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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E32215 it is the complementary color #1CDDEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E32215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E32215 shade: #E82210, #F93423, #FF4636, #FF5849 and #FF6A5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E32215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E32215 shade: #E32215, #D21002, #C10000, #B00000 and #9F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E32215 shade: #E52215 and #E51515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E32215 shade: #E52215, #E55A15, #E59215, #E5CA15 and #C7E515

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E32215 shade matches the following richer shades: #E52215 and #F91101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E32215 shade: #E52215, #D03429, #BC463E, #A85752 and #946966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E32215 shade: #E51579, #E51542, #E52015, #E55715 and #E58E15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E32215 shade: #99170E, #BF1D12, #E52215, #EC4237 and #F0665D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E32215 shade: #E32215, #B1E515 and #155EE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E32215 shade: #E32215, #15E520 and #2015E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E32215 shade: #E32215, #B1E515, #15DAE5 and #4915E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E32215 shade: #E32215, #73E515, #15DAE5 and #8715E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 91 / 11

HEX #E32215

RGB 227 34 21

HSL 3.79, 0.83%, 0.49%

LAB 48.92, 69.4, 55.96

 

Complementary color

CMYK 88 / 6 / 0 / 8

HEX #1CDDEA

RGB 28 221 234

HSL 183.79, 0.83%, 0.51%

LAB 80.68, -38.37, -18.78

 

CMYK 0 / 85 / 93 / 9

HEX #E82210

RGB 232 34 16

HSL 5, 0.87%, 0.49%

LAB 49.9, 70.68, 58.82

 

CMYK 0 / 79 / 86 / 2

HEX #F93423

RGB 249 52 35

HSL 4.77, 0.95%, 0.56%

LAB 54.78, 71.47, 56.47

 

CMYK 0 / 73 / 79 / 0

HEX #FF4636

RGB 255 70 54

HSL 4.78, 1%, 0.61%

LAB 57.95, 68.33, 50.69

 

CMYK 0 / 65 / 71 / 0

HEX #FF5849

RGB 255 88 73

HSL 4.95, 1%, 0.64%

LAB 60.53, 62.48, 43.48

 

CMYK 0 / 58 / 64 / 0

HEX #FF6A5C

RGB 255 106 92

HSL 5.15, 1%, 0.68%

LAB 63.62, 55.87, 36.77

 

CMYK 0 / 85 / 91 / 11

HEX #E32215

RGB 227 34 21

HSL 3.79, 0.83%, 0.49%

LAB 48.92, 69.4, 55.96

 

CMYK 0 / 92 / 99 / 18

HEX #D21002

RGB 210 16 2

HSL 4.04, 0.98%, 0.42%

LAB 44.34, 67.67, 57.6

 

CMYK 0 / 100 / 100 / 24

HEX #C10000

RGB 193 0 0

HSL 0, 1%, 0.38%

LAB 40.14, 64.96, 54.51

 

CMYK 0 / 100 / 100 / 31

HEX #B00000

RGB 176 0 0

HSL 0, 1%, 0.35%

LAB 36.42, 60.66, 50.81

 

CMYK 0 / 100 / 100 / 38

HEX #9F0000

RGB 159 0 0

HSL 0, 1%, 0.31%

LAB 32.64, 56.28, 46.7

 

CMYK 0 / 85 / 91 / 10

HEX #E52215

RGB 229 34 21

HSL 3.75, 0.83%, 0.49%

LAB 49.32, 69.94, 56.42

 

CMYK 0 / 91 / 91 / 10

HEX #E51515

RGB 229 21 21

HSL 0, 0.83%, 0.49%

LAB 48.57, 72.09, 55.93

 

CMYK 0 / 85 / 91 / 10

HEX #E52215

RGB 229 34 21

HSL 3.75, 0.83%, 0.49%

LAB 49.32, 69.94, 56.42

 

CMYK 0 / 61 / 91 / 10

HEX #E55A15

RGB 229 90 21

HSL 19.9, 0.83%, 0.49%

LAB 56.11, 51.28, 61.08

 

CMYK 0 / 36 / 91 / 10

HEX #E59215

RGB 229 146 21

HSL 36.06, 0.83%, 0.49%

LAB 67.48, 23.2, 69.33

 

CMYK 0 / 12 / 91 / 10

HEX #E5CA15

RGB 229 202 21

HSL 52.21, 0.83%, 0.49%

LAB 81.27, -6.24, 79.73

 

CMYK 13 / 0 / 91 / 10

HEX #C7E515

RGB 199 229 21

HSL 68.65, 0.83%, 0.49%

LAB 86.12, -32.02, 82.49

 

CMYK 0 / 85 / 91 / 10

HEX #E52215

RGB 229 34 21

HSL 3.75, 0.83%, 0.49%

LAB 49.32, 69.94, 56.42

 

CMYK 0 / 93 / 100 / 2

HEX #F91101

RGB 249 17 1

HSL 3.87, 0.99%, 0.49%

LAB 52.45, 77.39, 65.92

 

CMYK 0 / 85 / 91 / 10

HEX #E52215

RGB 229 34 21

HSL 3.75, 0.83%, 0.49%

LAB 49.32, 69.94, 56.42

 

CMYK 0 / 75 / 80 / 18

HEX #D03429

RGB 208 52 41

HSL 3.95, 0.67%, 0.49%

LAB 47.01, 59.67, 43.66

 

