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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E32292 it is the complementary color #1CDD6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E32292. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E32292 shade: #E8228D, #F934A0, #FF46B3, #FF58C6 and #FF6AD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E32292. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E32292 shade: #E32292, #D2107F, #C1006C, #B00059 and #9F0046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E32292 shade: #E42192, #E4215D, #E42129 and #E42121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E32292 shade: #E42192, #E421C6, #CC21E4, #9821E4 and #6321E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E32292 shade matches the following richer shades: #E42192 and #F80C95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E32292 shade: #E42192, #CF358E, #BB498B, #A75D88 and #937185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E32292 shade: #CD21E4, #E421C6, #E42192, #E4215E and #E4212A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E32292 shade: #9E1464, #C3187B, #E42192, #E845A4 and #ED6AB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E32292 shade: #E32292, #E49921 and #21E0E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E32292 shade: #E32292, #92E421 and #2192E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E32292 shade: #E32292, #E49921, #21E472 and #216BE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E32292 shade: #E32292, #E4D321, #21E472 and #2131E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 36 / 11

HEX #E32292

RGB 227 34 146

HSL 325.18, 0.78%, 0.51%

LAB 51.32, 76.33, -12.59

 

Complementary color

CMYK 87 / 0 / 51 / 13

HEX #1CDD6D

RGB 28 221 109

HSL 145.18, 0.78%, 0.49%

LAB 77.91, -67.82, 42.5

 

CMYK 0 / 85 / 39 / 9

HEX #E8228D

RGB 232 34 141

HSL 327.58, 0.81%, 0.52%

LAB 52.09, 76.97, -8.36

 

CMYK 0 / 79 / 36 / 2

HEX #F934A0

RGB 249 52 160

HSL 327.11, 0.94%, 0.59%

LAB 57.21, 78.83, -11.63

 

CMYK 0 / 73 / 30 / 0

HEX #FF46B3

RGB 255 70 179

HSL 324.65, 1%, 0.64%

LAB 60.69, 77.24, -17.31

 

CMYK 0 / 65 / 22 / 0

HEX #FF58C6

RGB 255 88 198

HSL 320.48, 1%, 0.67%

LAB 63.6, 73.34, -23.72

 

CMYK 0 / 58 / 15 / 0

HEX #FF6AD9

RGB 255 106 217

HSL 315.3, 1%, 0.71%

LAB 66.96, 68.74, -29.25

 

CMYK 0 / 85 / 36 / 11

HEX #E32292

RGB 227 34 146

HSL 325.18, 0.78%, 0.51%

LAB 51.32, 76.33, -12.59

 

CMYK 0 / 92 / 40 / 18

HEX #D2107F

RGB 210 16 127

HSL 325.67, 0.86%, 0.44%

LAB 46.45, 73.48, -8.75

 

CMYK 0 / 100 / 44 / 24

HEX #C1006C

RGB 193 0 108

HSL 326.42, 1%, 0.38%

LAB 41.88, 69.6, -4.15

 

CMYK 0 / 100 / 49 / 31

HEX #B00059

RGB 176 0 89

HSL 329.66, 1%, 0.35%

LAB 37.76, 64.24, 1.45

 

CMYK 0 / 100 / 56 / 38

HEX #9F0046

RGB 159 0 70

HSL 333.58, 1%, 0.31%

LAB 33.59, 58.85, 7.37

 

CMYK 0 / 86 / 36 / 11

HEX #E42192

RGB 228 33 146

HSL 325.23, 0.78%, 0.51%

LAB 51.45, 76.74, -12.39

 

CMYK 0 / 86 / 59 / 11

HEX #E4215D

RGB 228 33 93

HSL 341.54, 0.78%, 0.51%

LAB 49.94, 72.48, 17.59

 

CMYK 0 / 86 / 82 / 11

HEX #E42129

RGB 228 33 41

HSL 357.54, 0.78%, 0.51%

LAB 49.18, 70.25, 47.1

 

CMYK 0 / 86 / 86 / 11

HEX #E42121

RGB 228 33 33

HSL 0, 0.78%, 0.51%

LAB 49.12, 70.07, 51.05

 

CMYK 0 / 86 / 36 / 11

HEX #E42192

RGB 228 33 146

HSL 325.23, 0.78%, 0.51%

LAB 51.45, 76.74, -12.39

 

CMYK 0 / 86 / 13 / 11

HEX #E421C6

RGB 228 33 198

HSL 309.23, 0.78%, 0.51%

LAB 53.66, 82.76, -39.51

 

CMYK 11 / 86 / 0 / 11

HEX #CC21E4

RGB 204 33 228

HSL 292.62, 0.78%, 0.51%

LAB 51.3, 82.89, -60.67

 

CMYK 33 / 86 / 0 / 11

HEX #9821E4

RGB 152 33 228

HSL 276.62, 0.78%, 0.51%

LAB 43.31, 75.05, -74.01

 

CMYK 57 / 86 / 0 / 11

HEX #6321E4

RGB 99 33 228

HSL 260.31, 0.78%, 0.51%

LAB 36.63, 68.99, -85.22

 

CMYK 0 / 86 / 36 / 11

HEX #E42192

RGB 228 33 146

HSL 325.23, 0.78%, 0.51%

LAB 51.45, 76.74, -12.39

 

CMYK 0 / 95 / 40 / 3

HEX #F80C95

RGB 248 12 149

HSL 325.17, 0.94%, 0.51%

LAB 54.44, 83.96, -9.31

 

CMYK 0 / 86 / 36 / 11

HEX #E42192

RGB 228 33 146

HSL 325.23, 0.78%, 0.51%

LAB 51.45, 76.74, -12.39

 

