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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3670B it is the complementary color #1C98F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3670B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3670B shade: #E86706, #F97919, #FF8B2C, #FF9D3F and #FFAF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3670B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3670B shade: #E3670B, #D25500, #C14300, #B03100 and #9F1F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3670B shade: #E5680B, #E52D0B and #E50B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3670B shade: #E5680B, #E5A30B, #E5DD0B, #B2E50B and #77E50B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3670B shade matches the following richer shades: #E5680B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3670B shade: #E5680B, #D26B1E, #BE6D32, #AB7045 and #977358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3670B shade: #E50B24, #E52C0B, #E5660B, #E5A00B and #E5DA0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3670B shade: #964407, #BE5609, #E5680B, #F57D24 and #F7944C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3670B shade: #E3670B, #5EE50B and #0E0BE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3670B shade: #E3670B, #0BE566 and #660BE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3670B shade: #E3670B, #5EE50B, #0B8AE5 and #910BE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3670B shade: #E3670B, #1DE50B, #0B8AE5 and #D30BE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 95 / 11

HEX #E3670B

RGB 227 103 11

HSL 25.56, 0.91%, 0.47%

LAB 58.09, 44.37, 64.65

 

Complementary color

CMYK 89 / 38 / 0 / 4

HEX #1C98F4

RGB 28 152 244

HSL 205.56, 0.91%, 0.53%

LAB 60.99, 0.99, -54.79

 

CMYK 0 / 56 / 97 / 9

HEX #E86706

RGB 232 103 6

HSL 25.75, 0.95%, 0.47%

LAB 58.85, 46.22, 66.4

 

CMYK 0 / 51 / 90 / 2

HEX #F97919

RGB 249 121 25

HSL 25.71, 0.95%, 0.54%

LAB 64.87, 44.21, 67.66

 

CMYK 0 / 45 / 83 / 0

HEX #FF8B2C

RGB 255 139 44

HSL 27.01, 1%, 0.59%

LAB 69.4, 37.99, 65.62

 

CMYK 0 / 38 / 75 / 0

HEX #FF9D3F

RGB 255 157 63

HSL 29.38, 1%, 0.62%

LAB 73.37, 29.39, 61.87

 

CMYK 0 / 31 / 68 / 0

HEX #FFAF52

RGB 255 175 82

HSL 32.25, 1%, 0.66%

LAB 77.6, 20.89, 57.94

 

CMYK 0 / 55 / 95 / 11

HEX #E3670B

RGB 227 103 11

HSL 25.56, 0.91%, 0.47%

LAB 58.09, 44.37, 64.65

 

CMYK 0 / 60 / 100 / 18

HEX #D25500

RGB 210 85 0

HSL 24.29, 1%, 0.41%

LAB 52.06, 46.41, 61.85

 

CMYK 0 / 65 / 100 / 24

HEX #C14300

RGB 193 67 0

HSL 20.83, 1%, 0.38%

LAB 46.11, 48.3, 57.12

 

CMYK 0 / 72 / 100 / 31

HEX #B03100

RGB 176 49 0

HSL 16.7, 1%, 0.35%

LAB 40.29, 49.74, 52.49

 

CMYK 0 / 81 / 100 / 38

HEX #9F1F00

RGB 159 31 0

HSL 11.7, 1%, 0.31%

LAB 34.7, 50.37, 47.93

 

CMYK 0 / 55 / 95 / 10

HEX #E5680B

RGB 229 104 11

HSL 25.6, 0.91%, 0.47%

LAB 58.59, 44.65, 65.12

 

CMYK 0 / 80 / 95 / 10

HEX #E52D0B

RGB 229 45 11

HSL 9.36, 0.91%, 0.47%

LAB 50.17, 67.32, 60.08

 

CMYK 0 / 95 / 95 / 10

HEX #E50B0B

RGB 229 11 11

HSL 0, 0.91%, 0.47%

LAB 48.16, 73.06, 59.02

 

CMYK 0 / 55 / 95 / 10

HEX #E5680B

RGB 229 104 11

HSL 25.6, 0.91%, 0.47%

LAB 58.59, 44.65, 65.12

 

CMYK 0 / 29 / 95 / 10

HEX #E5A30B

RGB 229 163 11

HSL 41.83, 0.91%, 0.47%

LAB 71.47, 14.02, 73.88

 

CMYK 0 / 3 / 95 / 10

HEX #E5DD0B

RGB 229 221 11

HSL 57.8, 0.91%, 0.47%

LAB 86.2, -15.87, 84.65

 

CMYK 22 / 0 / 95 / 10

HEX #B2E50B

RGB 178 229 11

HSL 74.04, 0.91%, 0.47%

LAB 84.75, -40.48, 81.95

 

CMYK 48 / 0 / 95 / 10

HEX #77E50B

RGB 119 229 11

HSL 90.28, 0.91%, 0.47%

LAB 81.83, -60.97, 78.4

 

CMYK 0 / 55 / 95 / 10

HEX #E5680B

RGB 229 104 11

HSL 25.6, 0.91%, 0.47%

LAB 58.59, 44.65, 65.12

 

CMYK 0 / 55 / 95 / 10

HEX #E5680B

RGB 229 104 11

HSL 25.6, 0.91%, 0.47%

LAB 58.59, 44.65, 65.12

 

CMYK 0 / 49 / 86 / 18

HEX #D26B1E

RGB 210 107 30

HSL 25.67, 0.75%, 0.47%

LAB 56.4, 36.03, 57.08

 

