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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E30242 it is the complementary color #1CFDBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E30242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E30242 shade: #E8023D, #F91450, #FF2663, #FF3876 and #FF4A89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E30242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E30242 shade: #E30242, #D2002F, #C1001C, #B00009 and #9F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E30242 shade: #E30242, #E30206 and #E30202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E30242 shade: #E30242, #E3027F, #E302BC, #CE02E3 and #9202E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E30242 shade matches the following richer shades: #E30242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E30242 shade: #E30242, #D1154A, #BE2752, #AC3A5A and #994D62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E30242 shade: #E302BE, #E30282, #E30246, #E3020A and #E33702

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E30242 shade: #92012A, #BA0236, #E30242, #FD1255 and #FD3B72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E30242 shade: #E30242, #E3CD02 and #02A0E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E30242 shade: #E30242, #46E302 and #0246E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E30242 shade: #E30242, #E3CD02, #02E3A0 and #0219E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E30242 shade: #E30242, #B6E302, #02E3A0 and #2F02E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 71 / 11

HEX #E30242

RGB 227 2 66

HSL 342.93, 0.98%, 0.45%

LAB 47.97, 74.58, 31.45

 

Complementary color

CMYK 89 / 0 / 25 / 1

HEX #1CFDBD

RGB 28 253 189

HSL 162.93, 0.98%, 0.55%

LAB 89, -63.51, 16.98

 

CMYK 0 / 99 / 74 / 9

HEX #E8023D

RGB 232 2 61

HSL 344.61, 0.98%, 0.46%

LAB 48.93, 75.57, 35.84

 

CMYK 0 / 92 / 68 / 2

HEX #F91450

RGB 249 20 80

HSL 344.28, 0.95%, 0.53%

LAB 53.19, 78.84, 30.47

 

CMYK 0 / 85 / 61 / 0

HEX #FF2663

RGB 255 38 99

HSL 343.13, 1%, 0.57%

LAB 55.63, 78.58, 22.51

 

CMYK 0 / 78 / 54 / 0

HEX #FF3876

RGB 255 56 118

HSL 341.31, 1%, 0.61%

LAB 57.46, 75.71, 13.69

 

CMYK 0 / 71 / 46 / 0

HEX #FF4A89

RGB 255 74 137

HSL 339.12, 1%, 0.65%

LAB 59.86, 71.77, 5.88

 

CMYK 0 / 99 / 71 / 11

HEX #E30242

RGB 227 2 66

HSL 342.93, 0.98%, 0.45%

LAB 47.97, 74.58, 31.45

 

CMYK 0 / 100 / 78 / 18

HEX #D2002F

RGB 210 0 47

HSL 346.57, 1%, 0.41%

LAB 44.1, 70.01, 37.44

 

CMYK 0 / 100 / 85 / 24

HEX #C1001C

RGB 193 0 28

HSL 351.3, 1%, 0.38%

LAB 40.28, 65.34, 43.12

 

CMYK 0 / 100 / 95 / 31

HEX #B00009

RGB 176 0 9

HSL 356.93, 1%, 0.35%

LAB 36.46, 60.76, 47.25

 

CMYK 0 / 100 / 100 / 38

HEX #9F0000

RGB 159 0 0

HSL 0, 1%, 0.31%

LAB 32.64, 56.28, 46.7

 

CMYK 0 / 99 / 71 / 11

HEX #E30242

RGB 227 2 66

HSL 342.93, 0.98%, 0.45%

LAB 47.97, 74.58, 31.45

 

CMYK 0 / 99 / 97 / 11

HEX #E30206

RGB 227 2 6

HSL 358.93, 0.98%, 0.45%

LAB 47.48, 73.25, 59.83

 

CMYK 0 / 99 / 99 / 11

HEX #E30202

RGB 227 2 2

HSL 0, 0.98%, 0.45%

LAB 47.47, 73.22, 60.98

 

CMYK 0 / 99 / 71 / 11

HEX #E30242

RGB 227 2 66

HSL 342.93, 0.98%, 0.45%

LAB 47.97, 74.58, 31.45

 

CMYK 0 / 99 / 44 / 11

HEX #E3027F

RGB 227 2 127

HSL 326.67, 0.98%, 0.45%

LAB 49.38, 78.36, -4.03

 

CMYK 0 / 99 / 17 / 11

HEX #E302BC

RGB 227 2 188

HSL 310.4, 0.98%, 0.45%

LAB 51.84, 84.68, -36.59

 

CMYK 9 / 99 / 0 / 11

HEX #CE02E3

RGB 206 2 227

HSL 294.4, 0.98%, 0.45%

LAB 50.35, 86.64, -61.62

 

CMYK 36 / 99 / 0 / 11

HEX #9202E3

RGB 146 2 227

HSL 278.4, 0.98%, 0.45%

LAB 40.74, 78.94, -77.68

 

CMYK 0 / 99 / 71 / 11

HEX #E30242

RGB 227 2 66

HSL 342.93, 0.98%, 0.45%

LAB 47.97, 74.58, 31.45

 

CMYK 0 / 99 / 71 / 11

HEX #E30242

RGB 227 2 66

HSL 342.93, 0.98%, 0.45%

LAB 47.97, 74.58, 31.45

 

CMYK 0 / 90 / 65 / 18

HEX #D1154A

RGB 209 21 74

HSL 343.09, 0.82%, 0.45%

LAB 45.06, 68.7, 22.11

 

