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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E30173 it is the complementary color #1CFE8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E30173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E30173 shade: #E8016E, #F91381, #FF2594, #FF37A7 and #FF49BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E30173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E30173 shade: #E30173, #D20060, #C1004D, #B0003A and #9F0027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E30173 shade: #E40174, #E40137 and #E40101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E30173 shade: #E40174, #E401B1, #DA01E4, #9D01E4 and #6001E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E30173 shade matches the following richer shades: #E40174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E30173 shade: #E40174, #D21474, #BF2673, #AD3973 and #9A4B73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E30173 shade: #D901E4, #E401B3, #E40177, #E4013A and #E40501

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E30173 shade: #92014A, #BB015F, #E40174, #FE1188 and #FE3A9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E30173 shade: #E30173, #E49C01 and #01D1E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E30173 shade: #E30173, #77E401 and #0177E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E30173 shade: #E30173, #E49C01, #01E46F and #0149E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E30173 shade: #E30173, #E4E101, #01E46F and #0105E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 49 / 11

HEX #E30173

RGB 227 1 115

HSL 329.73, 0.99%, 0.45%

LAB 49, 77.49, 2.74

 

Complementary color

CMYK 89 / 0 / 45 / 0

HEX #1CFE8C

RGB 28 254 140

HSL 149.73, 0.99%, 0.55%

LAB 88.46, -73.53, 40.84

 

CMYK 0 / 100 / 53 / 9

HEX #E8016E

RGB 232 1 110

HSL 331.69, 0.99%, 0.46%

LAB 49.86, 78.22, 7.18

 

CMYK 0 / 92 / 48 / 2

HEX #F91381

RGB 249 19 129

HSL 331.3, 0.95%, 0.53%

LAB 54.23, 81.91, 2.37

 

CMYK 0 / 85 / 42 / 0

HEX #FF2594

RGB 255 37 148

HSL 329.45, 1%, 0.57%

LAB 56.8, 82.27, -5.05

 

CMYK 0 / 78 / 35 / 0

HEX #FF37A7

RGB 255 55 167

HSL 326.4, 1%, 0.61%

LAB 58.77, 80.2, -13.26

 

CMYK 0 / 71 / 27 / 0

HEX #FF49BA

RGB 255 73 186

HSL 322.75, 1%, 0.64%

LAB 61.28, 77.1, -20.43

 

CMYK 0 / 100 / 49 / 11

HEX #E30173

RGB 227 1 115

HSL 329.73, 0.99%, 0.45%

LAB 49, 77.49, 2.74

 

CMYK 0 / 100 / 54 / 18

HEX #D20060

RGB 210 0 96

HSL 332.57, 1%, 0.41%

LAB 45.01, 72.44, 8.34

 

CMYK 0 / 100 / 60 / 24

HEX #C1004D

RGB 193 0 77

HSL 336.06, 1%, 0.38%

LAB 41.01, 67.32, 14.24

 

CMYK 0 / 100 / 67 / 31

HEX #B0003A

RGB 176 0 58

HSL 340.23, 1%, 0.35%

LAB 37, 62.21, 20.43

 

CMYK 0 / 100 / 75 / 38

HEX #9F0027

RGB 159 0 39

HSL 345.28, 1%, 0.31%

LAB 32.96, 57.15, 26.83

 

CMYK 0 / 100 / 49 / 11

HEX #E40174

RGB 228 1 116

HSL 329.6, 0.99%, 0.45%

LAB 49.22, 77.78, 2.48

 

CMYK 0 / 100 / 76 / 11

HEX #E40137

RGB 228 1 55

HSL 345.73, 0.99%, 0.45%

LAB 48, 74.49, 38.09

 

CMYK 0 / 100 / 100 / 11

HEX #E40101

RGB 228 1 1

HSL 0, 0.99%, 0.45%

LAB 47.65, 73.54, 61.48

 

CMYK 0 / 100 / 49 / 11

HEX #E40174

RGB 228 1 116

HSL 329.6, 0.99%, 0.45%

LAB 49.22, 77.78, 2.48

 

CMYK 0 / 100 / 22 / 11

HEX #E401B1

RGB 228 1 177

HSL 313.48, 0.99%, 0.45%

LAB 51.48, 83.63, -30.71

 

CMYK 4 / 100 / 0 / 11

HEX #DA01E4

RGB 218 1 228

HSL 297.36, 0.99%, 0.45%

LAB 52.43, 88.67, -58.72

 

CMYK 31 / 100 / 0 / 11

HEX #9D01E4

RGB 157 1 228

HSL 281.23, 0.99%, 0.45%

LAB 42.45, 80.45, -75.38

 

CMYK 58 / 100 / 0 / 11

HEX #6001E4

RGB 96 1 228

HSL 265.11, 0.99%, 0.45%

LAB 34.21, 75.1, -89.25

 

CMYK 0 / 100 / 49 / 11

HEX #E40174

RGB 228 1 116

HSL 329.6, 0.99%, 0.45%

LAB 49.22, 77.78, 2.48

 

CMYK 0 / 100 / 49 / 11

HEX #E40174

RGB 228 1 116

HSL 329.6, 0.99%, 0.45%

LAB 49.22, 77.78, 2.48

 

CMYK 0 / 90 / 45 / 18

HEX #D21474

RGB 210 20 116

HSL 329.68, 0.83%, 0.45%

LAB 46.26, 71.99, -2.27

 

