.18, 19.81, 17.69

 

CMYK 0 / 47 / 54 / 11

HEX #E37968

RGB 227 121 104

HSL 8.29, 0.69%, 0.65%

LAB 62.51, 39.42, 27.84

 

CMYK 0 / 51 / 60 / 18

HEX #D26755

RGB 210 103 85

HSL 8.64, 0.58%, 0.58%

LAB 56.15, 40.69, 29.86

 

CMYK 0 / 56 / 66 / 24

HEX #C15542

RGB 193 85 66

HSL 8.98, 0.51%, 0.51%

LAB 49.77, 42.01, 32.19

 

CMYK 0 / 62 / 73 / 31

HEX #B0432F

RGB 176 67 47

HSL 9.3, 0.58%, 0.44%

LAB 43.43, 43.31, 34.85

 

CMYK 0 / 69 / 82 / 38

HEX #9F311C

RGB 159 49 28

HSL 9.62, 0.7%, 0.37%

LAB 37.21, 44.44, 37.78

 

CMYK 0 / 47 / 54 / 11

HEX #E37968

RGB 227 121 104

HSL 8.29, 0.69%, 0.65%

LAB 62.51, 39.42, 27.84

 

CMYK 0 / 54 / 54 / 11

HEX #E36868

RGB 227 104 104

HSL 0, 0.69%, 0.65%

LAB 59.19, 47.87, 23.46

 

CMYK 0 / 47 / 54 / 11

HEX #E37968

RGB 227 121 104

HSL 8.29, 0.69%, 0.65%

LAB 62.51, 39.42, 27.84

 

CMYK 0 / 32 / 54 / 11

HEX #E39A68

RGB 227 154 104

HSL 24.39, 0.69%, 0.65%

LAB 69.78, 22.05, 37.14

 

CMYK 0 / 17 / 54 / 11

HEX #E3BC68

RGB 227 188 104

HSL 40.98, 0.69%, 0.65%

LAB 78.05, 3.97, 47.28

 

CMYK 0 / 3 / 54 / 11

HEX #E3DD68

RGB 227 221 104

HSL 57.07, 0.69%, 0.65%

LAB 86.53, -12.92, 57.21

 

CMYK 11 / 0 / 54 / 11

HEX #C9E368

RGB 201 227 104

HSL 72.68, 0.69%, 0.65%

LAB 86.18, -26.19, 56.31

 

CMYK 0 / 47 / 54 / 11

HEX #E37968

RGB 227 121 104

HSL 8.29, 0.69%, 0.65%

LAB 62.51, 39.42, 27.84

 

CMYK 0 / 54 / 63 / 5

HEX #F26F5A

RGB 242 111 90

HSL 8.29, 0.85%, 0.65%

LAB 62.49, 48.88, 36.04

 

CMYK 0 / 47 / 54 / 11

HEX #E37968

RGB 227 121 104

HSL 8.29, 0.69%, 0.65%

LAB 62.51, 39.42, 27.84

 

CMYK 0 / 38 / 44 / 16

HEX #D58477

RGB 213 132 119

HSL 8.3, 0.53%, 0.65%

LAB 63.33, 29.69, 20.18

 

CMYK 0 / 28 / 33 / 22

HEX #C68E85

RGB 198 142 133

HSL 8.31, 0.36%, 0.65%

LAB 64.2, 20.05, 13.23

 

CMYK 0 / 17 / 20 / 28

HEX #B89993

RGB 184 153 147

HSL 9.73, 0.21%, 0.65%

LAB 65.81, 10.55, 7.45

 

CMYK 0 / 4 / 5 / 33

HEX #AAA3A2

RGB 170 163 162

HSL 7.5, 0.04%, 0.65%

LAB 67.54, 2.34, 1.41

 

CMYK 0 / 54 / 33 / 11

HEX #E36899

RGB 227 104 153

HSL 336.1, 0.69%, 0.65%

LAB 60.37, 52.82, -3.23

 

CMYK 0 / 54 / 47 / 11

HEX #E36879

RGB 227 104 121

HSL 351.71, 0.69%, 0.65%

LAB 59.54, 49.36, 14.12

 

CMYK 0 / 47 / 54 / 11

HEX #E37968

RGB 227 121 104

HSL 8.29, 0.69%, 0.65%

LAB 62.51, 39.42, 27.84

 

