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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E372E9 it is the complementary color #1C8D16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E372E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E372E9 shade: #E872E4, #F984F7, #FF96FF, #FFA8FF and #FFBAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E372E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E372E9 shade: #E372E9, #D260D6, #C14EC3, #B03CB0 and #9F2A9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E372E9 shade: #E372E9, #E972CF, #E972AF, #E9728F and #E97272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E372E9 shade: #E372E9, #C372E9, #A372E9, #8372E9 and #7272E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E372E9 shade matches the following richer shades: #E372E9 and #EF65F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E372E9 shade: #E372E9, #D77FDC, #CB8CCF, #BF99C1 and #B3A7B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E372E9 shade: #A172E9, #C172E9, #E172E9, #E972D1 and #E972B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E372E9 shade: #D52ADE, #DC4EE3, #E372E9, #EA96EF and #F1B9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E372E9 shade: #E372E9, #E98272 and #72E9B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E372E9 shade: #E372E9, #E9E172 and #72E9E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E372E9 shade: #E372E9, #E98272, #7AE972 and #72D9E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E372E9 shade: #E372E9, #E9A572, #7AE972 and #72B5E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 51 / 0 / 9

HEX #E372E9

RGB 227 114 233

HSL 296.97, 0.73%, 0.68%

LAB 65.16, 60.17, -41.24

 

Complementary color

CMYK 80 / 0 / 84 / 45

HEX #1C8D16

RGB 28 141 22

HSL 116.97, 0.73%, 0.32%

LAB 51.1, -52.02, 49.43

 

CMYK 0 / 51 / 2 / 9

HEX #E872E4

RGB 232 114 228

HSL 302.03, 0.72%, 0.68%

LAB 65.59, 60.65, -37.75

 

CMYK 0 / 47 / 1 / 2

HEX #F984F7

RGB 249 132 247

HSL 301.03, 0.91%, 0.75%

LAB 71.8, 60.05, -38.38

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 27 / 0 / 0

HEX #FFBAFF

RGB 255 186 255

HSL 300, 1%, 0.86%

LAB 83.76, 35.82, -24.23

 

CMYK 3 / 51 / 0 / 9

HEX #E372E9

RGB 227 114 233

HSL 296.97, 0.73%, 0.68%

LAB 65.16, 60.17, -41.24

 

CMYK 2 / 55 / 0 / 16

HEX #D260D6

RGB 210 96 214

HSL 297.97, 0.59%, 0.61%

LAB 58.9, 60.68, -40.59

 

CMYK 1 / 60 / 0 / 24

HEX #C14EC3

RGB 193 78 195

HSL 298.97, 0.49%, 0.54%

LAB 52.65, 61, -39.76

 

CMYK 0 / 66 / 0 / 31

HEX #B03CB0

RGB 176 60 176

HSL 300, 0.49%, 0.46%

LAB 46.44, 60.99, -38.67

 

CMYK 0 / 74 / 1 / 38

HEX #9F2A9D

RGB 159 42 157

HSL 301.03, 0.58%, 0.39%

LAB 40.35, 60.41, -37.18

 

CMYK 3 / 51 / 0 / 9

HEX #E372E9

RGB 227 114 233

HSL 296.97, 0.73%, 0.68%

LAB 65.16, 60.17, -41.24

 

CMYK 0 / 51 / 11 / 9

HEX #E972CF

RGB 233 114 207

HSL 313.11, 0.73%, 0.68%

LAB 64.85, 57.48, -27.15

 

CMYK 0 / 51 / 25 / 9

HEX #E972AF

RGB 233 114 175

HSL 329.24, 0.73%, 0.68%

LAB 63.72, 52.79, -10.79

 

CMYK 0 / 51 / 39 / 9

HEX #E9728F

RGB 233 114 143

HSL 345.38, 0.73%, 0.68%

LAB 62.79, 48.85, 6.17

 

CMYK 0 / 51 / 51 / 9

HEX #E97272

RGB 233 114 114

HSL 0, 0.73%, 0.68%

LAB 62.15, 45.98, 21.86

 

CMYK 3 / 51 / 0 / 9

HEX #E372E9

RGB 227 114 233

HSL 296.97, 0.73%, 0.68%

LAB 65.16, 60.17, -41.24

 

CMYK 16 / 51 / 0 / 9

HEX #C372E9

RGB 195 114 233

HSL 280.84, 0.73%, 0.68%

LAB 61.24, 51.6, -47.68

 

CMYK 30 / 51 / 0 / 9

HEX #A372E9

RGB 163 114 233

HSL 264.71, 0.73%, 0.68%

LAB 57.76, 43.28, -53.43

 

CMYK 44 / 51 / 0 / 9

HEX #8372E9

RGB 131 114 233

HSL 248.57, 0.73%, 0.68%

LAB 54.81, 35.55, -58.31

 

CMYK 51 / 51 / 0 / 9

HEX #7272E9

RGB 114 114 233

HSL 240, 0.73%, 0.68%

LAB 53.49, 31.85, -60.5

 

CMYK 3 / 51 / 0 / 9

HEX #E372E9

RGB 227 114 233

HSL 296.97, 0.73%, 0.68%

LAB 65.16, 60.17, -41.24

 

CMYK 3 / 59 / 0 / 4

HEX #EF65F6

RGB 239 101 246

HSL 297.1, 0.89%, 0.68%

LAB 65.21, 71.32, -48.24

 

CMYK 3 / 51 / 0 / 9

HEX #E372E9

RGB 227 114 233

HSL 296.97, 0.73%, 0.68%

LAB 65.16, 60.17, -41.24

 

