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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E35F784C it is the complementary color #1CA0874C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E35F784C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E35F784C shade: #E85F734C, #F971864C, #FF83994C, #FF95AC4C and #FFA7BF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E35F784C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E35F784C shade: #E35F784C, #D24D654C, #C13B524C, #B0293F4C and #9F172C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E35F784C shade: #E35F78 and #E35F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E35F784C shade: #E35F78, #E35F9B, #E35FBF, #E35FE2 and #BF5FE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E35F784C shade matches the following richer shades: #E35F78 and #F24F6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E35F784C shade: #E35F78, #D36E81, #C47D8B, #B58C94 and #A69C9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E35F784C shade: #E35FBF, #E35F9C, #E35F79, #E3675F and #E38B5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E35F784C shade: #CB2443, #DD3C5A, #E35F78, #E98295 and #EFA5B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E35F784C shade: #E35F78, #E3E35F and #5FAEE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E35F784C shade: #E35F78, #79E35F and #5F79E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E35F784C shade: #E35F78, #E3E35F, #5FE3C8 and #5F5FE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E35F784C shade: #E35F78, #BBE35F, #5FE3C8 and #865FE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 14 / 3

HEX #E35F784C

RGBA 227 95 120 0.3

HSLA 348.64, 0.7%, 0.63%, 0.3

LABA 57.91, 53.46, 12.44, 0.3

 

Complementary color

CMYK 25 / 0 / 5 / 11

HEX #1CA0874C

RGBA 28 160 135 0.3

HSLA 168.64, 0.7%, 0.37%, 0.3

LABA 59.1, -39.68, 3.46, 0.3

 

CMYK 0 / 18 / 15 / 3

HEX #E85F734C

RGBA 232 95 115 0.3

HSLA 351.24, 0.75%, 0.64%, 0.3

LABA 58.58, 54.67, 16.4, 0.3

 

CMYK 0 / 16 / 14 / 1

HEX #F971864C

RGBA 249 113 134 0.3

HSLA 350.74, 0.92%, 0.71%, 0.3

LABA 64.7, 53.82, 14.34, 0.3

 

CMYK 0 / 15 / 12 / 0

HEX #FF83994C

RGBA 255 131 153 0.3

HSLA 349.35, 1%, 0.76%, 0.3

LABA 69.32, 49.16, 10.22, 0.3

 

CMYK 0 / 12 / 10 / 0

HEX #FF95AC4C

RGBA 255 149 172 0.3

HSLA 346.98, 1%, 0.79%, 0.3

LABA 73.37, 42.34, 5.42, 0.3

 

CMYK 0 / 10 / 8 / 0

HEX #FFA7BF4C

RGBA 255 167 191 0.3

HSLA 343.64, 1%, 0.83%, 0.3

LABA 77.67, 35.53, 1.21, 0.3

 

CMYK 0 / 17 / 14 / 3

HEX #E35F784C

RGBA 227 95 120 0.3

HSLA 348.64, 0.7%, 0.63%, 0.3

LABA 57.91, 53.46, 12.44, 0.3

 

CMYK 0 / 19 / 16 / 5

HEX #D24D654C

RGBA 210 77 101 0.3

HSLA 349.17, 0.6%, 0.56%, 0.3

LABA 51.78, 54.16, 14.73, 0.3

 

CMYK 0 / 21 / 17 / 7

HEX #C13B524C

RGBA 193 59 82 0.3

HSLA 349.7, 0.53%, 0.49%, 0.3

LABA 45.74, 54.59, 17.52, 0.3

 

CMYK 0 / 23 / 19 / 9

HEX #B0293F4C

RGBA 176 41 63 0.3

HSLA 350.22, 0.62%, 0.43%, 0.3

LABA 39.87, 54.54, 20.97, 0.3

 

