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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2F365 it is the complementary color #1D0C9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2F365. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2F365 shade: #E7F360, #F8FF73, #FFFF86, #FFFF99 and #FFFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2F365. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2F365 shade: #E2F365, #D1E152, #C0CF3F, #AFBD2C and #9EAB19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2F365 shade: #E2F362, #F3DE62, #F3B662, #F38F62 and #F36862

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2F365 shade: #E2F362, #BBF362, #94F362, #6DF362 and #62F37F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2F365 shade matches the following richer shades: #E2F362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2F365 shade: #E2F362, #D8E670, #CDD87E, #C3CA8B and #B8BD99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2F365 shade: #F3B762, #F3DE62, #E2F362, #BCF362 and #95F362

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2F365 shade: #D4ED16, #DBF03C, #E2F362, #E9F689 and #F0F9AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2F365 shade: #E2F365, #62F390 and #CA62F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2F365 shade: #E2F365, #62E2F3 and #F362E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2F365 shade: #E2F365, #62F390, #7362F3 and #F362C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2F365 shade: #E2F365, #62F3BC, #7362F3 and #F3629A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 58 / 5

HEX #E2F365

RGB 226 243 101

HSL 67.18, 0.86%, 0.67%

LAB 92.22, -24.25, 64.91

 

Complementary color

CMYK 81 / 92 / 0 / 40

HEX #1D0C9A

RGB 29 12 154

HSL 247.18, 0.86%, 0.33%

LAB 19.46, 51.31, -70.12

 

CMYK 5 / 0 / 60 / 5

HEX #E7F360

RGB 231 243 96

HSL 64.9, 0.86%, 0.66%

LAB 92.55, -22.62, 67.45

 

CMYK 3 / 0 / 55 / 0

HEX #F8FF73

RGB 248 255 115

HSL 63, 1%, 0.73%

LAB 97.11, -20.3, 64.84

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 7 / 0 / 58 / 5

HEX #E2F365

RGB 226 243 101

HSL 67.18, 0.86%, 0.67%

LAB 92.22, -24.25, 64.91

 

CMYK 7 / 0 / 64 / 12

HEX #D1E152

RGB 209 225 82

HSL 66.71, 0.7%, 0.6%

LAB 86.01, -23.71, 65.66

 

CMYK 7 / 0 / 70 / 19

HEX #C0CF3F

RGB 192 207 63

HSL 66.25, 0.6%, 0.53%

LAB 79.72, -23.05, 66.11

 

CMYK 7 / 0 / 77 / 26

HEX #AFBD2C

RGB 175 189 44

HSL 65.79, 0.62%, 0.46%

LAB 73.34, -22.24, 66

 

CMYK 8 / 0 / 85 / 33

HEX #9EAB19

RGB 158 171 25

HSL 65.34, 0.74%, 0.38%

LAB 66.87, -21.23, 64.97

 

CMYK 7 / 0 / 60 / 5

HEX #E2F362

RGB 226 243 98

HSL 67.03, 0.86%, 0.67%

LAB 92.2, -24.47, 66.14

 

CMYK 0 / 9 / 60 / 5

HEX #F3DE62

RGB 243 222 98

HSL 51.31, 0.86%, 0.67%

LAB 88.05, -7.35, 61.96

 

CMYK 0 / 25 / 60 / 5

HEX #F3B662

RGB 243 182 98

HSL 34.76, 0.86%, 0.67%

LAB 78.11, 13.27, 50.66

 

CMYK 0 / 41 / 60 / 5

HEX #F38F62

RGB 243 143 98

HSL 18.62, 0.86%, 0.67%

LAB 69.17, 33.78, 39.97

 

CMYK 0 / 57 / 60 / 5

HEX #F36862

RGB 243 104 98

HSL 2.48, 0.86%, 0.67%

LAB 61.51, 53.02, 30.38

 

CMYK 7 / 0 / 60 / 5

HEX #E2F362

RGB 226 243 98

HSL 67.03, 0.86%, 0.67%

LAB 92.2, -24.47, 66.14

 

CMYK 23 / 0 / 60 / 5

HEX #BBF362

RGB 187 243 98

HSL 83.17, 0.86%, 0.67%

LAB 89.65, -39.36, 62.61

 

CMYK 39 / 0 / 60 / 5

HEX #94F362

RGB 148 243 98

HSL 99.31, 0.86%, 0.67%

LAB 87.62, -52.75, 59.78

 

CMYK 55 / 0 / 60 / 5

HEX #6DF362

RGB 109 243 98

HSL 115.45, 0.86%, 0.67%

LAB 86.12, -63.75, 57.68

 

CMYK 60 / 0 / 48 / 5

HEX #62F37F

RGB 98 243 127

HSL 132, 0.86%, 0.67%

LAB 86.12, -62.64, 44.37

 

CMYK 7 / 0 / 60 / 5

HEX #E2F362

RGB 226 243 98

HSL 67.03, 0.86%, 0.67%

LAB 92.2, -24.47, 66.14

 

CMYK 7 / 0 / 60 / 5

HEX #E2F362

RGB 226 243 98

HSL 67.03, 0.86%, 0.67%

LAB 92.2, -24.47, 66.14

 

CMYK 6 / 0 / 51 / 10

HEX #D8E670

RGB 216 230 112

HSL 67.12, 0.7%, 0.67%

LAB 88.14, -21.07, 55.23

 

