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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E35015 it is the complementary color #1CAFEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E35015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E35015 shade: #E85010, #F96223, #FF7436, #FF8649 and #FF985C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E35015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E35015 shade: #E35015, #D23E02, #C12C00, #B01A00 and #9F0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E35015 shade: #E55115, #E51915 and #E51515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E35015 shade: #E55115, #E58915, #E5C015, #D1E515 and #99E515

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E35015 shade matches the following richer shades: #E55115 and #F94801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E35015 shade: #E55115, #D05929, #BC623E, #A86B52 and #947366

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E35015 shade: #E51549, #E51915, #E55015, #E58715 and #E5BF15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E35015 shade: #99360E, #BF4312, #E55115, #EC6B37 and #F0875D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E35015 shade: #E35015, #80E515 and #152DE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E35015 shade: #E35015, #15E550 and #5015E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E35015 shade: #E35015, #80E515, #15AAE5 and #7915E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E35015 shade: #E35015, #42E515, #15AAE5 and #B815E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 91 / 11

HEX #E35015

RGB 227 80 21

HSL 17.18, 0.83%, 0.49%

LAB 54.16, 54.9, 59.55

 

Complementary color

CMYK 88 / 25 / 0 / 8

HEX #1CAFEA

RGB 28 175 234

HSL 197.18, 0.83%, 0.51%

LAB 67.16, -15.55, -39.56

 

CMYK 0 / 66 / 93 / 9

HEX #E85010

RGB 232 80 16

HSL 17.78, 0.87%, 0.49%

LAB 55, 56.53, 61.97

 

CMYK 0 / 61 / 86 / 2

HEX #F96223

RGB 249 98 35

HSL 17.66, 0.95%, 0.56%

LAB 60.78, 55.08, 61.33

 

CMYK 0 / 55 / 79 / 0

HEX #FF7436

RGB 255 116 54

HSL 18.51, 1%, 0.61%

LAB 64.98, 49.55, 57.56

 

CMYK 0 / 47 / 71 / 0

HEX #FF8649

RGB 255 134 73

HSL 20.11, 1%, 0.64%

LAB 68.6, 41.56, 52.42

 

CMYK 0 / 40 / 64 / 0

HEX #FF985C

RGB 255 152 92

HSL 22.09, 1%, 0.68%

LAB 72.55, 33.44, 47.48

 

CMYK 0 / 65 / 91 / 11

HEX #E35015

RGB 227 80 21

HSL 17.18, 0.83%, 0.49%

LAB 54.16, 54.9, 59.55

 

CMYK 0 / 70 / 99 / 18

HEX #D23E02

RGB 210 62 2

HSL 17.31, 0.98%, 0.42%

LAB 48.45, 56.12, 59.47

 

CMYK 0 / 77 / 100 / 24

HEX #C12C00

RGB 193 44 0

HSL 13.68, 1%, 0.38%

LAB 42.97, 56.91, 55.62

 

CMYK 0 / 85 / 100 / 31

HEX #B01A00

RGB 176 26 0

HSL 8.86, 1%, 0.35%

LAB 37.79, 56.74, 51.4

 

CMYK 0 / 95 / 100 / 38

HEX #9F0800

RGB 159 8 0

HSL 3.02, 1%, 0.31%

LAB 33.02, 55.18, 46.94

 

CMYK 0 / 65 / 91 / 10

HEX #E55115

RGB 229 81 21

HSL 17.31, 0.83%, 0.49%

LAB 54.65, 55.16, 60.06

 

CMYK 0 / 89 / 91 / 10

HEX #E51915

RGB 229 25 21

HSL 1.15, 0.83%, 0.49%

LAB 48.77, 71.52, 56.06

 

CMYK 0 / 91 / 91 / 10

HEX #E51515

RGB 229 21 21

HSL 0, 0.83%, 0.49%

LAB 48.57, 72.09, 55.93

 

CMYK 0 / 65 / 91 / 10

HEX #E55115

RGB 229 81 21

HSL 17.31, 0.83%, 0.49%

LAB 54.65, 55.16, 60.06

 

CMYK 0 / 40 / 91 / 10

HEX #E58915

RGB 229 137 21

HSL 33.46, 0.83%, 0.49%

LAB 65.44, 27.97, 67.82

 

CMYK 0 / 16 / 91 / 10

HEX #E5C015

RGB 229 192 21

HSL 49.33, 0.83%, 0.49%

LAB 78.7, -1.1, 77.77

 

CMYK 9 / 0 / 91 / 10

HEX #D1E515

RGB 209 229 21

HSL 65.77, 0.83%, 0.49%

LAB 86.82, -27.95, 83.34

 

CMYK 33 / 0 / 91 / 10

HEX #99E515

RGB 153 229 21

HSL 81.92, 0.83%, 0.49%

LAB 83.37, -49.64, 79.13

 

CMYK 0 / 65 / 91 / 10

HEX #E55115

RGB 229 81 21

HSL 17.31, 0.83%, 0.49%

LAB 54.65, 55.16, 60.06

 

CMYK 0 / 71 / 100 / 2

HEX #F94801

RGB 249 72 1

HSL 17.18, 0.99%, 0.49%

LAB 56.86, 64.95, 67.81

 

CMYK 0 / 65 / 91 / 10

HEX #E55115

RGB 229 81 21

HSL 17.31, 0.83%, 0.49%

LAB 54.65, 55.16, 60.06

 

