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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E31632 it is the complementary color #1CE9CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E31632. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E31632 shade: #E8162D, #F92840, #FF3A53, #FF4C66 and #FF5E79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E31632. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E31632 shade: #E31632, #D2041F, #C1000C, #B00000 and #9F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E31632 shade: #E31632 and #E31616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E31632 shade: #E31632, #E3166A, #E316A1, #E316D8 and #B716E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E31632 shade matches the following richer shades: #E31632 and #F80224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E31632 shade: #E31632, #CF2B41, #BB3F50, #A7535F and #93676D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E31632 shade: #E316A3, #E3166C, #E31635, #E32E16 and #E36516

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E31632 shade: #980F22, #BE132A, #E31632, #EB3850 and #EF5D71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E31632 shade: #E31632, #D9E316 and #1687E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E31632 shade: #E31632, #35E316 and #1635E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E31632 shade: #E31632, #D9E316, #16E3C5 and #2116E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E31632 shade: #E31632, #9CE316, #16E3C5 and #5E16E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 78 / 11

HEX #E31632

RGB 227 22 50

HSL 351.8, 0.82%, 0.49%

LAB 48.43, 72.07, 41.38

 

Complementary color

CMYK 88 / 0 / 12 / 9

HEX #1CE9CD

RGB 28 233 205

HSL 171.8, 0.82%, 0.51%

LAB 83.41, -51.8, 0.64

 

CMYK 0 / 91 / 81 / 9

HEX #E8162D

RGB 232 22 45

HSL 353.43, 0.83%, 0.5%

LAB 49.4, 73.19, 45.46

 

CMYK 0 / 84 / 74 / 2

HEX #F92840

RGB 249 40 64

HSL 353.11, 0.95%, 0.57%

LAB 54.06, 75.06, 40.84

 

CMYK 0 / 77 / 67 / 0

HEX #FF3A53

RGB 255 58 83

HSL 352.39, 1%, 0.61%

LAB 56.99, 73.1, 33.67

 

CMYK 0 / 70 / 60 / 0

HEX #FF4C66

RGB 255 76 102

HSL 351.28, 1%, 0.65%

LAB 59.33, 68.49, 25.63

 

CMYK 0 / 63 / 53 / 0

HEX #FF5E79

RGB 255 94 121

HSL 349.94, 1%, 0.68%

LAB 62.21, 62.98, 18.49

 

CMYK 0 / 90 / 78 / 11

HEX #E31632

RGB 227 22 50

HSL 351.8, 0.82%, 0.49%

LAB 48.43, 72.07, 41.38

 

CMYK 0 / 98 / 85 / 18

HEX #D2041F

RGB 210 4 31

HSL 352.14, 0.96%, 0.42%

LAB 44.07, 69.23, 46.27

 

CMYK 0 / 100 / 94 / 24

HEX #C1000C

RGB 193 0 12

HSL 356.27, 1%, 0.38%

LAB 40.19, 65.08, 50.26

 

CMYK 0 / 100 / 100 / 31

HEX #B00000

RGB 176 0 0

HSL 0, 1%, 0.35%

LAB 36.42, 60.66, 50.81

 

CMYK 0 / 100 / 100 / 38

HEX #9F0000

RGB 159 0 0

HSL 0, 1%, 0.31%

LAB 32.64, 56.28, 46.7

 

CMYK 0 / 90 / 78 / 11

HEX #E31632

RGB 227 22 50

HSL 351.8, 0.82%, 0.49%

LAB 48.43, 72.07, 41.38

 

CMYK 0 / 90 / 90 / 11

HEX #E31616

RGB 227 22 22

HSL 0, 0.82%, 0.49%

LAB 48.21, 71.45, 55.1

 

CMYK 0 / 90 / 78 / 11

HEX #E31632

RGB 227 22 50

HSL 351.8, 0.82%, 0.49%

LAB 48.43, 72.07, 41.38

 

CMYK 0 / 90 / 53 / 11

HEX #E3166A

RGB 227 22 106

HSL 335.41, 0.82%, 0.49%

LAB 49.43, 74.87, 8.88

 

CMYK 0 / 90 / 29 / 11

HEX #E316A1

RGB 227 22 161

HSL 319.32, 0.82%, 0.49%

LAB 51.24, 79.79, -21.66

 

CMYK 0 / 90 / 5 / 11

HEX #E316D8

RGB 227 22 216

HSL 303.22, 0.82%, 0.49%

LAB 53.88, 86.63, -49.5

 

CMYK 19 / 90 / 0 / 11

HEX #B716E3

RGB 183 22 227

HSL 287.12, 0.82%, 0.49%

LAB 47.22, 81.32, -66.86

 

CMYK 0 / 90 / 78 / 11

HEX #E31632

RGB 227 22 50

HSL 351.8, 0.82%, 0.49%

LAB 48.43, 72.07, 41.38

 

CMYK 0 / 99 / 85 / 3

HEX #F80224

RGB 248 2 36

HSL 351.71, 0.98%, 0.49%

LAB 51.98, 78.69, 53.64

 

CMYK 0 / 90 / 78 / 11

HEX #E31632

RGB 227 22 50

HSL 351.8, 0.82%, 0.49%

LAB 48.43, 72.07, 41.38

 

CMYK 0 / 79 / 69 / 19

HEX #CF2B41

RGB 207 43 65

HSL 351.95, 0.66%, 0.49%

LAB 46.14, 63.04, 28.91

 

