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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E349CC it is the complementary color #1CB633. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E349CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E349CC shade: #E849C7, #F95BDA, #FF6DED, #FF7FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E349CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E349CC shade: #E349CC, #D237B9, #C125A6, #B01393 and #9F0180

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E349CC shade: #E34ACC, #E34AA3, #E34A7A, #E34A50 and #E34A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E349CC shade: #E34ACC, #D04AE3, #A74AE3, #7E4AE3 and #554AE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E349CC shade matches the following richer shades: #E34ACC and #F439D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E349CC shade: #E34ACC, #D25BC0, #C16CB4, #B07DA8 and #9F8E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E349CC shade: #A64AE3, #CE4AE3, #E34ACE, #E34AA6 and #E34A7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E349CC shade: #BD1DA5, #DD26C2, #E34ACC, #E86ED6 and #EE92E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E349CC shade: #E349CC, #E37D4A and #4AE3BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E349CC shade: #E349CC, #CEE34A and #4ACEE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E349CC shade: #E349CC, #E37D4A, #4AE35E and #4AB0E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E349CC shade: #E349CC, #E3AB4A, #4AE35E and #4A82E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 10 / 11

HEX #E349CC

RGB 227 73 204

HSL 308.96, 0.73%, 0.59%

LAB 57.52, 72.7, -36.91

 

Complementary color

CMYK 85 / 0 / 72 / 29

HEX #1CB633

RGB 28 182 51

HSL 128.96, 0.73%, 0.41%

LAB 64.92, -62.69, 53.22

 

CMYK 0 / 69 / 14 / 9

HEX #E849C7

RGB 232 73 199

HSL 312.45, 0.78%, 0.6%

LAB 58.08, 73.17, -33.12

 

CMYK 0 / 63 / 12 / 2

HEX #F95BDA

RGB 249 91 218

HSL 311.77, 0.93%, 0.67%

LAB 63.9, 73.41, -34.61

 

CMYK 0 / 57 / 7 / 0

HEX #FF6DED

RGB 255 109 237

HSL 307.4, 1%, 0.71%

LAB 68.25, 70.47, -38.35

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 68 / 10 / 11

HEX #E349CC

RGB 227 73 204

HSL 308.96, 0.73%, 0.59%

LAB 57.52, 72.7, -36.91

 

CMYK 0 / 74 / 12 / 18

HEX #D237B9

RGB 210 55 185

HSL 309.68, 0.63%, 0.52%

LAB 51.77, 72, -35.18

 

CMYK 0 / 81 / 14 / 24

HEX #C125A6

RGB 193 37 166

HSL 310.38, 0.68%, 0.45%

LAB 46.2, 70.59, -32.95

 

CMYK 0 / 89 / 16 / 31

HEX #B01393

RGB 176 19 147

HSL 311.08, 0.81%, 0.38%

LAB 40.9, 68.13, -30.05

 

CMYK 0 / 99 / 19 / 38

HEX #9F0180

RGB 159 1 128

HSL 311.77, 0.99%, 0.31%

LAB 35.89, 64.55, -26.44

 

CMYK 0 / 67 / 10 / 11

HEX #E34ACC

RGB 227 74 204

HSL 309.02, 0.73%, 0.59%

LAB 57.64, 72.34, -36.72

 

CMYK 0 / 67 / 28 / 11

HEX #E34AA3

RGB 227 74 163

HSL 325.1, 0.73%, 0.59%

LAB 55.96, 66.81, -15.64

 

CMYK 0 / 67 / 46 / 11

HEX #E34A7A

RGB 227 74 122

HSL 341.18, 0.73%, 0.59%

LAB 54.69, 62.47, 6.7

 

CMYK 0 / 67 / 65 / 11

HEX #E34A50

RGB 227 74 80

HSL 357.65, 0.73%, 0.59%

LAB 53.82, 59.38, 30.38

 

CMYK 0 / 67 / 67 / 11

HEX #E34A4A

RGB 227 74 74

HSL 0, 0.73%, 0.59%

LAB 53.73, 59.05, 33.73

 

CMYK 0 / 67 / 10 / 11

HEX #E34ACC

RGB 227 74 204

HSL 309.02, 0.73%, 0.59%

LAB 57.64, 72.34, -36.72

 

CMYK 8 / 67 / 0 / 11

HEX #D04AE3

RGB 208 74 227

HSL 292.55, 0.73%, 0.59%

LAB 55.94, 71.73, -52.63

 

CMYK 26 / 67 / 0 / 11

HEX #A74AE3

RGB 167 74 227

HSL 276.47, 0.73%, 0.59%

LAB 50.29, 63.02, -62.01

 

CMYK 44 / 67 / 0 / 11

HEX #7E4AE3

RGB 126 74 227

HSL 260.39, 0.73%, 0.59%

LAB 45.47, 55.06, -70.04

 

CMYK 63 / 67 / 0 / 11

HEX #554AE3

RGB 85 74 227

HSL 244.31, 0.73%, 0.59%

LAB 41.81, 48.53, -76.18

 

CMYK 0 / 67 / 10 / 11

HEX #E34ACC

RGB 227 74 204

HSL 309.02, 0.73%, 0.59%

LAB 57.64, 72.34, -36.72

 

CMYK 0 / 77 / 11 / 4

HEX #F439D8

RGB 244 57 216

HSL 308.98, 0.89%, 0.59%

LAB 59.08, 83.11, -41.08

 

CMYK 0 / 67 / 10 / 11

HEX #E34ACC

RGB 227 74 204

HSL 309.02, 0.73%, 0.59%

LAB 57.64, 72.34, -36.72

 

