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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E348673F it is the complementary color #1CB7983F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E348673F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E348673F shade: #E848623F, #F95A753F, #FF6C883F, #FF7E9B3F and #FF90AE3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E348673F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E348673F shade: #E348673F, #D236543F, #C124413F, #B0122E3F and #9F001B3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E348673F shade: #E34A69 and #E34A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E348673F shade: #E34A69, #E34A92, #E34ABB, #E14AE3 and #B84AE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E348673F shade matches the following richer shades: #E34A69 and #F4395F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E348673F shade: #E34A69, #D25B73, #C16C7D, #B07D87 and #9F8E91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E348673F shade: #E34ABA, #E34A91, #E34A69, #E3544A and #E37D4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E348673F shade: #BD1D3D, #DD264B, #E34A69, #E86E86 and #EE92A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E348673F shade: #E34867, #E3E34A and #4AA6E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E348673F shade: #E34867, #69E34A and #4A69E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E348673F shade: #E34867, #E3E34A, #4AE3C4 and #4A4AE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E348673F shade: #E34867, #B5E34A, #4AE3C4 and #784AE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 14 / 3

HEX #E348673F

RGBA 227 72 103 0.25

HSLA 348, 0.73%, 0.59%, 0.25

LABA 53.97, 61.66, 17.01, 0.25

 

Complementary color

CMYK 21 / 0 / 4 / 7

HEX #1CB7983F

RGBA 28 183 152 0.25

HSLA 168, 0.73%, 0.41%, 0.25

LABA 66.81, -45, 5.11, 0.25

 

CMYK 0 / 17 / 14 / 2

HEX #E848623F

RGBA 232 72 98 0.25

HSLA 350.25, 0.78%, 0.6%, 0.25

LABA 54.73, 62.81, 21.16, 0.25

 

CMYK 0 / 16 / 13 / 1

HEX #F95A753F

RGBA 249 90 117 0.25

HSLA 349.81, 0.93%, 0.66%, 0.25

LABA 60.55, 62.43, 18.38, 0.25

 

CMYK 0 / 14 / 12 / 0

HEX #FF6C883F

RGBA 255 108 136 0.25

HSLA 348.57, 1%, 0.71%, 0.25

LABA 64.77, 58.26, 13.43, 0.25

 

CMYK 0 / 13 / 10 / 0

HEX #FF7E9B3F

RGBA 255 126 155 0.25

HSLA 346.51, 1%, 0.75%, 0.25

LABA 68.42, 51.8, 7.81, 0.25

 

CMYK 0 / 11 / 8 / 0

HEX #FF90AE3F

RGBA 255 144 174 0.25

HSLA 343.78, 1%, 0.78%, 0.25

LABA 72.4, 45.12, 2.91, 0.25

 

CMYK 0 / 17 / 14 / 3

HEX #E348673F

RGBA 227 72 103 0.25

HSLA 348, 0.73%, 0.59%, 0.25

LABA 53.97, 61.66, 17.01, 0.25

 

CMYK 0 / 19 / 15 / 4

HEX #D236543F

RGBA 210 54 84 0.25

HSLA 348.46, 0.63%, 0.52%, 0.25

LABA 48.23, 61.65, 20.18, 0.25

 

CMYK 0 / 20 / 17 / 6

HEX #C124413F

RGBA 193 36 65 0.25

HSLA 348.92, 0.69%, 0.45%, 0.25

LABA 42.73, 61, 24.06, 0.25

 

CMYK 0 / 22 / 18 / 8

HEX #B0122E3F

RGBA 176 18 46 0.25

HSLA 349.37, 0.81%, 0.38%, 0.25

LABA 37.59, 59.37, 28.76, 0.25

 

CMYK 0 / 25 / 21 / 9

HEX #9F001B3F

RGBA 159 0 27 0.25

HSLA 349.81, 1%, 0.31%, 0.25

LABA 32.81, 56.75, 34.06, 0.25

 

CMYK 0 / 67 / 54 / 11

HEX #E34A69

RGB 227 74 105

HSL 347.84, 0.73%, 0.59%

LAB 54.29, 61.05, 16.26

 

CMYK 0 / 67 / 67 / 11

HEX #E34A4A

RGB 227 74 74

HSL 0, 0.73%, 0.59%

LAB 53.73, 59.05, 33.73

 

CMYK 0 / 67 / 54 / 11

HEX #E34A69

RGB 227 74 105

HSL 347.84, 0.73%, 0.59%

LAB 54.29, 61.05, 16.26

 

CMYK 0 / 67 / 36 / 11

HEX #E34A92

RGB 227 74 146

HSL 331.76, 0.73%, 0.59%

LAB 55.38, 64.86, -6.51

 

CMYK 0 / 67 / 18 / 11

HEX #E34ABB

RGB 227 74 187

HSL 315.69, 0.73%, 0.59%

LAB 56.9, 69.92, -28.13

 

CMYK 1 / 67 / 0 / 11

HEX #E14AE3

RGB 225 74 227

HSL 299.22, 0.73%, 0.59%

LAB 58.46, 75.45, -48.47

 

CMYK 19 / 67 / 0 / 11

HEX #B84AE3

RGB 184 74 227

HSL 283.14, 0.73%, 0.59%

LAB 52.55, 66.58, -58.25

 

CMYK 0 / 67 / 54 / 11

HEX #E34A69

RGB 227 74 105

HSL 347.84, 0.73%, 0.59%

LAB 54.29, 61.05, 16.26

 

CMYK 0 / 77 / 61 / 4

HEX #F4395F

RGB 244 57 95

HSL 347.81, 0.89%, 0.59%

LAB 55.06, 71.01, 23.75

 

