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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E378233F it is the complementary color #1C87DC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E378233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E378233F shade: #E8781E3F, #F98A313F, #FF9C443F, #FFAE573F and #FFC06A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E378233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E378233F shade: #E378233F, #D266103F, #C154003F, #B042003F and #9F30003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E378233F shade: #E27722, #E24322 and #E22222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E378233F shade: #E27722, #E2AB22, #E2DF22, #B2E222 and #7EE222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E378233F shade matches the following richer shades: #E27722 and #F6750E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E378233F shade: #E27722, #CE7936, #BA7C4A, #A67E5E and #918073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E378233F shade: #E22235, #E24222, #E27522, #E2A922 and #E2DC22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E378233F shade: #9D5114, #C26419, #E27722, #E78D46 and #ECA46B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E378233F shade: #E37823, #68E222 and #2822E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E378233F shade: #E37823, #22E275 and #7522E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E378233F shade: #E37823, #68E222, #228FE2 and #9C22E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E378233F shade: #E37823, #2FE222, #228FE2 and #D522E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 21 / 3

HEX #E378233F

RGBA 227 120 35 0.25

HSLA 26.56, 0.77%, 0.51%, 0.25

LABA 61.56, 36.3, 60.6, 0.25

 

Complementary color

CMYK 22 / 10 / 0 / 3

HEX #1C87DC3F

RGBA 28 135 220 0.25

HSLA 206.56, 0.77%, 0.49%, 0.25

LABA 54.81, 2.08, -51.3, 0.25

 

CMYK 0 / 12 / 22 / 2

HEX #E8781E3F

RGBA 232 120 30 0.25

HSLA 26.73, 0.81%, 0.51%, 0.25

LABA 62.24, 38.17, 63.13, 0.25

 

CMYK 0 / 11 / 20 / 1

HEX #F98A313F

RGBA 249 138 49 0.25

HSLA 26.7, 0.94%, 0.58%, 0.25

LABA 68.42, 36.26, 62.56, 0.25

 

CMYK 0 / 10 / 18 / 0

HEX #FF9C443F

RGBA 255 156 68 0.25

HSLA 28.24, 1%, 0.63%, 0.25

LABA 73.19, 30.11, 59.55, 0.25

 

CMYK 0 / 8 / 16 / 0

HEX #FFAE573F

RGBA 255 174 87 0.25

HSLA 31.07, 1%, 0.67%, 0.25

LABA 77.41, 21.69, 55.44, 0.25

 

CMYK 0 / 6 / 15 / 0

HEX #FFC06A3F

RGBA 255 192 106 0.25

HSLA 34.63, 1%, 0.71%, 0.25

LABA 81.84, 13.52, 51.48, 0.25

 

CMYK 0 / 12 / 21 / 3

HEX #E378233F

RGBA 227 120 35 0.25

HSLA 26.56, 0.77%, 0.51%, 0.25

LABA 61.56, 36.3, 60.6, 0.25

 

CMYK 0 / 13 / 23 / 4

HEX #D266103F

RGBA 210 102 16 0.25

HSLA 26.6, 0.86%, 0.44%, 0.25

LABA 55.32, 38.32, 60.48, 0.25

 

CMYK 0 / 14 / 25 / 6

HEX #C154003F

RGBA 193 84 0 0.25

HSLA 26.11, 1%, 0.38%, 0.25

LABA 49.1, 40.43, 58.73, 0.25

 

CMYK 0 / 16 / 25 / 8

HEX #B042003F

RGBA 176 66 0 0.25

HSLA 22.5, 1%, 0.35%, 0.25

LABA 42.95, 42.55, 53.83, 0.25

 

CMYK 0 / 17 / 25 / 9

HEX #9F30003F

RGBA 159 48 0 0.25

HSLA 18.11, 1%, 0.31%, 0.25

LABA 36.9, 44.29, 49.03, 0.25

 

