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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2F036 it is the complementary color #1D0FC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2F036. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2F036 shade: #E7F031, #F8FF44, #FFFF57, #FFFF6A and #FFFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2F036. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2F036 shade: #E2F036, #D1DE23, #C0CC10, #AFBA00 and #9EA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2F036 shade: #E2F038, #F0CC38, #F09B38, #F06938 and #F03838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2F036 shade: #E2F038, #B0F038, #7FF038, #4DF038 and #38F054

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2F036 shade matches the following richer shades: #E2F038

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2F036 shade: #E2F038, #D3DF49, #C5CD5A, #B6BC6C and #A7AB7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2F036 shade: #F09A38, #F0CB38, #E4F038, #B3F038 and #81F038

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2F036 shade: #B9C60F, #DCED12, #E2F038, #E8F35E and #EDF685

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2F036 shade: #E2F036, #38F069 and #B338F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2F036 shade: #E2F036, #38E4F0 and #F038E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2F036 shade: #E2F036, #38F069, #4438F0 and #F038BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2F036 shade: #E2F036, #38F0A0, #4438F0 and #F03888

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 78 / 6

HEX #E2F036

RGB 226 240 54

HSL 64.52, 0.86%, 0.58%

LAB 91.12, -25.35, 80.58

 

Complementary color

CMYK 86 / 93 / 0 / 21

HEX #1D0FC9

RGB 29 15 201

HSL 244.52, 0.86%, 0.42%

LAB 26.22, 63.31, -87.07

 

CMYK 4 / 0 / 80 / 6

HEX #E7F031

RGB 231 240 49

HSL 62.83, 0.86%, 0.57%

LAB 91.47, -23.48, 82.36

 

CMYK 3 / 0 / 73 / 0

HEX #F8FF44

RGB 248 255 68

HSL 62.25, 1%, 0.63%

LAB 96.78, -23.01, 82.24

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 6 / 0 / 78 / 6

HEX #E2F036

RGB 226 240 54

HSL 64.52, 0.86%, 0.58%

LAB 91.12, -25.35, 80.58

 

CMYK 6 / 0 / 84 / 13

HEX #D1DE23

RGB 209 222 35

HSL 64.17, 0.74%, 0.5%

LAB 84.96, -24.34, 79.43

 

CMYK 6 / 0 / 92 / 20

HEX #C0CC10

RGB 192 204 16

HSL 63.83, 0.85%, 0.43%

LAB 78.71, -23.14, 77.13

 

CMYK 6 / 0 / 100 / 27

HEX #AFBA00

RGB 175 186 0

HSL 63.55, 1%, 0.36%

LAB 72.38, -21.77, 73.5

 

CMYK 6 / 0 / 100 / 34

HEX #9EA800

RGB 158 168 0

HSL 63.57, 1%, 0.33%

LAB 65.96, -20.18, 68.16

 

CMYK 6 / 0 / 77 / 6

HEX #E2F038

RGB 226 240 56

HSL 64.57, 0.86%, 0.58%

LAB 91.13, -25.28, 80.03

 

CMYK 0 / 15 / 77 / 6

HEX #F0CC38

RGB 240 204 56

HSL 48.26, 0.86%, 0.58%

LAB 82.91, -1.66, 72.98

 

CMYK 0 / 35 / 77 / 6

HEX #F09B38

RGB 240 155 56

HSL 32.28, 0.86%, 0.58%

LAB 71.05, 24, 61.85

 

CMYK 0 / 56 / 77 / 6

HEX #F06938

RGB 240 105 56

HSL 15.98, 0.86%, 0.58%

LAB 60.71, 49.3, 51.66

 

CMYK 0 / 77 / 77 / 6

HEX #F03838

RGB 240 56 56

HSL 0, 0.86%, 0.58%

LAB 53.64, 68.37, 44.34

 

CMYK 6 / 0 / 77 / 6

HEX #E2F038

RGB 226 240 56

HSL 64.57, 0.86%, 0.58%

LAB 91.13, -25.28, 80.03

 

CMYK 27 / 0 / 77 / 6

HEX #B0F038

RGB 176 240 56

HSL 80.87, 0.86%, 0.58%

LAB 87.89, -44.77, 75.86

 

CMYK 47 / 0 / 77 / 6

HEX #7FF038

RGB 127 240 56

HSL 96.85, 0.86%, 0.58%

LAB 85.56, -61.13, 72.85

 

CMYK 68 / 0 / 77 / 6

HEX #4DF038

RGB 77 240 56

HSL 113.15, 0.86%, 0.58%

LAB 84.06, -73.14, 70.88

 

CMYK 77 / 0 / 65 / 6

HEX #38F054

RGB 56 240 84

HSL 129.13, 0.86%, 0.58%

LAB 83.86, -74.15, 60.63

 

CMYK 6 / 0 / 77 / 6

HEX #E2F038

RGB 226 240 56

HSL 64.57, 0.86%, 0.58%

LAB 91.13, -25.28, 80.03

 

CMYK 6 / 0 / 77 / 6

HEX #E2F038

RGB 226 240 56

HSL 64.57, 0.86%, 0.58%

LAB 91.13, -25.28, 80.03

 

CMYK 5 / 0 / 67 / 13

HEX #D3DF49

RGB 211 223 73

HSL 64.8, 0.7%, 0.58%

LAB 85.56, -22.47, 68.72

 

