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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E352D5 it is the complementary color #1CAD2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E352D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E352D5 shade: #E852D0, #F964E3, #FF76F6, #FF88FF and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E352D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E352D5 shade: #E352D5, #D240C2, #C12EAF, #B01C9C and #9F0A89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E352D5 shade: #E354D5, #E354AF, #E35488, #E35461 and #E35454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E352D5 shade: #E354D5, #CA54E3, #A454E3, #7D54E3 and #5654E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E352D5 shade matches the following richer shades: #E354D5 and #F344E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E352D5 shade: #E354D5, #D364C8, #C374BB, #B384AE and #A394A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E352D5 shade: #A354E3, #C954E3, #E354D7, #E354B1 and #E3548B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E352D5 shade: #C520B5, #DD30CD, #E354D5, #E977DE and #EF9BE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E352D5 shade: #E352D5, #E37D54 and #54E3B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E352D5 shade: #E352D5, #D7E354 and #54D7E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E352D5 shade: #E352D5, #E37D54, #54E360 and #54BBE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E352D5 shade: #E352D5, #E3A754, #54E360 and #5490E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 6 / 11

HEX #E352D5

RGB 227 82 213

HSL 305.79, 0.72%, 0.61%

LAB 59.13, 70.72, -39.5

 

Complementary color

CMYK 84 / 0 / 76 / 32

HEX #1CAD2A

RGB 28 173 42

HSL 125.79, 0.72%, 0.39%

LAB 61.91, -60.68, 53.44

 

CMYK 0 / 65 / 10 / 9

HEX #E852D0

RGB 232 82 208

HSL 309.6, 0.77%, 0.62%

LAB 59.66, 71.18, -35.79

 

CMYK 0 / 60 / 9 / 2

HEX #F964E3

RGB 249 100 227

HSL 308.86, 0.93%, 0.68%

LAB 65.59, 71.16, -37.01

 

CMYK 0 / 54 / 4 / 0

HEX #FF76F6

RGB 255 118 246

HSL 303.94, 1%, 0.73%

LAB 70.09, 67.99, -40.44

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 64 / 6 / 11

HEX #E352D5

RGB 227 82 213

HSL 305.79, 0.72%, 0.61%

LAB 59.13, 70.72, -39.5

 

CMYK 0 / 70 / 8 / 18

HEX #D240C2

RGB 210 64 194

HSL 306.58, 0.62%, 0.54%

LAB 53.24, 70.39, -38.08

 

CMYK 0 / 76 / 9 / 24

HEX #C12EAF

RGB 193 46 175

HSL 307.35, 0.62%, 0.47%

LAB 47.48, 69.48, -36.26

 

CMYK 0 / 84 / 11 / 31

HEX #B01C9C

RGB 176 28 156

HSL 308.11, 0.73%, 0.4%

LAB 41.94, 67.69, -33.87

 

CMYK 0 / 94 / 14 / 38

HEX #9F0A89

RGB 159 10 137

HSL 308.86, 0.88%, 0.33%

LAB 36.73, 64.66, -30.7

 

CMYK 0 / 63 / 6 / 11

HEX #E354D5

RGB 227 84 213

HSL 305.87, 0.72%, 0.61%

LAB 59.41, 69.94, -39.06

 

CMYK 0 / 63 / 23 / 11

HEX #E354AF

RGB 227 84 175

HSL 321.82, 0.72%, 0.61%

LAB 57.81, 64.44, -19.79

 

CMYK 0 / 63 / 40 / 11

HEX #E35488

RGB 227 84 136

HSL 338.18, 0.72%, 0.61%

LAB 56.53, 59.82, 1.07

 

CMYK 0 / 63 / 57 / 11

HEX #E35461

RGB 227 84 97

HSL 354.55, 0.72%, 0.61%

LAB 55.62, 56.4, 22.77

 

CMYK 0 / 63 / 63 / 11

HEX #E35454

RGB 227 84 84

HSL 0, 0.72%, 0.61%

LAB 55.39, 55.54, 30.04

 

CMYK 0 / 63 / 6 / 11

HEX #E354D5

RGB 227 84 213

HSL 305.87, 0.72%, 0.61%

LAB 59.41, 69.94, -39.06

 

CMYK 11 / 63 / 0 / 11

HEX #CA54E3

RGB 202 84 227

HSL 289.51, 0.72%, 0.61%

LAB 56.53, 66.37, -51.74

 

CMYK 28 / 63 / 0 / 11

HEX #A454E3

RGB 164 84 227

HSL 273.57, 0.72%, 0.61%

LAB 51.59, 57.76, -59.93

 

CMYK 45 / 63 / 0 / 11

HEX #7D54E3

RGB 125 84 227

HSL 257.2, 0.72%, 0.61%

LAB 47.3, 49.62, -67.08

 

CMYK 62 / 63 / 0 / 11

HEX #5654E3

RGB 86 84 227

HSL 240.84, 0.72%, 0.61%

LAB 44.04, 42.87, -72.52

 

CMYK 0 / 63 / 6 / 11

HEX #E354D5

RGB 227 84 213

HSL 305.87, 0.72%, 0.61%

LAB 59.41, 69.94, -39.06

 

CMYK 0 / 72 / 7 / 5

HEX #F344E2

RGB 243 68 226

HSL 305.83, 0.88%, 0.61%

LAB 60.5, 81.18, -44.51

 

CMYK 0 / 63 / 6 / 11

HEX #E354D5

RGB 227 84 213

HSL 305.87, 0.72%, 0.61%

LAB 59.41, 69.94, -39.06

 