CMYK 2 / 42 / 0 / 14

HEX #D77FDC

RGB 215 127 220

HSL 296.77, 0.57%, 0.68%

LAB 65.59, 47.97, -33.47

 

CMYK 2 / 32 / 0 / 19

HEX #CB8CCF

RGB 203 140 207

HSL 296.42, 0.41%, 0.68%

LAB 66.49, 34.92, -24.95

 

CMYK 1 / 21 / 0 / 24

HEX #BF99C1

RGB 191 153 193

HSL 297, 0.24%, 0.68%

LAB 67.81, 21.12, -15.26

 

CMYK 1 / 7 / 0 / 29

HEX #B3A7B4

RGB 179 167 180

HSL 295.38, 0.08%, 0.68%

LAB 69.84, 6.72, -5.12

 

CMYK 31 / 51 / 0 / 9

HEX #A172E9

RGB 161 114 233

HSL 263.7, 0.73%, 0.68%

LAB 57.55, 42.78, -53.76

 

CMYK 17 / 51 / 0 / 9

HEX #C172E9

RGB 193 114 233

HSL 279.83, 0.73%, 0.68%

LAB 61.01, 51.07, -48.07

 

CMYK 3 / 51 / 0 / 9

HEX #E172E9

RGB 225 114 233

HSL 295.97, 0.73%, 0.68%

LAB 64.9, 59.63, -41.66

 

CMYK 0 / 51 / 10 / 9

HEX #E972D1

RGB 233 114 209

HSL 312.1, 0.73%, 0.68%

LAB 64.93, 57.8, -28.15

 

CMYK 0 / 51 / 24 / 9

HEX #E972B1

RGB 233 114 177

HSL 328.24, 0.73%, 0.68%

LAB 63.78, 53.06, -11.83

 

CMYK 4 / 81 / 0 / 13

HEX #D52ADE

RGB 213 42 222

HSL 297, 0.73%, 0.52%

LAB 53.03, 81.62, -54.4

 

CMYK 3 / 66 / 0 / 11

HEX #DC4EE3

RGB 220 78 227

HSL 297.18, 0.73%, 0.6%

LAB 58.24, 72.88, -48.87

 

CMYK 3 / 51 / 0 / 9

HEX #E372E9

RGB 227 114 233

HSL 296.97, 0.73%, 0.68%

LAB 65.16, 60.17, -41.24

 

CMYK 2 / 37 / 0 / 6

HEX #EA96EF

RGB 234 150 239

HSL 296.63, 0.74%, 0.76%

LAB 73.24, 45.24, -31.91

 

CMYK 1 / 24 / 0 / 4

HEX #F1B9F4

RGB 241 185 244

HSL 296.95, 0.73%, 0.84%

LAB 81.8, 29.88, -21.46

 

CMYK 3 / 51 / 0 / 9

HEX #E372E9

RGB 227 114 233

HSL 296.97, 0.73%, 0.68%

LAB 65.16, 60.17, -41.24

 

CMYK 0 / 44 / 51 / 9

HEX #E98272

RGB 233 130 114

HSL 8.07, 0.73%, 0.68%

LAB 65.36, 37.92, 26.16

 

CMYK 51 / 0 / 24 / 9

HEX #72E9B1

RGB 114 233 177

HSL 151.76, 0.73%, 0.68%

LAB 84.5, -46.35, 17.12

 

CMYK 3 / 51 / 0 / 9

HEX #E372E9

RGB 227 114 233

HSL 296.97, 0.73%, 0.68%

LAB 65.16, 60.17, -41.24

 

CMYK 0 / 3 / 51 / 9

HEX #E9E172

RGB 233 225 114

HSL 55.97, 0.73%, 0.68%

LAB 88.16, -11.69, 54.64

 

CMYK 51 / 0 / 3 / 9

HEX #72E9E1

RGB 114 233 225

HSL 175.97, 0.73%, 0.68%

LAB 85.65, -35.42, -6.41

 

CMYK 3 / 51 / 0 / 9

HEX #E372E9

RGB 227 114 233

HSL 296.97, 0.73%, 0.68%

LAB 65.16, 60.17, -41.24

 

CMYK 0 / 44 / 51 / 9

HEX #E98272

RGB 233 130 114

HSL 8.07, 0.73%, 0.68%

LAB 65.36, 37.92, 26.16

 

CMYK 48 / 0 / 51 / 9

HEX #7AE972

RGB 122 233 114

HSL 115.97, 0.73%, 0.68%

LAB 83.77, -54.73, 47.81

 

CMYK 51 / 7 / 0 / 9

HEX #72D9E9

RGB 114 217 233

HSL 188.07, 0.73%, 0.68%

LAB 81.34, -25.7, -17.08

 

CMYK 3 / 51 / 0 / 9

HEX #E372E9

RGB 227 114 233

HSL 296.97, 0.73%, 0.68%

LAB 65.16, 60.17, -41.24

 

CMYK 0 / 29 / 51 / 9

HEX #E9A572

RGB 233 165 114

HSL 25.71, 0.73%, 0.68%

LAB 73.19, 19.46, 36.32

 

CMYK 48 / 0 / 51 / 9

HEX #7AE972

RGB 122 233 114

HSL 115.97, 0.73%, 0.68%

LAB 83.77, -54.73, 47.81

 

CMYK 51 / 22 / 0 / 9

HEX #72B5E9

RGB 114 181 233

HSL 206.22, 0.73%, 0.68%

LAB 71.22, -7.05, -32.53

 

Description

Color code: HEX #E372E9 | qconv.com Color code: HEX #E372E9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 114 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 114 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 51 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 51% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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