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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E35CDD it is the complementary color #1CA322. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E35CDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E35CDD shade: #E85CD8, #F96EEB, #FF80FE, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E35CDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E35CDD shade: #E35CDD, #D24ACA, #C138B7, #B026A4 and #9F1491

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E35CDD shade: #E45EDE, #E45EBA, #E45E95, #E45E71 and #E45E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E35CDD shade: #E45EDE, #C55EE4, #A15EE4, #7D5EE4 and #5E5EE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E35CDD shade matches the following richer shades: #E45EDE and #F34EEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E35CDD shade: #E45EDE, #D46DD0, #C57CC2, #B68BB4 and #A79BA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E35CDD shade: #A15EE4, #C45EE4, #E45EDF, #E45EBB and #E45E98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E35CDD shade: #CC23C5, #DE3AD6, #E45EDE, #EA81E5 and #F0A4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E35CDD shade: #E35CDD, #E47D5E and #5EE4B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E35CDD shade: #E35CDD, #DFE45E and #5EDFE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E35CDD shade: #E35CDD, #E47D5E, #5EE462 and #5EC4E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E35CDD shade: #E35CDD, #E4A55E, #5EE462 and #5E9CE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 3 / 11

HEX #E35CDD

RGB 227 92 221

HSL 302.67, 0.71%, 0.63%

LAB 60.96, 67.97, -41.13

 

Complementary color

CMYK 83 / 0 / 79 / 36

HEX #1CA322

RGB 28 163 34

HSL 122.67, 0.71%, 0.37%

LAB 58.56, -58.18, 52.84

 

CMYK 0 / 60 / 7 / 9

HEX #E85CD8

RGB 232 92 216

HSL 306.86, 0.75%, 0.64%

LAB 61.45, 68.43, -37.5

 

CMYK 0 / 56 / 6 / 2

HEX #F96EEB

RGB 249 110 235

HSL 306.04, 0.92%, 0.7%

LAB 67.49, 68.17, -38.49

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FE

RGB 255 128 254

HSL 300.47, 1%, 0.75%

LAB 72.13, 64.78, -41.62

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 59 / 3 / 11

HEX #E35CDD

RGB 227 92 221

HSL 302.67, 0.71%, 0.63%

LAB 60.96, 67.97, -41.13

 

CMYK 0 / 65 / 4 / 18

HEX #D24ACA

RGB 210 74 202

HSL 303.53, 0.6%, 0.56%

LAB 54.93, 67.98, -40.02

 

CMYK 0 / 71 / 5 / 24

HEX #C138B7

RGB 193 56 183

HSL 304.38, 0.55%, 0.49%

LAB 48.99, 67.55, -38.57

 

CMYK 0 / 78 / 7 / 31

HEX #B026A4

RGB 176 38 164

HSL 305.22, 0.64%, 0.42%

LAB 43.21, 66.43, -36.67

 

CMYK 0 / 87 / 9 / 38

HEX #9F1491

RGB 159 20 145

HSL 306.04, 0.78%, 0.35%

LAB 37.69, 64.27, -34.11

 

CMYK 0 / 59 / 3 / 11

HEX #E45EDE

RGB 228 94 222

HSL 302.69, 0.71%, 0.63%

LAB 61.46, 67.54, -40.9

 

CMYK 0 / 59 / 18 / 11

HEX #E45EBA

RGB 228 94 186

HSL 318.81, 0.71%, 0.63%

LAB 59.93, 62.01, -22.88

 

CMYK 0 / 59 / 35 / 11

HEX #E45E95

RGB 228 94 149

HSL 335.37, 0.71%, 0.63%

LAB 58.67, 57.24, -3.4

 

CMYK 0 / 59 / 50 / 11

HEX #E45E71

RGB 228 94 113

HSL 351.49, 0.71%, 0.63%

LAB 57.74, 53.62, 16.32

 

CMYK 0 / 59 / 59 / 11

HEX #E45E5E

RGB 228 94 94

HSL 0, 0.71%, 0.63%

LAB 57.37, 52.13, 26.85

 

CMYK 0 / 59 / 3 / 11

HEX #E45EDE

RGB 228 94 222

HSL 302.69, 0.71%, 0.63%

LAB 61.46, 67.54, -40.9

 

CMYK 14 / 59 / 0 / 11

HEX #C55EE4

RGB 197 94 228

HSL 286.12, 0.71%, 0.63%

LAB 57.54, 60.92, -50.74

 

CMYK 29 / 59 / 0 / 11

HEX #A15EE4

RGB 161 94 228

HSL 270, 0.71%, 0.63%

LAB 53.15, 52.31, -58

 

CMYK 45 / 59 / 0 / 11

HEX #7D5EE4

RGB 125 94 228

HSL 253.88, 0.71%, 0.63%

LAB 49.46, 44.36, -64.14

 

CMYK 59 / 59 / 0 / 11

HEX #5E5EE4

RGB 94 94 228

HSL 240, 0.71%, 0.63%

LAB 46.96, 38.5, -68.31

 

CMYK 0 / 59 / 3 / 11

HEX #E45EDE

RGB 228 94 222

HSL 302.69, 0.71%, 0.63%

LAB 61.46, 67.54, -40.9

 

CMYK 0 / 68 / 3 / 5

HEX #F34EEC

RGB 243 78 236

HSL 302.55, 0.87%, 0.63%

LAB 62.13, 79.43, -47.52

 

CMYK 0 / 59 / 3 / 11

HEX #E45EDE

RGB 228 94 222

HSL 302.69, 0.71%, 0.63%

LAB 61.46, 67.54, -40.9

 

