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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E35F2C it is the complementary color #1CA0D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E35F2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E35F2C shade: #E85F27, #F9713A, #FF834D, #FF9560 and #FFA773

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E35F2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E35F2C shade: #E35F2C, #D24D19, #C13B06, #B02900 and #9F1700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E35F2C shade: #E35E2B, #E32D2B and #E32B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E35F2C shade: #E35E2B, #E3902B, #E3C22B, #D3E32B and #A1E32B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E35F2C shade matches the following richer shades: #E35E2B and #F75617

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E35F2C shade: #E35E2B, #D0673E, #BD6F52, #A97865 and #968178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E35F2C shade: #E32B5C, #E32B2B, #E35C2B, #E38D2B and #E3BF2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E35F2C shade: #A63E16, #CB4B1A, #E35E2B, #E87A4F and #ED9674

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E35F2C shade: #E35F2C, #8DE32B and #2B43E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E35F2C shade: #E35F2C, #2BE35C and #5C2BE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E35F2C shade: #E35F2C, #8DE32B, #2BB2E3 and #812BE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E35F2C shade: #E35F2C, #56E32B, #2BB2E3 and #B82BE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 81 / 11

HEX #E35F2C

RGB 227 95 44

HSL 16.72, 0.77%, 0.53%

LAB 56.78, 48.81, 52.73

 

Complementary color

CMYK 87 / 24 / 0 / 17

HEX #1CA0D3

RGB 28 160 211

HSL 196.72, 0.77%, 0.47%

LAB 61.73, -15.52, -35.35

 

CMYK 0 / 59 / 83 / 9

HEX #E85F27

RGB 232 95 39

HSL 17.41, 0.81%, 0.53%

LAB 57.55, 50.48, 55.91

 

CMYK 0 / 55 / 77 / 2

HEX #F9713A

RGB 249 113 58

HSL 17.28, 0.94%, 0.6%

LAB 63.55, 48.91, 54.03

 

CMYK 0 / 49 / 70 / 0

HEX #FF834D

RGB 255 131 77

HSL 18.2, 1%, 0.65%

LAB 68.04, 43.24, 49.84

 

CMYK 0 / 42 / 62 / 0

HEX #FF9560

RGB 255 149 96

HSL 20, 1%, 0.69%

LAB 71.96, 35.23, 44.75

 

CMYK 0 / 35 / 55 / 0

HEX #FFA773

RGB 255 167 115

HSL 22.29, 1%, 0.73%

LAB 76.15, 27.26, 40.06

 

CMYK 0 / 58 / 81 / 11

HEX #E35F2C

RGB 227 95 44

HSL 16.72, 0.77%, 0.53%

LAB 56.78, 48.81, 52.73

 

CMYK 0 / 63 / 88 / 18

HEX #D24D19

RGB 210 77 25

HSL 16.86, 0.79%, 0.46%

LAB 50.78, 50.33, 54.38

 

CMYK 0 / 69 / 97 / 24

HEX #C13B06

RGB 193 59 6

HSL 17.01, 0.94%, 0.39%

LAB 44.91, 51.67, 54.8

 

CMYK 0 / 77 / 100 / 31

HEX #B02900

RGB 176 41 0

HSL 13.98, 1%, 0.35%

LAB 39.27, 52.57, 52.03

 

CMYK 0 / 86 / 100 / 38

HEX #9F1700

RGB 159 23 0

HSL 8.68, 1%, 0.31%

LAB 33.95, 52.51, 47.5

 

CMYK 0 / 59 / 81 / 11

HEX #E35E2B

RGB 227 94 43

HSL 16.63, 0.77%, 0.53%

LAB 56.6, 49.24, 53.01

 

CMYK 0 / 80 / 81 / 11

HEX #E32D2B

RGB 227 45 43

HSL 0.65, 0.77%, 0.53%

LAB 49.96, 67.32, 46.73

 

CMYK 0 / 81 / 81 / 11

HEX #E32B2B

RGB 227 43 43

HSL 0, 0.77%, 0.53%

LAB 49.78, 67.82, 46.56

 

CMYK 0 / 59 / 81 / 11

HEX #E35E2B

RGB 227 94 43

HSL 16.63, 0.77%, 0.53%

LAB 56.6, 49.24, 53.01

 

CMYK 0 / 37 / 81 / 11

HEX #E3902B

RGB 227 144 43

HSL 32.93, 0.77%, 0.53%

LAB 66.86, 23.93, 62.36

 

CMYK 0 / 15 / 81 / 11

HEX #E3C22B

RGB 227 194 43

HSL 49.24, 0.77%, 0.53%

LAB 79.09, -2.5, 73.09

 

CMYK 7 / 0 / 81 / 11

HEX #D3E32B

RGB 211 227 43

HSL 65.22, 0.77%, 0.53%

LAB 86.48, -25.67, 78.95

 

CMYK 29 / 0 / 81 / 11

HEX #A1E32B

RGB 161 227 43

HSL 81.52, 0.77%, 0.53%

LAB 83.28, -45.27, 74.91

 

CMYK 0 / 59 / 81 / 11

HEX #E35E2B

RGB 227 94 43

HSL 16.63, 0.77%, 0.53%

LAB 56.6, 49.24, 53.01

 

CMYK 0 / 65 / 91 / 3

HEX #F75617

RGB 247 86 23

HSL 16.88, 0.93%, 0.53%

LAB 58.5, 59.23, 63.56

 

CMYK 0 / 59 / 81 / 11

HEX #E35E2B

RGB 227 94 43

HSL 16.63, 0.77%, 0.53%

LAB 56.6, 49.24, 53.01

 