CMYK 0 / 74 / 31 / 19

HEX #CF358E

RGB 207 53 142

HSL 325.32, 0.62%, 0.51%

LAB 49.21, 66.35, -13.75

 

CMYK 0 / 61 / 26 / 27

HEX #BB498B

RGB 187 73 139

HSL 325.26, 0.46%, 0.51%

LAB 48.5, 52.81, -13.33

 

CMYK 0 / 44 / 19 / 35

HEX #A75D88

RGB 167 93 136

HSL 325.14, 0.3%, 0.51%

LAB 49.28, 35.94, -10.65

 

CMYK 0 / 23 / 10 / 42

HEX #937185

RGB 147 113 133

HSL 324.71, 0.14%, 0.51%

LAB 51.5, 16.82, -5.8

 

CMYK 10 / 86 / 0 / 11

HEX #CD21E4

RGB 205 33 228

HSL 292.92, 0.78%, 0.51%

LAB 51.46, 83.06, -60.4

 

CMYK 0 / 86 / 13 / 11

HEX #E421C6

RGB 228 33 198

HSL 309.23, 0.78%, 0.51%

LAB 53.66, 82.76, -39.51

 

CMYK 0 / 86 / 36 / 11

HEX #E42192

RGB 228 33 146

HSL 325.23, 0.78%, 0.51%

LAB 51.45, 76.74, -12.39

 

CMYK 0 / 86 / 59 / 11

HEX #E4215E

RGB 228 33 94

HSL 341.23, 0.78%, 0.51%

LAB 49.97, 72.54, 17.01

 

CMYK 0 / 86 / 82 / 11

HEX #E4212A

RGB 228 33 42

HSL 357.23, 0.78%, 0.51%

LAB 49.19, 70.28, 46.59

 

CMYK 0 / 87 / 37 / 38

HEX #9E1464

RGB 158 20 100

HSL 325.22, 0.78%, 0.35%

LAB 35.38, 58.31, -9.53

 

CMYK 0 / 88 / 37 / 24

HEX #C3187B

RGB 195 24 123

HSL 325.26, 0.78%, 0.43%

LAB 43.78, 68.6, -10.6

 

CMYK 0 / 86 / 36 / 11

HEX #E42192

RGB 228 33 146

HSL 325.23, 0.78%, 0.51%

LAB 51.45, 76.74, -12.39

 

CMYK 0 / 70 / 29 / 9

HEX #E845A4

RGB 232 69 164

HSL 325.03, 0.78%, 0.59%

LAB 56.18, 70.04, -15.81

 

CMYK 0 / 55 / 23 / 7

HEX #ED6AB6

RGB 237 106 182

HSL 325.19, 0.78%, 0.67%

LAB 63.09, 58.72, -15.66

 

CMYK 0 / 85 / 36 / 11

HEX #E32292

RGB 227 34 146

HSL 325.18, 0.78%, 0.51%

LAB 51.32, 76.33, -12.59

 

CMYK 0 / 33 / 86 / 11

HEX #E49921

RGB 228 153 33

HSL 36.92, 0.78%, 0.51%

LAB 69.03, 19.28, 67.49

 

CMYK 86 / 2 / 0 / 11

HEX #21E0E4

RGB 33 224 228

HSL 181.23, 0.78%, 0.51%

LAB 81.42, -41.25, -14.48

 

CMYK 0 / 85 / 36 / 11

HEX #E32292

RGB 227 34 146

HSL 325.18, 0.78%, 0.51%

LAB 51.32, 76.33, -12.59

 

CMYK 36 / 0 / 86 / 11

HEX #92E421

RGB 146 228 33

HSL 85.23, 0.78%, 0.51%

LAB 82.76, -51.39, 76.43

 

CMYK 86 / 36 / 0 / 11

HEX #2192E4

RGB 33 146 228

HSL 205.23, 0.78%, 0.51%

LAB 58.49, -1.11, -49.9

 

CMYK 0 / 85 / 36 / 11

HEX #E32292

RGB 227 34 146

HSL 325.18, 0.78%, 0.51%

LAB 51.32, 76.33, -12.59

 

CMYK 0 / 33 / 86 / 11

HEX #E49921

RGB 228 153 33

HSL 36.92, 0.78%, 0.51%

LAB 69.03, 19.28, 67.49

 

CMYK 86 / 0 / 50 / 11

HEX #21E472

RGB 33 228 114

HSL 144.92, 0.78%, 0.51%

LAB 80.19, -68.95, 42.94

 

CMYK 86 / 53 / 0 / 11

HEX #216BE4

RGB 33 107 228

HSL 217.23, 0.78%, 0.51%

LAB 47.55, 22.93, -67.48

 

CMYK 0 / 85 / 36 / 11

HEX #E32292

RGB 227 34 146

HSL 325.18, 0.78%, 0.51%

LAB 51.32, 76.33, -12.59

 

CMYK 0 / 7 / 86 / 11

HEX #E4D321

RGB 228 211 33

HSL 54.77, 0.78%, 0.51%

LAB 83.54, -10.99, 79.31

 

CMYK 86 / 0 / 50 / 11

HEX #21E472

RGB 33 228 114

HSL 144.92, 0.78%, 0.51%

LAB 80.19, -68.95, 42.94

 

CMYK 86 / 79 / 0 / 11

HEX #2131E4

RGB 33 49 228

HSL 235.08, 0.78%, 0.51%

LAB 34.23, 57.98, -89.34

 

Description

Color code: HEX #E32292 | qconv.com Color code: HEX #E32292 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 34 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 34 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 36 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 36% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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