CMYK 0 / 43 / 74 / 25

HEX #BE6D32

RGB 190 109 50

HSL 25.29, 0.58%, 0.47%

LAB 54.15, 27.45, 45.48

 

CMYK 0 / 35 / 60 / 33

HEX #AB7045

RGB 171 112 69

HSL 25.29, 0.43%, 0.47%

LAB 52.59, 18.88, 33.21

 

CMYK 0 / 24 / 42 / 41

HEX #977358

RGB 151 115 88

HSL 25.71, 0.26%, 0.47%

LAB 51.32, 10.44, 20.4

 

CMYK 0 / 95 / 84 / 10

HEX #E50B24

RGB 229 11 36

HSL 353.12, 0.91%, 0.47%

LAB 48.29, 73.42, 48.94

 

CMYK 0 / 81 / 95 / 10

HEX #E52C0B

RGB 229 44 11

HSL 9.08, 0.91%, 0.47%

LAB 50.08, 67.58, 60.03

 

CMYK 0 / 55 / 95 / 10

HEX #E5660B

RGB 229 102 11

HSL 25.05, 0.91%, 0.47%

LAB 58.21, 45.61, 64.88

 

CMYK 0 / 30 / 95 / 10

HEX #E5A00B

RGB 229 160 11

HSL 41.01, 0.91%, 0.47%

LAB 70.75, 15.62, 73.37

 

CMYK 0 / 5 / 95 / 10

HEX #E5DA0B

RGB 229 218 11

HSL 56.97, 0.91%, 0.47%

LAB 85.42, -14.39, 84.06

 

CMYK 0 / 55 / 95 / 41

HEX #964407

RGB 150 68 7

HSL 25.59, 0.91%, 0.31%

LAB 38.96, 31.4, 47.03

 

CMYK 0 / 55 / 95 / 25

HEX #BE5609

RGB 190 86 9

HSL 25.52, 0.91%, 0.39%

LAB 49.03, 38.37, 56.34

 

CMYK 0 / 55 / 95 / 10

HEX #E5680B

RGB 229 104 11

HSL 25.6, 0.91%, 0.47%

LAB 58.59, 44.65, 65.12

 

CMYK 0 / 49 / 85 / 4

HEX #F57D24

RGB 245 125 36

HSL 25.55, 0.91%, 0.55%

LAB 65.13, 40.9, 64.26

 

CMYK 0 / 40 / 69 / 3

HEX #F7944C

RGB 247 148 76

HSL 25.26, 0.91%, 0.63%

LAB 70.51, 31.43, 52.75

 

CMYK 0 / 55 / 95 / 11

HEX #E3670B

RGB 227 103 11

HSL 25.56, 0.91%, 0.47%

LAB 58.09, 44.37, 64.65

 

CMYK 59 / 0 / 95 / 10

HEX #5EE50B

RGB 94 229 11

HSL 97.16, 0.91%, 0.47%

LAB 80.98, -67.7, 77.36

 

CMYK 94 / 95 / 0 / 10

HEX #0E0BE5

RGB 14 11 229

HSL 240.83, 0.91%, 0.47%

LAB 29.39, 71.19, -98

 

CMYK 0 / 55 / 95 / 11

HEX #E3670B

RGB 227 103 11

HSL 25.56, 0.91%, 0.47%

LAB 58.09, 44.37, 64.65

 

CMYK 95 / 0 / 55 / 10

HEX #0BE566

RGB 11 229 102

HSL 145.05, 0.91%, 0.47%

LAB 80.22, -72.21, 48.58

 

CMYK 55 / 95 / 0 / 10

HEX #660BE5

RGB 102 11 229

HSL 265.05, 0.91%, 0.47%

LAB 35.44, 74.38, -87.76

 

CMYK 0 / 55 / 95 / 11

HEX #E3670B

RGB 227 103 11

HSL 25.56, 0.91%, 0.47%

LAB 58.09, 44.37, 64.65

 

CMYK 59 / 0 / 95 / 10

HEX #5EE50B

RGB 94 229 11

HSL 97.16, 0.91%, 0.47%

LAB 80.98, -67.7, 77.36

 

CMYK 95 / 40 / 0 / 10

HEX #0B8AE5

RGB 11 138 229

HSL 205.05, 0.91%, 0.47%

LAB 55.99, 2.92, -54.45

 

CMYK 37 / 95 / 0 / 10

HEX #910BE5

RGB 145 11 229

HSL 276.88, 0.91%, 0.47%

LAB 41.08, 78.28, -78.26

 

CMYK 0 / 55 / 95 / 11

HEX #E3670B

RGB 227 103 11

HSL 25.56, 0.91%, 0.47%

LAB 58.09, 44.37, 64.65

 

CMYK 87 / 0 / 95 / 10

HEX #1DE50B

RGB 29 229 11

HSL 115.05, 0.91%, 0.47%

LAB 79.8, -77.92, 75.9

 

CMYK 95 / 40 / 0 / 10

HEX #0B8AE5

RGB 11 138 229

HSL 205.05, 0.91%, 0.47%

LAB 55.99, 2.92, -54.45

 

CMYK 8 / 95 / 0 / 10

HEX #D30BE5

RGB 211 11 229

HSL 295.05, 0.91%, 0.47%

LAB 51.55, 87.02, -60.77

 

Description

Color code: HEX #E3670B | qconv.com Color code: HEX #E3670B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 103 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 103 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 95 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 95% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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