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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2FFD4BF it is the complementary color #1D002BBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2FFD4BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2FFD4BF shade: #E7FFCFBF, #F8FFE2BF, #FFFFF5BF and #FFFFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2FFD4BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2FFD4BF shade: #E2FFD4BF, #D1EDC1BF, #C0DBAEBF, #AFC99BBF and #9EB788BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2FFD4BF shade: #E3FFD6, #EEFFD6, #F9FFD6, #FFFAD6 and #FFEFD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2FFD4BF shade: #E3FFD6, #D8FFD6, #D6FFDF, #D6FFEA and #D6FFF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2FFD4BF shade matches the following richer shades: #E3FFD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2FFD4BF shade: #E3FFD6, #E5FCDA, #E6F8DD, #E7F5E0 and #E8F2E3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2FFD4BF shade: #FAFFD6, #EFFFD6, #E4FFD6, #D9FFD6 and #D6FFDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2FFD4BF shade: #ACFF84, #C8FFAD, #E3FFD6 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2FFD4BF shade: #E2FFD4, #D6FFFA and #FFD6F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2FFD4BF shade: #E2FFD4, #D6E4FF and #FFD6E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2FFD4BF shade: #E2FFD4, #D6FFFA, #F1D6FF and #FFD6DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2FFD4BF shade: #E2FFD4, #D6F8FF, #F1D6FF and #FFDDD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 13 / 0

HEX #E2FFD4BF

RGBA 226 255 212 0.75

HSLA 100.47, 1%, 0.92%, 0.75

LABA 97, -16.95, 17.44, 0.75

 

Complementary color

CMYK 24 / 75 / 0 / 62

HEX #1D002BBF

RGBA 29 0 43 0.75

HSLA 280.47, 1%, 0.08%, 0.75

LABA 3.94, 21.5, -21.07, 0.75

 

CMYK 7 / 0 / 14 / 0

HEX #E7FFCFBF

RGBA 231 255 207 0.75

HSLA 90, 1%, 0.91%, 0.75

LABA 97.23, -16.03, 20.37, 0.75

 

CMYK 2 / 0 / 9 / 0

HEX #F8FFE2BF

RGBA 248 255 226 0.75

HSLA 74.48, 1%, 0.94%, 0.75

LABA 98.82, -7.2, 13.07, 0.75

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF5BF

RGBA 255 255 245 0.75

HSLA 60, 1%, 0.98%, 0.75

LABA 99.76, -1.71, 4.76, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

 

CMYK 9 / 0 / 13 / 0

HEX #E2FFD4BF

RGBA 226 255 212 0.75

HSLA 100.47, 1%, 0.92%, 0.75

LABA 97, -16.95, 17.44, 0.75

 

CMYK 9 / 0 / 14 / 5

HEX #D1EDC1BF

RGBA 209 237 193 0.75

HSLA 98.18, 0.55%, 0.84%, 0.75

LABA 90.77, -16.99, 18.3, 0.75

 

CMYK 9 / 0 / 15 / 11

HEX #C0DBAEBF

RGBA 192 219 174 0.75

HSLA 96, 0.38%, 0.77%, 0.75

LABA 84.45, -17.03, 19.2, 0.75

 

CMYK 10 / 0 / 17 / 16

HEX #AFC99BBF

RGBA 175 201 155 0.75

HSLA 93.91, 0.3%, 0.7%, 0.75

LABA 78.02, -17.08, 20.14, 0.75

 

CMYK 10 / 0 / 19 / 21

HEX #9EB788BF

RGBA 158 183 136 0.75

HSLA 91.91, 0.25%, 0.63%, 0.75

LABA 71.5, -17.13, 21.14, 0.75

 

CMYK 11 / 0 / 16 / 0

HEX #E3FFD6

RGB 227 255 214

HSL 100.98, 1%, 0.92%

LAB 97.11, -16.28, 16.58

 

CMYK 7 / 0 / 16 / 0

HEX #EEFFD6

RGB 238 255 214

HSL 84.88, 1%, 0.92%

LAB 97.85, -12.53, 17.74

 

CMYK 2 / 0 / 16 / 0

HEX #F9FFD6

RGB 249 255 214

HSL 68.78, 1%, 0.92%

LAB 98.64, -8.72, 18.95

 

CMYK 0 / 2 / 16 / 0

HEX #FFFAD6

RGB 255 250 214

HSL 52.68, 1%, 0.92%

LAB 97.83, -4.12, 17.88

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD6

RGB 255 239 214

HSL 36.59, 1%, 0.92%

LAB 95.1, 1.42, 14.03

 

CMYK 11 / 0 / 16 / 0

HEX #E3FFD6

RGB 227 255 214

HSL 100.98, 1%, 0.92%

LAB 97.11, -16.28, 16.58

 

CMYK 15 / 0 / 16 / 0

HEX #D8FFD6

RGB 216 255 214

HSL 117.07, 1%, 0.92%

LAB 96.4, -19.96, 15.48

 

CMYK 16 / 0 / 13 / 0

HEX #D6FFDF

RGB 214 255 223

HSL 133.17, 1%, 0.92%

LAB 96.47, -19.05, 10.95

 

CMYK 16 / 0 / 8 / 0

HEX #D6FFEA

RGB 214 255 234

HSL 149.27, 1%, 0.92%

LAB 96.72, -17.06, 5.66

 

CMYK 16 / 0 / 4 / 0

HEX #D6FFF5

RGB 214 255 245

HSL 165.37, 1%, 0.92%

LAB 96.99, -14.98, 0.39

 

