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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E332F3 it is the complementary color #1CCD0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E332F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E332F3 shade: #E832EE, #F944FF, #FF56FF, #FF68FF and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E332F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E332F3 shade: #E332F3, #D220E0, #C10ECD, #B000BA and #9F00A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E332F3 shade: #E330F3, #F330CE, #F3309A, #F33065 and #F33031

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E332F3 shade: #E330F3, #AE30F3, #7A30F3, #4530F3 and #3030F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E332F3 shade matches the following richer shades: #E330F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E332F3 shade: #E330F3, #D442E1, #C553CF, #B665BE and #A877AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E332F3 shade: #7B30F3, #AF30F3, #E330F3, #F330CF and #F3309B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E332F3 shade: #B50BC5, #D90EEC, #E330F3, #E857F5 and #ED7EF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E332F3 shade: #E332F3, #F34730 and #30F395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E332F3 shade: #E332F3, #F3E330 and #30F3E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E332F3 shade: #E332F3, #F34730, #40F330 and #30DCF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E332F3 shade: #E332F3, #F38130, #40F330 and #30A2F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 79 / 0 / 5

HEX #E332F3

RGB 227 50 243

HSL 295.03, 0.89%, 0.57%

LAB 57.16, 85.58, -59.49

 

Complementary color

CMYK 86 / 0 / 94 / 20

HEX #1CCD0C

RGB 28 205 12

HSL 115.03, 0.89%, 0.43%

LAB 72.19, -71.37, 69.52

 

CMYK 3 / 79 / 0 / 7

HEX #E832EE

RGB 232 50 238

HSL 298.09, 0.85%, 0.56%

LAB 57.67, 85.71, -55.84

 

CMYK 2 / 73 / 0 / 0

HEX #F944FF

RGB 249 68 255

HSL 298.07, 1%, 0.63%

LAB 62.92, 86.78, -56.74

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 7 / 79 / 0 / 5

HEX #E332F3

RGB 227 50 243

HSL 295.03, 0.89%, 0.57%

LAB 57.16, 85.58, -59.49

 

CMYK 6 / 86 / 0 / 12

HEX #D220E0

RGB 210 32 224

HSL 295.63, 0.76%, 0.5%

LAB 51.97, 83.43, -57.27

 

CMYK 6 / 93 / 0 / 20

HEX #C10ECD

RGB 193 14 205

HSL 296.23, 0.87%, 0.43%

LAB 47.05, 80.24, -54.44

 

CMYK 5 / 100 / 0 / 27

HEX #B000BA

RGB 176 0 186

HSL 296.77, 1%, 0.36%

LAB 42.42, 75.92, -50.97

 

CMYK 5 / 100 / 0 / 35

HEX #9F00A7

RGB 159 0 167

HSL 297.13, 1%, 0.33%

LAB 38.13, 70.26, -46.74

 

CMYK 7 / 80 / 0 / 5

HEX #E330F3

RGB 227 48 243

HSL 295.08, 0.89%, 0.57%

LAB 56.99, 86.05, -59.76

 

CMYK 0 / 80 / 15 / 5

HEX #F330CE

RGB 243 48 206

HSL 311.38, 0.89%, 0.57%

LAB 57.68, 83.77, -37.61

 

CMYK 0 / 80 / 37 / 5

HEX #F3309A

RGB 243 48 154

HSL 327.38, 0.89%, 0.57%

LAB 55.59, 77.8, -10.64

 

CMYK 0 / 80 / 58 / 5

HEX #F33065

RGB 243 48 101

HSL 343.69, 0.89%, 0.57%

LAB 54.14, 73.51, 18.91

 

CMYK 0 / 80 / 80 / 5

HEX #F33031

RGB 243 48 49

HSL 359.69, 0.89%, 0.57%

LAB 53.37, 71.16, 47.98

 

CMYK 7 / 80 / 0 / 5

HEX #E330F3

RGB 227 48 243

HSL 295.08, 0.89%, 0.57%

LAB 56.99, 86.05, -59.76

 

CMYK 28 / 80 / 0 / 5

HEX #AE30F3

RGB 174 48 243

HSL 278.77, 0.89%, 0.57%

LAB 48.99, 77.2, -73.08

 

CMYK 50 / 80 / 0 / 5

HEX #7A30F3

RGB 122 48 243

HSL 262.77, 0.89%, 0.57%

LAB 42.34, 69.99, -84.23

 

CMYK 72 / 80 / 0 / 5

HEX #4530F3

RGB 69 48 243

HSL 246.46, 0.89%, 0.57%

LAB 37.57, 64.93, -92.26

 

CMYK 80 / 80 / 0 / 5

HEX #3030F3

RGB 48 48 243

HSL 240, 0.89%, 0.57%

LAB 36.39, 63.7, -94.26

 

CMYK 7 / 80 / 0 / 5

HEX #E330F3

RGB 227 48 243

HSL 295.08, 0.89%, 0.57%

LAB 56.99, 86.05, -59.76

 

CMYK 7 / 80 / 0 / 5

HEX #E330F3

RGB 227 48 243

HSL 295.08, 0.89%, 0.57%

LAB 56.99, 86.05, -59.76

 

CMYK 6 / 71 / 0 / 12

HEX #D442E1

RGB 212 66 225

HSL 295.09, 0.73%, 0.57%

LAB 55.41, 75.11, -52.31

 

