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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E30082 it is the complementary color #1CFF7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E30082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E30082 shade: #E8007D, #F91290, #FF24A3, #FF36B6 and #FF48C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E30082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E30082 shade: #E30082, #D2006F, #C1005C, #B00049 and #9F0036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E30082 shade: #E60083, #E60046, #E60008 and #E60000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E30082 shade: #E60083, #E600C1, #CC00E6, #8E00E6 and #5000E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E30082 shade matches the following richer shades: #E60083

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E30082 shade: #E60083, #D31381, #C0257E, #AE387B and #9B4A79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E30082 shade: #CB00E6, #E600C3, #E60086, #E60049 and #E6000B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E30082 shade: #930054, #BC006C, #E60083, #FF1099 and #FF39AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E30082 shade: #E30082, #E68E00 and #00E2E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E30082 shade: #E30082, #86E600 and #0086E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E30082 shade: #E30082, #E68E00, #00E660 and #0058E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E30082 shade: #E30082, #E6D200, #00E660 and #0013E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 43 / 11

HEX #E30082

RGB 227 0 130

HSL 325.64, 1%, 0.45%

LAB 49.43, 78.77, -5.79

 

Complementary color

CMYK 89 / 0 / 51 / 0

HEX #1CFF7D

RGB 28 255 125

HSL 145.64, 1%, 0.55%

LAB 88.57, -76.21, 48.1

 

CMYK 0 / 100 / 46 / 9

HEX #E8007D

RGB 232 0 125

HSL 327.67, 1%, 0.45%

LAB 50.26, 79.42, -1.41

 

CMYK 0 / 93 / 42 / 2

HEX #F91290

RGB 249 18 144

HSL 327.27, 0.95%, 0.52%

LAB 54.64, 83.22, -6

 

CMYK 0 / 86 / 36 / 0

HEX #FF24A3

RGB 255 36 163

HSL 325.21, 1%, 0.57%

LAB 57.24, 83.82, -13.24

 

CMYK 0 / 79 / 29 / 0

HEX #FF36B6

RGB 255 54 182

HSL 321.79, 1%, 0.61%

LAB 59.23, 82.05, -21.27

 

CMYK 0 / 72 / 21 / 0

HEX #FF48C9

RGB 255 72 201

HSL 317.7, 1%, 0.64%

LAB 61.75, 79.24, -28.28

 

CMYK 0 / 100 / 43 / 11

HEX #E30082

RGB 227 0 130

HSL 325.64, 1%, 0.45%

LAB 49.43, 78.77, -5.79

 

CMYK 0 / 100 / 47 / 18

HEX #D2006F

RGB 210 0 111

HSL 328.29, 1%, 0.41%

LAB 45.43, 73.56, -0.4

 

CMYK 0 / 100 / 52 / 24

HEX #C1005C

RGB 193 0 92

HSL 331.4, 1%, 0.38%

LAB 41.39, 68.32, 5.24

 

CMYK 0 / 100 / 59 / 31

HEX #B00049

RGB 176 0 73

HSL 335.11, 1%, 0.35%

LAB 37.32, 63.08, 11.16

 

CMYK 0 / 100 / 66 / 38

HEX #9F0036

RGB 159 0 54

HSL 339.62, 1%, 0.31%

LAB 33.22, 57.85, 17.41

 

CMYK 0 / 100 / 43 / 10

HEX #E60083

RGB 230 0 131

HSL 325.83, 1%, 0.45%

LAB 50.05, 79.49, -5.4

 

CMYK 0 / 100 / 70 / 10

HEX #E60046

RGB 230 0 70

HSL 341.74, 1%, 0.45%

LAB 48.59, 75.61, 29.94

 

CMYK 0 / 100 / 97 / 10

HEX #E60008

RGB 230 0 8

HSL 357.91, 1%, 0.45%

LAB 48.06, 74.16, 59.9

 

CMYK 0 / 100 / 100 / 10

HEX #E60000

RGB 230 0 0

HSL 0, 1%, 0.45%

LAB 48.04, 74.1, 62.17

 

CMYK 0 / 100 / 43 / 10

HEX #E60083

RGB 230 0 131

HSL 325.83, 1%, 0.45%

LAB 50.05, 79.49, -5.4

 

CMYK 0 / 100 / 16 / 10

HEX #E600C1

RGB 230 0 193

HSL 309.65, 1%, 0.45%

LAB 52.59, 85.97, -38.29

 

CMYK 11 / 100 / 0 / 10

HEX #CC00E6

RGB 204 0 230

HSL 293.22, 1%, 0.45%

LAB 50.16, 86.97, -63.64

 

CMYK 38 / 100 / 0 / 10

HEX #8E00E6

RGB 142 0 230

HSL 277.04, 1%, 0.45%

LAB 40.35, 79.33, -80.05

 

CMYK 65 / 100 / 0 / 10

HEX #5000E6

RGB 80 0 230

HSL 260.87, 1%, 0.45%

LAB 32.74, 74.85, -92.88

 

CMYK 0 / 100 / 43 / 10

HEX #E60083

RGB 230 0 131

HSL 325.83, 1%, 0.45%

LAB 50.05, 79.49, -5.4

 

CMYK 0 / 100 / 43 / 10

HEX #E60083

RGB 230 0 131

HSL 325.83, 1%, 0.45%

LAB 50.05, 79.49, -5.4

 

