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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E325DF it is the complementary color #1CDA20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E325DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E325DF shade: #E825DA, #F937ED, #FF49FF, #FF5BFF and #FF6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E325DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E325DF shade: #E325DF, #D213CC, #C101B9, #B000A6 and #9F0093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E325DF shade: #E326DF, #E326AC, #E32679, #E32646 and #E32626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E325DF shade: #E326DF, #B426E3, #8126E3, #4E26E3 and #2626E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E325DF shade matches the following richer shades: #E326DF and #F713F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E325DF shade: #E326DF, #CF3ACC, #BB4EB9, #A762A6 and #947693

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E325DF shade: #8126E3, #B426E3, #E326E0, #E326AD and #E3267B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E325DF shade: #A2159F, #C61AC3, #E326DF, #E84BE4 and #EC6FEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E325DF shade: #E325DF, #E34F26 and #26E39B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E325DF shade: #E325DF, #E0E326 and #26E0E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E325DF shade: #E325DF, #E34F26, #26E329 and #26BAE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E325DF shade: #E325DF, #E38826, #26E329 and #2681E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 2 / 11

HEX #E325DF

RGB 227 37 223

HSL 301.26, 0.77%, 0.52%

LAB 55.05, 85.33, -51.61

 

Complementary color

CMYK 87 / 0 / 85 / 15

HEX #1CDA20

RGB 28 218 32

HSL 121.26, 0.77%, 0.48%

LAB 76.37, -74.37, 69.78

 

CMYK 0 / 84 / 6 / 9

HEX #E825DA

RGB 232 37 218

HSL 304.31, 0.81%, 0.53%

LAB 55.63, 85.52, -47.81

 

CMYK 0 / 78 / 5 / 2

HEX #F937ED

RGB 249 55 237

HSL 303.71, 0.94%, 0.6%

LAB 60.77, 87.56, -50.17

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 84 / 2 / 11

HEX #E325DF

RGB 227 37 223

HSL 301.26, 0.77%, 0.52%

LAB 55.05, 85.33, -51.61

 

CMYK 0 / 91 / 3 / 18

HEX #D213CC

RGB 210 19 204

HSL 301.88, 0.83%, 0.45%

LAB 50.13, 82.36, -48.77

 

CMYK 0 / 99 / 4 / 24

HEX #C101B9

RGB 193 1 185

HSL 302.5, 0.99%, 0.38%

LAB 45.44, 78.44, -45.37

 

CMYK 0 / 100 / 6 / 31

HEX #B000A6

RGB 176 0 166

HSL 303.41, 1%, 0.35%

LAB 41.19, 72.94, -41.07

 

CMYK 0 / 100 / 8 / 38

HEX #9F0093

RGB 159 0 147

HSL 304.53, 1%, 0.31%

LAB 36.89, 67.26, -36.6

 

CMYK 0 / 83 / 2 / 11

HEX #E326DF

RGB 227 38 223

HSL 301.27, 0.77%, 0.52%

LAB 55.12, 85.14, -51.5

 

CMYK 0 / 83 / 24 / 11

HEX #E326AC

RGB 227 38 172

HSL 317.46, 0.77%, 0.52%

LAB 52.61, 78.37, -26.03

 

CMYK 0 / 83 / 47 / 11

HEX #E32679

RGB 227 38 121

HSL 333.65, 0.77%, 0.52%

LAB 50.8, 73.23, 1.7

 

CMYK 0 / 83 / 69 / 11

HEX #E32646

RGB 227 38 70

HSL 349.84, 0.77%, 0.52%

LAB 49.69, 69.97, 31.14

 

CMYK 0 / 83 / 83 / 11

HEX #E32626

RGB 227 38 38

HSL 0, 0.77%, 0.52%

LAB 49.32, 68.87, 48.7

 

CMYK 0 / 83 / 2 / 11

HEX #E326DF

RGB 227 38 223

HSL 301.27, 0.77%, 0.52%

LAB 55.12, 85.14, -51.5

 

CMYK 21 / 83 / 0 / 11

HEX #B426E3

RGB 180 38 227

HSL 285.08, 0.77%, 0.52%

LAB 47.8, 77.78, -65.94

 

CMYK 43 / 83 / 0 / 11

HEX #8126E3

RGB 129 38 227

HSL 268.89, 0.77%, 0.52%

LAB 40.57, 70.47, -78.04

 

CMYK 66 / 83 / 0 / 11

HEX #4E26E3

RGB 78 38 227

HSL 252.7, 0.77%, 0.52%

LAB 35.11, 65.24, -87.24

 

CMYK 83 / 83 / 0 / 11

HEX #2626E3

RGB 38 38 227

HSL 240, 0.77%, 0.52%

LAB 32.58, 62.94, -91.51

 

CMYK 0 / 83 / 2 / 11

HEX #E326DF

RGB 227 38 223

HSL 301.27, 0.77%, 0.52%

LAB 55.12, 85.14, -51.5

 

CMYK 0 / 92 / 2 / 3

HEX #F713F2

RGB 247 19 242

HSL 301.32, 0.93%, 0.52%

LAB 58.65, 93.92, -56.36

 

CMYK 0 / 83 / 2 / 11

HEX #E326DF

RGB 227 38 223

HSL 301.27, 0.77%, 0.52%

LAB 55.12, 85.14, -51.5

 

CMYK 0 / 72 / 1 / 19

HEX #CF3ACC

RGB 207 58 204

HSL 301.21, 0.61%, 0.52%

LAB 52.57, 73.27, -44.93

 

