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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E372E7 it is the complementary color #1C8D18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E372E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E372E7 shade: #E872E2, #F984F5, #FF96FF, #FFA8FF and #FFBAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E372E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E372E7 shade: #E372E7, #D260D4, #C14EC1, #B03CAE and #9F2A9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E372E7 shade: #E373E7, #E773CC, #E773AD, #E7738E and #E77373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E372E7 shade: #E373E7, #C473E7, #A573E7, #8673E7 and #7373E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E372E7 shade matches the following richer shades: #E373E7 and #F066F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E372E7 shade: #E373E7, #D781DA, #CB8ECD, #BE9BC0 and #B2A8B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E372E7 shade: #A473E7, #C373E7, #E273E7, #E773CE and #E773AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E372E7 shade: #D52DDB, #DC50E1, #E373E7, #EA97ED and #F1BAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E372E7 shade: #E372E7, #E78573 and #73E7B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E372E7 shade: #E372E7, #E7E273 and #73E7E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E372E7 shade: #E372E7, #E78573, #79E773 and #73D6E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E372E7 shade: #E372E7, #E7A873, #79E773 and #73B3E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 51 / 0 / 9

HEX #E372E7

RGB 227 114 231

HSL 297.95, 0.71%, 0.68%

LAB 65.07, 59.81, -40.28

 

Complementary color

CMYK 80 / 0 / 83 / 45

HEX #1C8D18

RGB 28 141 24

HSL 117.95, 0.71%, 0.32%

LAB 51.11, -51.9, 48.86

 

CMYK 0 / 51 / 3 / 9

HEX #E872E2

RGB 232 114 226

HSL 303.05, 0.72%, 0.68%

LAB 65.5, 60.31, -36.78

 

CMYK 0 / 47 / 2 / 2

HEX #F984F5

RGB 249 132 245

HSL 302.05, 0.91%, 0.75%

LAB 71.71, 59.71, -37.41

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 27 / 0 / 0

HEX #FFBAFF

RGB 255 186 255

HSL 300, 1%, 0.86%

LAB 83.76, 35.82, -24.23

 

CMYK 2 / 51 / 0 / 9

HEX #E372E7

RGB 227 114 231

HSL 297.95, 0.71%, 0.68%

LAB 65.07, 59.81, -40.28

 

CMYK 1 / 55 / 0 / 17

HEX #D260D4

RGB 210 96 212

HSL 298.97, 0.57%, 0.6%

LAB 58.81, 60.33, -39.61

 

CMYK 0 / 60 / 0 / 24

HEX #C14EC1

RGB 193 78 193

HSL 300, 0.48%, 0.53%

LAB 52.55, 60.65, -38.77

 

CMYK 0 / 66 / 1 / 31

HEX #B03CAE

RGB 176 60 174

HSL 301.03, 0.49%, 0.46%

LAB 46.34, 60.65, -37.66

 

CMYK 0 / 74 / 3 / 38

HEX #9F2A9B

RGB 159 42 155

HSL 302.05, 0.58%, 0.39%

LAB 40.24, 60.08, -36.15

 

CMYK 2 / 50 / 0 / 9

HEX #E373E7

RGB 227 115 231

HSL 297.93, 0.71%, 0.68%

LAB 65.25, 59.34, -40

 

CMYK 0 / 50 / 12 / 9

HEX #E773CC

RGB 231 115 204

HSL 313.97, 0.71%, 0.68%

LAB 64.65, 55.95, -25.8

 

CMYK 0 / 50 / 25 / 9

HEX #E773AD

RGB 231 115 173

HSL 330, 0.71%, 0.68%

LAB 63.56, 51.4, -9.9

 

CMYK 0 / 50 / 39 / 9

HEX #E7738E

RGB 231 115 142

HSL 346.03, 0.71%, 0.68%

LAB 62.68, 47.56, 6.54

 

CMYK 0 / 50 / 50 / 9

HEX #E77373

RGB 231 115 115

HSL 0, 0.71%, 0.68%

LAB 62.07, 44.86, 21.14

 

CMYK 2 / 50 / 0 / 9

HEX #E373E7

RGB 227 115 231

HSL 297.93, 0.71%, 0.68%

LAB 65.25, 59.34, -40

 

CMYK 15 / 50 / 0 / 9

HEX #C473E7

RGB 196 115 231

HSL 281.9, 0.71%, 0.68%

LAB 61.45, 50.94, -46.23

 

CMYK 29 / 50 / 0 / 9

HEX #A573E7

RGB 165 115 231

HSL 265.86, 0.71%, 0.68%

LAB 58.07, 42.75, -51.81

 

CMYK 42 / 50 / 0 / 9

HEX #8673E7

RGB 134 115 231

HSL 249.83, 0.71%, 0.68%

LAB 55.17, 35.1, -56.59

 

CMYK 50 / 50 / 0 / 9

HEX #7373E7

RGB 115 115 231

HSL 240, 0.71%, 0.68%

LAB 53.68, 30.85, -59.07

 

CMYK 2 / 50 / 0 / 9

HEX #E373E7

RGB 227 115 231

HSL 297.93, 0.71%, 0.68%

LAB 65.25, 59.34, -40

 

CMYK 2 / 58 / 0 / 4

HEX #F066F5

RGB 240 102 245

HSL 297.9, 0.88%, 0.68%

LAB 65.45, 70.97, -47.3

 

CMYK 2 / 50 / 0 / 9

HEX #E373E7

RGB 227 115 231

HSL 297.93, 0.71%, 0.68%

LAB 65.25, 59.34, -40

 

