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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E35513 it is the complementary color #1CAAEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E35513. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E35513 shade: #E8550E, #F96721, #FF7934, #FF8B47 and #FF9D5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E35513. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E35513 shade: #E35513, #D24300, #C13100, #B01F00 and #9F0D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E35513 shade: #E25412, #E21C12 and #E21212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E35513 shade: #E25412, #E28D12, #E2C512, #C8E212 and #90E212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E35513 shade matches the following richer shades: #E25412

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E35513 shade: #E25412, #CF5C26, #BB633A, #A76A4E and #937162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E35513 shade: #E2123F, #E21D12, #E25412, #E28C12 and #E2C312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E35513 shade: #96380C, #BC460F, #E25412, #EE6C30 and #F18756

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E35513 shade: #E35513, #77E212 and #1224E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E35513 shade: #E35513, #12E254 and #5412E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E35513 shade: #E35513, #77E212, #12A1E2 and #7E12E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E35513 shade: #E35513, #39E212, #12A1E2 and #BC12E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 92 / 11

HEX #E35513

RGB 227 85 19

HSL 19.04, 0.85%, 0.48%

LAB 54.94, 52.74, 60.7

 

Complementary color

CMYK 88 / 28 / 0 / 7

HEX #1CAAEC

RGB 28 170 236

HSL 199.04, 0.85%, 0.52%

LAB 65.79, -12.13, -42.81

 

CMYK 0 / 63 / 94 / 9

HEX #E8550E

RGB 232 85 14

HSL 19.54, 0.89%, 0.48%

LAB 55.77, 54.43, 62.95

 

CMYK 0 / 59 / 87 / 2

HEX #F96721

RGB 249 103 33

HSL 19.44, 0.95%, 0.55%

LAB 61.61, 52.82, 62.72

 

CMYK 0 / 53 / 80 / 0

HEX #FF7934

RGB 255 121 52

HSL 20.39, 1%, 0.6%

LAB 65.89, 47.11, 59.3

 

CMYK 0 / 45 / 72 / 0

HEX #FF8B47

RGB 255 139 71

HSL 22.17, 1%, 0.64%

LAB 69.6, 38.96, 54.44

 

CMYK 0 / 38 / 65 / 0

HEX #FF9D5A

RGB 255 157 90

HSL 24.36, 1%, 0.68%

LAB 73.62, 30.73, 49.71

 

CMYK 0 / 63 / 92 / 11

HEX #E35513

RGB 227 85 19

HSL 19.04, 0.85%, 0.48%

LAB 54.94, 52.74, 60.7

 

CMYK 0 / 68 / 100 / 18

HEX #D24300

RGB 210 67 0

HSL 19.14, 1%, 0.41%

LAB 49.15, 54.18, 60.33

 

CMYK 0 / 75 / 100 / 24

HEX #C13100

RGB 193 49 0

HSL 15.23, 1%, 0.38%

LAB 43.56, 55.27, 55.88

 

CMYK 0 / 82 / 100 / 31

HEX #B01F00

RGB 176 31 0

HSL 10.57, 1%, 0.35%

LAB 38.22, 55.52, 51.58

 

CMYK 0 / 92 / 100 / 38

HEX #9F0D00

RGB 159 13 0

HSL 4.91, 1%, 0.31%

LAB 33.26, 54.47, 47.09

 

CMYK 0 / 63 / 92 / 11

HEX #E25412

RGB 226 84 18

HSL 19.04, 0.85%, 0.48%

LAB 54.61, 52.81, 60.67

 

CMYK 0 / 88 / 92 / 11

HEX #E21C12

RGB 226 28 18

HSL 2.88, 0.85%, 0.48%

LAB 48.31, 70.21, 56.57

 

CMYK 0 / 92 / 92 / 11

HEX #E21212

RGB 226 18 18

HSL 0, 0.85%, 0.48%

LAB 47.81, 71.67, 56.26

 

CMYK 0 / 63 / 92 / 11

HEX #E25412

RGB 226 84 18

HSL 19.04, 0.85%, 0.48%

LAB 54.61, 52.81, 60.67

 

CMYK 0 / 38 / 92 / 11

HEX #E28D12

RGB 226 141 18

HSL 35.48, 0.85%, 0.48%

LAB 65.95, 24.54, 68.65

 

CMYK 0 / 13 / 92 / 11

HEX #E2C512

RGB 226 197 18

HSL 51.63, 0.85%, 0.48%

LAB 79.7, -5.02, 78.86

 

CMYK 12 / 0 / 92 / 11

HEX #C8E212

RGB 200 226 18

HSL 67.5, 0.85%, 0.48%

LAB 85.36, -30.27, 82.31

 

CMYK 36 / 0 / 92 / 11

HEX #90E212

RGB 144 226 18

HSL 83.65, 0.85%, 0.48%

LAB 82.04, -51.64, 78.26

 

CMYK 0 / 63 / 92 / 11

HEX #E25412

RGB 226 84 18

HSL 19.04, 0.85%, 0.48%

LAB 54.61, 52.81, 60.67

 

CMYK 0 / 63 / 92 / 11

HEX #E25412

RGB 226 84 18

HSL 19.04, 0.85%, 0.48%

LAB 54.61, 52.81, 60.67

 

CMYK 0 / 56 / 82 / 19

HEX #CF5C26

RGB 207 92 38

HSL 19.17, 0.69%, 0.48%

LAB 53.01, 42.61, 50.77

 