CMYK 11 / 0 / 16 / 0

HEX #E3FFD6

RGB 227 255 214

HSL 100.98, 1%, 0.92%

LAB 97.11, -16.28, 16.58

 

CMYK 11 / 0 / 16 / 0

HEX #E3FFD6

RGB 227 255 214

HSL 100.98, 1%, 0.92%

LAB 97.11, -16.28, 16.58

 

CMYK 9 / 0 / 13 / 1

HEX #E5FCDA

RGB 229 252 218

HSL 100.59, 0.85%, 0.92%

LAB 96.55, -13.48, 13.77

 

CMYK 7 / 0 / 11 / 3

HEX #E6F8DD

RGB 230 248 221

HSL 100, 0.66%, 0.92%

LAB 95.65, -10.66, 10.96

 

CMYK 6 / 0 / 9 / 4

HEX #E7F5E0

RGB 231 245 224

HSL 100, 0.51%, 0.92%

LAB 95.02, -8.32, 8.52

 

CMYK 4 / 0 / 6 / 5

HEX #E8F2E3

RGB 232 242 227

HSL 100, 0.37%, 0.92%

LAB 94.4, -5.96, 6.08

 

CMYK 2 / 0 / 16 / 0

HEX #FAFFD6

RGB 250 255 214

HSL 67.32, 1%, 0.92%

LAB 98.71, -8.37, 19.07

 

CMYK 6 / 0 / 16 / 0

HEX #EFFFD6

RGB 239 255 214

HSL 83.41, 1%, 0.92%

LAB 97.92, -12.19, 17.85

 

CMYK 11 / 0 / 16 / 0

HEX #E4FFD6

RGB 228 255 214

HSL 99.51, 1%, 0.92%

LAB 97.17, -15.95, 16.69

 

CMYK 15 / 0 / 16 / 0

HEX #D9FFD6

RGB 217 255 214

HSL 115.61, 1%, 0.92%

LAB 96.46, -19.63, 15.58

 

CMYK 16 / 0 / 13 / 0

HEX #D6FFDE

RGB 214 255 222

HSL 131.71, 1%, 0.92%

LAB 96.45, -19.23, 11.43

 

CMYK 33 / 0 / 48 / 0

HEX #ACFF84

RGB 172 255 132

HSL 100.49, 1%, 0.76%

LAB 92.56, -46.42, 50.62

 

CMYK 22 / 0 / 32 / 0

HEX #C8FFAD

RGB 200 255 173

HSL 100.24, 1%, 0.84%

LAB 94.66, -31.73, 33.71

 

CMYK 11 / 0 / 16 / 0

HEX #E3FFD6

RGB 227 255 214

HSL 100.98, 1%, 0.92%

LAB 97.11, -16.28, 16.58

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 11 / 0 / 17 / 0

HEX #E2FFD4

RGB 226 255 212

HSL 100.47, 1%, 0.92%

LAB 97, -16.95, 17.44

 

CMYK 16 / 0 / 2 / 0

HEX #D6FFFA

RGB 214 255 250

HSL 172.68, 1%, 0.92%

LAB 97.11, -14.01, -1.99

 

CMYK 0 / 16 / 4 / 0

HEX #FFD6F4

RGB 255 214 244

HSL 316.1, 1%, 0.92%

LAB 89.81, 19.18, -9.31

 

CMYK 11 / 0 / 17 / 0

HEX #E2FFD4

RGB 226 255 212

HSL 100.47, 1%, 0.92%

LAB 97, -16.95, 17.44

 

CMYK 16 / 11 / 0 / 0

HEX #D6E4FF

RGB 214 228 255

HSL 219.51, 1%, 0.92%

LAB 90.32, 0.7, -14.65

 

CMYK 0 / 16 / 11 / 0

HEX #FFD6E4

RGB 255 214 228

HSL 339.51, 1%, 0.92%

LAB 89.37, 16.5, -1.53

 

CMYK 11 / 0 / 17 / 0

HEX #E2FFD4

RGB 226 255 212

HSL 100.47, 1%, 0.92%

LAB 97, -16.95, 17.44

 

CMYK 16 / 0 / 2 / 0

HEX #D6FFFA

RGB 214 255 250

HSL 172.68, 1%, 0.92%

LAB 97.11, -14.01, -1.99

 

CMYK 5 / 16 / 0 / 0

HEX #F1D6FF

RGB 241 214 255

HSL 279.51, 1%, 0.92%

LAB 88.93, 16.58, -16.53

 

CMYK 0 / 16 / 14 / 0

HEX #FFD6DC

RGB 255 214 220

HSL 351.22, 1%, 0.92%

LAB 89.17, 15.22, 2.39

 

CMYK 11 / 0 / 17 / 0

HEX #E2FFD4

RGB 226 255 212

HSL 100.47, 1%, 0.92%

LAB 97, -16.95, 17.44

 

CMYK 16 / 3 / 0 / 0

HEX #D6F8FF

RGB 214 248 255

HSL 190.24, 1%, 0.92%

LAB 95.43, -9.52, -7.04

 

CMYK 5 / 16 / 0 / 0

HEX #F1D6FF

RGB 241 214 255

HSL 279.51, 1%, 0.92%

LAB 88.93, 16.58, -16.53

 

CMYK 0 / 13 / 16 / 0

HEX #FFDDD6

RGB 255 221 214

HSL 10.24, 1%, 0.92%

LAB 90.7, 10.65, 7.76

 

Description

Color code: HEX #E2FFD4BF | qconv.com Color code: HEX #E2FFD4BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 255 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 255 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 13 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 13% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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