CMYK 0 / 53 / 5 / 17

HEX #D364C8

RGB 211 100 200

HSL 305.95, 0.56%, 0.61%

LAB 59.1, 56.68, -32.34

 

CMYK 0 / 41 / 4 / 24

HEX #C374BB

RGB 195 116 187

HSL 306.08, 0.4%, 0.61%

LAB 59.6, 41.58, -24.33

 

CMYK 0 / 26 / 3 / 30

HEX #B384AE

RGB 179 132 174

HSL 306.38, 0.24%, 0.61%

LAB 60.91, 25.11, -15.1

 

CMYK 0 / 9 / 1 / 36

HEX #A394A1

RGB 163 148 161

HSL 308, 0.08%, 0.61%

LAB 62.96, 7.95, -4.81

 

CMYK 28 / 63 / 0 / 11

HEX #A354E3

RGB 163 84 227

HSL 273.15, 0.72%, 0.61%

LAB 51.47, 57.54, -60.13

 

CMYK 11 / 63 / 0 / 11

HEX #C954E3

RGB 201 84 227

HSL 289.09, 0.72%, 0.61%

LAB 56.39, 66.14, -51.97

 

CMYK 0 / 63 / 5 / 11

HEX #E354D7

RGB 227 84 215

HSL 305.03, 0.72%, 0.61%

LAB 59.51, 70.25, -40.04

 

CMYK 0 / 63 / 22 / 11

HEX #E354B1

RGB 227 84 177

HSL 320.98, 0.72%, 0.61%

LAB 57.89, 64.7, -20.83

 

CMYK 0 / 63 / 39 / 11

HEX #E3548B

RGB 227 84 139

HSL 336.92, 0.72%, 0.61%

LAB 56.62, 60.14, -0.57

 

CMYK 0 / 84 / 8 / 23

HEX #C520B5

RGB 197 32 181

HSL 305.82, 0.72%, 0.45%

LAB 47.29, 74.62, -40.05

 

CMYK 0 / 78 / 7 / 13

HEX #DD30CD

RGB 221 48 205

HSL 305.55, 0.72%, 0.53%

LAB 53.91, 79.17, -43.22

 

CMYK 0 / 63 / 6 / 11

HEX #E354D5

RGB 227 84 213

HSL 305.87, 0.72%, 0.61%

LAB 59.41, 69.94, -39.06

 

CMYK 0 / 49 / 5 / 9

HEX #E977DE

RGB 233 119 222

HSL 305.79, 0.72%, 0.69%

LAB 66.36, 57.54, -33.21

 

CMYK 0 / 35 / 3 / 6

HEX #EF9BE7

RGB 239 155 231

HSL 305.71, 0.72%, 0.77%

LAB 74.55, 42.73, -25.49

 

CMYK 0 / 64 / 6 / 11

HEX #E352D5

RGB 227 82 213

HSL 305.79, 0.72%, 0.61%

LAB 59.13, 70.72, -39.5

 

CMYK 0 / 45 / 63 / 11

HEX #E37D54

RGB 227 125 84

HSL 17.2, 0.72%, 0.61%

LAB 63.04, 35.9, 39.46

 

CMYK 63 / 0 / 20 / 11

HEX #54E3B6

RGB 84 227 182

HSL 161.12, 0.72%, 0.61%

LAB 81.95, -48.84, 10.77

 

CMYK 0 / 64 / 6 / 11

HEX #E352D5

RGB 227 82 213

HSL 305.79, 0.72%, 0.61%

LAB 59.13, 70.72, -39.5

 

CMYK 5 / 0 / 63 / 11

HEX #D7E354

RGB 215 227 84

HSL 65.03, 0.72%, 0.61%

LAB 87.01, -22.13, 66.05

 

CMYK 63 / 5 / 0 / 11

HEX #54D7E3

RGB 84 215 227

HSL 185.03, 0.72%, 0.61%

LAB 79.63, -31.91, -16.55

 

CMYK 0 / 64 / 6 / 11

HEX #E352D5

RGB 227 82 213

HSL 305.79, 0.72%, 0.61%

LAB 59.13, 70.72, -39.5

 

CMYK 0 / 45 / 63 / 11

HEX #E37D54

RGB 227 125 84

HSL 17.2, 0.72%, 0.61%

LAB 63.04, 35.9, 39.46

 

CMYK 63 / 0 / 58 / 11

HEX #54E360

RGB 84 227 96

HSL 125.03, 0.72%, 0.61%

LAB 80.55, -63.92, 51.94

 

CMYK 63 / 18 / 0 / 11

HEX #54BBE3

RGB 84 187 227

HSL 196.78, 0.72%, 0.61%

LAB 71.54, -17.93, -28.87

 

CMYK 0 / 64 / 6 / 11

HEX #E352D5

RGB 227 82 213

HSL 305.79, 0.72%, 0.61%

LAB 59.13, 70.72, -39.5

 

CMYK 0 / 26 / 63 / 11

HEX #E3A754

RGB 227 167 84

HSL 34.83, 0.72%, 0.61%

LAB 72.63, 13.62, 50.65

 

CMYK 63 / 0 / 58 / 11

HEX #54E360

RGB 84 227 96

HSL 125.03, 0.72%, 0.61%

LAB 80.55, -63.92, 51.94

 

CMYK 63 / 37 / 0 / 11

HEX #5490E3

RGB 84 144 227

HSL 214.83, 0.72%, 0.61%

LAB 59.32, 6.01, -47.94

 

Description

Color code: HEX #E352D5 | qconv.com Color code: HEX #E352D5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 82 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 82 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 6 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 6% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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