CMYK 0 / 80 / 40 / 25

HEX #BF2673

RGB 191 38 115

HSL 329.8, 0.67%, 0.45%

LAB 43.8, 63.76, -5.7

 

CMYK 0 / 67 / 34 / 32

HEX #AD3973

RGB 173 57 115

HSL 330, 0.5%, 0.45%

LAB 42.84, 52.42, -7.48

 

CMYK 0 / 51 / 25 / 40

HEX #9A4B73

RGB 154 75 115

HSL 329.62, 0.34%, 0.45%

LAB 42.97, 37.83, -7.59

 

CMYK 5 / 100 / 0 / 11

HEX #D901E4

RGB 217 1 228

HSL 297.09, 0.99%, 0.45%

LAB 52.26, 88.51, -59.01

 

CMYK 0 / 100 / 21 / 11

HEX #E401B3

RGB 228 1 179

HSL 312.95, 0.99%, 0.45%

LAB 51.58, 83.86, -31.74

 

CMYK 0 / 100 / 48 / 11

HEX #E40177

RGB 228 1 119

HSL 328.81, 0.99%, 0.45%

LAB 49.31, 78.01, 0.77

 

CMYK 0 / 100 / 75 / 11

HEX #E4013A

RGB 228 1 58

HSL 344.93, 0.99%, 0.45%

LAB 48.03, 74.59, 36.37

 

CMYK 0 / 98 / 100 / 11

HEX #E40501

RGB 228 5 1

HSL 1.06, 0.99%, 0.45%

LAB 47.76, 73.21, 61.52

 

CMYK 0 / 99 / 49 / 43

HEX #92014A

RGB 146 1 74

HSL 329.79, 0.99%, 0.29%

LAB 30.94, 55.94, 0.56

 

CMYK 0 / 99 / 49 / 27

HEX #BB015F

RGB 187 1 95

HSL 329.68, 0.99%, 0.37%

LAB 40.27, 67.09, 1.55

 

CMYK 0 / 100 / 49 / 11

HEX #E40174

RGB 228 1 116

HSL 329.6, 0.99%, 0.45%

LAB 49.22, 77.78, 2.48

 

CMYK 0 / 93 / 46 / 0

HEX #FE1188

RGB 254 17 136

HSL 329.87, 0.99%, 0.53%

LAB 55.33, 83.74, -0.11

 

CMYK 0 / 77 / 38 / 0

HEX #FE3A9D

RGB 254 58 157

HSL 329.69, 0.99%, 0.61%

LAB 58.54, 78.19, -7.79

 

CMYK 0 / 100 / 49 / 11

HEX #E30173

RGB 227 1 115

HSL 329.73, 0.99%, 0.45%

LAB 49, 77.49, 2.74

 

CMYK 0 / 32 / 100 / 11

HEX #E49C01

RGB 228 156 1

HSL 40.97, 0.99%, 0.45%

LAB 69.66, 17.22, 73.81

 

CMYK 100 / 8 / 0 / 11

HEX #01D1E4

RGB 1 209 228

HSL 185.02, 0.99%, 0.45%

LAB 76.81, -35.54, -21.47

 

CMYK 0 / 100 / 49 / 11

HEX #E30173

RGB 227 1 115

HSL 329.73, 0.99%, 0.45%

LAB 49, 77.49, 2.74

 

CMYK 48 / 0 / 100 / 11

HEX #77E401

RGB 119 228 1

HSL 88.81, 0.99%, 0.45%

LAB 81.52, -60.74, 79.02

 

CMYK 100 / 48 / 0 / 11

HEX #0177E4

RGB 1 119 228

HSL 208.81, 0.99%, 0.45%

LAB 50.45, 13.96, -62.79

 

CMYK 0 / 100 / 49 / 11

HEX #E30173

RGB 227 1 115

HSL 329.73, 0.99%, 0.45%

LAB 49, 77.49, 2.74

 

CMYK 0 / 32 / 100 / 11

HEX #E49C01

RGB 228 156 1

HSL 40.97, 0.99%, 0.45%

LAB 69.66, 17.22, 73.81

 

CMYK 100 / 0 / 51 / 11

HEX #01E46F

RGB 1 228 111

HSL 149.07, 0.99%, 0.45%

LAB 79.98, -70.91, 44.07

 

CMYK 100 / 68 / 0 / 11

HEX #0149E4

RGB 1 73 228

HSL 220.97, 0.99%, 0.45%

LAB 38.5, 43.42, -82.29

 

CMYK 0 / 100 / 49 / 11

HEX #E30173

RGB 227 1 115

HSL 329.73, 0.99%, 0.45%

LAB 49, 77.49, 2.74

 

CMYK 0 / 1 / 100 / 11

HEX #E4E101

RGB 228 225 1

HSL 59.21, 0.99%, 0.45%

LAB 87.17, -18.34, 86.15

 

CMYK 100 / 0 / 51 / 11

HEX #01E46F

RGB 1 228 111

HSL 149.07, 0.99%, 0.45%

LAB 79.98, -70.91, 44.07

 

CMYK 100 / 98 / 0 / 11

HEX #0105E4

RGB 1 5 228

HSL 238.94, 0.99%, 0.45%

LAB 28.69, 71.89, -98.61

 

Description

Color code: HEX #E30173 | qconv.com Color code: HEX #E30173 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 1 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 1 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 49 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 49% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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