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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E31BC1 it is the complementary color #1CE43E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E31BC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E31BC1 shade: #E81BBC, #F92DCF, #FF3FE2, #FF51F5 and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E31BC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E31BC1 shade: #E31BC1, #D209AE, #C1009B, #B00088 and #9F0075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E31BC1 shade: #E41BC2, #E41B8C, #E41B55, #E41B1F and #E41B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E31BC1 shade: #E41BC2, #D01BE4, #9A1BE4, #631BE4 and #2D1BE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E31BC1 shade matches the following richer shades: #E41BC2 and #F906D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E31BC1 shade: #E41BC2, #D02FB4, #BB44A7, #A65999 and #926D8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E31BC1 shade: #9A1BE4, #D01BE4, #E41BC3, #E41B8D and #E41B57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E31BC1 shade: #9A1283, #BF16A3, #E41BC2, #E940CC and #ED65D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E31BC1 shade: #E31BC1, #E4651B and #1BE4B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E31BC1 shade: #E31BC1, #C3E41B and #1BC3E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E31BC1 shade: #E31BC1, #E4651B, #1BE43C and #1B9AE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E31BC1 shade: #E31BC1, #E4A11B, #1BE43C and #1B5EE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 15 / 11

HEX #E31BC1

RGB 227 27 193

HSL 310.2, 0.79%, 0.5%

LAB 52.91, 82.89, -37.82

 

Complementary color

CMYK 88 / 0 / 73 / 11

HEX #1CE43E

RGB 28 228 62

HSL 130.2, 0.79%, 0.5%

LAB 79.66, -75.37, 64.35

 

CMYK 0 / 88 / 19 / 9

HEX #E81BBC

RGB 232 27 188

HSL 312.88, 0.82%, 0.51%

LAB 53.57, 83.22, -33.83

 

CMYK 0 / 82 / 17 / 2

HEX #F92DCF

RGB 249 45 207

HSL 312.35, 0.94%, 0.58%

LAB 58.53, 85.77, -36.78

 

CMYK 0 / 75 / 11 / 0

HEX #FF3FE2

RGB 255 63 226

HSL 309.06, 1%, 0.62%

LAB 61.92, 85.17, -42.14

 

CMYK 0 / 68 / 4 / 0

HEX #FF51F5

RGB 255 81 245

HSL 303.45, 1%, 0.66%

LAB 64.75, 82.42, -48.26

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 88 / 15 / 11

HEX #E31BC1

RGB 227 27 193

HSL 310.2, 0.79%, 0.5%

LAB 52.91, 82.89, -37.82

 

CMYK 0 / 96 / 17 / 18

HEX #D209AE

RGB 210 9 174

HSL 310.75, 0.92%, 0.43%

LAB 48.2, 79.3, -34.33

 

CMYK 0 / 100 / 20 / 24

HEX #C1009B

RGB 193 0 155

HSL 311.81, 1%, 0.38%

LAB 43.81, 74.55, -30.11

 

CMYK 0 / 100 / 23 / 31

HEX #B00088

RGB 176 0 136

HSL 313.64, 1%, 0.35%

LAB 39.59, 68.98, -25.36

 

CMYK 0 / 100 / 26 / 38

HEX #9F0075

RGB 159 0 117

HSL 315.85, 1%, 0.31%

LAB 35.31, 63.32, -20.43

 

CMYK 0 / 88 / 15 / 11

HEX #E41BC2

RGB 228 27 194

HSL 310.15, 0.79%, 0.5%

LAB 53.14, 83.2, -38.03

 

CMYK 0 / 88 / 39 / 11

HEX #E41B8C

RGB 228 27 140

HSL 326.27, 0.79%, 0.5%

LAB 50.89, 77.17, -9.63

 

CMYK 0 / 88 / 63 / 11

HEX #E41B55

RGB 228 27 85

HSL 342.69, 0.79%, 0.5%

LAB 49.42, 73.06, 21.77

 

CMYK 0 / 88 / 86 / 11

HEX #E41B1F

RGB 228 27 31

HSL 358.81, 0.79%, 0.5%

LAB 48.73, 71.1, 51.67

 

CMYK 0 / 88 / 88 / 11

HEX #E41B1B

RGB 228 27 27

HSL 0, 0.79%, 0.5%

LAB 48.71, 71.03, 53.46

 

CMYK 0 / 88 / 15 / 11

HEX #E41BC2

RGB 228 27 194

HSL 310.15, 0.79%, 0.5%

LAB 53.14, 83.2, -38.03

 

CMYK 9 / 88 / 0 / 11

HEX #D01BE4

RGB 208 27 228

HSL 294.03, 0.79%, 0.5%

LAB 51.6, 84.56, -60.14

 

CMYK 32 / 88 / 0 / 11

HEX #9A1BE4

RGB 154 27 228

HSL 277.91, 0.79%, 0.5%

LAB 43.15, 76.65, -74.26

 

CMYK 57 / 88 / 0 / 11

HEX #631BE4

RGB 99 27 228

HSL 261.49, 0.79%, 0.5%

LAB 36.06, 70.72, -86.18

 

CMYK 80 / 88 / 0 / 11

HEX #2D1BE4

RGB 45 27 228

HSL 245.37, 0.79%, 0.5%

LAB 31.68, 67.53, -93.58

 

CMYK 0 / 88 / 15 / 11

HEX #E41BC2

RGB 228 27 194

HSL 310.15, 0.79%, 0.5%

LAB 53.14, 83.2, -38.03

 

CMYK 0 / 98 / 16 / 2

HEX #F906D0

RGB 249 6 208

HSL 310.12, 0.95%, 0.5%

LAB 56.9, 90.77, -39.9

 