CMYK 0 / 79 / 57 / 25

HEX #BE2752

RGB 190 39 82

HSL 342.91, 0.66%, 0.45%

LAB 42.77, 60.41, 13.4

 

CMYK 0 / 66 / 48 / 33

HEX #AC3A5A

RGB 172 58 90

HSL 343.16, 0.5%, 0.45%

LAB 42.05, 48.99, 6.89

 

CMYK 0 / 50 / 36 / 40

HEX #994D62

RGB 153 77 98

HSL 343.42, 0.33%, 0.45%

LAB 42.71, 34.06, 2.46

 

CMYK 0 / 99 / 16 / 11

HEX #E302BE

RGB 227 2 190

HSL 309.87, 0.98%, 0.45%

LAB 51.94, 84.92, -37.6

 

CMYK 0 / 99 / 43 / 11

HEX #E30282

RGB 227 2 130

HSL 325.87, 0.98%, 0.45%

LAB 49.48, 78.62, -5.71

 

CMYK 0 / 99 / 69 / 11

HEX #E30246

RGB 227 2 70

HSL 341.87, 0.98%, 0.45%

LAB 48.03, 74.75, 29.1

 

CMYK 0 / 99 / 96 / 11

HEX #E3020A

RGB 227 2 10

HSL 357.87, 0.98%, 0.45%

LAB 47.49, 73.28, 58.72

 

CMYK 0 / 76 / 99 / 11

HEX #E33702

RGB 227 55 2

HSL 14.13, 0.98%, 0.45%

LAB 50.77, 63.83, 62.38

 

CMYK 0 / 99 / 71 / 43

HEX #92012A

RGB 146 1 42

HSL 343.03, 0.99%, 0.29%

LAB 30.16, 53.84, 20.84

 

CMYK 0 / 99 / 71 / 27

HEX #BA0236

RGB 186 2 54

HSL 343.04, 0.98%, 0.37%

LAB 39.15, 64.24, 26.14

 

CMYK 0 / 99 / 71 / 11

HEX #E30242

RGB 227 2 66

HSL 342.93, 0.98%, 0.45%

LAB 47.97, 74.58, 31.45

 

CMYK 0 / 93 / 66 / 1

HEX #FD1255

RGB 253 18 85

HSL 342.89, 0.98%, 0.53%

LAB 54, 80.23, 28.67

 

CMYK 0 / 77 / 55 / 1

HEX #FD3B72

RGB 253 59 114

HSL 342.99, 0.98%, 0.61%

LAB 57.29, 74.09, 15.77

 

CMYK 0 / 99 / 71 / 11

HEX #E30242

RGB 227 2 66

HSL 342.93, 0.98%, 0.45%

LAB 47.97, 74.58, 31.45

 

CMYK 0 / 10 / 99 / 11

HEX #E3CD02

RGB 227 205 2

HSL 54.13, 0.98%, 0.45%

LAB 81.84, -8.82, 82.16

 

CMYK 99 / 30 / 0 / 11

HEX #02A0E3

RGB 2 160 227

HSL 197.87, 0.98%, 0.45%

LAB 62.25, -10.82, -43.42

 

CMYK 0 / 99 / 71 / 11

HEX #E30242

RGB 227 2 66

HSL 342.93, 0.98%, 0.45%

LAB 47.97, 74.58, 31.45

 

CMYK 69 / 0 / 99 / 11

HEX #46E302

RGB 70 227 2

HSL 101.87, 0.98%, 0.45%

LAB 79.75, -72.27, 76.91

 

CMYK 99 / 69 / 0 / 11

HEX #0246E3

RGB 2 70 227

HSL 221.87, 0.98%, 0.45%

LAB 37.73, 44.93, -82.99

 

CMYK 0 / 99 / 71 / 11

HEX #E30242

RGB 227 2 66

HSL 342.93, 0.98%, 0.45%

LAB 47.97, 74.58, 31.45

 

CMYK 0 / 10 / 99 / 11

HEX #E3CD02

RGB 227 205 2

HSL 54.13, 0.98%, 0.45%

LAB 81.84, -8.82, 82.16

 

CMYK 99 / 0 / 30 / 11

HEX #02E3A0

RGB 2 227 160

HSL 162.13, 0.98%, 0.45%

LAB 80.45, -61.37, 20.06

 

CMYK 99 / 89 / 0 / 11

HEX #0219E3

RGB 2 25 227

HSL 233.87, 0.98%, 0.45%

LAB 30.04, 67.08, -95.76

 

CMYK 0 / 99 / 71 / 11

HEX #E30242

RGB 227 2 66

HSL 342.93, 0.98%, 0.45%

LAB 47.97, 74.58, 31.45

 

CMYK 20 / 0 / 99 / 11

HEX #B6E302

RGB 182 227 2

HSL 72, 0.98%, 0.45%

LAB 84.43, -38.12, 82.56

 

CMYK 99 / 0 / 30 / 11

HEX #02E3A0

RGB 2 227 160

HSL 162.13, 0.98%, 0.45%

LAB 80.45, -61.37, 20.06

 

CMYK 79 / 99 / 0 / 11

HEX #2F02E3

RGB 47 2 227

HSL 252, 0.98%, 0.45%

LAB 29.9, 72.73, -95.97

 

Description

Color code: HEX #E30242 | qconv.com Color code: HEX #E30242 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 2 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 2 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 71 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 71% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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