CMYK 0 / 91 / 39 / 17

HEX #D31381

RGB 211 19 129

HSL 325.63, 0.83%, 0.45%

LAB 46.84, 73.52, -9.37

 

CMYK 0 / 81 / 34 / 25

HEX #C0257E

RGB 192 37 126

HSL 325.55, 0.68%, 0.45%

LAB 44.28, 65.42, -11.74

 

CMYK 0 / 68 / 29 / 32

HEX #AE387B

RGB 174 56 123

HSL 325.93, 0.51%, 0.45%

LAB 43.15, 54.1, -11.93

 

CMYK 0 / 52 / 22 / 39

HEX #9B4A79

RGB 155 74 121

HSL 325.19, 0.35%, 0.45%

LAB 43.13, 39.6, -11.02

 

CMYK 12 / 100 / 0 / 10

HEX #CB00E6

RGB 203 0 230

HSL 292.96, 1%, 0.45%

LAB 49.99, 86.83, -63.92

 

CMYK 0 / 100 / 15 / 10

HEX #E600C3

RGB 230 0 195

HSL 309.13, 1%, 0.45%

LAB 52.69, 86.22, -39.29

 

CMYK 0 / 100 / 42 / 10

HEX #E60086

RGB 230 0 134

HSL 325.04, 1%, 0.45%

LAB 50.15, 79.74, -7.07

 

CMYK 0 / 100 / 68 / 10

HEX #E60049

RGB 230 0 73

HSL 340.96, 1%, 0.45%

LAB 48.64, 75.74, 28.17

 

CMYK 0 / 100 / 95 / 10

HEX #E6000B

RGB 230 0 11

HSL 357.13, 1%, 0.45%

LAB 48.07, 74.18, 59.09

 

CMYK 0 / 100 / 43 / 42

HEX #930054

RGB 147 0 84

HSL 325.71, 1%, 0.29%

LAB 31.45, 57.22, -5.28

 

CMYK 0 / 100 / 43 / 26

HEX #BC006C

RGB 188 0 108

HSL 325.53, 1%, 0.37%

LAB 40.85, 68.51, -5.78

 

CMYK 0 / 100 / 43 / 10

HEX #E60083

RGB 230 0 131

HSL 325.83, 1%, 0.45%

LAB 50.05, 79.49, -5.4

 

CMYK 0 / 94 / 40 / 0

HEX #FF1099

RGB 255 16 153

HSL 325.61, 1%, 0.53%

LAB 56.02, 85.46, -9.18

 

CMYK 0 / 78 / 33 / 0

HEX #FF39AA

RGB 255 57 170

HSL 325.76, 1%, 0.61%

LAB 59.06, 80, -14.58

 

CMYK 0 / 100 / 43 / 11

HEX #E30082

RGB 227 0 130

HSL 325.64, 1%, 0.45%

LAB 49.43, 78.77, -5.79

 

CMYK 0 / 38 / 100 / 10

HEX #E68E00

RGB 230 142 0

HSL 37.04, 1%, 0.45%

LAB 66.65, 25.52, 72.08

 

CMYK 100 / 2 / 0 / 10

HEX #00E2E6

RGB 0 226 230

HSL 181.04, 1%, 0.45%

LAB 81.9, -42.71, -14.85

 

CMYK 0 / 100 / 43 / 11

HEX #E30082

RGB 227 0 130

HSL 325.64, 1%, 0.45%

LAB 49.43, 78.77, -5.79

 

CMYK 42 / 0 / 100 / 10

HEX #86E600

RGB 134 230 0

HSL 85.04, 1%, 0.45%

LAB 82.73, -56.82, 80.32

 

CMYK 100 / 42 / 0 / 10

HEX #0086E6

RGB 0 134 230

HSL 205.04, 1%, 0.45%

LAB 54.83, 5.42, -56.88

 

CMYK 0 / 100 / 43 / 11

HEX #E30082

RGB 227 0 130

HSL 325.64, 1%, 0.45%

LAB 49.43, 78.77, -5.79

 

CMYK 0 / 38 / 100 / 10

HEX #E68E00

RGB 230 142 0

HSL 37.04, 1%, 0.45%

LAB 66.65, 25.52, 72.08

 

CMYK 100 / 0 / 58 / 10

HEX #00E660

RGB 0 230 96

HSL 145.04, 1%, 0.45%

LAB 80.43, -73.66, 51.53

 

CMYK 100 / 62 / 0 / 10

HEX #0058E6

RGB 0 88 230

HSL 217.04, 1%, 0.45%

LAB 42.3, 34.64, -77.19

 

CMYK 0 / 100 / 43 / 11

HEX #E30082

RGB 227 0 130

HSL 325.64, 1%, 0.45%

LAB 49.43, 78.77, -5.79

 

CMYK 0 / 9 / 100 / 10

HEX #E6D200

RGB 230 210 0

HSL 54.78, 1%, 0.45%

LAB 83.4, -10.07, 83.58

 

CMYK 100 / 0 / 58 / 10

HEX #00E660

RGB 0 230 96

HSL 145.04, 1%, 0.45%

LAB 80.43, -73.66, 51.53

 

CMYK 100 / 92 / 0 / 10

HEX #0013E6

RGB 0 19 230

HSL 235.04, 1%, 0.45%

LAB 29.86, 69.59, -97.79

 

Description

Color code: HEX #E30082 | qconv.com Color code: HEX #E30082 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, none green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 0 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 43 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 43% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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