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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3267A it is the complementary color #1CD985. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3267A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3267A shade: #E82675, #F93888, #FF4A9B, #FF5CAE and #FF6EC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3267A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3267A shade: #E3267A, #D21467, #C10254, #B00041 and #9F002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3267A shade: #E3267A, #E32647 and #E32626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3267A shade: #E3267A, #E326AD, #E326E0, #B326E3 and #8026E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3267A shade matches the following richer shades: #E3267A and #F71378

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3267A shade: #E3267A, #CF3A7C, #BB4E7F, #A76281 and #947683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3267A shade: #E326E0, #E326AD, #E3267B, #E32649 and #E33626

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3267A shade: #A21554, #C61A66, #E3267A, #E84B91 and #EC6FA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3267A shade: #E3267A, #E3B426 and #26C7E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3267A shade: #E3267A, #7BE326 and #267BE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3267A shade: #E3267A, #E3B426, #26E38E and #2655E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3267A shade: #E3267A, #D9E326, #26E38E and #3026E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 46 / 11

HEX #E3267A

RGB 227 38 122

HSL 333.33, 0.77%, 0.52%

LAB 50.83, 73.32, 1.13

 

Complementary color

CMYK 87 / 0 / 39 / 15

HEX #1CD985

RGB 28 217 133

HSL 153.33, 0.77%, 0.48%

LAB 77.02, -62.32, 29.39

 

CMYK 0 / 84 / 50 / 9

HEX #E82675

RGB 232 38 117

HSL 335.57, 0.81%, 0.53%

LAB 51.64, 74.13, 5.46

 

CMYK 0 / 78 / 45 / 2

HEX #F93888

RGB 249 56 136

HSL 335.13, 0.94%, 0.6%

LAB 56.83, 75.57, 1.96

 

CMYK 0 / 71 / 39 / 0

HEX #FF4A9B

RGB 255 74 155

HSL 333.15, 1%, 0.65%

LAB 60.36, 73.43, -3.9

 

CMYK 0 / 64 / 32 / 0

HEX #FF5CAE

RGB 255 92 174

HSL 329.82, 1%, 0.68%

LAB 63.32, 68.89, -10.47

 

CMYK 0 / 57 / 24 / 0

HEX #FF6EC1

RGB 255 110 193

HSL 325.66, 1%, 0.72%

LAB 66.72, 63.71, -16.15

 

CMYK 0 / 83 / 46 / 11

HEX #E3267A

RGB 227 38 122

HSL 333.33, 0.77%, 0.52%

LAB 50.83, 73.32, 1.13

 

CMYK 0 / 90 / 51 / 18

HEX #D21467

RGB 210 20 103

HSL 333.79, 0.83%, 0.45%

LAB 45.88, 70.94, 5.22

 

CMYK 0 / 99 / 56 / 24

HEX #C10254

RGB 193 2 84

HSL 334.24, 0.98%, 0.38%

LAB 41.25, 67.56, 10.12

 

CMYK 0 / 100 / 63 / 31

HEX #B00041

RGB 176 0 65

HSL 337.84, 1%, 0.35%

LAB 37.14, 62.59, 16.09

 

CMYK 0 / 100 / 71 / 38

HEX #9F002E

RGB 159 0 46

HSL 342.64, 1%, 0.31%

LAB 33.07, 57.45, 22.46

 

CMYK 0 / 83 / 46 / 11

HEX #E3267A

RGB 227 38 122

HSL 333.33, 0.77%, 0.52%

LAB 50.83, 73.32, 1.13

 

CMYK 0 / 83 / 69 / 11

HEX #E32647

RGB 227 38 71

HSL 349.52, 0.77%, 0.52%

LAB 49.7, 70.01, 30.57

 

CMYK 0 / 83 / 83 / 11

HEX #E32626

RGB 227 38 38

HSL 0, 0.77%, 0.52%

LAB 49.32, 68.87, 48.7

 

CMYK 0 / 83 / 46 / 11

HEX #E3267A

RGB 227 38 122

HSL 333.33, 0.77%, 0.52%

LAB 50.83, 73.32, 1.13

 

CMYK 0 / 83 / 24 / 11

HEX #E326AD

RGB 227 38 173

HSL 317.14, 0.77%, 0.52%

LAB 52.66, 78.49, -26.56

 

CMYK 0 / 83 / 1 / 11

HEX #E326E0

RGB 227 38 224

HSL 300.95, 0.77%, 0.52%

LAB 55.17, 85.28, -51.98

 

CMYK 21 / 83 / 0 / 11

HEX #B326E3

RGB 179 38 227

HSL 284.76, 0.77%, 0.52%

LAB 47.64, 77.62, -66.2

 

CMYK 44 / 83 / 0 / 11

HEX #8026E3

RGB 128 38 227

HSL 268.57, 0.77%, 0.52%

LAB 40.45, 70.34, -78.25

 

CMYK 0 / 83 / 46 / 11

HEX #E3267A

RGB 227 38 122

HSL 333.33, 0.77%, 0.52%

LAB 50.83, 73.32, 1.13

 

CMYK 0 / 92 / 51 / 3

HEX #F71378

RGB 247 19 120

HSL 333.42, 0.93%, 0.52%

LAB 53.6, 80.8, 6.83

 

CMYK 0 / 83 / 46 / 11

HEX #E3267A

RGB 227 38 122

HSL 333.33, 0.77%, 0.52%

LAB 50.83, 73.32, 1.13

 

