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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E30653 it is the complementary color #1CF9AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E30653. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E30653 shade: #E8064E, #F91861, #FF2A74, #FF3C87 and #FF4E9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E30653. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E30653 shade: #E30653, #D20040, #C1002D, #B0001A and #9F0007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E30653 shade: #E50653, #E50617 and #E50606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E30653 shade: #E50653, #E50690, #E506CC, #C206E5 and #8606E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E30653 shade matches the following richer shades: #E50653

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E30653 shade: #E50653, #D21959, #BF2C5F, #AC3F65 and #99526B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E30653 shade: #E506CB, #E5068F, #E50654, #E50618 and #E52F06

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E30653 shade: #940436, #BD0545, #E50653, #F91B68 and #FA4383

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E30653 shade: #E30653, #E5C306 and #06ADE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E30653 shade: #E30653, #54E506 and #0654E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E30653 shade: #E30653, #E5C306, #06E597 and #0627E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E30653 shade: #E30653, #C3E506, #06E597 and #2706E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 63 / 11

HEX #E30653

RGB 227 6 83

HSL 339.1, 0.95%, 0.46%

LAB 48.37, 75.05, 21.58

 

Complementary color

CMYK 89 / 0 / 31 / 2

HEX #1CF9AC

RGB 28 249 172

HSL 159.1, 0.95%, 0.54%

LAB 87.47, -65.77, 23.56

 

CMYK 0 / 97 / 66 / 9

HEX #E8064E

RGB 232 6 78

HSL 340.88, 0.95%, 0.47%

LAB 49.3, 75.97, 26.04

 

CMYK 0 / 90 / 61 / 2

HEX #F91861

RGB 249 24 97

HSL 340.53, 0.95%, 0.54%

LAB 53.66, 79.22, 20.87

 

CMYK 0 / 84 / 55 / 0

HEX #FF2A74

RGB 255 42 116

HSL 339.15, 1%, 0.58%

LAB 56.26, 78.85, 13.21

 

CMYK 0 / 76 / 47 / 0

HEX #FF3C87

RGB 255 60 135

HSL 336.92, 1%, 0.62%

LAB 58.27, 75.92, 4.77

 

CMYK 0 / 69 / 40 / 0

HEX #FF4E9A

RGB 255 78 154

HSL 334.24, 1%, 0.65%

LAB 60.82, 71.97, -2.64

 

CMYK 0 / 97 / 63 / 11

HEX #E30653

RGB 227 6 83

HSL 339.1, 0.95%, 0.46%

LAB 48.37, 75.05, 21.58

 

CMYK 0 / 100 / 70 / 18

HEX #D20040

RGB 210 0 64

HSL 341.71, 1%, 0.41%

LAB 44.34, 70.65, 27.43

 

CMYK 0 / 100 / 77 / 24

HEX #C1002D

RGB 193 0 45

HSL 346.01, 1%, 0.38%

LAB 40.45, 65.81, 33.6

 

CMYK 0 / 100 / 85 / 31

HEX #B0001A

RGB 176 0 26

HSL 351.14, 1%, 0.35%

LAB 36.56, 61.04, 39.49

 

CMYK 0 / 100 / 96 / 38

HEX #9F0007

RGB 159 0 7

HSL 357.36, 1%, 0.31%

LAB 32.67, 56.37, 43.87

 

CMYK 0 / 97 / 64 / 10

HEX #E50653

RGB 229 6 83

HSL 339.28, 0.95%, 0.46%

LAB 48.78, 75.52, 22.19

 

CMYK 0 / 97 / 90 / 10

HEX #E50617

RGB 229 6 23

HSL 355.43, 0.95%, 0.46%

LAB 48.07, 73.59, 54.8

 

CMYK 0 / 97 / 97 / 10

HEX #E50606

RGB 229 6 6

HSL 0, 0.95%, 0.46%

LAB 48.01, 73.42, 60.3

 

CMYK 0 / 97 / 64 / 10

HEX #E50653

RGB 229 6 83

HSL 339.28, 0.95%, 0.46%

LAB 48.78, 75.52, 22.19

 

CMYK 0 / 97 / 37 / 10

HEX #E50690

RGB 229 6 144

HSL 322.87, 0.95%, 0.46%

LAB 50.45, 79.99, -12.67

 

CMYK 0 / 97 / 11 / 10

HEX #E506CC

RGB 229 6 204

HSL 306.73, 0.95%, 0.46%

LAB 53.11, 86.77, -43.83

 

CMYK 15 / 97 / 0 / 10

HEX #C206E5

RGB 194 6 229

HSL 290.58, 0.95%, 0.46%

LAB 48.58, 84.91, -65.7

 

CMYK 41 / 97 / 0 / 10

HEX #8606E5

RGB 134 6 229

HSL 274.44, 0.95%, 0.46%

LAB 39.34, 77.68, -81.19

 

CMYK 0 / 97 / 64 / 10

HEX #E50653

RGB 229 6 83

HSL 339.28, 0.95%, 0.46%

LAB 48.78, 75.52, 22.19

 

CMYK 0 / 97 / 64 / 10

HEX #E50653

RGB 229 6 83

HSL 339.28, 0.95%, 0.46%

LAB 48.78, 75.52, 22.19

 

CMYK 0 / 88 / 58 / 18

HEX #D21959

RGB 210 25 89

HSL 339.24, 0.79%, 0.46%

LAB 45.8, 69.2, 13.81

 

