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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E325DB it is the complementary color #1CDA24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E325DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E325DB shade: #E825D6, #F937E9, #FF49FC, #FF5BFF and #FF6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E325DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E325DB shade: #E325DB, #D213C8, #C101B5, #B000A2 and #9F008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E325DB shade: #E326DB, #E326A8, #E32675, #E32642 and #E32626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E325DB shade: #E326DB, #B826E3, #8526E3, #5226E3 and #2626E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E325DB shade matches the following richer shades: #E326DB and #F713ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E325DB shade: #E326DB, #CF3AC9, #BB4EB7, #A762A4 and #947692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E325DB shade: #8526E3, #B726E3, #E326DD, #E326AA and #E32678

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E325DB shade: #A2159C, #C61ABF, #E326DB, #E84BE1 and #EC6FE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E325DB shade: #E325DB, #E35226 and #26E39E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E325DB shade: #E325DB, #DDE326 and #26DDE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E325DB shade: #E325DB, #E35226, #26E32D and #26B7E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E325DB shade: #E325DB, #E38B26, #26E32D and #267EE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 4 / 11

HEX #E325DB

RGB 227 37 219

HSL 302.53, 0.77%, 0.52%

LAB 54.83, 84.75, -49.69

 

Complementary color

CMYK 87 / 0 / 83 / 15

HEX #1CDA24

RGB 28 218 36

HSL 122.53, 0.77%, 0.48%

LAB 76.39, -74.19, 68.88

 

CMYK 0 / 84 / 8 / 9

HEX #E825D6

RGB 232 37 214

HSL 305.54, 0.81%, 0.53%

LAB 55.41, 84.96, -45.87

 

CMYK 0 / 78 / 6 / 2

HEX #F937E9

RGB 249 55 233

HSL 304.95, 0.94%, 0.6%

LAB 60.57, 86.99, -48.26

 

CMYK 0 / 71 / 1 / 0

HEX #FF49FC

RGB 255 73 252

HSL 300.99, 1%, 0.64%

LAB 64.2, 86.04, -53

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 84 / 4 / 11

HEX #E325DB

RGB 227 37 219

HSL 302.53, 0.77%, 0.52%

LAB 54.83, 84.75, -49.69

 

CMYK 0 / 91 / 5 / 18

HEX #D213C8

RGB 210 19 200

HSL 303.14, 0.83%, 0.45%

LAB 49.9, 81.79, -46.82

 

CMYK 0 / 99 / 6 / 24

HEX #C101B5

RGB 193 1 181

HSL 303.75, 0.99%, 0.38%

LAB 45.21, 77.87, -43.38

 

CMYK 0 / 100 / 8 / 31

HEX #B000A2

RGB 176 0 162

HSL 304.77, 1%, 0.35%

LAB 40.96, 72.38, -39.03

 

CMYK 0 / 100 / 10 / 38

HEX #9F008F

RGB 159 0 143

HSL 306.04, 1%, 0.31%

LAB 36.66, 66.69, -34.52

 

CMYK 0 / 83 / 4 / 11

HEX #E326DB

RGB 227 38 219

HSL 302.54, 0.77%, 0.52%

LAB 54.9, 84.56, -49.59

 

CMYK 0 / 83 / 26 / 11

HEX #E326A8

RGB 227 38 168

HSL 318.73, 0.77%, 0.52%

LAB 52.45, 77.91, -23.94

 

CMYK 0 / 83 / 48 / 11

HEX #E32675

RGB 227 38 117

HSL 334.92, 0.77%, 0.52%

LAB 50.69, 72.91, 3.97

 

CMYK 0 / 83 / 71 / 11

HEX #E32642

RGB 227 38 66

HSL 351.11, 0.77%, 0.52%

LAB 49.63, 69.79, 33.45

 

CMYK 0 / 83 / 83 / 11

HEX #E32626

RGB 227 38 38

HSL 0, 0.77%, 0.52%

LAB 49.32, 68.87, 48.7

 

CMYK 0 / 83 / 4 / 11

HEX #E326DB

RGB 227 38 219

HSL 302.54, 0.77%, 0.52%

LAB 54.9, 84.56, -49.59

 

CMYK 19 / 83 / 0 / 11

HEX #B826E3

RGB 184 38 227

HSL 286.35, 0.77%, 0.52%

LAB 48.41, 78.42, -64.92

 

CMYK 41 / 83 / 0 / 11

HEX #8526E3

RGB 133 38 227

HSL 270.16, 0.77%, 0.52%

LAB 41.09, 70.98, -77.17

 

CMYK 64 / 83 / 0 / 11

HEX #5226E3

RGB 82 38 227

HSL 253.97, 0.77%, 0.52%

LAB 35.45, 65.56, -86.66

 

CMYK 83 / 83 / 0 / 11

HEX #2626E3

RGB 38 38 227

HSL 240, 0.77%, 0.52%

LAB 32.58, 62.94, -91.51

 

CMYK 0 / 83 / 4 / 11

HEX #E326DB

RGB 227 38 219

HSL 302.54, 0.77%, 0.52%

LAB 54.9, 84.56, -49.59

 

CMYK 0 / 92 / 4 / 3

HEX #F713ED

RGB 247 19 237

HSL 302.63, 0.93%, 0.52%

LAB 58.37, 93.23, -54.01

 

CMYK 0 / 83 / 4 / 11

HEX #E326DB

RGB 227 38 219

HSL 302.54, 0.77%, 0.52%

LAB 54.9, 84.56, -49.59

 