CMYK 0 / 72 / 40 / 19

HEX #CF3A7C

RGB 207 58 124

HSL 333.42, 0.61%, 0.52%

LAB 49.19, 62.76, -2.92

 

CMYK 0 / 58 / 32 / 27

HEX #BB4E7F

RGB 187 78 127

HSL 333.03, 0.44%, 0.52%

LAB 48.94, 48.96, -5.46

 

CMYK 0 / 41 / 23 / 35

HEX #A76281

RGB 167 98 129

HSL 333.04, 0.28%, 0.52%

LAB 50.14, 32.11, -5.19

 

CMYK 0 / 20 / 11 / 42

HEX #947683

RGB 148 118 131

HSL 334, 0.12%, 0.52%

LAB 52.83, 13.93, -2.65

 

CMYK 0 / 83 / 1 / 11

HEX #E326E0

RGB 227 38 224

HSL 300.95, 0.77%, 0.52%

LAB 55.17, 85.28, -51.98

 

CMYK 0 / 83 / 24 / 11

HEX #E326AD

RGB 227 38 173

HSL 317.14, 0.77%, 0.52%

LAB 52.66, 78.49, -26.56

 

CMYK 0 / 83 / 46 / 11

HEX #E3267B

RGB 227 38 123

HSL 333.02, 0.77%, 0.52%

LAB 50.86, 73.4, 0.57

 

CMYK 0 / 83 / 68 / 11

HEX #E32649

RGB 227 38 73

HSL 348.89, 0.77%, 0.52%

LAB 49.74, 70.11, 29.41

 

CMYK 0 / 76 / 83 / 11

HEX #E33626

RGB 227 54 38

HSL 5.08, 0.77%, 0.52%

LAB 50.81, 64.66, 50.04

 

CMYK 0 / 87 / 48 / 36

HEX #A21554

RGB 162 21 84

HSL 333.19, 0.77%, 0.36%

LAB 35.71, 57.55, 1.35

 

CMYK 0 / 87 / 48 / 22

HEX #C61A66

RGB 198 26 102

HSL 333.49, 0.77%, 0.44%

LAB 43.81, 67.03, 2.55

 

CMYK 0 / 83 / 46 / 11

HEX #E3267A

RGB 227 38 122

HSL 333.33, 0.77%, 0.52%

LAB 50.83, 73.32, 1.13

 

CMYK 0 / 68 / 38 / 9

HEX #E84B91

RGB 232 75 145

HSL 333.25, 0.77%, 0.6%

LAB 56.32, 65.78, -4.45

 

CMYK 0 / 53 / 29 / 7

HEX #EC6FA7

RGB 236 111 167

HSL 333.12, 0.77%, 0.68%

LAB 63.34, 54.13, -6.74

 

CMYK 0 / 83 / 46 / 11

HEX #E3267A

RGB 227 38 122

HSL 333.33, 0.77%, 0.52%

LAB 50.83, 73.32, 1.13

 

CMYK 0 / 21 / 83 / 11

HEX #E3B426

RGB 227 180 38

HSL 45.08, 0.77%, 0.52%

LAB 75.52, 4.65, 71.44

 

CMYK 83 / 12 / 0 / 11

HEX #26C7E3

RGB 38 199 227

HSL 188.89, 0.77%, 0.52%

LAB 74.06, -29.53, -25.08

 

CMYK 0 / 83 / 46 / 11

HEX #E3267A

RGB 227 38 122

HSL 333.33, 0.77%, 0.52%

LAB 50.83, 73.32, 1.13

 

CMYK 46 / 0 / 83 / 11

HEX #7BE326

RGB 123 227 38

HSL 93.02, 0.77%, 0.52%

LAB 81.45, -58.32, 73.81

 

CMYK 83 / 46 / 0 / 11

HEX #267BE3

RGB 38 123 227

HSL 213.02, 0.77%, 0.52%

LAB 51.98, 12.81, -59.75

 

CMYK 0 / 83 / 46 / 11

HEX #E3267A

RGB 227 38 122

HSL 333.33, 0.77%, 0.52%

LAB 50.83, 73.32, 1.13

 

CMYK 0 / 21 / 83 / 11

HEX #E3B426

RGB 227 180 38

HSL 45.08, 0.77%, 0.52%

LAB 75.52, 4.65, 71.44

 

CMYK 83 / 0 / 37 / 11

HEX #26E38E

RGB 38 227 142

HSL 153.02, 0.77%, 0.52%

LAB 80.35, -63.34, 29.24

 

CMYK 83 / 63 / 0 / 11

HEX #2655E3

RGB 38 85 227

HSL 225.08, 0.77%, 0.52%

LAB 41.93, 36.97, -76.07

 

CMYK 0 / 83 / 46 / 11

HEX #E3267A

RGB 227 38 122

HSL 333.33, 0.77%, 0.52%

LAB 50.83, 73.32, 1.13

 

CMYK 4 / 0 / 83 / 11

HEX #D9E326

RGB 217 227 38

HSL 63.17, 0.77%, 0.52%

LAB 86.91, -23.34, 80.66

 

CMYK 83 / 0 / 37 / 11

HEX #26E38E

RGB 38 227 142

HSL 153.02, 0.77%, 0.52%

LAB 80.35, -63.34, 29.24

 

CMYK 79 / 83 / 0 / 11

HEX #3026E3

RGB 48 38 227

HSL 243.17, 0.77%, 0.52%

LAB 33.05, 63.36, -90.72

 

Description

Color code: HEX #E3267A | qconv.com Color code: HEX #E3267A | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 38 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 38 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 46 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 46% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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