CMYK 0 / 26 / 22 / 11

HEX #9F172C4C

RGBA 159 23 44 0.3

HSLA 350.74, 0.75%, 0.36%, 0.3

LABA 34.33, 53.64, 25.27, 0.3

 

CMYK 0 / 58 / 47 / 11

HEX #E35F78

RGB 227 95 120

HSL 348.64, 0.7%, 0.63%

LAB 57.91, 53.46, 12.44

 

CMYK 0 / 58 / 58 / 11

HEX #E35F5F

RGB 227 95 95

HSL 0, 0.7%, 0.63%

LAB 57.41, 51.4, 26.29

 

CMYK 0 / 58 / 47 / 11

HEX #E35F78

RGB 227 95 120

HSL 348.64, 0.7%, 0.63%

LAB 57.91, 53.46, 12.44

 

CMYK 0 / 58 / 32 / 11

HEX #E35F9B

RGB 227 95 155

HSL 332.73, 0.7%, 0.63%

LAB 58.86, 57.2, -6.61

 

CMYK 0 / 58 / 16 / 11

HEX #E35FBF

RGB 227 95 191

HSL 316.36, 0.7%, 0.63%

LAB 60.14, 62.02, -25.43

 

CMYK 0 / 58 / 0 / 11

HEX #E35FE2

RGB 227 95 226

HSL 300.45, 0.7%, 0.63%

LAB 61.66, 67.53, -42.84

 

CMYK 16 / 58 / 0 / 11

HEX #BF5FE3

RGB 191 95 227

HSL 283.64, 0.7%, 0.63%

LAB 56.89, 58.78, -51.26

 

CMYK 0 / 58 / 47 / 11

HEX #E35F78

RGB 227 95 120

HSL 348.64, 0.7%, 0.63%

LAB 57.91, 53.46, 12.44

 

CMYK 0 / 67 / 55 / 5

HEX #F24F6E

RGB 242 79 110

HSL 348.59, 0.86%, 0.63%

LAB 57.65, 64.07, 18.31

 

CMYK 0 / 58 / 47 / 11

HEX #E35F78

RGB 227 95 120

HSL 348.64, 0.7%, 0.63%

LAB 57.91, 53.46, 12.44

 

CMYK 0 / 48 / 39 / 17

HEX #D36E81

RGB 211 110 129

HSL 348.71, 0.53%, 0.63%

LAB 58.59, 41.6, 7.82

 

CMYK 0 / 36 / 29 / 23

HEX #C47D8B

RGB 196 125 139

HSL 348.17, 0.38%, 0.63%

LAB 60.13, 29.41, 4

 

CMYK 0 / 23 / 18 / 29

HEX #B58C94

RGB 181 140 148

HSL 348.29, 0.22%, 0.63%

LAB 62.27, 16.8, 1.75

 

CMYK 0 / 6 / 5 / 35

HEX #A69C9E

RGB 166 156 158

HSL 348, 0.05%, 0.63%

LAB 65.24, 4.01, 0.26

 

CMYK 0 / 58 / 16 / 11

HEX #E35FBF

RGB 227 95 191

HSL 316.36, 0.7%, 0.63%

LAB 60.14, 62.02, -25.43

 

CMYK 0 / 58 / 31 / 11

HEX #E35F9C

RGB 227 95 156

HSL 332.27, 0.7%, 0.63%

LAB 58.9, 57.32, -7.15

 

CMYK 0 / 58 / 47 / 11

HEX #E35F79

RGB 227 95 121

HSL 348.18, 0.7%, 0.63%

LAB 57.94, 53.55, 11.89

 

CMYK 0 / 55 / 58 / 11

HEX #E3675F

RGB 227 103 95

HSL 3.64, 0.7%, 0.63%

LAB 58.84, 47.66, 28.15

 

CMYK 0 / 39 / 58 / 11

HEX #E38B5F

RGB 227 139 95

HSL 20, 0.7%, 0.63%

LAB 66.23, 29.33, 37.49

 