CMYK 5 / 0 / 42 / 15

HEX #CDD87E

RGB 205 216 126

HSL 67.33, 0.54%, 0.67%

LAB 83.76, -17.15, 43.03

 

CMYK 3 / 0 / 31 / 21

HEX #C3CA8B

RGB 195 202 139

HSL 66.67, 0.37%, 0.67%

LAB 79.45, -12.45, 30.72

 

CMYK 3 / 0 / 19 / 26

HEX #B8BD99

RGB 184 189 153

HSL 68.33, 0.21%, 0.67%

LAB 75.38, -7.93, 17.65

 

CMYK 0 / 25 / 60 / 5

HEX #F3B762

RGB 243 183 98

HSL 35.17, 0.86%, 0.67%

LAB 78.35, 12.75, 50.94

 

CMYK 0 / 9 / 60 / 5

HEX #F3DE62

RGB 243 222 98

HSL 51.31, 0.86%, 0.67%

LAB 88.05, -7.35, 61.96

 

CMYK 7 / 0 / 60 / 5

HEX #E2F362

RGB 226 243 98

HSL 67.03, 0.86%, 0.67%

LAB 92.2, -24.47, 66.14

 

CMYK 23 / 0 / 60 / 5

HEX #BCF362

RGB 188 243 98

HSL 82.76, 0.86%, 0.67%

LAB 89.71, -39, 62.69

 

CMYK 39 / 0 / 60 / 5

HEX #95F362

RGB 149 243 98

HSL 98.9, 0.86%, 0.67%

LAB 87.67, -52.43, 59.84

 

CMYK 11 / 0 / 91 / 7

HEX #D4ED16

RGB 212 237 22

HSL 66.98, 0.86%, 0.51%

LAB 89.22, -30.45, 85.18

 

CMYK 9 / 0 / 75 / 6

HEX #DBF03C

RGB 219 240 60

HSL 67, 0.86%, 0.59%

LAB 90.65, -27.95, 78.22

 

CMYK 7 / 0 / 60 / 5

HEX #E2F362

RGB 226 243 98

HSL 67.03, 0.86%, 0.67%

LAB 92.2, -24.47, 66.14

 

CMYK 5 / 0 / 44 / 4

HEX #E9F689

RGB 233 246 137

HSL 67.16, 0.86%, 0.75%

LAB 93.9, -19.88, 50.76

 

CMYK 4 / 0 / 30 / 2

HEX #F0F9AF

RGB 240 249 175

HSL 67.3, 0.86%, 0.83%

LAB 95.74, -14.41, 34.61

 

CMYK 7 / 0 / 58 / 5

HEX #E2F365

RGB 226 243 101

HSL 67.18, 0.86%, 0.67%

LAB 92.22, -24.25, 64.91

 

CMYK 60 / 0 / 41 / 5

HEX #62F390

RGB 98 243 144

HSL 139.03, 0.86%, 0.67%

LAB 86.36, -60.01, 36.38

 

CMYK 17 / 60 / 0 / 5

HEX #CA62F3

RGB 202 98 243

HSL 283.03, 0.86%, 0.67%

LAB 59.67, 63.24, -55.67

 

CMYK 7 / 0 / 58 / 5

HEX #E2F365

RGB 226 243 101

HSL 67.18, 0.86%, 0.67%

LAB 92.22, -24.25, 64.91

 

CMYK 60 / 7 / 0 / 5

HEX #62E2F3

RGB 98 226 243

HSL 187.03, 0.86%, 0.67%

LAB 83.68, -30.37, -18.9

 

CMYK 0 / 60 / 7 / 5

HEX #F362E2

RGB 243 98 226

HSL 307.03, 0.86%, 0.67%

LAB 64.39, 70.3, -38.4

 

CMYK 7 / 0 / 58 / 5

HEX #E2F365

RGB 226 243 101

HSL 67.18, 0.86%, 0.67%

LAB 92.22, -24.25, 64.91

 

CMYK 60 / 0 / 41 / 5

HEX #62F390

RGB 98 243 144

HSL 139.03, 0.86%, 0.67%

LAB 86.36, -60.01, 36.38

 

CMYK 53 / 60 / 0 / 5

HEX #7362F3

RGB 115 98 243

HSL 247.03, 0.86%, 0.67%

LAB 50.51, 44.47, -70.89

 

CMYK 0 / 60 / 19 / 5

HEX #F362C5

RGB 243 98 197

HSL 319.03, 0.86%, 0.67%

LAB 63.19, 66.02, -23.94

 

CMYK 7 / 0 / 58 / 5

HEX #E2F365

RGB 226 243 101

HSL 67.18, 0.86%, 0.67%

LAB 92.22, -24.25, 64.91

 

CMYK 60 / 0 / 23 / 5

HEX #62F3BC

RGB 98 243 188

HSL 157.24, 0.86%, 0.67%

LAB 87.16, -51.61, 15.07

 

CMYK 53 / 60 / 0 / 5

HEX #7362F3

RGB 115 98 243

HSL 247.03, 0.86%, 0.67%

LAB 50.51, 44.47, -70.89

 

CMYK 0 / 60 / 37 / 5

HEX #F3629A

RGB 243 98 154

HSL 336.83, 0.86%, 0.67%

LAB 61.76, 60.67, -1.48

 

Description

Color code: HEX #E2F365 | qconv.com Color code: HEX #E2F365 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 243 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 243 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 58 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 58% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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