CMYK 0 / 49 / 2 / 17

HEX #D46DD0

RGB 212 109 208

HSL 302.33, 0.54%, 0.63%

LAB 61.21, 54, -33.58

 

CMYK 0 / 37 / 2 / 23

HEX #C57CC2

RGB 197 124 194

HSL 302.47, 0.39%, 0.63%

LAB 61.81, 39.22, -24.89

 

CMYK 0 / 24 / 1 / 29

HEX #B68BB4

RGB 182 139 180

HSL 302.79, 0.23%, 0.63%

LAB 63.1, 23.36, -15.16

 

CMYK 0 / 7 / 1 / 35

HEX #A79BA6

RGB 167 155 166

HSL 305, 0.06%, 0.63%

LAB 65.29, 6.43, -4.15

 

CMYK 29 / 59 / 0 / 11

HEX #A15EE4

RGB 161 94 228

HSL 270, 0.71%, 0.63%

LAB 53.15, 52.31, -58

 

CMYK 14 / 59 / 0 / 11

HEX #C45EE4

RGB 196 94 228

HSL 285.67, 0.71%, 0.63%

LAB 57.41, 60.67, -50.96

 

CMYK 0 / 59 / 2 / 11

HEX #E45EDF

RGB 228 94 223

HSL 302.24, 0.71%, 0.63%

LAB 61.5, 67.71, -41.39

 

CMYK 0 / 59 / 18 / 11

HEX #E45EBB

RGB 228 94 187

HSL 318.36, 0.71%, 0.63%

LAB 59.97, 62.16, -23.39

 

CMYK 0 / 59 / 33 / 11

HEX #E45E98

RGB 228 94 152

HSL 334.03, 0.71%, 0.63%

LAB 58.76, 57.59, -5.01

 

CMYK 0 / 83 / 3 / 20

HEX #CC23C5

RGB 204 35 197

HSL 302.49, 0.71%, 0.47%

LAB 49.58, 77.67, -45.66

 

CMYK 0 / 74 / 4 / 13

HEX #DE3AD6

RGB 222 58 214

HSL 302.93, 0.71%, 0.55%

LAB 55.49, 77.97, -45.85

 

CMYK 0 / 59 / 3 / 11

HEX #E45EDE

RGB 228 94 222

HSL 302.69, 0.71%, 0.63%

LAB 61.46, 67.54, -40.9

 

CMYK 0 / 45 / 2 / 8

HEX #EA81E5

RGB 234 129 229

HSL 302.86, 0.71%, 0.71%

LAB 68.64, 54.14, -33.54

 

CMYK 0 / 32 / 2 / 6

HEX #F0A4EC

RGB 240 164 236

HSL 303.16, 0.72%, 0.79%

LAB 76.76, 39.22, -24.83

 

CMYK 0 / 59 / 3 / 11

HEX #E35CDD

RGB 227 92 221

HSL 302.67, 0.71%, 0.63%

LAB 60.96, 67.97, -41.13

 

CMYK 0 / 45 / 59 / 11

HEX #E47D5E

RGB 228 125 94

HSL 13.88, 0.71%, 0.63%

LAB 63.32, 36.97, 34.43

 

CMYK 59 / 0 / 21 / 11

HEX #5EE4B3

RGB 94 228 179

HSL 158.06, 0.71%, 0.63%

LAB 82.44, -48.09, 13.09

 

CMYK 0 / 59 / 3 / 11

HEX #E35CDD

RGB 227 92 221

HSL 302.67, 0.71%, 0.63%

LAB 60.96, 67.97, -41.13

 

CMYK 2 / 0 / 59 / 11

HEX #DFE45E

RGB 223 228 94

HSL 62.24, 0.71%, 0.63%

LAB 87.96, -18.72, 63.12

 

CMYK 59 / 2 / 0 / 11

HEX #5EDFE4

RGB 94 223 228

HSL 182.24, 0.71%, 0.63%

LAB 82.25, -33.76, -13.13

 

CMYK 0 / 59 / 3 / 11

HEX #E35CDD

RGB 227 92 221

HSL 302.67, 0.71%, 0.63%

LAB 60.96, 67.97, -41.13

 

CMYK 0 / 45 / 59 / 11

HEX #E47D5E

RGB 228 125 94

HSL 13.88, 0.71%, 0.63%

LAB 63.32, 36.97, 34.43

 

CMYK 59 / 0 / 57 / 11

HEX #5EE462

RGB 94 228 98

HSL 121.79, 0.71%, 0.63%

LAB 81.15, -61.87, 51.82

 

CMYK 59 / 14 / 0 / 11

HEX #5EC4E4

RGB 94 196 228

HSL 194.33, 0.71%, 0.63%

LAB 74.48, -20.52, -24.87

 

CMYK 0 / 59 / 3 / 11

HEX #E35CDD

RGB 227 92 221

HSL 302.67, 0.71%, 0.63%

LAB 60.96, 67.97, -41.13

 

CMYK 0 / 28 / 59 / 11

HEX #E4A55E

RGB 228 165 94

HSL 31.79, 0.71%, 0.63%

LAB 72.37, 15.8, 45.47

 

CMYK 59 / 0 / 57 / 11

HEX #5EE462

RGB 94 228 98

HSL 121.79, 0.71%, 0.63%

LAB 81.15, -61.87, 51.82

 

CMYK 59 / 32 / 0 / 11

HEX #5E9CE4

RGB 94 156 228

HSL 212.24, 0.71%, 0.63%

LAB 63.14, 1.21, -42.44

 

Description

Color code: HEX #E35CDD | qconv.com Color code: HEX #E35CDD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 92 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 92 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 3 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 3% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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