CMYK 0 / 67 / 54 / 11

HEX #E34A69

RGB 227 74 105

HSL 347.84, 0.73%, 0.59%

LAB 54.29, 61.05, 16.26

 

CMYK 0 / 57 / 45 / 18

HEX #D25B73

RGB 210 91 115

HSL 347.9, 0.57%, 0.59%

LAB 54.47, 49.13, 10.16

HEX #D25B73

CMYK 0 / 44 / 35 / 24

HEX #C16C7D

RGB 193 108 125

HSL 348, 0.41%, 0.59%

LAB 55.63, 35.64, 5.59

HEX #C16C7D

CMYK 0 / 29 / 23 / 31

HEX #B07D87

RGB 176 125 135

HSL 348.24, 0.24%, 0.59%

LAB 57.7, 21.28, 2.5

HEX #B07D87

CMYK 0 / 11 / 9 / 38

HEX #9F8E91

RGB 159 142 145

HSL 349.41, 0.08%, 0.59%

LAB 60.57, 6.88, 0.72

HEX #9F8E91

CMYK 0 / 67 / 18 / 11

HEX #E34ABA

RGB 227 74 186

HSL 316.08, 0.73%, 0.59%

LAB 56.85, 69.78, -27.62

 

CMYK 0 / 67 / 36 / 11

HEX #E34A91

RGB 227 74 145

HSL 332.16, 0.73%, 0.59%

LAB 55.35, 64.75, -5.97

 

CMYK 0 / 67 / 54 / 11

HEX #E34A69

RGB 227 74 105

HSL 347.84, 0.73%, 0.59%

LAB 54.29, 61.05, 16.26

 

CMYK 0 / 63 / 67 / 11

HEX #E3544A

RGB 227 84 74

HSL 3.92, 0.73%, 0.59%

LAB 55.24, 54.97, 35.56

 

CMYK 0 / 45 / 67 / 11

HEX #E37D4A

RGB 227 125 74

HSL 20, 0.73%, 0.59%

LAB 62.92, 35.29, 44.54

 

CMYK 0 / 85 / 68 / 26

HEX #BD1D3D

RGB 189 29 61

HSL 348, 0.73%, 0.43%

LAB 41.27, 61.38, 24.52

 

CMYK 0 / 83 / 66 / 13

HEX #DD264B

RGB 221 38 75

HSL 347.87, 0.73%, 0.51%

LAB 48.59, 68.62, 26.52

 

CMYK 0 / 67 / 54 / 11

HEX #E34A69

RGB 227 74 105

HSL 347.84, 0.73%, 0.59%

LAB 54.29, 61.05, 16.26

 

CMYK 0 / 53 / 42 / 9

HEX #E86E86

RGB 232 110 134

HSL 348.2, 0.73%, 0.67%

LAB 61.68, 49.48, 9.73

 

CMYK 0 / 39 / 31 / 7

HEX #EE92A4

RGB 238 146 164

HSL 348.26, 0.73%, 0.75%

LAB 70.47, 36.87, 5.41

 

CMYK 0 / 68 / 55 / 11

HEX #E34867

RGB 227 72 103

HSL 348, 0.73%, 0.59%

LAB 53.97, 61.66, 17.01

 

CMYK 0 / 0 / 67 / 11

HEX #E3E34A

RGB 227 227 74

HSL 60, 0.73%, 0.59%

LAB 87.85, -17.82, 71.05

 

CMYK 67 / 27 / 0 / 11

HEX #4AA6E3

RGB 74 166 227

HSL 203.92, 0.73%, 0.59%

LAB 65.18, -8.25, -38.75

 

CMYK 0 / 68 / 55 / 11

HEX #E34867

RGB 227 72 103

HSL 348, 0.73%, 0.59%

LAB 53.97, 61.66, 17.01

 

CMYK 54 / 0 / 67 / 11

HEX #69E34A

RGB 105 227 74

HSL 107.84, 0.73%, 0.59%

LAB 80.98, -61.25, 61.8

 

CMYK 67 / 54 / 0 / 11

HEX #4A69E3

RGB 74 105 227

HSL 227.84, 0.73%, 0.59%

LAB 48.39, 28.23, -65.47

 

CMYK 0 / 68 / 55 / 11

HEX #E34867

RGB 227 72 103

HSL 348, 0.73%, 0.59%

LAB 53.97, 61.66, 17.01

 

CMYK 0 / 0 / 67 / 11

HEX #E3E34A

RGB 227 227 74

HSL 60, 0.73%, 0.59%

LAB 87.85, -17.82, 71.05

 

CMYK 67 / 0 / 14 / 11

HEX #4AE3C4

RGB 74 227 196

HSL 167.84, 0.73%, 0.59%

LAB 82.04, -47.11, 3.49

 

CMYK 67 / 67 / 0 / 11

HEX #4A4AE3

RGB 74 74 227

HSL 240, 0.73%, 0.59%

LAB 41.06, 47.13, -77.44

 

CMYK 0 / 68 / 55 / 11

HEX #E34867

RGB 227 72 103

HSL 348, 0.73%, 0.59%

LAB 53.97, 61.66, 17.01

 

CMYK 20 / 0 / 67 / 11

HEX #B5E34A

RGB 181 227 74

HSL 78.04, 0.73%, 0.59%

LAB 84.62, -36.18, 66.72

 

CMYK 67 / 0 / 14 / 11

HEX #4AE3C4

RGB 74 227 196

HSL 167.84, 0.73%, 0.59%

LAB 82.04, -47.11, 3.49

 

CMYK 47 / 67 / 0 / 11

HEX #784AE3

RGB 120 74 227

HSL 258.04, 0.73%, 0.59%

LAB 44.85, 53.99, -71.07

 

Description

Color code: HEX #E348673F | qconv.com Color code: HEX #E348673F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 72 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 72 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 14 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 14% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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