CMYK 0 / 50 / 70 / 18

HEX #D0673E

RGB 208 103 62

HSL 16.85, 0.61%, 0.53%

LAB 55.54, 38.5, 41.68

 

CMYK 0 / 41 / 57 / 26

HEX #BD6F52

RGB 189 111 82

HSL 16.26, 0.45%, 0.53%

LAB 54.86, 28.02, 29.32

 

CMYK 0 / 29 / 40 / 34

HEX #A97865

RGB 169 120 101

HSL 16.76, 0.28%, 0.53%

LAB 54.87, 16.69, 18.05

 

CMYK 0 / 14 / 20 / 41

HEX #968178

RGB 150 129 120

HSL 18, 0.13%, 0.53%

LAB 55.62, 6.5, 7.83

 

CMYK 0 / 81 / 59 / 11

HEX #E32B5C

RGB 227 43 92

HSL 344.02, 0.77%, 0.53%

LAB 50.49, 69.99, 18.9

 

CMYK 0 / 81 / 81 / 11

HEX #E32B2B

RGB 227 43 43

HSL 0, 0.77%, 0.53%

LAB 49.78, 67.82, 46.56

 

CMYK 0 / 59 / 81 / 11

HEX #E35C2B

RGB 227 92 43

HSL 15.98, 0.77%, 0.53%

LAB 56.25, 50.16, 52.69

 

CMYK 0 / 38 / 81 / 11

HEX #E38D2B

RGB 227 141 43

HSL 31.96, 0.77%, 0.53%

LAB 66.18, 25.53, 61.74

 

CMYK 0 / 16 / 81 / 11

HEX #E3BF2B

RGB 227 191 43

HSL 48.26, 0.77%, 0.53%

LAB 78.33, -0.95, 72.43

 

CMYK 0 / 63 / 87 / 35

HEX #A63E16

RGB 166 62 22

HSL 16.67, 0.77%, 0.37%

LAB 40.59, 41.03, 44.17

 

CMYK 0 / 63 / 87 / 20

HEX #CB4B1A

RGB 203 75 26

HSL 16.61, 0.77%, 0.45%

LAB 49.26, 48.74, 52.29

 

CMYK 0 / 59 / 81 / 11

HEX #E35E2B

RGB 227 94 43

HSL 16.63, 0.77%, 0.53%

LAB 56.6, 49.24, 53.01

 

CMYK 0 / 47 / 66 / 9

HEX #E87A4F

RGB 232 122 79

HSL 16.86, 0.77%, 0.61%

LAB 63.04, 39.07, 42.27

 

CMYK 0 / 37 / 51 / 7

HEX #ED9674

RGB 237 150 116

HSL 16.86, 0.77%, 0.69%

LAB 70.23, 29.19, 31.55

 

CMYK 0 / 58 / 81 / 11

HEX #E35F2C

RGB 227 95 44

HSL 16.72, 0.77%, 0.53%

LAB 56.78, 48.81, 52.73

 

CMYK 38 / 0 / 81 / 11

HEX #8DE32B

RGB 141 227 43

HSL 88.04, 0.77%, 0.53%

LAB 82.26, -52.33, 73.61

 

CMYK 81 / 70 / 0 / 11

HEX #2B43E3

RGB 43 67 227

HSL 232.17, 0.77%, 0.53%

LAB 37.97, 48.33, -82.57

 

CMYK 0 / 58 / 81 / 11

HEX #E35F2C

RGB 227 95 44

HSL 16.72, 0.77%, 0.53%

LAB 56.78, 48.81, 52.73

 

CMYK 81 / 0 / 59 / 11

HEX #2BE35C

RGB 43 227 92

HSL 135.98, 0.77%, 0.53%

LAB 79.74, -70.75, 52.58

 

CMYK 59 / 81 / 0 / 11

HEX #5C2BE3

RGB 92 43 227

HSL 255.98, 0.77%, 0.53%

LAB 37.02, 64.55, -84.03

 

CMYK 0 / 58 / 81 / 11

HEX #E35F2C

RGB 227 95 44

HSL 16.72, 0.77%, 0.53%

LAB 56.78, 48.81, 52.73

 

CMYK 38 / 0 / 81 / 11

HEX #8DE32B

RGB 141 227 43

HSL 88.04, 0.77%, 0.53%

LAB 82.26, -52.33, 73.61

 

CMYK 81 / 22 / 0 / 11

HEX #2BB2E3

RGB 43 178 227

HSL 195.98, 0.77%, 0.53%

LAB 67.95, -18.48, -34.5

 

CMYK 43 / 81 / 0 / 11

HEX #812BE3

RGB 129 43 227

HSL 268.04, 0.77%, 0.53%

LAB 41.12, 68.85, -77.14

 

CMYK 0 / 58 / 81 / 11

HEX #E35F2C

RGB 227 95 44

HSL 16.72, 0.77%, 0.53%

LAB 56.78, 48.81, 52.73

 

CMYK 62 / 0 / 81 / 11

HEX #56E32B

RGB 86 227 43

HSL 105.98, 0.77%, 0.53%

LAB 80.23, -67.89, 71.02

 

CMYK 81 / 22 / 0 / 11

HEX #2BB2E3

RGB 43 178 227

HSL 195.98, 0.77%, 0.53%

LAB 67.95, -18.48, -34.5

 

CMYK 19 / 81 / 0 / 11

HEX #B82BE3

RGB 184 43 227

HSL 285.98, 0.77%, 0.53%

LAB 48.84, 77.17, -64.23

 

Description

Color code: HEX #E35F2C | qconv.com Color code: HEX #E35F2C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 95 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 95 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 81 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 81% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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