CMYK 1 / 41 / 0 / 15

HEX #D781DA

RGB 215 129 218

HSL 297.98, 0.55%, 0.68%

LAB 65.91, 46.56, -31.85

 

CMYK 1 / 31 / 0 / 20

HEX #CB8ECD

RGB 203 142 205

HSL 298.1, 0.39%, 0.68%

LAB 66.86, 33.46, -23.26

 

CMYK 1 / 19 / 0 / 25

HEX #BE9BC0

RGB 190 155 192

HSL 296.76, 0.23%, 0.68%

LAB 68.16, 19.48, -14.17

 

CMYK 1 / 6 / 0 / 30

HEX #B2A8B3

RGB 178 168 179

HSL 294.55, 0.07%, 0.68%

LAB 69.98, 5.63, -4.36

 

CMYK 29 / 50 / 0 / 9

HEX #A473E7

RGB 164 115 231

HSL 265.34, 0.71%, 0.68%

LAB 57.96, 42.5, -51.97

 

CMYK 16 / 50 / 0 / 9

HEX #C373E7

RGB 195 115 231

HSL 281.38, 0.71%, 0.68%

LAB 61.34, 50.67, -46.42

 

CMYK 2 / 50 / 0 / 9

HEX #E273E7

RGB 226 115 231

HSL 297.41, 0.71%, 0.68%

LAB 65.12, 59.07, -40.2

 

CMYK 0 / 50 / 11 / 9

HEX #E773CE

RGB 231 115 206

HSL 312.93, 0.71%, 0.68%

LAB 64.73, 56.27, -26.81

 

CMYK 0 / 50 / 24 / 9

HEX #E773AF

RGB 231 115 175

HSL 328.97, 0.71%, 0.68%

LAB 63.63, 51.67, -10.95

 

CMYK 3 / 79 / 0 / 14

HEX #D52DDB

RGB 213 45 219

HSL 297.93, 0.71%, 0.52%

LAB 53.1, 80.45, -52.59

 

CMYK 2 / 64 / 0 / 12

HEX #DC50E1

RGB 220 80 225

HSL 297.93, 0.71%, 0.6%

LAB 58.4, 71.78, -47.48

 

CMYK 2 / 50 / 0 / 9

HEX #E373E7

RGB 227 115 231

HSL 297.93, 0.71%, 0.68%

LAB 65.25, 59.34, -40

 

CMYK 1 / 36 / 0 / 7

HEX #EA97ED

RGB 234 151 237

HSL 297.91, 0.7%, 0.76%

LAB 73.38, 44.35, -30.61

 

CMYK 1 / 23 / 0 / 5

HEX #F1BAF3

RGB 241 186 243

HSL 297.89, 0.7%, 0.84%

LAB 82, 29.17, -20.63

 

CMYK 2 / 51 / 0 / 9

HEX #E372E7

RGB 227 114 231

HSL 297.95, 0.71%, 0.68%

LAB 65.07, 59.81, -40.28

 

CMYK 0 / 42 / 50 / 9

HEX #E78573

RGB 231 133 115

HSL 9.31, 0.71%, 0.68%

LAB 65.75, 35.7, 26.07

 

CMYK 50 / 0 / 23 / 9

HEX #73E7B3

RGB 115 231 179

HSL 153.1, 0.71%, 0.68%

LAB 83.99, -44.85, 15.37

 

CMYK 2 / 51 / 0 / 9

HEX #E372E7

RGB 227 114 231

HSL 297.95, 0.71%, 0.68%

LAB 65.07, 59.81, -40.28

 

CMYK 0 / 2 / 50 / 9

HEX #E7E273

RGB 231 226 115

HSL 57.41, 0.71%, 0.68%

LAB 88.27, -12.9, 54.27

 

CMYK 50 / 0 / 2 / 9

HEX #73E7E2

RGB 115 231 226

HSL 177.41, 0.71%, 0.68%

LAB 85.14, -34.03, -7.68

 

CMYK 2 / 51 / 0 / 9

HEX #E372E7

RGB 227 114 231

HSL 297.95, 0.71%, 0.68%

LAB 65.07, 59.81, -40.28

 

CMYK 0 / 42 / 50 / 9

HEX #E78573

RGB 231 133 115

HSL 9.31, 0.71%, 0.68%

LAB 65.75, 35.7, 26.07

 

CMYK 48 / 0 / 50 / 9

HEX #79E773

RGB 121 231 115

HSL 116.9, 0.71%, 0.68%

LAB 83.15, -54.09, 46.58

 

CMYK 50 / 7 / 0 / 9

HEX #73D6E7

RGB 115 214 231

HSL 188.79, 0.71%, 0.68%

LAB 80.46, -24.54, -17.33

 

CMYK 2 / 51 / 0 / 9

HEX #E372E7

RGB 227 114 231

HSL 297.95, 0.71%, 0.68%

LAB 65.07, 59.81, -40.28

 

CMYK 0 / 27 / 50 / 9

HEX #E7A873

RGB 231 168 115

HSL 27.41, 0.71%, 0.68%

LAB 73.7, 17.15, 36.4

 

CMYK 48 / 0 / 50 / 9

HEX #79E773

RGB 121 231 115

HSL 116.9, 0.71%, 0.68%

LAB 83.15, -54.09, 46.58

 

CMYK 50 / 23 / 0 / 9

HEX #73B3E7

RGB 115 179 231

HSL 206.9, 0.71%, 0.68%

LAB 70.63, -6.32, -32.34

 

Description

Color code: HEX #E372E7 | qconv.com Color code: HEX #E372E7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 114 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 114 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 51 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 51% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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