CMYK 0 / 82 / 67 / 20

HEX #CB2443

RGB 203 36 67

HSL 348.86, 0.7%, 0.47%

LAB 44.75, 63.85, 25.79

 

CMYK 0 / 73 / 59 / 13

HEX #DD3C5A

RGB 221 60 90

HSL 348.82, 0.7%, 0.55%

LAB 51.09, 63.25, 20.71

 

CMYK 0 / 58 / 47 / 11

HEX #E35F78

RGB 227 95 120

HSL 348.64, 0.7%, 0.63%

LAB 57.91, 53.46, 12.44

 

CMYK 0 / 44 / 36 / 9

HEX #E98295

RGB 233 130 149

HSL 348.93, 0.7%, 0.71%

LAB 66.1, 41.52, 7.49

 

CMYK 0 / 31 / 25 / 6

HEX #EFA5B3

RGB 239 165 179

HSL 348.65, 0.7%, 0.79%

LAB 75.15, 29.23, 3.89

 

CMYK 0 / 58 / 47 / 11

HEX #E35F78

RGB 227 95 120

HSL 348.64, 0.7%, 0.63%

LAB 57.91, 53.46, 12.44

 

CMYK 0 / 0 / 58 / 11

HEX #E3E35F

RGB 227 227 95

HSL 60, 0.7%, 0.63%

LAB 88.01, -16.55, 62.84

 

CMYK 58 / 23 / 0 / 11

HEX #5FAEE3

RGB 95 174 227

HSL 204.09, 0.7%, 0.63%

LAB 68.21, -8.99, -33.99

 

CMYK 0 / 58 / 47 / 11

HEX #E35F78

RGB 227 95 120

HSL 348.64, 0.7%, 0.63%

LAB 57.91, 53.46, 12.44

 

CMYK 47 / 0 / 58 / 11

HEX #79E35F

RGB 121 227 95

HSL 108.18, 0.7%, 0.63%

LAB 81.75, -54.86, 54.08

 

CMYK 58 / 47 / 0 / 11

HEX #5F79E3

RGB 95 121 227

HSL 228.18, 0.7%, 0.63%

LAB 53.66, 21.9, -56.93

 

CMYK 0 / 58 / 47 / 11

HEX #E35F78

RGB 227 95 120

HSL 348.64, 0.7%, 0.63%

LAB 57.91, 53.46, 12.44

 

CMYK 0 / 0 / 58 / 11

HEX #E3E35F

RGB 227 227 95

HSL 60, 0.7%, 0.63%

LAB 88.01, -16.55, 62.84

 

CMYK 58 / 0 / 12 / 11

HEX #5FE3C8

RGB 95 227 200

HSL 167.73, 0.7%, 0.63%

LAB 82.67, -42.61, 2.34

 

CMYK 58 / 58 / 0 / 11

HEX #5F5FE3

RGB 95 95 227

HSL 240, 0.7%, 0.63%

LAB 47.19, 37.75, -67.37

 

CMYK 0 / 58 / 47 / 11

HEX #E35F78

RGB 227 95 120

HSL 348.64, 0.7%, 0.63%

LAB 57.91, 53.46, 12.44

 

CMYK 18 / 0 / 58 / 11

HEX #BBE35F

RGB 187 227 95

HSL 78.18, 0.7%, 0.63%

LAB 85.16, -32.35, 58.88

 

CMYK 58 / 0 / 12 / 11

HEX #5FE3C8

RGB 95 227 200

HSL 167.73, 0.7%, 0.63%

LAB 82.67, -42.61, 2.34

 

CMYK 41 / 58 / 0 / 11

HEX #865FE3

RGB 134 95 227

HSL 257.73, 0.7%, 0.63%

LAB 50.45, 45.43, -61.93

 

Description

Color code: HEX #E35F784C | qconv.com Color code: HEX #E35F784C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 95 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 95 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 14 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 14% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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