CMYK 0 / 57 / 80 / 18

HEX #D05929

RGB 208 89 41

HSL 17.25, 0.67%, 0.49%

LAB 52.64, 44.53, 49.11

 

CMYK 0 / 48 / 67 / 26

HEX #BC623E

RGB 188 98 62

HSL 17.14, 0.5%, 0.49%

LAB 51.58, 33.18, 36.38

 

CMYK 0 / 36 / 51 / 34

HEX #A86B52

RGB 168 107 82

HSL 17.44, 0.34%, 0.49%

LAB 51.21, 21.56, 24.08

 

CMYK 0 / 22 / 31 / 42

HEX #947366

RGB 148 115 102

HSL 16.96, 0.18%, 0.49%

LAB 51.29, 11, 12.16

 

CMYK 0 / 91 / 68 / 10

HEX #E51549

RGB 229 21 73

HSL 345, 0.83%, 0.49%

LAB 49.1, 73.58, 28.7

 

CMYK 0 / 89 / 91 / 10

HEX #E51915

RGB 229 25 21

HSL 1.15, 0.83%, 0.49%

LAB 48.77, 71.52, 56.06

 

CMYK 0 / 65 / 91 / 10

HEX #E55015

RGB 229 80 21

HSL 17.02, 0.83%, 0.49%

LAB 54.5, 55.58, 59.95

 

CMYK 0 / 41 / 91 / 10

HEX #E58715

RGB 229 135 21

HSL 32.88, 0.83%, 0.49%

LAB 64.99, 29.02, 67.49

 

CMYK 0 / 17 / 91 / 10

HEX #E5BF15

RGB 229 191 21

HSL 49.04, 0.83%, 0.49%

LAB 78.45, -0.59, 77.58

 

CMYK 0 / 65 / 91 / 40

HEX #99360E

RGB 153 54 14

HSL 17.27, 0.83%, 0.33%

LAB 36.82, 39.7, 43.43

 

CMYK 0 / 65 / 91 / 25

HEX #BF4312

RGB 191 67 18

HSL 16.99, 0.83%, 0.41%

LAB 45.82, 47.82, 51.7

 

CMYK 0 / 65 / 91 / 10

HEX #E55115

RGB 229 81 21

HSL 17.31, 0.83%, 0.49%

LAB 54.65, 55.16, 60.06

 

CMYK 0 / 55 / 77 / 7

HEX #EC6B37

RGB 236 107 55

HSL 17.24, 0.83%, 0.57%

LAB 60.45, 46.85, 51.68

 

CMYK 0 / 44 / 61 / 6

HEX #F0875D

RGB 240 135 93

HSL 17.14, 0.83%, 0.65%

LAB 67.01, 36.4, 39.88

 

CMYK 0 / 65 / 91 / 11

HEX #E35015

RGB 227 80 21

HSL 17.18, 0.83%, 0.49%

LAB 54.16, 54.9, 59.55

 

CMYK 44 / 0 / 91 / 10

HEX #80E515

RGB 128 229 21

HSL 89.13, 0.83%, 0.49%

LAB 82.21, -58.04, 77.7

 

CMYK 91 / 80 / 0 / 10

HEX #152DE5

RGB 21 45 229

HSL 233.08, 0.83%, 0.49%

LAB 33.34, 59.87, -91.41

 

CMYK 0 / 65 / 91 / 11

HEX #E35015

RGB 227 80 21

HSL 17.18, 0.83%, 0.49%

LAB 54.16, 54.9, 59.55

 

CMYK 91 / 0 / 65 / 10

HEX #15E550

RGB 21 229 80

HSL 137.02, 0.83%, 0.49%

LAB 80.05, -74.44, 57.96

 

CMYK 65 / 91 / 0 / 10

HEX #5015E5

RGB 80 21 229

HSL 257.02, 0.83%, 0.49%

LAB 33.77, 71.1, -90.6

 

CMYK 0 / 65 / 91 / 11

HEX #E35015

RGB 227 80 21

HSL 17.18, 0.83%, 0.49%

LAB 54.16, 54.9, 59.55

 

CMYK 44 / 0 / 91 / 10

HEX #80E515

RGB 128 229 21

HSL 89.13, 0.83%, 0.49%

LAB 82.21, -58.04, 77.7

 

CMYK 91 / 26 / 0 / 10

HEX #15AAE5

RGB 21 170 229

HSL 197.02, 0.83%, 0.49%

LAB 65.41, -14.97, -39.57

 

CMYK 47 / 91 / 0 / 10

HEX #7915E5

RGB 121 21 229

HSL 268.85, 0.83%, 0.49%

LAB 38.3, 74.31, -82.95

 

CMYK 0 / 65 / 91 / 11

HEX #E35015

RGB 227 80 21

HSL 17.18, 0.83%, 0.49%

LAB 54.16, 54.9, 59.55

 

CMYK 71 / 0 / 91 / 10

HEX #42E515

RGB 66 229 21

HSL 107.02, 0.83%, 0.49%

LAB 80.32, -73.23, 75.36

 

CMYK 91 / 26 / 0 / 10

HEX #15AAE5

RGB 21 170 229

HSL 197.02, 0.83%, 0.49%

LAB 65.41, -14.97, -39.57

 

CMYK 20 / 91 / 0 / 10

HEX #B815E5

RGB 184 21 229

HSL 287.02, 0.83%, 0.49%

LAB 47.47, 81.96, -67.58

 

Description

Color code: HEX #E35015 | qconv.com Color code: HEX #E35015 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 80 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 80 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 91 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 91% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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