CMYK 4 / 0 / 56 / 20

HEX #C5CD5A

RGB 197 205 90

HSL 64.17, 0.53%, 0.58%

LAB 79.77, -18.24, 55.2

 

CMYK 3 / 0 / 43 / 26

HEX #B6BC6C

RGB 182 188 108

HSL 64.5, 0.37%, 0.58%

LAB 74.19, -14.1, 39.66

 

CMYK 2 / 0 / 27 / 33

HEX #A7AB7D

RGB 167 171 125

HSL 65.22, 0.21%, 0.58%

LAB 68.62, -9.12, 23.28

 

CMYK 0 / 36 / 77 / 6

HEX #F09A38

RGB 240 154 56

HSL 31.96, 0.86%, 0.58%

LAB 70.82, 24.53, 61.63

 

CMYK 0 / 15 / 77 / 6

HEX #F0CB38

RGB 240 203 56

HSL 47.93, 0.86%, 0.58%

LAB 82.66, -1.14, 72.75

 

CMYK 5 / 0 / 77 / 6

HEX #E4F038

RGB 228 240 56

HSL 63.91, 0.86%, 0.58%

LAB 91.28, -24.47, 80.22

 

CMYK 25 / 0 / 77 / 6

HEX #B3F038

RGB 179 240 56

HSL 79.89, 0.86%, 0.58%

LAB 88.06, -43.66, 76.08

 

CMYK 46 / 0 / 77 / 6

HEX #81F038

RGB 129 240 56

HSL 96.2, 0.86%, 0.58%

LAB 85.64, -60.54, 72.95

 

CMYK 7 / 0 / 92 / 22

HEX #B9C60F

RGB 185 198 15

HSL 64.26, 0.86%, 0.42%

LAB 76.52, -23.2, 75.33

 

CMYK 7 / 0 / 92 / 7

HEX #DCED12

RGB 220 237 18

HSL 64.66, 0.86%, 0.5%

LAB 89.78, -27.25, 86.35

 

CMYK 6 / 0 / 77 / 6

HEX #E2F038

RGB 226 240 56

HSL 64.57, 0.86%, 0.58%

LAB 91.13, -25.28, 80.03

 

CMYK 5 / 0 / 61 / 5

HEX #E8F35E

RGB 232 243 94

HSL 64.43, 0.86%, 0.66%

LAB 92.6, -22.36, 68.34

 

CMYK 4 / 0 / 46 / 4

HEX #EDF685

RGB 237 246 133

HSL 64.78, 0.86%, 0.74%

LAB 94.15, -18.73, 53.01

 

CMYK 6 / 0 / 78 / 6

HEX #E2F036

RGB 226 240 54

HSL 64.52, 0.86%, 0.58%

LAB 91.12, -25.35, 80.58

 

CMYK 77 / 0 / 56 / 6

HEX #38F069

RGB 56 240 105

HSL 135.98, 0.86%, 0.58%

LAB 84.06, -71.75, 51.89

 

CMYK 25 / 77 / 0 / 6

HEX #B338F0

RGB 179 56 240

HSL 280.11, 0.86%, 0.58%

LAB 50.34, 74.93, -69.17

 

CMYK 6 / 0 / 78 / 6

HEX #E2F036

RGB 226 240 54

HSL 64.52, 0.86%, 0.58%

LAB 91.12, -25.35, 80.58

 

CMYK 77 / 5 / 0 / 6

HEX #38E4F0

RGB 56 228 240

HSL 183.91, 0.86%, 0.58%

LAB 83.24, -37.77, -18.07

 

CMYK 0 / 77 / 5 / 6

HEX #F038E4

RGB 240 56 228

HSL 303.91, 0.86%, 0.58%

LAB 58.93, 84.25, -48.14

 

CMYK 6 / 0 / 78 / 6

HEX #E2F036

RGB 226 240 54

HSL 64.52, 0.86%, 0.58%

LAB 91.12, -25.35, 80.58

 

CMYK 77 / 0 / 56 / 6

HEX #38F069

RGB 56 240 105

HSL 135.98, 0.86%, 0.58%

LAB 84.06, -71.75, 51.89

 

CMYK 72 / 77 / 0 / 6

HEX #4438F0

RGB 68 56 240

HSL 243.91, 0.86%, 0.58%

LAB 38.46, 60.28, -89.1

 

CMYK 0 / 77 / 20 / 6

HEX #F038BF

RGB 240 56 191

HSL 315.98, 0.86%, 0.58%

LAB 57.19, 79.23, -29.82

 

CMYK 6 / 0 / 78 / 6

HEX #E2F036

RGB 226 240 54

HSL 64.52, 0.86%, 0.58%

LAB 91.12, -25.35, 80.58

 

CMYK 77 / 0 / 33 / 6

HEX #38F0A0

RGB 56 240 160

HSL 153.91, 0.86%, 0.58%

LAB 84.84, -62.69, 26.14

 

CMYK 72 / 77 / 0 / 6

HEX #4438F0

RGB 68 56 240

HSL 243.91, 0.86%, 0.58%

LAB 38.46, 60.28, -89.1

 

CMYK 0 / 77 / 43 / 6

HEX #F03888

RGB 240 56 136

HSL 333.91, 0.86%, 0.58%

LAB 55.21, 73.28, -0.6

 

Description

Color code: HEX #E2F036 | qconv.com Color code: HEX #E2F036 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 240 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 240 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 78 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 78% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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