CMYK 0 / 58 / 1 / 27

HEX #BB4EB9

RGB 187 78 185

HSL 301.1, 0.44%, 0.52%

LAB 51.29, 57.72, -36.18

 

CMYK 0 / 41 / 1 / 35

HEX #A762A6

RGB 167 98 166

HSL 300.87, 0.28%, 0.52%

LAB 51.5, 38.49, -24.98

 

CMYK 0 / 20 / 1 / 42

HEX #947693

RGB 148 118 147

HSL 302, 0.12%, 0.52%

LAB 53.34, 16.96, -11.26

 

CMYK 43 / 83 / 0 / 11

HEX #8126E3

RGB 129 38 227

HSL 268.89, 0.77%, 0.52%

LAB 40.57, 70.47, -78.04

 

CMYK 21 / 83 / 0 / 11

HEX #B426E3

RGB 180 38 227

HSL 285.08, 0.77%, 0.52%

LAB 47.8, 77.78, -65.94

 

CMYK 0 / 83 / 1 / 11

HEX #E326E0

RGB 227 38 224

HSL 300.95, 0.77%, 0.52%

LAB 55.17, 85.28, -51.98

 

CMYK 0 / 83 / 24 / 11

HEX #E326AD

RGB 227 38 173

HSL 317.14, 0.77%, 0.52%

LAB 52.66, 78.49, -26.56

 

CMYK 0 / 83 / 46 / 11

HEX #E3267B

RGB 227 38 123

HSL 333.02, 0.77%, 0.52%

LAB 50.86, 73.4, 0.57

 

CMYK 0 / 87 / 2 / 36

HEX #A2159F

RGB 162 21 159

HSL 301.28, 0.77%, 0.36%

LAB 39.11, 66.78, -40.33

 

CMYK 0 / 87 / 2 / 22

HEX #C61AC3

RGB 198 26 195

HSL 301.05, 0.77%, 0.44%

LAB 47.86, 77.96, -47.31

 

CMYK 0 / 83 / 2 / 11

HEX #E326DF

RGB 227 38 223

HSL 301.27, 0.77%, 0.52%

LAB 55.12, 85.14, -51.5

 

CMYK 0 / 68 / 2 / 9

HEX #E84BE4

RGB 232 75 228

HSL 301.53, 0.77%, 0.6%

LAB 59.7, 76.8, -47

 

CMYK 0 / 53 / 1 / 7

HEX #EC6FEA

RGB 236 111 234

HSL 300.96, 0.77%, 0.68%

LAB 65.86, 64.14, -40.62

 

CMYK 0 / 84 / 2 / 11

HEX #E325DF

RGB 227 37 223

HSL 301.26, 0.77%, 0.52%

LAB 55.05, 85.33, -51.61

 

CMYK 0 / 65 / 83 / 11

HEX #E34F26

RGB 227 79 38

HSL 13.02, 0.77%, 0.52%

LAB 54.09, 55.65, 52.97

 

CMYK 83 / 0 / 32 / 11

HEX #26E39B

RGB 38 227 155

HSL 157.14, 0.77%, 0.52%

LAB 80.58, -60.72, 22.86

 

CMYK 0 / 84 / 2 / 11

HEX #E325DF

RGB 227 37 223

HSL 301.26, 0.77%, 0.52%

LAB 55.05, 85.33, -51.61

 

CMYK 1 / 0 / 83 / 11

HEX #E0E326

RGB 224 227 38

HSL 60.95, 0.77%, 0.52%

LAB 87.45, -20.44, 81.32

 

CMYK 83 / 1 / 0 / 11

HEX #26E0E3

RGB 38 224 227

HSL 180.95, 0.77%, 0.52%

LAB 81.44, -41.23, -13.92

 

CMYK 0 / 84 / 2 / 11

HEX #E325DF

RGB 227 37 223

HSL 301.26, 0.77%, 0.52%

LAB 55.05, 85.33, -51.61

 

CMYK 0 / 65 / 83 / 11

HEX #E34F26

RGB 227 79 38

HSL 13.02, 0.77%, 0.52%

LAB 54.09, 55.65, 52.97

 

CMYK 83 / 0 / 82 / 11

HEX #26E329

RGB 38 227 41

HSL 120.95, 0.77%, 0.52%

LAB 79.33, -75.6, 70.38

 

CMYK 83 / 18 / 0 / 11

HEX #26BAE3

RGB 38 186 227

HSL 193.02, 0.77%, 0.52%

LAB 70.23, -23.03, -30.97

 

CMYK 0 / 84 / 2 / 11

HEX #E325DF

RGB 227 37 223

HSL 301.26, 0.77%, 0.52%

LAB 55.05, 85.33, -51.61

 

CMYK 0 / 40 / 83 / 11

HEX #E38826

RGB 227 136 38

HSL 31.11, 0.77%, 0.52%

LAB 65.03, 28.03, 62.51

 

CMYK 83 / 0 / 82 / 11

HEX #26E329

RGB 38 227 41

HSL 120.95, 0.77%, 0.52%

LAB 79.33, -75.6, 70.38

 

CMYK 83 / 43 / 0 / 11

HEX #2681E3

RGB 38 129 227

HSL 211.11, 0.77%, 0.52%

LAB 53.66, 9.1, -57.04

 

Description

Color code: HEX #E325DF | qconv.com Color code: HEX #E325DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 37 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 37 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 2 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 2% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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