CMYK 5 / 60 / 0 / 19

HEX #C553CF

RGB 197 83 207

HSL 295.16, 0.56%, 0.57%

LAB 54.62, 61.95, -43.49

 

CMYK 4 / 47 / 0 / 25

HEX #B665BE

RGB 182 101 190

HSL 294.61, 0.41%, 0.57%

LAB 55.04, 46.06, -33.24

 

CMYK 2 / 31 / 0 / 33

HEX #A877AC

RGB 168 119 172

HSL 295.47, 0.24%, 0.57%

LAB 56.58, 28.3, -20.64

 

CMYK 49 / 80 / 0 / 5

HEX #7B30F3

RGB 123 48 243

HSL 263.08, 0.89%, 0.57%

LAB 42.45, 70.11, -84.04

 

CMYK 28 / 80 / 0 / 5

HEX #AF30F3

RGB 175 48 243

HSL 279.08, 0.89%, 0.57%

LAB 49.13, 77.36, -72.85

 

CMYK 7 / 80 / 0 / 5

HEX #E330F3

RGB 227 48 243

HSL 295.08, 0.89%, 0.57%

LAB 56.99, 86.05, -59.76

 

CMYK 0 / 80 / 15 / 5

HEX #F330CF

RGB 243 48 207

HSL 311.08, 0.89%, 0.57%

LAB 57.73, 83.9, -38.11

 

CMYK 0 / 80 / 36 / 5

HEX #F3309B

RGB 243 48 155

HSL 327.08, 0.89%, 0.57%

LAB 55.62, 77.9, -11.18

 

CMYK 8 / 94 / 0 / 23

HEX #B50BC5

RGB 181 11 197

HSL 294.84, 0.89%, 0.41%

LAB 44.37, 77.38, -54.23

 

CMYK 8 / 94 / 0 / 7

HEX #D90EEC

RGB 217 14 236

HSL 294.86, 0.89%, 0.49%

LAB 53.08, 88.76, -62.2

 

CMYK 7 / 80 / 0 / 5

HEX #E330F3

RGB 227 48 243

HSL 295.08, 0.89%, 0.57%

LAB 56.99, 86.05, -59.76

 

CMYK 5 / 64 / 0 / 4

HEX #E857F5

RGB 232 87 245

HSL 295.06, 0.89%, 0.65%

LAB 62.14, 75.17, -52.62

 

CMYK 4 / 49 / 0 / 3

HEX #ED7EF7

RGB 237 126 247

HSL 295.04, 0.88%, 0.73%

LAB 69.21, 59.64, -42.52

 

CMYK 7 / 79 / 0 / 5

HEX #E332F3

RGB 227 50 243

HSL 295.03, 0.89%, 0.57%

LAB 57.16, 85.58, -59.49

 

CMYK 0 / 71 / 80 / 5

HEX #F34730

RGB 243 71 48

HSL 7.08, 0.89%, 0.57%

LAB 55.86, 64.16, 50.92

 

CMYK 80 / 0 / 39 / 5

HEX #30F395

RGB 48 243 149

HSL 151.08, 0.89%, 0.57%

LAB 85.45, -66.73, 32.51

 

CMYK 7 / 79 / 0 / 5

HEX #E332F3

RGB 227 50 243

HSL 295.03, 0.89%, 0.57%

LAB 57.16, 85.58, -59.49

 

CMYK 0 / 7 / 80 / 5

HEX #F3E330

RGB 243 227 48

HSL 55.08, 0.89%, 0.57%

LAB 89.02, -12.24, 80.86

 

CMYK 80 / 0 / 7 / 5

HEX #30F3E3

RGB 48 243 227

HSL 175.08, 0.89%, 0.57%

LAB 87.13, -48.77, -5.44

 

CMYK 7 / 79 / 0 / 5

HEX #E332F3

RGB 227 50 243

HSL 295.03, 0.89%, 0.57%

LAB 57.16, 85.58, -59.49

 

CMYK 0 / 71 / 80 / 5

HEX #F34730

RGB 243 71 48

HSL 7.08, 0.89%, 0.57%

LAB 55.86, 64.16, 50.92

 

CMYK 74 / 0 / 80 / 5

HEX #40F330

RGB 64 243 48

HSL 115.08, 0.89%, 0.57%

LAB 84.69, -76.67, 73.65

 

CMYK 80 / 9 / 0 / 5

HEX #30DCF3

RGB 48 220 243

HSL 187.08, 0.89%, 0.57%

LAB 80.9, -33.85, -23.22

 

CMYK 7 / 79 / 0 / 5

HEX #E332F3

RGB 227 50 243

HSL 295.03, 0.89%, 0.57%

LAB 57.16, 85.58, -59.49

 

CMYK 0 / 47 / 80 / 5

HEX #F38130

RGB 243 129 48

HSL 24.92, 0.89%, 0.57%

LAB 65.72, 38.43, 60.19

 

CMYK 74 / 0 / 80 / 5

HEX #40F330

RGB 64 243 48

HSL 115.08, 0.89%, 0.57%

LAB 84.69, -76.67, 73.65

 

CMYK 80 / 33 / 0 / 5

HEX #30A2F3

RGB 48 162 243

HSL 204.92, 0.89%, 0.57%

LAB 64.11, -3.68, -49.26

 

Description

Color code: HEX #E332F3 | qconv.com Color code: HEX #E332F3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 50 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 50 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 79 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 79% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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