CMYK 0 / 33 / 54 / 11

HEX #E39968

RGB 227 153 104

HSL 23.9, 0.69%, 0.65%

LAB 69.55, 22.58, 36.85

 

CMYK 0 / 18 / 54 / 11

HEX #E3BA68

RGB 227 186 104

HSL 40, 0.69%, 0.65%

LAB 77.55, 5.02, 46.67

 

CMYK 0 / 70 / 81 / 18

HEX #D23E27

RGB 210 62 39

HSL 8.07, 0.69%, 0.49%

LAB 48.63, 56.75, 46.38

 

CMYK 0 / 59 / 69 / 13

HEX #DD5A45

RGB 221 90 69

HSL 8.29, 0.69%, 0.57%

LAB 55.19, 49.98, 38.04

 

CMYK 0 / 47 / 54 / 11

HEX #E37968

RGB 227 121 104

HSL 8.29, 0.69%, 0.65%

LAB 62.51, 39.42, 27.84

 

CMYK 0 / 35 / 41 / 8

HEX #EA988B

RGB 234 152 139

HSL 8.21, 0.69%, 0.73%

LAB 70.74, 29.26, 19.6

 

CMYK 0 / 24 / 28 / 6

HEX #F0B7AE

RGB 240 183 174

HSL 8.18, 0.69%, 0.81%

LAB 79.3, 19.36, 12.56

 

CMYK 0 / 47 / 54 / 11

HEX #E37968

RGB 227 121 104

HSL 8.29, 0.69%, 0.65%

LAB 62.51, 39.42, 27.84

 

CMYK 18 / 0 / 54 / 11

HEX #BAE368

RGB 186 227 104

HSL 80, 0.69%, 0.65%

LAB 85.19, -31.94, 54.9

 

CMYK 54 / 40 / 0 / 11

HEX #6889E3

RGB 104 137 227

HSL 223.9, 0.69%, 0.65%

LAB 58.4, 14.06, -49.35

 

CMYK 0 / 47 / 54 / 11

HEX #E37968

RGB 227 121 104

HSL 8.29, 0.69%, 0.65%

LAB 62.51, 39.42, 27.84

 

CMYK 54 / 0 / 47 / 11

HEX #68E379

RGB 104 227 121

HSL 128.29, 0.69%, 0.65%

LAB 81.44, -56.12, 41.42

 

CMYK 47 / 54 / 0 / 11

HEX #7968E3

RGB 121 104 227

HSL 248.29, 0.69%, 0.65%

LAB 51.28, 37.46, -60.65

 

CMYK 0 / 47 / 54 / 11

HEX #E37968

RGB 227 121 104

HSL 8.29, 0.69%, 0.65%

LAB 62.51, 39.42, 27.84

 

CMYK 18 / 0 / 54 / 11

HEX #BAE368

RGB 186 227 104

HSL 80, 0.69%, 0.65%

LAB 85.19, -31.94, 54.9

 

CMYK 54 / 7 / 0 / 11

HEX #68D3E3

RGB 104 211 227

HSL 187.8, 0.69%, 0.65%

LAB 79.09, -26.41, -17.31

 

CMYK 36 / 54 / 0 / 11

HEX #9168E3

RGB 145 104 227

HSL 260, 0.69%, 0.65%

LAB 53.46, 42.9, -57.04

 

CMYK 0 / 47 / 54 / 11

HEX #E37968

RGB 227 121 104

HSL 8.29, 0.69%, 0.65%

LAB 62.51, 39.42, 27.84

 

CMYK 34 / 0 / 54 / 11

HEX #95E368

RGB 149 227 104

HSL 98.05, 0.69%, 0.65%

LAB 83.09, -45.17, 51.91

 

CMYK 54 / 7 / 0 / 11

HEX #68D3E3

RGB 104 211 227

HSL 187.8, 0.69%, 0.65%

LAB 79.09, -26.41, -17.31

 

CMYK 20 / 54 / 0 / 11

HEX #B668E3

RGB 182 104 227

HSL 278.05, 0.69%, 0.65%

LAB 57.46, 52.07, -50.43

 

Description

Color code: HEX #E37968 | qconv.com Color code: HEX #E37968 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 121 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 121 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 54 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 54% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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