CMYK 0 / 66 / 57 / 27

HEX #BB3F50

RGB 187 63 80

HSL 351.77, 0.5%, 0.49%

LAB 45.22, 50.92, 17.86

 

CMYK 0 / 50 / 43 / 35

HEX #A7535F

RGB 167 83 95

HSL 351.43, 0.34%, 0.49%

LAB 45.95, 35.72, 9.2

 

CMYK 0 / 30 / 26 / 42

HEX #93676D

RGB 147 103 109

HSL 351.82, 0.18%, 0.49%

LAB 48.27, 18.59, 3.72

 

CMYK 0 / 90 / 28 / 11

HEX #E316A3

RGB 227 22 163

HSL 318.73, 0.82%, 0.49%

LAB 51.32, 80.01, -22.72

 

CMYK 0 / 90 / 52 / 11

HEX #E3166C

RGB 227 22 108

HSL 334.83, 0.82%, 0.49%

LAB 49.48, 75.02, 7.73

 

CMYK 0 / 90 / 77 / 11

HEX #E31635

RGB 227 22 53

HSL 350.93, 0.82%, 0.49%

LAB 48.46, 72.17, 39.71

 

CMYK 0 / 80 / 90 / 11

HEX #E32E16

RGB 227 46 22

HSL 7.02, 0.82%, 0.49%

LAB 49.91, 66.62, 56.26

 

CMYK 0 / 56 / 90 / 11

HEX #E36516

RGB 227 101 22

HSL 23.12, 0.82%, 0.49%

LAB 57.75, 45.48, 61.81

 

CMYK 0 / 90 / 78 / 40

HEX #980F22

RGB 152 15 34

HSL 351.68, 0.82%, 0.33%

LAB 32.11, 52.93, 28.61

 

CMYK 0 / 90 / 78 / 25

HEX #BE132A

RGB 190 19 42

HSL 351.93, 0.82%, 0.41%

LAB 40.54, 62.75, 35.3

 

CMYK 0 / 90 / 78 / 11

HEX #E31632

RGB 227 22 50

HSL 351.8, 0.82%, 0.49%

LAB 48.43, 72.07, 41.38

 

CMYK 0 / 76 / 66 / 8

HEX #EB3850

RGB 235 56 80

HSL 351.96, 0.82%, 0.57%

LAB 53.03, 67.96, 29.69

 

CMYK 0 / 61 / 53 / 6

HEX #EF5D71

RGB 239 93 113

HSL 351.78, 0.82%, 0.65%

LAB 59.32, 57.68, 18.75

 

CMYK 0 / 90 / 78 / 11

HEX #E31632

RGB 227 22 50

HSL 351.8, 0.82%, 0.49%

LAB 48.43, 72.07, 41.38

 

CMYK 4 / 0 / 90 / 11

HEX #D9E316

RGB 217 227 22

HSL 62.93, 0.82%, 0.49%

LAB 86.87, -23.68, 83.5

 

CMYK 90 / 41 / 0 / 11

HEX #1687E3

RGB 22 135 227

HSL 206.93, 0.82%, 0.49%

LAB 55.12, 4.4, -54.73

 

CMYK 0 / 90 / 78 / 11

HEX #E31632

RGB 227 22 50

HSL 351.8, 0.82%, 0.49%

LAB 48.43, 72.07, 41.38

 

CMYK 77 / 0 / 90 / 11

HEX #35E316

RGB 53 227 22

HSL 110.93, 0.82%, 0.49%

LAB 79.47, -74.6, 74.41

 

CMYK 90 / 77 / 0 / 11

HEX #1635E3

RGB 22 53 227

HSL 230.93, 0.82%, 0.49%

LAB 34.52, 55.21, -88.3

 

CMYK 0 / 90 / 78 / 11

HEX #E31632

RGB 227 22 50

HSL 351.8, 0.82%, 0.49%

LAB 48.43, 72.07, 41.38

 

CMYK 4 / 0 / 90 / 11

HEX #D9E316

RGB 217 227 22

HSL 62.93, 0.82%, 0.49%

LAB 86.87, -23.68, 83.5

 

CMYK 90 / 0 / 13 / 11

HEX #16E3C5

RGB 22 227 197

HSL 171.22, 0.82%, 0.49%

LAB 81.37, -51.74, 1.89

 

CMYK 85 / 90 / 0 / 11

HEX #2116E3

RGB 33 22 227

HSL 243.22, 0.82%, 0.49%

LAB 30.5, 68.42, -94.98

 

CMYK 0 / 90 / 78 / 11

HEX #E31632

RGB 227 22 50

HSL 351.8, 0.82%, 0.49%

LAB 48.43, 72.07, 41.38

 

CMYK 31 / 0 / 90 / 11

HEX #9CE316

RGB 156 227 22

HSL 80.78, 0.82%, 0.49%

LAB 82.95, -47.71, 78.71

 

CMYK 90 / 0 / 13 / 11

HEX #16E3C5

RGB 22 227 197

HSL 171.22, 0.82%, 0.49%

LAB 81.37, -51.74, 1.89

 

CMYK 59 / 90 / 0 / 11

HEX #5E16E3

RGB 94 22 227

HSL 261.07, 0.82%, 0.49%

LAB 35, 71.32, -87.37

 

Description

Color code: HEX #E31632 | qconv.com Color code: HEX #E31632 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 22 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 22 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 78 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 78% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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