CMYK 0 / 88 / 15 / 11

HEX #E41BC2

RGB 228 27 194

HSL 310.15, 0.79%, 0.5%

LAB 53.14, 83.2, -38.03

 

CMYK 0 / 77 / 13 / 18

HEX #D02FB4

RGB 208 47 180

HSL 310.43, 0.63%, 0.5%

LAB 50.38, 73.17, -34.46

 

CMYK 0 / 64 / 11 / 27

HEX #BB44A7

RGB 187 68 167

HSL 310.08, 0.47%, 0.5%

LAB 48.87, 59.05, -29.43

 

CMYK 0 / 46 / 8 / 35

HEX #A65999

RGB 166 89 153

HSL 310.13, 0.3%, 0.5%

LAB 48.95, 40.62, -21.28

 

CMYK 0 / 25 / 4 / 43

HEX #926D8C

RGB 146 109 140

HSL 309.73, 0.15%, 0.5%

LAB 50.62, 20.11, -11.26

 

CMYK 32 / 88 / 0 / 11

HEX #9A1BE4

RGB 154 27 228

HSL 277.91, 0.79%, 0.5%

LAB 43.15, 76.65, -74.26

 

CMYK 9 / 88 / 0 / 11

HEX #D01BE4

RGB 208 27 228

HSL 294.03, 0.79%, 0.5%

LAB 51.6, 84.56, -60.14

 

CMYK 0 / 88 / 14 / 11

HEX #E41BC3

RGB 228 27 195

HSL 309.85, 0.79%, 0.5%

LAB 53.19, 83.33, -38.53

 

CMYK 0 / 88 / 38 / 11

HEX #E41B8D

RGB 228 27 141

HSL 325.97, 0.79%, 0.5%

LAB 50.92, 77.27, -10.18

 

CMYK 0 / 88 / 62 / 11

HEX #E41B57

RGB 228 27 87

HSL 342.09, 0.79%, 0.5%

LAB 49.45, 73.18, 20.6

 

CMYK 0 / 88 / 15 / 40

HEX #9A1283

RGB 154 18 131

HSL 310.15, 0.79%, 0.34%

LAB 35.87, 61.62, -28.4

 

CMYK 0 / 88 / 15 / 25

HEX #BF16A3

RGB 191 22 163

HSL 309.94, 0.79%, 0.42%

LAB 44.65, 72.77, -33.61

 

CMYK 0 / 88 / 15 / 11

HEX #E41BC2

RGB 228 27 194

HSL 310.15, 0.79%, 0.5%

LAB 53.14, 83.2, -38.03

 

CMYK 0 / 73 / 12 / 9

HEX #E940CC

RGB 233 64 204

HSL 310.3, 0.79%, 0.58%

LAB 57.41, 77.08, -37.01

 

CMYK 0 / 57 / 10 / 7

HEX #ED65D6

RGB 237 101 214

HSL 310.15, 0.79%, 0.66%

LAB 63.48, 65.61, -33.16

 

CMYK 0 / 88 / 15 / 11

HEX #E31BC1

RGB 227 27 193

HSL 310.2, 0.79%, 0.5%

LAB 52.91, 82.89, -37.82

 

CMYK 0 / 56 / 88 / 11

HEX #E4651B

RGB 228 101 27

HSL 22.09, 0.79%, 0.5%

LAB 57.92, 45.94, 60.47

 

CMYK 88 / 0 / 21 / 11

HEX #1BE4B5

RGB 27 228 181

HSL 165.97, 0.79%, 0.5%

LAB 81.32, -55.94, 10.28

 

CMYK 0 / 88 / 15 / 11

HEX #E31BC1

RGB 227 27 193

HSL 310.2, 0.79%, 0.5%

LAB 52.91, 82.89, -37.82

 

CMYK 14 / 0 / 88 / 11

HEX #C3E41B

RGB 195 228 27

HSL 69.85, 0.79%, 0.5%

LAB 85.59, -33.06, 81.05

 

CMYK 88 / 14 / 0 / 11

HEX #1BC3E4

RGB 27 195 228

HSL 189.85, 0.79%, 0.5%

LAB 72.8, -27.94, -27.56

 

CMYK 0 / 88 / 15 / 11

HEX #E31BC1

RGB 227 27 193

HSL 310.2, 0.79%, 0.5%

LAB 52.91, 82.89, -37.82

 

CMYK 0 / 56 / 88 / 11

HEX #E4651B

RGB 228 101 27

HSL 22.09, 0.79%, 0.5%

LAB 57.92, 45.94, 60.47

 

CMYK 88 / 0 / 74 / 11

HEX #1BE43C

RGB 27 228 60

HSL 129.85, 0.79%, 0.5%

LAB 79.64, -75.59, 65.01

 

CMYK 88 / 32 / 0 / 11

HEX #1B9AE4

RGB 27 154 228

HSL 202.09, 0.79%, 0.5%

LAB 60.73, -6.13, -46.36

 

CMYK 0 / 88 / 15 / 11

HEX #E31BC1

RGB 227 27 193

HSL 310.2, 0.79%, 0.5%

LAB 52.91, 82.89, -37.82

 

CMYK 0 / 29 / 88 / 11

HEX #E4A11B

RGB 228 161 27

HSL 40, 0.79%, 0.5%

LAB 70.91, 14.89, 70.55

 

CMYK 88 / 0 / 74 / 11

HEX #1BE43C

RGB 27 228 60

HSL 129.85, 0.79%, 0.5%

LAB 79.64, -75.59, 65.01

 

CMYK 88 / 59 / 0 / 11

HEX #1B5EE4

RGB 27 94 228

HSL 220, 0.79%, 0.5%

LAB 44, 30.92, -73.25

 

Description

Color code: HEX #E31BC1 | qconv.com Color code: HEX #E31BC1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 27 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 27 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 15 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 15% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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