CMYK 0 / 63 / 67 / 26

HEX #BC463E

RGB 188 70 62

HSL 3.81, 0.5%, 0.49%

LAB 46.2, 47.03, 29.98

 

CMYK 0 / 48 / 51 / 34

HEX #A85752

RGB 168 87 82

HSL 3.49, 0.34%, 0.49%

LAB 46.65, 32.63, 18.04

 

CMYK 0 / 29 / 31 / 42

HEX #946966

RGB 148 105 102

HSL 3.91, 0.18%, 0.49%

LAB 48.71, 16.8, 8.54

 

CMYK 0 / 91 / 47 / 10

HEX #E51579

RGB 229 21 121

HSL 331.15, 0.83%, 0.49%

LAB 50.19, 76.59, 0.85

 

CMYK 0 / 91 / 71 / 10

HEX #E51542

RGB 229 21 66

HSL 347.02, 0.83%, 0.49%

LAB 48.99, 73.28, 32.78

 

CMYK 0 / 86 / 91 / 10

HEX #E52015

RGB 229 32 21

HSL 3.17, 0.83%, 0.49%

LAB 49.19, 70.32, 56.33

 

CMYK 0 / 62 / 91 / 10

HEX #E55715

RGB 229 87 21

HSL 19.04, 0.83%, 0.49%

LAB 55.61, 52.61, 60.73

 

CMYK 0 / 38 / 91 / 10

HEX #E58E15

RGB 229 142 21

HSL 34.9, 0.83%, 0.49%

LAB 66.56, 25.32, 68.65

 

CMYK 0 / 85 / 91 / 40

HEX #99170E

RGB 153 23 14

HSL 3.88, 0.83%, 0.33%

LAB 32.74, 50.95, 40.35

 

CMYK 0 / 85 / 91 / 25

HEX #BF1D12

RGB 191 29 18

HSL 3.82, 0.83%, 0.41%

LAB 41.21, 60.54, 48.4

 

CMYK 0 / 85 / 91 / 10

HEX #E52215

RGB 229 34 21

HSL 3.75, 0.83%, 0.49%

LAB 49.32, 69.94, 56.42

 

CMYK 0 / 72 / 77 / 7

HEX #EC4237

RGB 236 66 55

HSL 3.65, 0.83%, 0.57%

LAB 54.03, 63.97, 45.07

 

CMYK 0 / 58 / 61 / 6

HEX #F0665D

RGB 240 102 93

HSL 3.67, 0.83%, 0.65%

LAB 60.62, 52.57, 31.96

 

CMYK 0 / 85 / 91 / 11

HEX #E32215

RGB 227 34 21

HSL 3.79, 0.83%, 0.49%

LAB 48.92, 69.4, 55.96

 

CMYK 23 / 0 / 91 / 10

HEX #B1E515

RGB 177 229 21

HSL 75, 0.83%, 0.49%

LAB 84.71, -40.72, 80.77

 

CMYK 91 / 59 / 0 / 10

HEX #155EE5

RGB 21 94 229

HSL 218.94, 0.83%, 0.49%

LAB 43.98, 31.01, -73.87

 

CMYK 0 / 85 / 91 / 11

HEX #E32215

RGB 227 34 21

HSL 3.79, 0.83%, 0.49%

LAB 48.92, 69.4, 55.96

 

CMYK 91 / 0 / 86 / 10

HEX #15E520

RGB 21 229 32

HSL 123.17, 0.83%, 0.49%

LAB 79.79, -77.86, 72.78

 

CMYK 86 / 91 / 0 / 10

HEX #2015E5

RGB 32 21 229

HSL 243.17, 0.83%, 0.49%

LAB 30.64, 69.2, -95.89

 

CMYK 0 / 85 / 91 / 11

HEX #E32215

RGB 227 34 21

HSL 3.79, 0.83%, 0.49%

LAB 48.92, 69.4, 55.96

 

CMYK 23 / 0 / 91 / 10

HEX #B1E515

RGB 177 229 21

HSL 75, 0.83%, 0.49%

LAB 84.71, -40.72, 80.77

 

CMYK 91 / 5 / 0 / 10

HEX #15DAE5

RGB 21 218 229

HSL 183.17, 0.83%, 0.49%

LAB 79.59, -38.83, -17.77

 

CMYK 68 / 91 / 0 / 10

HEX #4915E5

RGB 73 21 229

HSL 255, 0.83%, 0.49%

LAB 33.16, 70.7, -91.64

 

CMYK 0 / 85 / 91 / 11

HEX #E32215

RGB 227 34 21

HSL 3.79, 0.83%, 0.49%

LAB 48.92, 69.4, 55.96

 

CMYK 50 / 0 / 91 / 10

HEX #73E515

RGB 115 229 21

HSL 92.88, 0.83%, 0.49%

LAB 81.7, -61.95, 77.07

 

CMYK 91 / 5 / 0 / 10

HEX #15DAE5

RGB 21 218 229

HSL 183.17, 0.83%, 0.49%

LAB 79.59, -38.83, -17.77

 

CMYK 41 / 91 / 0 / 10

HEX #8715E5

RGB 135 21 229

HSL 272.88, 0.83%, 0.49%

LAB 40.15, 75.74, -79.84

 

Description

Color code: HEX #E32215 | qconv.com Color code: HEX #E32215 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 34 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 34 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 91 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 91% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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