CMYK 0 / 72 / 3 / 19

HEX #CF3AC9

RGB 207 58 201

HSL 302.42, 0.61%, 0.52%

LAB 52.41, 72.8, -43.46

 

CMYK 0 / 58 / 2 / 27

HEX #BB4EB7

RGB 187 78 183

HSL 302.2, 0.44%, 0.52%

LAB 51.19, 57.37, -35.17

 

CMYK 0 / 41 / 2 / 35

HEX #A762A4

RGB 167 98 164

HSL 302.61, 0.28%, 0.52%

LAB 51.42, 38.11, -23.94

 

CMYK 0 / 20 / 1 / 42

HEX #947692

RGB 148 118 146

HSL 304, 0.12%, 0.52%

LAB 53.31, 16.76, -10.72

 

CMYK 41 / 83 / 0 / 11

HEX #8526E3

RGB 133 38 227

HSL 270.16, 0.77%, 0.52%

LAB 41.09, 70.98, -77.17

 

CMYK 19 / 83 / 0 / 11

HEX #B726E3

RGB 183 38 227

HSL 286.03, 0.77%, 0.52%

LAB 48.26, 78.26, -65.17

 

CMYK 0 / 83 / 3 / 11

HEX #E326DD

RGB 227 38 221

HSL 301.9, 0.77%, 0.52%

LAB 55.01, 84.85, -50.55

 

CMYK 0 / 83 / 25 / 11

HEX #E326AA

RGB 227 38 170

HSL 318.1, 0.77%, 0.52%

LAB 52.53, 78.14, -24.99

 

CMYK 0 / 83 / 47 / 11

HEX #E32678

RGB 227 38 120

HSL 333.97, 0.77%, 0.52%

LAB 50.77, 73.15, 2.26

 

CMYK 0 / 87 / 4 / 36

HEX #A2159C

RGB 162 21 156

HSL 302.55, 0.77%, 0.36%

LAB 38.93, 66.32, -38.8

 

CMYK 0 / 87 / 4 / 22

HEX #C61ABF

RGB 198 26 191

HSL 302.44, 0.77%, 0.44%

LAB 47.63, 77.37, -45.34

 

CMYK 0 / 83 / 4 / 11

HEX #E326DB

RGB 227 38 219

HSL 302.54, 0.77%, 0.52%

LAB 54.9, 84.56, -49.59

 

CMYK 0 / 68 / 3 / 9

HEX #E84BE1

RGB 232 75 225

HSL 302.68, 0.77%, 0.6%

LAB 59.55, 76.33, -45.56

 

CMYK 0 / 53 / 2 / 7

HEX #EC6FE7

RGB 236 111 231

HSL 302.4, 0.77%, 0.68%

LAB 65.73, 63.63, -39.16

 

CMYK 0 / 84 / 4 / 11

HEX #E325DB

RGB 227 37 219

HSL 302.53, 0.77%, 0.52%

LAB 54.83, 84.75, -49.69

 

CMYK 0 / 64 / 83 / 11

HEX #E35226

RGB 227 82 38

HSL 13.97, 0.77%, 0.52%

LAB 54.56, 54.4, 53.38

 

CMYK 83 / 0 / 30 / 11

HEX #26E39E

RGB 38 227 158

HSL 158.1, 0.77%, 0.52%

LAB 80.64, -60.08, 21.38

 

CMYK 0 / 84 / 4 / 11

HEX #E325DB

RGB 227 37 219

HSL 302.53, 0.77%, 0.52%

LAB 54.83, 84.75, -49.69

 

CMYK 3 / 0 / 83 / 11

HEX #DDE326

RGB 221 227 38

HSL 61.9, 0.77%, 0.52%

LAB 87.22, -21.69, 81.03

 

CMYK 83 / 3 / 0 / 11

HEX #26DDE3

RGB 38 221 227

HSL 181.9, 0.77%, 0.52%

LAB 80.56, -39.87, -15.24

 

CMYK 0 / 84 / 4 / 11

HEX #E325DB

RGB 227 37 219

HSL 302.53, 0.77%, 0.52%

LAB 54.83, 84.75, -49.69

 

CMYK 0 / 64 / 83 / 11

HEX #E35226

RGB 227 82 38

HSL 13.97, 0.77%, 0.52%

LAB 54.56, 54.4, 53.38

 

CMYK 83 / 0 / 80 / 11

HEX #26E32D

RGB 38 227 45

HSL 122.22, 0.77%, 0.52%

LAB 79.35, -75.39, 69.35

 

CMYK 83 / 19 / 0 / 11

HEX #26B7E3

RGB 38 183 227

HSL 193.97, 0.77%, 0.52%

LAB 69.34, -21.49, -32.34

 

CMYK 0 / 84 / 4 / 11

HEX #E325DB

RGB 227 37 219

HSL 302.53, 0.77%, 0.52%

LAB 54.83, 84.75, -49.69

 

CMYK 0 / 39 / 83 / 11

HEX #E38B26

RGB 227 139 38

HSL 32.06, 0.77%, 0.52%

LAB 65.7, 26.44, 63.09

 

CMYK 83 / 0 / 80 / 11

HEX #26E32D

RGB 38 227 45

HSL 122.22, 0.77%, 0.52%

LAB 79.35, -75.39, 69.35

 

CMYK 83 / 44 / 0 / 11

HEX #267EE3

RGB 38 126 227

HSL 212.06, 0.77%, 0.52%

LAB 52.82, 10.95, -58.4

 

Description

Color code: HEX #E325DB | qconv.com Color code: HEX #E325DB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 37 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 37 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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