CMYK 0 / 57 / 9 / 18

HEX #D25BC0

RGB 210 91 192

HSL 309.08, 0.57%, 0.59%

LAB 57.07, 59.24, -30.95

 

CMYK 0 / 44 / 7 / 24

HEX #C16CB4

RGB 193 108 180

HSL 309.18, 0.41%, 0.59%

LAB 57.42, 43.92, -23.7

 

CMYK 0 / 29 / 5 / 31

HEX #B07DA8

RGB 176 125 168

HSL 309.41, 0.24%, 0.59%

LAB 58.72, 26.88, -15.01

 

CMYK 0 / 11 / 1 / 38

HEX #9F8E9D

RGB 159 142 157

HSL 307.06, 0.08%, 0.59%

LAB 60.91, 9.12, -5.61

 

CMYK 27 / 67 / 0 / 11

HEX #A64AE3

RGB 166 74 227

HSL 276.08, 0.73%, 0.59%

LAB 50.16, 62.82, -62.22

 

CMYK 9 / 67 / 0 / 11

HEX #CE4AE3

RGB 206 74 227

HSL 291.76, 0.73%, 0.59%

LAB 55.65, 71.3, -53.11

 

CMYK 0 / 67 / 9 / 11

HEX #E34ACE

RGB 227 74 206

HSL 308.24, 0.73%, 0.59%

LAB 57.74, 72.64, -37.71

 

CMYK 0 / 67 / 27 / 11

HEX #E34AA6

RGB 227 74 166

HSL 323.92, 0.73%, 0.59%

LAB 56.07, 67.18, -17.22

 

CMYK 0 / 67 / 45 / 11

HEX #E34A7D

RGB 227 74 125

HSL 340, 0.73%, 0.59%

LAB 54.77, 62.74, 5.03

 

CMYK 0 / 85 / 13 / 26

HEX #BD1DA5

RGB 189 29 165

HSL 309, 0.73%, 0.43%

LAB 44.82, 71.39, -34.57

 

CMYK 0 / 83 / 12 / 13

HEX #DD26C2

RGB 221 38 194

HSL 308.85, 0.73%, 0.51%

LAB 52.57, 79.92, -39.01

 

CMYK 0 / 67 / 10 / 11

HEX #E34ACC

RGB 227 74 204

HSL 309.02, 0.73%, 0.59%

LAB 57.64, 72.34, -36.72

 

CMYK 0 / 53 / 8 / 9

HEX #E86ED6

RGB 232 110 214

HSL 308.85, 0.73%, 0.67%

LAB 64.29, 60.19, -31.96

 

CMYK 0 / 39 / 6 / 7

HEX #EE92E0

RGB 238 146 224

HSL 309.13, 0.73%, 0.75%

LAB 72.31, 45.87, -25.1

 

CMYK 0 / 68 / 10 / 11

HEX #E349CC

RGB 227 73 204

HSL 308.96, 0.73%, 0.59%

LAB 57.52, 72.7, -36.91

 

CMYK 0 / 45 / 67 / 11

HEX #E37D4A

RGB 227 125 74

HSL 20, 0.73%, 0.59%

LAB 62.92, 35.29, 44.54

 

CMYK 67 / 0 / 18 / 11

HEX #4AE3BA

RGB 74 227 186

HSL 163.92, 0.73%, 0.59%

LAB 81.81, -49.53, 8.43

 

CMYK 0 / 68 / 10 / 11

HEX #E349CC

RGB 227 73 204

HSL 308.96, 0.73%, 0.59%

LAB 57.52, 72.7, -36.91

 

CMYK 9 / 0 / 67 / 11

HEX #CEE34A

RGB 206 227 74

HSL 68.24, 0.73%, 0.59%

LAB 86.28, -26.35, 68.96

 

CMYK 67 / 9 / 0 / 11

HEX #4ACEE3

RGB 74 206 227

HSL 188.24, 0.73%, 0.59%

LAB 76.77, -29.07, -20.91

 

CMYK 0 / 68 / 10 / 11

HEX #E349CC

RGB 227 73 204

HSL 308.96, 0.73%, 0.59%

LAB 57.52, 72.7, -36.91

 

CMYK 0 / 45 / 67 / 11

HEX #E37D4A

RGB 227 125 74

HSL 20, 0.73%, 0.59%

LAB 62.92, 35.29, 44.54

 

CMYK 67 / 0 / 59 / 11

HEX #4AE35E

RGB 74 227 94

HSL 127.84, 0.73%, 0.59%

LAB 80.29, -66.09, 52.47

 

CMYK 67 / 22 / 0 / 11

HEX #4AB0E3

RGB 74 176 227

HSL 200, 0.73%, 0.59%

LAB 68.06, -13.71, -34.27

 

CMYK 0 / 68 / 10 / 11

HEX #E349CC

RGB 227 73 204

HSL 308.96, 0.73%, 0.59%

LAB 57.52, 72.7, -36.91

 

CMYK 0 / 25 / 67 / 11

HEX #E3AB4A

RGB 227 171 74

HSL 38.04, 0.73%, 0.59%

LAB 73.51, 10.89, 56.24

 

CMYK 67 / 0 / 59 / 11

HEX #4AE35E

RGB 74 227 94

HSL 127.84, 0.73%, 0.59%

LAB 80.29, -66.09, 52.47

 

CMYK 67 / 43 / 0 / 11

HEX #4A82E3

RGB 74 130 227

HSL 218.04, 0.73%, 0.59%

LAB 55.04, 12.75, -54.78

 

Description

Color code: HEX #E349CC | qconv.com Color code: HEX #E349CC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 73 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 73 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 10 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 10% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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