CMYK 0 / 47 / 85 / 11

HEX #E27722

RGB 226 119 34

HSL 26.56, 0.77%, 0.51%

LAB 61.2, 36.38, 60.6

 

CMYK 0 / 70 / 85 / 11

HEX #E24322

RGB 226 67 34

HSL 10.31, 0.77%, 0.51%

LAB 52.17, 59.9, 53.01

 

CMYK 0 / 85 / 85 / 11

HEX #E22222

RGB 226 34 34

HSL 0, 0.77%, 0.51%

LAB 48.8, 69.36, 50.13

 

CMYK 0 / 47 / 85 / 11

HEX #E27722

RGB 226 119 34

HSL 26.56, 0.77%, 0.51%

LAB 61.2, 36.38, 60.6

 

CMYK 0 / 24 / 85 / 11

HEX #E2AB22

RGB 226 171 34

HSL 42.81, 0.77%, 0.51%

LAB 73.16, 8.86, 70.51

 

CMYK 0 / 1 / 85 / 11

HEX #E2DF22

RGB 226 223 34

HSL 59.06, 0.77%, 0.51%

LAB 86.53, -17.76, 81.47

 

CMYK 21 / 0 / 85 / 11

HEX #B2E222

RGB 178 226 34

HSL 75, 0.77%, 0.51%

LAB 83.95, -38.7, 77.94

 

CMYK 44 / 0 / 85 / 11

HEX #7EE222

RGB 126 226 34

HSL 91.25, 0.77%, 0.51%

LAB 81.26, -57.16, 74.58

 

CMYK 0 / 47 / 85 / 11

HEX #E27722

RGB 226 119 34

HSL 26.56, 0.77%, 0.51%

LAB 61.2, 36.38, 60.6

 

CMYK 0 / 52 / 94 / 4

HEX #F6750E

RGB 246 117 14

HSL 26.64, 0.93%, 0.51%

LAB 63.63, 44.87, 69.1

 

CMYK 0 / 47 / 85 / 11

HEX #E27722

RGB 226 119 34

HSL 26.56, 0.77%, 0.51%

LAB 61.2, 36.38, 60.6

 

CMYK 0 / 41 / 74 / 19

HEX #CE7936

RGB 206 121 54

HSL 26.45, 0.61%, 0.51%

LAB 59.03, 27.85, 49.34

 

CMYK 0 / 33 / 60 / 27

HEX #BA7C4A

RGB 186 124 74

HSL 26.79, 0.45%, 0.51%

LAB 57.41, 18.98, 36.77

 

CMYK 0 / 24 / 43 / 35

HEX #A67E5E

RGB 166 126 94

HSL 26.67, 0.29%, 0.51%

LAB 55.92, 11.22, 23.39

 

CMYK 0 / 12 / 21 / 43

HEX #918073

RGB 145 128 115

HSL 26, 0.12%, 0.51%

LAB 54.76, 4.27, 9.43

 

CMYK 0 / 85 / 77 / 11

HEX #E22235

RGB 226 34 53

HSL 354.06, 0.77%, 0.51%

LAB 48.97, 69.88, 40.2

 

CMYK 0 / 71 / 85 / 11

HEX #E24222

RGB 226 66 34

HSL 10, 0.77%, 0.51%

LAB 52.04, 60.26, 52.9

 

CMYK 0 / 48 / 85 / 11

HEX #E27522

RGB 226 117 34

HSL 25.94, 0.77%, 0.51%

LAB 60.79, 37.41, 60.26

 

CMYK 0 / 25 / 85 / 11

HEX #E2A922

RGB 226 169 34

HSL 42.19, 0.77%, 0.51%

LAB 72.67, 9.92, 70.11

 

CMYK 0 / 3 / 85 / 11

HEX #E2DC22

RGB 226 220 34

HSL 58.13, 0.77%, 0.51%

LAB 85.74, -16.29, 80.82

 