CMYK 0 / 77 / 50 / 25

HEX #BF2C5F

RGB 191 44 95

HSL 339.18, 0.63%, 0.46%

LAB 43.81, 60.22, 6.74

 

CMYK 0 / 63 / 41 / 33

HEX #AC3F65

RGB 172 63 101

HSL 339.08, 0.46%, 0.46%

LAB 43.16, 47.94, 1.64

 

CMYK 0 / 46 / 30 / 40

HEX #99526B

RGB 153 82 107

HSL 338.87, 0.3%, 0.46%

LAB 44.04, 32.56, -1.12

 

CMYK 0 / 97 / 11 / 10

HEX #E506CB

RGB 229 6 203

HSL 307, 0.95%, 0.46%

LAB 53.06, 86.64, -43.34

 

CMYK 0 / 97 / 38 / 10

HEX #E5068F

RGB 229 6 143

HSL 323.14, 0.95%, 0.46%

LAB 50.42, 79.9, -12.12

 

CMYK 0 / 97 / 63 / 10

HEX #E50654

RGB 229 6 84

HSL 339.01, 0.95%, 0.46%

LAB 48.8, 75.57, 21.6

 

CMYK 0 / 97 / 90 / 10

HEX #E50618

RGB 229 6 24

HSL 355.16, 0.95%, 0.46%

LAB 48.08, 73.6, 54.38

 

CMYK 0 / 79 / 97 / 10

HEX #E52F06

RGB 229 47 6

HSL 11.03, 0.95%, 0.46%

LAB 50.34, 66.76, 61.4

 

CMYK 0 / 97 / 64 / 42

HEX #940436

RGB 148 4 54

HSL 339.17, 0.95%, 0.3%

LAB 30.99, 54.54, 14.03

 

CMYK 0 / 97 / 63 / 26

HEX #BD0545

RGB 189 5 69

HSL 339.13, 0.95%, 0.38%

LAB 40.18, 65.39, 18.07

 

CMYK 0 / 97 / 64 / 10

HEX #E50653

RGB 229 6 83

HSL 339.28, 0.95%, 0.46%

LAB 48.78, 75.52, 22.19

 

CMYK 0 / 89 / 58 / 2

HEX #F91B68

RGB 249 27 104

HSL 339.19, 0.95%, 0.54%

LAB 53.95, 79.22, 17.03

 

CMYK 0 / 73 / 48 / 2

HEX #FA4383

RGB 250 67 131

HSL 339.02, 0.95%, 0.62%

LAB 58.02, 72.19, 6.65

 

CMYK 0 / 97 / 63 / 11

HEX #E30653

RGB 227 6 83

HSL 339.1, 0.95%, 0.46%

LAB 48.37, 75.05, 21.58

 

CMYK 0 / 15 / 97 / 10

HEX #E5C306

RGB 229 195 6

HSL 50.85, 0.95%, 0.46%

LAB 79.44, -2.82, 80.13

 

CMYK 97 / 24 / 0 / 10

HEX #06ADE5

RGB 6 173 229

HSL 195.07, 0.95%, 0.46%

LAB 66.2, -17.08, -38.34

 

CMYK 0 / 97 / 63 / 11

HEX #E30653

RGB 227 6 83

HSL 339.1, 0.95%, 0.46%

LAB 48.37, 75.05, 21.58

 

CMYK 63 / 0 / 97 / 10

HEX #54E506

RGB 84 229 6

HSL 99.01, 0.95%, 0.46%

LAB 80.7, -70.05, 77.46

 

CMYK 97 / 63 / 0 / 10

HEX #0654E5

RGB 6 84 229

HSL 219.01, 0.95%, 0.46%

LAB 41.27, 36.97, -78.3

 

CMYK 0 / 97 / 63 / 11

HEX #E30653

RGB 227 6 83

HSL 339.1, 0.95%, 0.46%

LAB 48.37, 75.05, 21.58

 

CMYK 0 / 15 / 97 / 10

HEX #E5C306

RGB 229 195 6

HSL 50.85, 0.95%, 0.46%

LAB 79.44, -2.82, 80.13

 

CMYK 97 / 0 / 34 / 10

HEX #06E597

RGB 6 229 151

HSL 159.01, 0.95%, 0.46%

LAB 80.91, -63.9, 25.35

 

CMYK 97 / 83 / 0 / 10

HEX #0627E5

RGB 6 39 229

HSL 231.12, 0.95%, 0.46%

LAB 32.14, 62.37, -93.41

 

CMYK 0 / 97 / 63 / 11

HEX #E30653

RGB 227 6 83

HSL 339.1, 0.95%, 0.46%

LAB 48.37, 75.05, 21.58

 

CMYK 15 / 0 / 97 / 10

HEX #C3E506

RGB 195 229 6

HSL 69.15, 0.95%, 0.46%

LAB 85.83, -33.81, 83.67

 

CMYK 97 / 0 / 34 / 10

HEX #06E597

RGB 6 229 151

HSL 159.01, 0.95%, 0.46%

LAB 80.91, -63.9, 25.35

 

CMYK 83 / 97 / 0 / 10

HEX #2706E5

RGB 39 6 229

HSL 248.88, 0.95%, 0.46%

LAB 29.96, 72.38, -97.03

 

Description

Color code: HEX #E30653 | qconv.com Color code: HEX #E30653 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 6 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 6 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 63 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 63% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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