CMYK 0 / 47 / 69 / 27

HEX #BB633A

RGB 187 99 58

HSL 19.07, 0.53%, 0.48%

LAB 51.6, 32.01, 38.52

 

CMYK 0 / 37 / 53 / 35

HEX #A76A4E

RGB 167 106 78

HSL 18.88, 0.36%, 0.48%

LAB 50.77, 21.33, 25.79

 

CMYK 0 / 23 / 33 / 42

HEX #937162

RGB 147 113 98

HSL 18.37, 0.2%, 0.48%

LAB 50.56, 11.18, 13.48

 

CMYK 0 / 92 / 72 / 11

HEX #E2123F

RGB 226 18 63

HSL 347.02, 0.85%, 0.48%

LAB 48.21, 72.79, 33.5

 

CMYK 0 / 87 / 92 / 11

HEX #E21D12

RGB 226 29 18

HSL 3.17, 0.85%, 0.48%

LAB 48.37, 70.04, 56.61

 

CMYK 0 / 63 / 92 / 11

HEX #E25412

RGB 226 84 18

HSL 19.04, 0.85%, 0.48%

LAB 54.61, 52.81, 60.67

 

CMYK 0 / 38 / 92 / 11

HEX #E28C12

RGB 226 140 18

HSL 35.19, 0.85%, 0.48%

LAB 65.72, 25.07, 68.49

 

CMYK 0 / 14 / 92 / 11

HEX #E2C312

RGB 226 195 18

HSL 51.06, 0.85%, 0.48%

LAB 79.18, -3.99, 78.47

 

CMYK 0 / 63 / 92 / 41

HEX #96380C

RGB 150 56 12

HSL 19.13, 0.85%, 0.32%

LAB 36.63, 37.58, 43.78

 

CMYK 0 / 63 / 92 / 26

HEX #BC460F

RGB 188 70 15

HSL 19.08, 0.85%, 0.4%

LAB 45.78, 45.36, 52.42

 

CMYK 0 / 63 / 92 / 11

HEX #E25412

RGB 226 84 18

HSL 19.04, 0.85%, 0.48%

LAB 54.61, 52.81, 60.67

 

CMYK 0 / 55 / 80 / 7

HEX #EE6C30

RGB 238 108 48

HSL 18.95, 0.85%, 0.56%

LAB 60.88, 46.87, 55.42

 

CMYK 0 / 44 / 64 / 5

HEX #F18756

RGB 241 135 86

HSL 18.97, 0.85%, 0.64%

LAB 67.05, 36.34, 43.63

 

CMYK 0 / 63 / 92 / 11

HEX #E35513

RGB 227 85 19

HSL 19.04, 0.85%, 0.48%

LAB 54.94, 52.74, 60.7

 

CMYK 47 / 0 / 92 / 11

HEX #77E212

RGB 119 226 18

HSL 90.87, 0.85%, 0.48%

LAB 80.94, -59.75, 76.91

 

CMYK 92 / 84 / 0 / 11

HEX #1224E2

RGB 18 36 226

HSL 234.81, 0.85%, 0.48%

LAB 31.54, 62.93, -92.7

 

CMYK 0 / 63 / 92 / 11

HEX #E35513

RGB 227 85 19

HSL 19.04, 0.85%, 0.48%

LAB 54.94, 52.74, 60.7

 

CMYK 92 / 0 / 63 / 11

HEX #12E254

RGB 18 226 84

HSL 139.04, 0.85%, 0.48%

LAB 79.13, -73.28, 55.28

 

CMYK 63 / 92 / 0 / 11

HEX #5412E2

RGB 84 18 226

HSL 259.04, 0.85%, 0.48%

LAB 33.58, 71.28, -89.19

 

CMYK 0 / 63 / 92 / 11

HEX #E35513

RGB 227 85 19

HSL 19.04, 0.85%, 0.48%

LAB 54.94, 52.74, 60.7

 

CMYK 47 / 0 / 92 / 11

HEX #77E212

RGB 119 226 18

HSL 90.87, 0.85%, 0.48%

LAB 80.94, -59.75, 76.91

 

CMYK 92 / 29 / 0 / 11

HEX #12A1E2

RGB 18 161 226

HSL 198.75, 0.85%, 0.48%

LAB 62.6, -11.24, -42.32

 

CMYK 44 / 92 / 0 / 11

HEX #7E12E2

RGB 126 18 226

HSL 271.15, 0.85%, 0.48%

LAB 38.48, 74.7, -80.93

 

CMYK 0 / 63 / 92 / 11

HEX #E35513

RGB 227 85 19

HSL 19.04, 0.85%, 0.48%

LAB 54.94, 52.74, 60.7

 

CMYK 75 / 0 / 92 / 11

HEX #39E212

RGB 57 226 18

HSL 108.75, 0.85%, 0.48%

LAB 79.22, -73.84, 74.78

 

CMYK 92 / 29 / 0 / 11

HEX #12A1E2

RGB 18 161 226

HSL 198.75, 0.85%, 0.48%

LAB 62.6, -11.24, -42.32

 

CMYK 17 / 92 / 0 / 11

HEX #BC12E2

RGB 188 18 226

HSL 289.04, 0.85%, 0.48%

LAB 47.77, 82.42, -65.36

 

Description

Color code: HEX #E35513 | qconv.com Color code: HEX #E35513 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 85 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 85 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 92 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 92% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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