CMYK 0 / 48 / 87 / 38

HEX #9D5114

RGB 157 81 20

HSL 26.72, 0.77%, 0.35%

LAB 42.92, 27.61, 46.33

 

CMYK 0 / 48 / 87 / 24

HEX #C26419

RGB 194 100 25

HSL 26.63, 0.77%, 0.43%

LAB 52.57, 33.05, 54.73

 

CMYK 0 / 47 / 85 / 11

HEX #E27722

RGB 226 119 34

HSL 26.56, 0.77%, 0.51%

LAB 61.2, 36.38, 60.6

 

CMYK 0 / 39 / 70 / 9

HEX #E78D46

RGB 231 141 70

HSL 26.46, 0.77%, 0.59%

LAB 66.89, 28.3, 51.08

 

CMYK 0 / 31 / 55 / 7

HEX #ECA46B

RGB 236 164 107

HSL 26.51, 0.77%, 0.67%

LAB 73.18, 20.61, 40.04

 

CMYK 0 / 47 / 85 / 11

HEX #E37823

RGB 227 120 35

HSL 26.56, 0.77%, 0.51%

LAB 61.56, 36.3, 60.6

 

CMYK 54 / 0 / 85 / 11

HEX #68E222

RGB 104 226 34

HSL 98.13, 0.77%, 0.51%

LAB 80.43, -63.55, 73.53

 

CMYK 82 / 85 / 0 / 11

HEX #2822E2

RGB 40 34 226

HSL 241.88, 0.77%, 0.51%

LAB 32, 64.34, -91.9

 

CMYK 0 / 47 / 85 / 11

HEX #E37823

RGB 227 120 35

HSL 26.56, 0.77%, 0.51%

LAB 61.56, 36.3, 60.6

 

CMYK 85 / 0 / 48 / 11

HEX #22E275

RGB 34 226 117

HSL 145.94, 0.77%, 0.51%

LAB 79.62, -67.75, 40.78

 

CMYK 48 / 85 / 0 / 11

HEX #7522E2

RGB 117 34 226

HSL 265.94, 0.77%, 0.51%

LAB 38.58, 70.03, -80.8

 

CMYK 0 / 47 / 85 / 11

HEX #E37823

RGB 227 120 35

HSL 26.56, 0.77%, 0.51%

LAB 61.56, 36.3, 60.6

 

CMYK 54 / 0 / 85 / 11

HEX #68E222

RGB 104 226 34

HSL 98.13, 0.77%, 0.51%

LAB 80.43, -63.55, 73.53

 

CMYK 85 / 37 / 0 / 11

HEX #228FE2

RGB 34 143 226

HSL 205.94, 0.77%, 0.51%

LAB 57.54, -0.02, -50.31

 

CMYK 31 / 85 / 0 / 11

HEX #9C22E2

RGB 156 34 226

HSL 278.13, 0.77%, 0.51%

LAB 43.8, 74.96, -72.03

 

CMYK 0 / 47 / 85 / 11

HEX #E37823

RGB 227 120 35

HSL 26.56, 0.77%, 0.51%

LAB 61.56, 36.3, 60.6

 

CMYK 79 / 0 / 85 / 11

HEX #2FE222

RGB 47 226 34

HSL 115.94, 0.77%, 0.51%

LAB 79.11, -74.66, 71.85

 

CMYK 85 / 37 / 0 / 11

HEX #228FE2

RGB 34 143 226

HSL 205.94, 0.77%, 0.51%

LAB 57.54, -0.02, -50.31

 

CMYK 6 / 85 / 0 / 11

HEX #D522E2

RGB 213 34 226

HSL 295.94, 0.77%, 0.51%

LAB 52.71, 83.89, -57.19

 

Description

Color code: HEX #E378233F | qconv.com Color code: HEX #E378233F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 120 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 120 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 21 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 21% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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